I Can't See Your Love (For The Tears In My Eyes) (part 1 - bonus track) (2:33)
The Gift Of Love (2:40)
I'm Nothing Without Your Love (2:26)
My Baby Know How To Love Her Man (3:08)
Weakspot (3:01)
Hey Diddle Diddle (2:39)
Goodnight My Love (2:45)
I Love You, Yeah (alternate take - bonus track) (3:01)
Review: The Ballads, an Oakland-based group featuring Nathanial Ramerson, Lesley Palmer, Rico Thompson, and John Palmer, made a notable mark with their single 'God Bless Our Love,' which climbed to #8 on the R&B charts and #65 on the Billboard Pop Hot 100 in 1968. Despite their success with this track on Venture Recordsia label established by MGM and helmed by former Motown A&R director William "Mickey" Stevensonitheir time with the label was brief. The Gift Of Love features a blend of soulful tracks including 'You're The One,' 'I Love You, Yeah,' and 'Goodnight My Love,' showing the group's vocal charm and heartfelt lyrics. Although their commercial success was limited, the compilation offers a glimpse into their potential and includes all eight Venture releases along with some previously unreleased material. For collectors and soul enthusiasts, this vinyl is a monumental collection of 1960s r&b.
Review: Although little known in the UK, Sicilian singer Mario Biondi has sold huge amounts of records in his native Italy. It's not surprising, really, given the quality of his Barry White-esque deep and soulful vocal style. Here he pops up on Schema, offering up the seductive, slow dance-friendly silkiness of "Never Stop Dreaming" and the warm and groovy Philly Soul revivalism "Stay With Me". That track is given the once over by fellow Italian LTJ Xperience. Interestingly, his full vocal remix is faster, warmer and looser than his normal metronomic productions, while retaining his usual DJ-friendly grooves. His soulful house style instrumental Dub is pretty darn tasty, too.
Review: Handful of Soul was a successful album that sold over 300,000 copies when first released back in 2006. Now reissued by Schema Records in a special edition double vinyl set on blue transparent wax, it reminds us of Mario Biondi's remarkable voice. Hailing from Catania, Sicily, it resonates with soul and rhythm & blues influences and contemporaries like Gregory Porter. The record traverses jazz and soul, offering captivating vocal melodies and dance-worthy rhythms and is supported by trumpeter Fabrizio Bosso and his High Five Quintet who showcase an exceptional interplay among top Italian jazz musicians and deliver instinctive jazz performances.
You Don't Love Me (No No No) (feat Delroy Williams) (3:38)
You Know How To Make Me Feel So Good (5:01)
Review: Susan Cadogan is an esteemed reggae vocalist who has been since the 1970s. Now she continues her musical journey with this cover single which is taken from her excellent 2020 album Hurt So Good - Storybook Revisited, distributed by Burning Sounds. Side-A features a rendition of the reggae classic by Dawn Penn, while Side-B offers a sweet soul interpretation of Harold Melvin & The Blue Notes' track. Enhanced with Japanese-inspired artwork on the jacket, this release showcases Cadogan's timeless talent and versatility as it bridges the gap between reggae and soul music across generations.
Don't Pop The Question (If You Can't Take The Answer) (3:19)
Good Guys Don't Make Good Lovers (3:53)
Review: It's not Oliver Cheatham's first trip through our ends. Soul Junction have released a steadily growing number of 7"s by the '70s soul crooner; they were first alerted to his talents circa 2012, when they heard two of his mid-seventies staples and were instantly charmed. 'Don't Pop The Question (If You Can't Take The Answer)' is a deliciously titled, and even better-sounding, classic track from that time. We've never encountered the phrase 'pop a question' before, but we're definitely not questioning this one: with a serene femme backing refrain and a popout wall-of-sound mix, Cheatham's paean to wresting oneself from the clutches of use and abuse in love. If you're tired of taking chances, cop this record.
Lord Kitchener - "Manchester Football Double" (3:15)
Review: Edric Connor's 'Manchester United Calypso' is a timeless masterpiece that captures the spirit and joy of football. Originally released 70 years ago, its legacy continues to resonate with fans, heard echoing through the terraces of Old Trafford and beyond. This reissue, featuring Lord Kitchener's 'Manchester Football Double' on the B-Side, is a delightful treat for fans of vintage calypso and Manchester United alike. The 7" vinyl format, coupled with Stan Chow's stunning artwork, makes it a real treat. With its soulful and uplifting vibes, 'Manchester United Calypso' is not just a song; it's a celebration of football and the enduring spirit of one of the world's most iconic clubs.
