Review: Well Curated is a series of releases and parties that - in its own words - "reflects the ethnomusicology of the last 50 years of music" - and aims to reach into all genres, merging classic styles and breaking down barriers. Steve Spacek occupies the A-side with the breezy broken beat and soul-in-space of 'Alone In Da Sun', while Lukid's 'Hair Of The Dog' is a more intense counterpart, with wobbling sub-bass and swirling, surging atmospherics hovering above.
Review: Berlin's Cocktail d'Amore and Tokyo's Ene Records have come together once again to present the music of Solidair. The duo of Cocktail alumni Luigi Di Venere and Jules Etienne present three tracks aimed to induce a dance floor hypnosis. Orgonite (Riding the Waves) does just that, a slow build awash in the ebb and flow of acid tinges, just enough to wet your whistle on a Saturday night. The original mix keeps the skeletal support but throws in a life preserver of 8 bit gaming synthesis. Frisky arps call and respond to each other before making way for sinewy pads to lift off. Tiger's Eye sets itself onto cruising speed incorporating elements of late 90's acid techno with the sleek and smooth clubbing aesthetics of modern day Berlin.
Review: Senking and DYL reunite after their notable collaboration back on 2020's EP Uniformity Of Nature, this time going long on their first full-length, Diving Saucer Attack. This new work spans a total of six tracks, two of which have been produced individually and so highlight their shared passion for dub-heavy and adventurous electronic music while also bringing out the subtle differences in their styles. The album opens with 'Six Doors Down', a track featuring throbbing bass and haunting synths while subsequent cuts like 'A7r380R' explore intricate soundscapes before culminating in the sombre closing piece, 'Not Just Numbers.'
Review: So what happens when a European post-punk outfit meets an American 'ambient country ensemble'? The answer: A Nanocluster. In fact, three. This being the third. Immersion first met SUSS in September 2021, and the results were mesmerising. Three years on and the impact was no less staggering. Originally landing in September 2024, part tres takes us into the kind of musical places we're used to finding Spiritualized or Mogwai, and even then the references are misleading. For as many times as Nanocluster Vol. 3 sucks us into a thick soup of ambient and atmosphere, inviting us to get lost in opiate cloud formations, it also asks us to jump on board a stream train of rolling and driving rhythms, juggernauts gathering depth and complexity as they forge ahead. A stunning collection of highly evocative and incredible musical instrumentals.
Sanderson Dear - "A Place For Totems" (extended version) (6:10)
Review: Sanderson Dear's Stasis Recordings released the original Time Capsule compilation in 2020 - a 20-track exploration of ten different ambient techno artists exploring two ideas each in compact form for a box set of 7"s. Now the label has revisited some of the project's standout moments and offered a chance to enjoy extended versions gathered on a single 12". From Maps Of Hyperspace shaping out atmospheric halls of synth work on 'Beta' to Glo Phase offering some gorgeous, sparkling grooves on 'Fire Flies', there's plenty of ground covered on this release. Of course the mighty John Beltran is a big drawer too, and his typically stellar 'The Descendent' doesn't disappoint in its full extended version.
Review: Sa Pa's mastery of dense, immersive sound design takes on fresh forms here, with four extended cuts that unravel in their own time, drawing deep from the wells of dub, ambient techno, and minimal groove. Opener 'Captigon' rolls out like a slow-motion mirage, its submerged rhythms and cavernous textures shifting like sand underfoot. 'So Simple' strips things back even further, a delicate interplay of drifting chords and weightless percussion that feels like it could dissolve at any moment. On the flip, 'Boredom Memory (Extended Mix)' lets a steady pulse guide its shimmering layers, balancing restraint with a quiet insistence, while 'Gausian Ecstacy' brings things full circleihushed, intricate, and hypnotic in equal measure. Designed for deep listening, whether warming up, winding down, or staying in, these tracks reward patience, letting their submerged details rise to the surface at their own pace.
Review: Dino Sabatini returns to his own Outis Music label with another mesmerising selection of deep electronic sounds that seem to take plenty of influences from dub, downtempo, ambient and trip hop. The open has a creeping melodic sequence that is forever subtly shifting and brings a sense of eeriness to the smooth and unhurried dub rhythms below. 'Inenarrabilis' is then a double quick flurry of tiny synth loops and trippy effects then 'Plena Lunae' allows you to breathe once more and sink into a vast dub soundscape. 'Ego Experior' shuts down with some paranoid baselines bubbling up through a slowly churning groove. Some quality work here for sure.
