14 days

Review: Given the underground acclaim heaped on Marie Davidson's previous albums - ultra-stylish affairs that blend elements of minimal wave, dark Italo-disco, off-kilter electro and moody ambient - it's little surprise to see her popping up on Minimal Wave offshoot Cititrax. The album's nine tracks are largely sharp, rough and fuzzy, with sparse-but-dense drum machines rhythms underpinning bouncy, delay-laden synth lines, thrusting electronics and Davidson's sleazy, spoken word vocals. It's an attractive combination that guarantees thrills throughout, from the almost claustrophobic throb of "Denial", to the mutant electrofunk bounce of "Good Vibes".

Review: Originally released back in the early '80s, Veronica Vasicka's label has done its audience a fine service by re-releasing Portrait by Swiss duo Guyers Connection. Full of self-conscious vocals and in places decidedly lo-fi synth lines, it's surprising and disappointing that this collection wasn't a big hit first time round. After all, both "Pogo of Techno" and "Keep the City Clean" are as catchy as an oddball Yazoo, "Die Grille" is a jaw-dropping, windswept synth composition and "National Und Stander" sees the duo fuse ponderous piano lines with pulsing, rippling basslines. Best of all though is "Ein Glas Voll Gurken" a breathy synth-pop song that could have conquered charts had it been sung in English.

Review: Belgian label Walhalla Records specializes in re-releasing Belgian and Dutch wave, minimal wave, electro and EBM. After several highly acclaimed (and completely sold out) volumes, here is number six! Again a very fine selection of old and new tracks for the first time ever on vinyl, and featuring local bands from yesteryear such as such as: Commercial Term who provide the nonchalant reductionism on "We All Fight", and examples of proto EBM by Spleen on "Beat Love Affairs" and similarly White House White on "Your Screen". War Tempo (featuring former Nitzer Ebb drummer Duc Nhan Nguyen) similarly impresses on "Open Your Eyes". International contributions come from Hades from Brazil and SS20 from France. Again, a wealth of extremely rare and previously unreleased material, deeply rooted in the electronic 80's.

Review: The guys over at Stones Throw did us a massive favour this year by compiling these long-forgotten experimental pieces form the 80s and 90s. This is the second chapter and we couldn't have expected any better from Peanut Butter Wolf's imprint. There's plenty of rarities and gems here, starting with with the opener by Hard Cops, "Dirty" an italo-influenced electro stomper with an unmistakable 80s edge to it. Philippe Laurent's "Distortion" is another massive track, with those wavering lyrics falling apart over the grinding beat beneath it; "HSTA" by Das Ding is also unmissable and worthy of any collectors shelf. To be honest, there isn't a single average piece here and if you haven't got this compilation already, you're making a huge mistake...