Review: One song, two versions, one killer Philly 45. The Cooperettes got in first during the mid 70s with a very rare copy that picked up momentum during the Northern/modern soul crossover in mid 80s when copies began to surface and never really lost favour as OG copies on I-D-B go for near L500. Flip for a previously unreleased male harmony version by The Toppiks, fronted by Ted Mills a la Blue Magic. Just sit back and feel those falsettos.
Come Over (bonus Clear vinyl 10" - feat Le Flex) (3:40)
I Can't Stop (extended) (7:54)
Review: Dabeull, the current scene's utmost favourite 'danceable funk' purveyor, is back with bang in the form of an all-analog production, full-length LP. Analog Love enlists the help of a string of vocalists and production affiliates - including Holybrune, Dezzy Hollow, Reva DeVito, Rude Jude, and Jordan Lee - to amount to a glitzing, golden, effulgent nighttime set of funk intuits. From the lead single 'Body Heat' to the closing confabulations of 'Fabulous Kisses', every piece here is a latent hit, dripping in neon liquid and well-rounded, sawn-off textures, the latter of which was notably achieved by using the mixing console historically used for Michael Jackson's 'Thriller' at the mixing stage.
Review: Sam Diss has a buttery voice that immediately melts the heart. His tunes on the likes of Outta Sight and Kent Dance and albums on Pure Pleasure always sell out. This 7" single was written by the man himself and is one of his many majestic cuts from a career that started in the late 60s and found him recording for the next 30 odd years. An original will be hard to find and probably too costly if you do so grab this limited edition 7" and prepare to get smoochy as soon as you drop the needle on the record.
Review: Featured on this new white 7" are three separate and equally essential "redrums" from the soundtrack of Belly. They are great works from DJ A L starting with the slow motion and seductive claps and beats of 'Back 2 Life (Impreach edit with intro)' then cruising into the 'Back 2 Life' (Re-Drum-Apella) with more knowing beats and prominent snares, then last of all is 'Devilz Pie' (Re-Drum-Apella) which is lo-fi and lovably loved up thanks to the D'Angelo vocal up top.
Review: Dominique Fils-Aime is a superb Canadian singer-songwriter who blends soul, jazz and blues with social commentary. Her 2018 album Nameless remains a favourite of ours and this new full length Our Roots Run Deep is no slouch either. It has an immersive cinematic feel that is brought further to life by the art's own dreamlike narrative structures. Her vocalisations are often wordless, inventive, and catchy - that take the form of mantras and hooks and prayers as they are repeated throughout. Musically this is a soul album, but a hugely original one.
Review: Cordial Recordings has dug deep for this third release. It comes from the Arthur Goodjoin-helmed Singing Tornados, a band that emanated in the 1950s and are still performing locally in South Carolina today. The two songs showcased here naturally come from their most hard-to-find 7" (an original copy would set you back a four-figure sum). "Travelling Through The Land" is an impassioned soul number that sits somewhere between the stomping sound of Detroit and the more orchestral Philadelphia International sound. Typically, B-side "Stop This Fussing & Fighting" is a more laidback - if no less impassioned - affair, with Goodjoin pleading for World peace over a sumptuous, slow and groovy backing track.
Review: Two super rare takes on verified northern soul anthems from Tamla Motown singer/songwriting legend Brenda Holloway on Eight Mile: Her biggest track - a cover of Prince Philip Mitchell's "I'm So Happy" - is thrown down in true Tamla style with big orchestration and belting backing vocals while the highly sought after "Love Me For All The Right Reasons" digs deep in the heart with more of a contemporary soul touch. Heaven sent.