Review: The state51 Conspiracy label comes very much correct early on in the New Year with this two-track grey marbled vinyl 12" in a fancy spot-varnished sleeve. It takes the form of two fresh Santaka reworks of original compositions by Rytis Mazulis and avant-garde choir Melos Collective which were first released back in 2020. Santaka, which means "confluence" in Lithuanian, is the coming together of DJ and producer Manfredas and drummer and producer Marijus Aleksa and here they layer up disembodied vocals and dark jazz melodies on 'Ramybe' and then 'Autoportretas' is a textural ambient exploration packed with fascinating sound designs.
Review: Lost In Translation's debut release, Anthroposcene, is a vital coming together of various artists each with their own take on ambient. It is all airy soundscapes and lo-fi pads to start with from Saphileaum's 'Prologue' while Alfred Czital & Moon Patrol bring in some silky broken beats and warped electronics on 'Act I.' Human Space Machines's 'Act II' is deep rolling techno bliss and on the flip, we get everything from cavernous underwater soundscapes to Orca Silent's edgy dub 'Act IV' and Martinou's soothing closer 'Epilogue.'
Review: Sawf doesn't strike us as the type of producer who suffers fools gladly. Or indeed at all. The Greek music maker has a reputation for uncompromising and unforgiving electronic beats at the harsher end of the spectrum, one foot in industrial and another in techno, but with enough respect for both genres to make sure he's never made anything that feels as though it's destined for a TikTok video of 5,000 people pretending to find groove in sledgehammers. Kafas is exemplary of this, four tracks that sound as though the machines are rising up but in a way that's infinitely danceable, even if you don't normally gravitate towards dark, single strobe-lit rooms. From 'Bordo''s stepping, broken, minimalist workout, through to the stomp, clang, march and whips of 'Tsirita', this is heavy, heavy stuff but also very good indeed.
Review: As the official soundtrack to Claire Sanford and Josephine Anderson's documentary Texada, New-York based composer Elori Saxl's latest record comes issued on a steadfast, standalone vinyl edition. Texada explores the evolving connection between people and the remote Texada Island, British Columbia, shaped by ancient limestone formations and industrial history. Saxl transforms these themes into sound, blending analog synthesizers, processed baritone saxophone (by Henry Solomon) and field recordings of water and rock. Her compositions evoke stone textures and the lunar-tidal motion of waves, with tracks like 'The Quarry' capturing the drive of resource extraction, and 'The Most Special Place' reflecting nostalgia and discovery, merging human and geological scales.
Review: Mainrecords returns with the 'Radiation Dance' EP which is the newest outing from co-label owner Matthias Schildger. It opens with the sleek electronic lines and Kraftwerkian hypnosis of 'CH Dance' on icy rhythms and lush synth chords. 'Radiation' is a more rugged techno sound but still artful in its pads and widescreen melodic scope. There is a retro 80s feel to 'Divine Divide' while 'Rzwodzwo's Brain' birds some more buffed metal textures, tripped-out FX and jittery rhythms. Last of all is 'Datapoppers' which is a great blend of analogue kits and drums, retro-future synths and curious cosmic moods.
Review: Schlammpeitziger gets some loving remix treatment here by a superb array of artists, many of whom will all be familiar to lovers of the famous Kompakt sound. Ada is first with a remix of 'Loch Ohne Licht' that is high in exotic melody and tropical bliss. Elsewhere a Wolfgang Voigt Megamix is dreamy and zoned out for the moments when you want to get lost in your own thoughts, and Andreas Dorau and Zwanie Jonson team up for a remix of 'Parzipan' that brings indie sleaze and underlapping groves to some skyward synth invention.
Review: The rather unpronounceable Schwefelgelb is back with more club-ready goodness across two original tracks that blend pounding 138 bpm drums with inescapable basslines. The raw energy of the designs are enhanced by intricate arrangements and fresh sound design which marks a bold step in Schwefelgelb's evolution as they fuse hard-stomping techno with tonal playfulness. Adding versatility is UFO95 who contributes a dubby yet driving 4/4 remix, while Flore shifts gears entirely, exploring UK bass territory to close out this fine slab of 140g coloured vinyl.
