The "Original Japanese Paper Diorama" series features the Beatles when they appeared on the Ed Sullivan Show
Notes: The "Original Japanese Paper Diorama" series, in which a single picture is cut out and assembled into a three-dimensional piece, features the Beatles when they appeared on the Ed Sullivan Show!
The "Original Japanese Paper Diorama" series, in which a single picture is cut out and assembled into a three-dimensional piece
Notes: The 1966 Budokan concert is now available in the "Original Japanese Paper Diorama" series, in which a single picture is cut out and assembled into a three-dimensional piece!
The diorama reproduces the real first day of the tour, June 30, which was not officially broadcast on TV.
Review: 3 Men Gone Mad were an independent group formed in Blackburn and Darwen in the UK. They fused electronic sounds with rock and were prolific in the 1990s when they became cult favourites amongst those who know. You Try is a much sought-after collection that has been restored by Utopia Records many years after it made its way onto John Peel's 1991 Festive 50. He heard in it a mix of The Clash, Joy Division and Talking Heads and that still rings true. The main mix has a raw energy that captures the angst of Britain at the time - and still today, frankly. A spaced-out dub brings a fresh feeling of euphoria and an extended B-side mix draws out this record's undeniable pleasures.
Review: The year 1982 can definitely be regarded as a vital one for the working-class Oi-punk movement. One that saw the release of debut full-lengths from the likes of the abrasive Blitz, and the somewhat underappreciated The 4 Skins, who were endlessly plagued by a myriad of line-up shifts. By the time their second full-length, A Fistful of...4-Skins arrived, the group were already onto line-up number four (no pun intended), and this time period is where the 'Five More Years' 7" single rears its skinhead from. Topped with the anthemic opening track from the album, and tailed with the CD reissue bonus cut, 'On The Streets', this sampler/taster/snapshot/teaser/whatever else you'd like to consider it, serves as a perfect piece of oi-punk memorabilia and entry point for those who don't mind doing some of their homework in reverse. These recordings are also notable for being some of the sole studio pieces from The Last Resort vocalist, Roi Pearce, who would serve with the skins for only the one full-length, and subsequent From Chaos To 1984 live album released the following year as swansong.
Review: Let's face facts, the trilogy of releases that ACR:EPR completes have helped win over a new generation of fans for the band while reassuring established followers that A Certain Ratio can still do the business. They've been heartfelt and honest, truly innovative and - when all is said and done, at some point in the near future - destined to be considered collector's items.
The final chapter is certainly winding things up triumphantly. '$ouls In The City' seems to go straight for the mind's eye, an enrapturing track that chugs its way through layers of funk groove, with acid details just about audible on top. 'Night People' is a far more sticky, treacly affair, while 'Big Boy Pants' ushers in a kind of nocturnal seduction, brass and rolling breakbeats setting the scene perfectly for the ska-infused melodies of 'Downtime Vibes' that follow.
Review: Prepare for a transcendent auditory odyssey with The Sevens, a series of four 7" vinyl records unveiling a treasure trove of previously unreleased tracks from the sessions that bore A Place To Bury Strangers' acclaimed album, See Through You. Known for their visceral sonic assault and immersive live performances, the series offers fans a deeper dive into their sonic universe. 'Don't Turn The Radio'/'This Is All For You', the third release in the series, delivers a raw and personal glimpse into the band's creative process during the See Through You era. APTBS founder Oliver Ackermann explains the decision to return to their roots with this release format, allowing each track to speak for itself without album context. These tracks offer a stark contrast to the band's current sound, providing a snapshot of a moment in time.
I Can Never Be As Great As You (previously unreleased) (3:27)
Review: 'The Sevens' by A Place To Bury Strangers unveils previously unreleased tracks from the band's acclaimed album See Through You. Renowned for their visceral post-punk and shoegaze sounds, the group delivers a sonic revelation across this white 7", which is one of a series of four. Each one invites you to delve into their universe and explore raw and personal tracks that capture life's most emotive essence. 'Chasing Colors/I Can Never Be As Great As You Are' is the second release that A Place To Bury Strangers founder Oliver Ackermann has said reflects on returning to their roots and embracing the unique format of standalone tracks, thereby offering a glimpse into a unique moment in time.
Review: The Advanced Cookbook Of Mr Selig And Kanzler Z was a short-lived experimental jazz act also known as Cookbook. They put out one EP and two albums, with this 12" being taken from the debut. It came in 1989 and German label the Zoo In You initially and has the vocals of Mr Selig on the A-side, and guitar by Wolfgang Bokelmann and words by Dieter Pougin on the flip. An original will cost you more than a night at the pub and even finding samples online can be hard. Rest assured it is future jazz that still sounds futuristic today.
Review: Celebrate the 25th anniversary of AFI's All Hallow's E.P. with this limited-edition release on "Spectral Pink" vinyl. This cult-classic EP, originally released in 1999, is reimagined with alternative fluorescent cover art and includes a 10" x 20" black light die-cut coffin poster, evoking the eerie charm of the original Nitro Records promo. The EP, clocking in at a fitting 13 minutes, features AFI's standout tracks: a formidable cover of The Misfits' 'Halloween', the iconic 'The Boy Who Destroyed the World', the infectious 'Totalimmortal', and the fan favorite 'Fall Children'. This limited 10-inch pressing offers a nostalgic nod to the band's punk roots while showing their early foray into melodic and atmospheric sounds. AFI, formed in 1991, evolved from a hardcore act into melodic pioneers with their 1999 album Black Sails in the Sunset and subsequent releases. The All Hallow's E.P. remains a sought-after gem in their discography. With this reissue, fans can relive the magic of AFI's early days, now with a hauntingly collectible twist.
Review: London five-piece Ain’t makes a striking debut with their single 'Oar,' blending post-punk and shoegaze to create a sound that’s both introspective and intense. Comprised of Hanna Baker Darch (vocals), George Ellerby (guitar/vocals), Ed Randall (guitar), Chapman Ho (bass), and Joe Lockstone (drums), the band balances nostalgia with innovation. 'Oar' was originally drafted by George during the pandemic and reinterpreted by Hanna, drawing inspiration from the legend of Llys Helig to explore themes of disaster and resilience. The lead single by the band should definitely make people step up and notice.
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