14 days

Notes: This MIDI Adapter enables you to connect MIDI devices that use standard MIDI cables to the stereo minijacks used by 1010music products. The adapter has a male stereo minijack at one end, and a female 5 pin DIN MIDI connector on the other, and is 22 cm/8.5" long. It is also useful as a converter for connecting to other MIDI devices that use a different mapping of MIDI signals to the stereo minijacks.

Notes: 12" polythene record sleeves.

Notes: Self-sealing 12" record sleeves.

Notes: Plastic 12" record sleeves.

Notes: Self-sealing 7" record sleeves.

Notes: Clear 7" record sleeves.

Notes: C05 Cable - Short 1.2 meter straight Thermo plastic cable, soft touch surface and perfect for small workstation.

Short, straight, black 1.2m thermo plastic cable with soft touch surface. Perfect for the small workstation when simplicity is key.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Xone:23C brings together the best of digital DJing and conventional mixing in a compact accessible format.

This high performance DJ mixer is equipped with a premium quality, 4 stereo channel 96kHz 24bit internal soundcard and offers plug n' play connection via X:LINK to Xone:K series controllers, making it perfect for performers looking to combine the convenience of digital DJing and recording with the hands-on control and visual appeal of a real mixer.

Xone:23C includes an enhanced version of the legendary Xone filter with resonance control, VCA faders, 3 band total kill EQ, illuminated switches, crossfader curve selector and styling inspired by the flagship Xone:DB4.

At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and 'mild to wild' resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system.

Xone:23C features 2+2 stereo channels with dual levels for phono and line inputs, allowing four music sources to be connected at the same time, including turntables and CD/media players. Additionally, the internal soundcard enables replay and recording from DJ software, offering users all the benefits of digital DJing whilst using hands-on mixer controls.

The main mix output and mic input are on professional standard balanced XLR's, and there is a dedicated record output. The Xone:23C is equipped with comprehensive monitoring facilities, including a dedicated booth output with its own volume control, a cue mix control, and signal levels clearly displayed on the 9 segment peak hold meters.

Styled on the flagship Xone:DB4, the Xone:23C includes soft touch, backlit controls, light-piped meters and a distinctive new shaped steel faceplate. The mixer can also be upgraded with the latest Innofader for enhanced scratch performance, available as an accessory.

Xone:23C comes with Mixvibes Cross LE Software, providing DVS control (requires reconfiguration of internal jumpers) and plug n'play mapping for Xone:K series controllers.

96kHz 24bit 4 stereo channel USB soundcard which enables replaying and recording from your chosen DJ software, offering digital DJing with a real mixer.

X:LINK provides power and MIDI data over ethernet connection to our Xone:K Series controllers, saving USB ports on computers and offering extended software control.

At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and 'mild to wild' resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system.

Seamlessly integrate your favourite external FX unit into your setup with send and return connections plus FX loop switching.

Both channels feature 3 band EQ Isolator, allowing you to creatively eliminate frequencies and bring them back into the mix with complete control.

Review: Valery Allington's 1982 debut single, "Stop", has long been considered an Italo-disco classic. Here it gets the reissue and remix treatment, with LA resident Dino Soccio's 2018 revision - first heard on a hush-hush edits EP - taking pride of place on side A. His version is pleasingly muscular and driving, underpinning the original's throbbing arpeggio style bass, sprightly electrofunk riffs and headline-grabbing vocals with heavy new drums. Also great is the vintage "Vocal Electronic Version" - a sleazier, bongo and kick-drum-driven affair rich in alien synth lines, two basslines (one squelchy, the other hypnotic and driving) and swirling chords. Also impressive is the sparser and slower "Soul Version", which includes a sneaky musical cap-doff to another Italo-disco classic.

Review: Aphex Twin is either having a breakdown, or simply making up for lost time. Since dropping his first album in a decade, Syro, he's become strangely prolific, giving away vast amounts of music on Soundcloud and dropping EPs left, right and centre. This latest offering serves up the predictably hard to pronounce "Machromt30a Edit 2b 96", a blissfully melodious, Selected Ambient Works style slice of electronic beauty that was originally only available on the Japanese version of Syro. It's backed with two similarly impressive bonus cuts; the deliciously rolling, melodious "Xmas_Evet1N" (a brilliant alternate take of an album highlight) and "Machromt38 Fast", a skittish, Reflex-esque IDM reworking of the EP's title track.

Review: For the latest missive on the Eastenderz imprint he established in 2014, East End Dubs has turned to a notoriously reliable source: Romanian minimal scene stalwart Arapu. It's the Bucharest-based producer's first missive of 2018 and also marks his Eastenderz debut. He begins in confident fashion on Side-A, wrapping distant percussion hits, atmospheric field recordings, bubbly electronics and deep space chords around a smooth but mind-altering groove rich in shuffling drum hits and hypnotic sub-bass. Turn to the flip for a bolder and arguably funkier excursion, where metallic hits and pot boiling electronic motifs spit and dart above a classically low-slung tech-house groove.

Review: That's right, folks, this ain't no reissue! When the names Chiwax and Robert Armani come together, heads instantly turn and think about what year the tunes might be from, but these four house killers are from late 2016, and it's clear that Armani has absolutely no intentions of slowing down any time soon. "BacardI" has the essence of golden era Armani, but there's something more subtle at play, an polished aesthetic that dives deeper into modern techno while retaining all of his original style and flair; the lead tune "Fourty Nine" reinvents the classic Chi-town sound and bursts through the place with a minimal sort of guise. Over on the B-side, "Give You All My Love" slams some hard-ass drums over a skeletal melodic rift and the man's classic use of repetitive vocal samples, which leaves "Track 2" to deliver that inimitable Armani acid...raw and uncompromising as when we first heard it. BIG!