Review: Mad About Records is back with another essential double dose of Latin funk with this limited edition 7" from Los Sonidos De F.M. and Sola. 'Tema De Los Adolesentes' kicks off on the flip with brilliantly lively samba keys and blasts of big horn energy next to more slinky and seductive lines. It's a true steamy dancer full of sex appeal while Sola take a different approach on the flip with 'Tabu.' This one is low slung and mischievous with its prickly rhythms and wet cymbals. The Spanish vocal is delivered with power and flair and backed by brooding harmonies that add extra weight.
Review: Second Tension invites us into a singular world of industrial tech menace with the new yellow-marbled EP on Persephonic Sirens. Right from the off there is a heavy metal feel with screeched and snarling vocals over screen baselines and flashy trance synths. 'Lust From The Eyes Drips' is lit up with searing laser-like synths over ragged, squared-off drums and bass and 'No Rejoicings Of Joy Shall Ever Be Tasted' is another white knuckle, teeth-gritted stomper. 'Punishments Of Tainted Light' rounds out with more machine gun synths and hellish vocals for a dark and thrilling experience.
Review: After launching last year via an arguably overlooked EP from Obsidian, Parallel Connection has made us wait a little while for the London label's second release. It comes courtesy of Sela, a 25-year-old French producer who apparently honed his soon to be trademark sound while living in the UK. There's much to enjoy across the four track missive, from the alien electronics, loose-limbed broken electro beats and chiming lead lines of '2020 Connection' and sub-heavy, acid-flecked stomp of 'Animal Kingdom', to the pitched-down electronica eccentricity of 'Really Get Fucked' and the psychedelic late-night tech-house hedonism of 'Mr Rabbit', which boasts bleeping melodies reminiscent of both mod-90s ambient techno and Yorkshire bleep and bass.
PATT (Party All The Time) (Adam Beyer, Layton Giordani & Green Velvet remix) (5:52)
PATT (Party All The Time) (Adam Beyer, Layton Giordani & Green Velvet remix) (5:52)
Review: Second time around for some time Deep Dish man Sharam's 2006 anthem 'PATT (Party All The Time)', a canny combination of dark Italo-disco bass, mind-mangling TB-303 acid lines and celebratory vocal snippets (back then, you couldn't escape the sampled "my girl wants to party all the time" vocal refrain). This time round, Adam Beyer has joined forces with fellow Drumcode artist Layton Giordani and Chicago legend Green Velvet - who delivers typically evocative spoken word vocals - to give the track a massive new big room techno spin. Pitching the track up while retaining the original bassline and acid lines, the trio stretch out this hard-as-nails groove before finally unleashing the glassy-eyed vocal sample and some suitably dark and brain-melting electronic refrains. To say it's 'big' is an understatement.
Review: Pont Neuf approaches its quarter of a century of releases with Shore serving up a fresh blend of the old and the new on this Life Is A Blur EP. It kick off in laissez-faire fashion with some heavenly ambient, then 'Constant Motion' is a synth-drenched house kicker with jazzy leads. 'So Low' is more progressive and a little darker, while 'Thinking Out Loud' cuts loose and slows down from some sunset downtempo bliss. 'Ascent' rounds out with kaleidoscopic melodies that have you gazing off to the stars.
The Hypnotist (Expanded From Seven To Twelve Inches) (6:43)
The Hypnotist (Atlantis) (4:52)
The Hypnotist (Ok Mr Mogul) (6:32)
The Hypnotist (Subliminal Suggestion) (3:11)
Review: A classic track on many Cafe Del Mar compilations in the early 90s, The Hypnotist by Sisterlove finally gets a proper reissue. Thank you to Sound Migration for keeping all four original versions complete on this homage to the 1993 release. For those who enjoy the chill-out sound of the 90s where ambient, electronic and house music took on a spiritual and psychedelic overview, you will fall in love with this one. We can't say enough great things about what sound this track represents. Old skool heads and new fans of the sound, snap this up quickly!