Margie Lomax - "God's Greatest Gift To Man Is A Woman" (5:07)
Roisin Murphy - "Ancora Ancora Ancora" (Severino & Nico De Ceglia remix) (6:27)
Marianne Faithfull - "Sex With Strangers" (feat Beck) (4:17)
Lisa King - "You've Got Magic" (4:13)
William Stuckey - "Just Around The Corner" (5:46)
Larry Heard presents Ona King - "Premonition Of Lost Love" (extended Adult mix) (6:58)
Kassav - "Aveou Doudou" (4:33)
Fajardo '76 - "C'mon Baby, Do The Latin Hustle (Oye Mami Ven Y Baila El Latin Hustle)" (5:02)
GAME - "Gotta Take Your Love" (single version) (7:10)
Horse Meat Disco & Kathy Sledge - "Jump Into The Light" (Wash House dub) (7:28)
Horse Meat Disco - "Self Control" (feat Xavier Smith & ROY INC - Eagle dub) (6:00)
The RAH Band - "Messages From The Stars" (6:43)
Review: We're used to hearing Horse Meat Disco set the peak of the night alight with their fierce and fabulous route through disco, house and Italo, but what happens after the dance? On their entry for the long-standing Back To Mine series Jamies Hillard, Jim Stanton, Luke Howard and Severino Panzetta take us deep into their collections for a blissful, soulful soundtrack to that cosy moment when we want to wind down after a big night out. There's still plenty of the groove-oriented magic we've come to expect from the crew, from Krivit editing Gwen McRae to Severino himself remixing Roisin Murphy, but as you'd expect this is also a voyage of discovery full of secret weapons, spread across two slabs of wax for your own mixing pleasure.
Review: The great Peter Hunningale has a much loved voice that has been on plenty of classic lovers rock and reggae gems over the years. For this one he serves up his own distinctive cover of Al Green's classic mellow songs 'Let's Stay Together' and 'I'm Still In Love With You'. The A-side, which originally became a bit hit in 1971 is reworked as a nice slow, heavy riddim with senses vocals from Hunnigale. The B-side is another buttery one with plenty of melodies form the original featuring in a new roots framework.
I Really Love You (Full Length Studio version) (4:40)
Your Love Is Smokin' (5:09)
What's That Sound (Full Length Studio version) (5:10)
Free To Be Me (previously Unissued) (5:32)
You Changed Me (part 1 & 2 - Full Length Studio version) (7:11)
Nice Beat (Easy To Dance To) (previously Unissued) (5:33)
Get The Funk Off My Back (3:22)
Get It From The Bottom (previously Unissued) (3:58)
Review: Milwaukee outfit Impulse are one of those soul bands that melt the heart. Their buttery smooth vocals and the funky grooves down low are a perfect accompaniment to late night smoochy sessions or dance parties alike. Made up of Wisconsin musicians incising Michael Reese, Cedrick Rupert, Jeffrey Williamson and Robin Gregory, they wrote and recorded their self-titled album at Wally Heider's Studio in San Francisco but it never ended up getting a proper release, until now. There are some raw and guttural sounds like 'What's That Sound' in among the more loved-up moments, which helps make it a real doozy.
Review: Star Creature boss Tim Zawada revives another boogie classic here with a special 7" release featuring two standout tracks from Gary, Indiana's I.N.D. It opens up with the A-side which showcases an underrated floor-filler that is packed with good time grooves. On the other side, the label presents a version of 'Into New Dimensions' (I.N.D.) which offers a fresh twist on the original. This release is a must-have for fans of boogie and rare grooves and it cannot fail to light up the club.
Review: Regularly spotted passing hands for high triple figures, the Poindexter brothers' New York troupe's second D'ar Recording Company single finally enjoys a reissue. "Beautiful Philosophy" has a little northern soul stomp to it while still shimmering with 70s pop charm and some incredible harmonies while "Too Sweet To Be Lonely" takes The O'Jays' classic to emotional new highs with yet more fine tuned chorused vocals - too sweet to sleep on!
Review: We have been waiting on the arrival of this one for a while - super soul group The Ironsides are a talented collective who teased this new album with a great 7" on Colemine back in October. Now we get to hear the thing in all its glory and are no disappointed with its great fusion of classic psych-soul sounds with sweeping orchestral arrangements/ Otis clear the collective also takes cues from library music and soundtracks from the 60s and 70s, and have invited label associates like Kelly Finnigan and Monophonics to bring their own magic to the sessions.
Review: Hamburg based soul outfit Angels of Libra serve up a second single here in collaboration with Irish singer/songwriter Nathan Johnston. It's based on a bunch of instrumentals recorded on a TASCAM 388 8-track in a remote house outside Copenhagen by producer Dennis Rux with the group. The classic sounds were finished off with a more new school vocal style a la Anderson Paak to result in a track that is impossible to date but easy to love, with rich horns and seductive bass. It's a tune about the burning passion we all feel when we meet someone new and immediately fall for.