Review: Sleepnet is the now, firmly established solo alias of Noisia's Nik Roos. Splitting off from the trio after their disbanding in 2020, this is the second edition in what is now set to be a continual slew of releases under the name, the self-referential Sleepnet coming as the follow-up to 2021's First Light (which housed the no less badass, era-defining seraphic neurofunk cut 'Angel Blade' in its ranks). With only four out of seven tunes counting as solo endeavours here, this is Roos' first outing under the name in three years. After a dramatic introductory piano expurgation on the A1, 'Doorway', Sleepnet hears Sleepnet raise his snapneck audio-synaptics to all-out haywire levels. The mood is continual (as if we're picking up from where we left off in 2021, well into the throes of an evolutory, hi-tech (post-) vision quest) as the uncanny gurgle design of 'Face Dancer', and/or the brisk angelo-triumphalism of 'Surrender', stand out as the most biblically impressive of the bunch.
Chapelle XIV Music, Yoyaku's art gallery label, signs up Shaun Soomro for this beautiful EP which combines elements for mind, body and soul. 'Rage & Harmony' kicks off with some dusty breakbeats and is doused in silky pads awash with subtle euphoria. 'The Laughing Heart' is a blissful ambient interlude full of texture and timbre and 'Illusions Of You (dub)' is a moment of go-slow loveliness on a codeine-paced rhythm. 'Dusk God' shuts down with more misty, grainy, lo-fi ambient and dub fusions.
Review: Hamburg's relatively new Space Drum Mediatation label's sixth release continues its tradition of deep, immersive soundscapes, blending ambient and drone elements with a wide-ranging sonic depth. This latest offering unfolds like a journey through ancient and futuristic landscapes, each track carrying its own distinct energy and atmosphere. Side-A opens with 'Yarra', a hypnotic piece driven by tribal drums and chant-like motifs, evoking a primal, meditative state. 'Water Sirens' follows, weaving hedonistic, jungle-infused textures that feel both untamed and ritualistic, transporting the listener into a lush, mysterious realm. On Side-B, the tempo shifts with 'Yacu', a pulsating, Goa-trance-inspired track that surges with momentum, its fast-paced rhythms pulling towards a euphoric edge. The release closes with 'Sun Bleed', a deeply spiritual, spacey composition laced with acid-tinged echoes and an expansive mysticism. Its reverberations stretch into the unknown, leaving an afterglow of cosmic introspection. Balancing organic and electronic elements, this release stands as another example to the label's dedication to quality and sonic exploration. It's a seamless fusion of tribal resonance, trance propulsion and ambient depthiperfect for deep listeners and adventurous sonic explorers alike.
Review: As Detroit techno spread across the world and inspired a generation, Scotsman in London Jonah Sharp took up the mantle Space Time Continuum and crossed the Atlantic to shore up in San Francisco with a cutting edge sound steeped in the language of advanced chill-out room machine soul. His label Reflective kicked off with Flurescence, an EP of exquisite, dreamy trips which has since become a rare and prized piece within the buoyant deep techno scene. Musique Pour La Danse are all over this kind of stuff, and it's good to know the reissue of such a seminal work is being handled by the best in the business.
Emma Wild & Whale (DJ Sotofett Overdubble mix) (3:29)
Seance Of A Kondalike (DJ Sotofett Newseance mix) (5:26)
Out Of The Dark Into The Dawn (DJ Sotofett Lite Drum mix) (6:04)
Melting Grey (DJ Sotofett Grey Room mix) (4:55)
A Dead Rose (DJ Sotofett extended mix) (3:27)
Review: The words 'DJ Sotofett Remakes' is like catnip to lovers of obscure electric sounds. And here is the Allchival label with no fewer than six of them as the left-of-centre maestro adds his take to originals by Stano. His club mix of 'Room' is all spaced out and cosmic, then goes super slow and psychedelic with his snaking bass sounds on an Overdubble mix of 'Emma Wild & Whale' before Seance Of A Kondalike" (DJ Sotofett Newseance mix) picks up the pace but remains utterly psyched-out and intoxicating. There is still time for snaking dub techno and warped electronics on the remaining three sides.
Dreaming About Rollercoasters (Jakojako remix) (4:58)
Organic (Om Unit remix)
Feroit (Julia Gjertsen remix)
Review: Nadia Struiwigh's Pax Aurora was a standout ambient techno LP in 2022, and now Nous Klaer Audio have returned to the project to commission a grip of remixes which respond to the source material in distinctive ways. DJ Nobu takes a delicate, mesmerising approach to 'Nana', while Jakojako plumbs the depths of immersive, feathery techno. With Om Unit and Julia Gjertsen representing with equally hypnotic, elegant versions on the flip as well, this is the perfect example of a remix EP which truly adds weight to the original release.
Review: Italian label Suoni Incisi launched in 2020 with a mission to offer up hugely emotional electronic music that fuses experimentation with multi-genre explorations. The boss that gave their name to the label takes charge of this third transmission and it is a deep techno journey into sustained chords, mysterious pads and the sort of muttered vocals that add real atmosphere. 'Track 2' on the flipside is similar in make-up with liquid rhythms, cavernous and dubby bass and subtle musings, this time with some eerie flute melodies drifting up top.
Review: Harlem & Irving label partner Brian Kelly assumes his Supplement alias here for a new and limited edition 12" that features two of his tasteful and challenging sounds. Kelly is always out to disrupt and subvert and does so with aplomb here as the a-side title track starts with a whisper but soon grows with layers of found sound, piano, percussion, and ethereal voices. It then collapses before reemerging with melodic and tonal guitars and pulses. On the flip, the same tune comes 'Revisioned' but is much more cold and distorted, edgy and urgent.
Review: Spanish mainstay Sverca is one of those techno producers who very much has his own signature sound. You probably already know that if you're reading this, and the latest on his Semantica label finds some top talents all adding their own remix spin on his originals. Stanslav Tolkachev goes first with the booming, loopy kicks of 'AW08' and searching synth blips. Felix K flips 'Utero' into a rumbling bit of lurching deep techno that echoes through empty industrial spaces and after the original comes a CONCEPTUAL remix of 'Seda Muerta' that sounds like a train on a track pushing on through a stiff wind. Another version is also included that is more physical and Sverca's 'Jade' closes with warm and tense ambient winds.
Review: In typical Music From Memory fashion, their latest archival release shines a light on one of the UK's lesser-known bands of the early 1980s. The System released a lone single in 1981, followed by a now incredibly rare debut album, Logic, in 1983. Three of the cuts here are taken from that set, including the dreamy, downbeat Balearic-pop opener "Almost Grown" - a wonderfully evocative six minutes, all told - and the far-sighted, spacey, proto-techno shuffler "Vampirella". This EP also includes one previously unreleased track, "Find It In Your Eyes", which was rescued from long-forgotten master tapes during the licensing process.
Review: Following up 2021's acclaimed Vulture Prince, Pakistini American singer Arooj Aftab collaborates with jazz pianist Vijay Iyer and Shahzad Ismaily on synths to present a striking exercise in dramatic, atmospheric composition. Aftab's voice remains the centre of a creative groupthink which began in 2018, and here the musical ornamentation is turned down to a simmer, eschewing percussion in favour of ambient pastures. There's also space for Iyer and Ismaily to stretch out on their own, but ultimately this is Aftab's vehicle and her voice goes from strength to strength on this standout record.
Review: Emerging from the ether in July 2024, Surfacing is the third collaborative long player from ASC and Sam KDC. Producers known for their ability to create and set moods with comparatively abstract ambient soundscapes, their latest is no exception. A collection of work which opts for an un-rushed approach to creating big feelings and moments from relatively consistent sounds and noises. Not much seems to happen, until you realise how much has been happening. In many ways, it's a maximalist thing - attempting to pick apart tracks like 'Mirage' and 'Shimmer' reveals the density of these sonics. Walls of sound that are acoustically and melodically light enough to float on air, yet actually so thick they swallow the listener hole, with little hope of escape until the final refrains fade.
Review: A split release featuring two distinct yet complementary compositions by Francois J. Bonnet and Sarah Davachi. French composer Bonnet's 'Banshee' is a journey to the edges of the old world, where the boundaries between nature and human presence blur. Drawing on field recordings made in the Inner Hebrides, he weaves an aural tableau where the calls of seabirds intertwine with the mournful wail of the wind and the gentle lapping of water against the shore merges with the distant drone of a boat engine. The piece unfolds in seven interwoven movements, each capturing a different facet of the landscape's character. Meanwhile, Canadian artist Davachi's 'Basse Brevis' is a minimalist exploration of timbre, space and duration. Through subtle shifts in texture and harmony, Davachi creates a work that is both precise and evocative, its slowly evolving soundscapes inviting deep listening and contemplation. The piece's restrained yet poignant character creates a gentle tension, blurring the lines between instrumental and concrete approaches to sound. A compelling example of the power of sound to evoke place and emotion, offering two distinct yet complementary perspectives on the relationship between humans and the natural world.