Review: Fast-rising New York soul singer Carlton Jumel Smith continues his successful partnership with Timmion house band Cold Diamond & Mink via a debut album that sounds like it could have been recorded in the early 1970s rather than 2019. Smith's lyrics and effortlessly soulful vocal delivery take centre stage throughout, though it's the faithfully fuzzy grooves, punchy horn lines and languid, delay-laden guitar motifs provided by his storied backing band that make the album a real winner. Highlights are plentiful throughout, from the loved-up sweetness of "This Is What Love Looks Like!" and Motown-influenced stomp of "We're All We Got", to the slack-tuned drum breaks and bittersweet messages of "I Can't Love You Anymore (feat Pratt)" and the cheery goodness of "Remember Me". In a word: superb.
I Thot There Was One Wound In This House, There's Two (2:11)
Way Eye (1:22)
Rectifiya (2:25)
Hvnli (2:42)
Hvnli (reprise) (3:28)
Do Yourself A Favor (2:27)
A Mile A Way (1:56)
I Want My Things! (2:12)
Change The Story (interlude) (2:43)
Every Nigga Is A Star (2:33)
I! Gits! Weary! (1:55)
Negus Poem 1 & 2 (2:26)
Forreal??? (3:53)
FWU (3:01)
Nu World Burdens (3:21)
Keep It Real (3:03)
Review: XL Recordings presents the long-awaited repress of keiyaA's 2020 album Forever, Ya Girl. The singer-songwriter, producer and multi-instrumentalist was raised in Chicago's South Side; now based in New York, her jazz training, R&B sensibilities, and hip-hop inheritability are all deployed to full effect, crafting an experimental soul sound inundated with powerfully sultry voice and dense lyricism. Aiming to to foreground the standpoint and intellect of the black woman in the late-stage capitalist landscape, Forever, Ya Girl brings a sawn-off, digital neo-soul inflection to themes of struggle and grace, all while deploying many a quirky interjection and voice-modded sample between the beats.
Right By Your Side (JD B-Boy Fantasy remix) (4:22)
Review: Lexx's latest release, 'Right By Your Side,' is a disco-infused collaboration featuring the smooth vocals of Stones Throw recording artist Stimulator Jones. The track exudes Balearic and pop disco vibes, inviting listeners to groove along to its infectious beat. On the flip side, Jamma-Dee from Los Angeles offers up a remix that adds a slightly more uptempo flair while maintaining the essence of the original. Lexx's production skills shine through, creating a seamless blend of retro and contemporary sounds that will surely get dancefloors moving. With Stimulator Jones' catchy and Jamma-Dee's expert remix, 'Right By Your Side' is something to get your hands on.
Review: 'On A Magic Carpet Ride' was a single originally written by Randazzo/Pike who worked on a lot of Little Anthony records. It is a Northern Soul classic, as is a much sought after and hugely expensive version by Bradford born singer Kiki Dee, who was the first white British female to be signed to Motown in 1970. This cheeky one-sided 7" makes the soul stunner available once more in original form and is full of big bouncing drums, string stabs, soaring vocals and unbridled upbeat joy.
Review: New-gen rare groove band Nautilus, operating out of Japan, deliver their latest 7" record, 'Life'. Just two crisp, piquant, fresh, and bubbly uncorkings in sound - 'Life', featuring vocalist Emi Tawata, and the instrumental 'Master Blaster'- are here heard sprayed like buckshot across the stereo system. The former is a candid admission by Tawata of her fear of the dark and ghosts, one which compels the listener to ponder the song's spiritual metaphor - "I'd rather have a piece of toast, watch the evening news" being the lyric of note - while the latter is a comparatively muted four-to-the-floor funk inflammation, held together by a phat but tricksy drum line and overgirding Rhodes.
Review: Original disco remixer John Morales has spent much of the last decade delivering superb, multi-track reworks of classic cuts, in the process showcasing the sublime musicianship and vocals at the heart of these much-loved classics. He's the perfect choice, then, to dip into the immense back catalogue of leading Philadelphia Soul star Teddy Pendergrass and deliver updated versions. The resultant two-disc set is as inspired as you'd expect, with Morales delivering a blend of peak-time ready revisions of surging dancefloor anthems ('The More I Get, The More I Want', 'Don't Leave Me This Way', 'You Can't Hide From Yourself', 'Life is a Song Worth Singing'), sensitive revisions of deeper catalogue cuts and stunning reworks of jaw-dropping slow jams. Throughout, the troubled but immensely talented singer remains the undisputed star of the show.
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