Review: Sunn O)))'s drone overlord Stephen O'Malley first teamed up with Francois J. Bonnet in 2019 for the first volume of Cylene - a formidable exploration of sustained frequencies from a multitude of sources released on Editions Mego. Since then the pair have embarked on numerous concerts, installations and recordings, finally resulting in this sublime sequel. This is music to zoom in on, where the slow shifts in tone are sometimes imperceptible, but profound to those that hear them. Shot through with a certain longing, it's charged ambience for those who don't need the emotional content to be presented in obvious terms.
Erland Cooper has always been concerned with the world around him, the Guardian dubbing him "nature's songwriter" as a result of his focus on trying to interpret Mother Earth through sound. Of course, she's not in the best shape right now, and even stopping to appreciate the smallest details of her mastery can often make us fill with dread and regret.
The fact that it's still not too late to change the future we've been ruining for ourselves over the past 200 or so years is also important to note. And it's this juxtaposition, between hope and hopelessness, dystopia and utopia, that seem to define this incredible collaboration between Cooper and the Scottish Ensemble - a live recording from a concert that really shows off the emotional power of classical strings in their most contemporary form.
Review: Vladimir Ivkovic's Offen remains one of Europe's finest, broadest and least predictable electronic imprints, with the only real guarantee being that output will be interesting, weird and unarguably innovative. The latest from Gains't Nait, made with electronic near-deity Robin Rimbaud under his Scanner moniker (see also Githead), is another case in point.
Depth is the crucial factor - tracks feel dense enough to get lost in, catching listeners in a time-space warp, where there's as much to make us consider the future, and the great unknown, as the past. The familiarity of distant, building, looped brass stabs on 'OB'. The melancholic, cinematic cut scene pianos of '63'. All share their space with distortions, processing sounds, white noise and discordant ambience, to dazzling effect. Like the loose, intermittent breaks of 'Slo', and its spirals of barely-audible space age speech.
Review: The collaboration between Chihei Hatakeyama and Shun Ishiwaka on their latest ambient release represents a convergence of diverse musical backgrounds. With over 70 albums under his belt since his debut in 2006, Hatakeyama brings a wealth of experience in ambient and experimental music, while Ishiwaka, known for his prolificacy in modern jazz, adds a dynamic rhythmic dimension. Their encounter, sparked by a radio appearance and cemented through live gigs, led to the creation of this two-volume epic recorded in March 2023. Drawing inspiration from a spectrum of genres including ambient, experimental, jazz and metal, the duo's sonic exploration is enriched by references ranging from My Bloody Valentine to Alice Coltrane. The album reflects their shared love for free jazz and spiritual jazz, evoking the improvisational spirit of Sun Ra and Coltrane's later works. Guided by psycho-acoustic considerations and embracing spontaneity, the musicians engage in a dialogue of sound where responses unfold in the heat of the moment. The result is a remarkable project brimming with creativity and mutual understanding.
Review: 'PULSE 01' is the first release in PITP's new series, which is an ongoing exploration of ambient tech, while offering a more structured display of beat-driven ambient music. Pulse 01 features brand new tracks by SYNE and Influx.
SYNE is Dennis Huddleston from the UK, who is most recognized for his ambient work as 36. He returns to his SYNE alias for the first time in nearly 5 years, with only his second record since his 2017 self-titled debut LP.
'Dystalgia' is a 12 minute opus, spread over 3 movements. Soaring pads and razor sharp percussion combine for a dynamic, emotionally charged journey in sound. Showing love to the Detroit greats, but recognising the distinct UK influence which made him fall in love with Techno in the early 90's, it's a surprising pivot in Dennis' sound and one which all lovers of beautiful, melodic ambient techno should enjoy.
Influx is the techno/acid/trance moniker of James Bernard. With his first release in 1993 (Braineater EP on Sapho Records), Influx is no stranger to techno and acid. This project had been in hibernation for nearly 14 years until his 2021 remixes for his collaborative album with 36 and awakened souls (The Other Side of Darkness). Revel Dub is a dub-techno excursion with sprinkles of ambient and psy-trance rounding out the frequencies. The Slow Version dials back the tempo to half-time and travels to more ambient dub territories.
Review: 'PULSE 01' is the first release in PITP's new series, which is an ongoing exploration of ambient tech, while offering a more structured display of beat-driven ambient music. Pulse 01 features brand new tracks by SYNE and Influx.
SYNE is Dennis Huddleston from the UK, who is most recognized for his ambient work as 36. He returns to his SYNE alias for the first time in nearly 5 years, with only his second record since his 2017 self-titled debut LP.
'Dystalgia' is a 12 minute opus, spread over 3 movements. Soaring pads and razor sharp percussion combine for a dynamic, emotionally charged journey in sound. Showing love to the Detroit greats, but recognising the distinct UK influence which made him fall in love with Techno in the early 90's, it's a surprising pivot in Dennis' sound and one which all lovers of beautiful, melodic ambient techno should enjoy.
Influx is the techno/acid/trance moniker of James Bernard. With his first release in 1993 (Braineater EP on Sapho Records), Influx is no stranger to techno and acid. This project had been in hibernation for nearly 14 years until his 2021 remixes for his collaborative album with 36 and awakened souls (The Other Side of Darkness). Revel Dub is a dub-techno excursion with sprinkles of ambient and psy-trance rounding out the frequencies. The Slow Version dials back the tempo to half-time and travels to more ambient dub territories.
Review: Reimer Eising, aka Kettel, and Lennard van der Last, aka Secede, had already been lifelong friends by the time they began working on When Can. The Dutch producers wanted to create a seamless listening experience that would unfold and develop as a film does, using cinematic-leaning sounds to achieve their big idea. The whole thing feels like a narrative, a beginning-middle-end, which is doubly impressive when you learn there was no grand plan to begin with. Just two pals exploring what might come next. Originally released in 2012 - hark!, those heady, innocent days - what's perhaps even more astounding than the picturesque, immersive soundscapes here, is the fact this is the first time When Can has made it onto vinyl. Having said that, 12 years ago was another time and place, not least in terms of music sales, so let's not dwell on what everyone was thinking by not bringing this out on wax sooner. Instead, savour every moment of the rich, dreamy electronica.
Review: Transporting us to a waking dream of Los Angeles, two enigmatic music makers from the City of (Fallen) Angels present a truly stunning journey into hazy half-memories, afternoon fantasies, borrowed recollections and thoughts of things yet to happen. In many ways, Salt & Sugar Look The Same feels incomplete; tracks, half-tracks, movements, bits and pieces feel like our minds often work. Was that what we think it was? Did this happen? According to the official release burb, these 18 brief but beautiful compositions combine finger-plucked guitar work, the lens flare of electronica, and warped samples to create a take on the American primitivism music movement. The result is something that transcends boundaries of sound, time and place, and exists in a world of its own creation.
Review: Techno talents don't come much more proven than Speedy J and Surgeon. Both are veterans of the game but artists who have remained at the sharp end and their Multiples collaborative project is in part responsible for that. Now it births a full-length album of tweaked experiments that take techno into new realms. The whole thing was recorded in just two days at J's STOOR lab in Rotterdam on an array of hardware machines. Each tune is a raw, one-take affair which means they are perfectly imperfect and feel utterly alive. Techno and elector collide with beatless moments, pummelling low ends and plenty of club heft.
Review: Samuel Rohrer's ArjunaMusic has been minimal in its output since 2012's debut from the label-head himself, but what he's put out has been of the highest quality. While both previous releases were strictly CD-only, Ambiq has also been pressed onto LP format. It seems strange that the deep, intricate music on the label hadn't been released on vinyl, but we're not here to question, merely to tell you how great this piece of music is. Buried in a complex shell compred of strands of free jazz, psyched-out electronics and ambient, this is as experimental as it gets. Starting from the opener, "Erdkern", we're thrown head-first into a melodic frenzy, one which expands and contracts from more rigid structures such as "Tund" and dissolves back into the abyss. The breaks on "Touching The Present" are stupendous. So great to see that the free jazz dynasty has evolved into brighter, more contemporary spheres.
Review: Daljit Kundi and Ludvig Cimbrelius have Indian and Swedish backgrounds but actually came together in the UK music scene and specifically ambient jungle. They set off to explore that world totters and did so with aplomb across several great albums and EPs. This new album was actually nearly done many years ago but was shelved owing to struggles with record labels. When Past Inside The Present heard it though they encouraged the album to be finished and so here it is. It's an emotional work which "attempts to represent a psychic darkness that is as deeply restful as it is ripe with creative potential." It's absorbing, beautiful ambient from a pair of real dons.
Review: Dawn Richard and Spencer Zahn reunite for new album Quiet in a World Full of Noise, which is driven by their shared curiosity and desire to defy genre conventions. Following their 2022 collaboration Pigments, this new work together blends atmospheric, orchestral soundscapes with soulful jazz and intimate, confessional vocals and the result is a raw and exposed performance from Richard who delivers stark lyricism that feels both personal and profound. The album redefines the worlds of progressive, avant-garde r&b and jazz with an ethereal yet grounded approach, heavenly melodies and plenty of wide open space in which to luxuriate. By merging the familiar with the unexpected, this fine pair create a sound that makes a lasting impression.
Countless Wheels Keep Turning (feat Early Fern) (4:14)
Everyone Passing (feat Gregg Kowalsky) (7:06)
Ways To Be Remembered (feat Kallie Lampel) (5:11)
Fur & Exhaust (feat Ben Seretan) (3:19)
Active Decay (feat Patricia Wolf) (9:43)
Melting Into Asphalt/Springing From The Earth (feat Nailah Hunter) (2:34)
Worms Out (feat Laraaji) (2:31)
Review: Constellation Tatsu welcomes US artist Brendan Principato aka Saapato for what is a hugely conceptual new album based around decomposition. It was sparked when Saapato saw a dead fox lying by the side of the road on his way home from a job in a local warehouse. He used that as a jumping-off point to interrogate "transformation, interconnectedness, and renewal" and the five stages of decomposition, namely fresh, bloat, active decay, advanced decay and dry/remains. Several collaborators help him on his way as he sketches out various instrumental textures which variously have occasional shards of light, lingering melancholy and a subtle sense of hope.
Review: It's the seventh studio album from Suso Saiz, and the Spanish producer has never been on better form. Once again raising the musical bar, expanding into new ambient territories. Or, as he puts it himself: 'A body vibrates producing a sound that reaches another body and makes it vibrate and generate a new sound that makes another body vibrate that generates another sound...
'Imagine an infinite orchestra of bodies multiplying their sound vibrations creating the symphony of RESONANT BODIES. Resonance as a principle of COMMUNICATION; sound as a builder of ties and interrelations between men.' Take from that what you will, we're going for slightly different terms - tracks here are serene but never background, beautiful and thought provoking, a work of art that doesn't need to shout for attention, and instead invites you in deeper by the minute.
Review: Having introduced Spanish ambient pioneer Suso Saiz to a wider audience via last year's superb Odisea retrospective, Music From Memory has scored a new album from the long-serving musician and composer. Rainworks was recorded over a two-month period in early 2016, and sees Saiz evocatively joining the dots between Jonny Nash style guitar-led ambience, gently undulating, piano-driven mood pieces, evocative collages of found sounds and field recordings (see opener "From Memory & The Sky"), and ghostly, effects-laden ambient. He also finds time to pay tribute to Steve Reich style American minimalism on the cyclical brilliance of "They Don't Love Each Other".
Review: A profound exploration of acoustic sound manipulation. The title track, 'Distorted Clamor', envelops listeners in a tapestry of clicks and plucks, challenging traditional notions of beauty in distortion. 'Sweet Elephant' juxtaposes gentle melodies with unconventional soundscapes, creating a serene yet unsettling atmosphere. 'Electromagnetic Ride' ventures into more experimental territory, with water, wood and metal elements transformed into rhythmic pulses. This collection exemplifies Saiz's mastery in crafting ambient compositions that are both innovative and emotionally resonant.
Review: Ryuichi Sakamoto is making a very welcome return here with his first solo album since 2017's async. Milan Records are releasing 12 in January to coincide with the venerated Japanese composer's 71st birthday, and the timing is poignant given the album draws from musical sketches created while Sakamoto battled for two and a half years with cancer. Sakamoto himself describes reaching for his synths as a kind of therapeutic response to a big operation, and so the music carries an added depth of personal experience from one of the most profound ordeals a person can go through.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.