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Back catalogue: Dub
Juno's full catalogue of Dub
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Review: Back in the early 2000s, Stefan Schwander (better known these days for his Harmonious Thelonious project) released a handful of fine 12" singles as A Rocket In Dub that successfully blurred the boundaries between minimal house and dub techno. Here, one of the series' most renowned cuts, 'Rocket No. 3', is revisited. Like the 2002 original mix, the A-side version is a hypnotic, softly spun delight, with echoing organ motifs, bubbly electronics, opaque synth sounds and new spoken word snippets (provided by fellow German artist Jan Delay) gently rising above a deep, dubby bassline and sparse, shuffling tech-house beats. Over on the flip, there's a dub style 'Version' mix that takes the track further into vintage Rhythm & Sound territory.
… Read more in stock $17.31
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Review: Emotional Rescue can be relied on to dig up obscure, left of centre dance gems and serve them up to newer, wider audiences. Adu's reggae-pop cut 'Burkina Faso' is a great example, re-purposed for the dancefloor without any of its original flavour lost in the overhaul. A
South Saharan/West African emigre to Brixton, Rauf Adu would go on to fairly sizeable European fame with the Eddy Grant-esque 'Human To Human'. This, however, is his 1982 debut for Copasetic Records, another reggae-pop inspired, ludicrously catchy effort with scorched electric guitar and a Compass Point-style drum/bassline providing rhythmic rocksteadiness. As well as the buffed up original, there's a dub mix, which gives his beautiful guitar plenty of room to breathe, and an appearance from the Isle of Jura Sound System boss Kevin Griffiths , whose remix completes the trio of mixes.
… Read moreSouth Saharan/West African emigre to Brixton, Rauf Adu would go on to fairly sizeable European fame with the Eddy Grant-esque 'Human To Human'. This, however, is his 1982 debut for Copasetic Records, another reggae-pop inspired, ludicrously catchy effort with scorched electric guitar and a Compass Point-style drum/bassline providing rhythmic rocksteadiness. As well as the buffed up original, there's a dub mix, which gives his beautiful guitar plenty of room to breathe, and an appearance from the Isle of Jura Sound System boss Kevin Griffiths , whose remix completes the trio of mixes.
in stock $13.38
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Lead Us Father (clear vinyl 7")
Cat: AR 7060CLEAR. Rel: 12 May 23
in stock $14.16
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Lead Us Father (transparent green vinyl 7")
Cat: AR 7060GREEN. Rel: 17 Apr 23
in stock $14.68
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Review: Italian label 4Weed Music is all about music you might want to smoke to, as the title suggests. It's an ever-expanding indie that deals in serious sound system, dub and bass tackle. This new one 'Wonderful was originally produced on the Japan riddim which was composed and arranged by Dread Lion Hi Fi following Japan's 2011 T?hoku Earthquake and the ensuing tidal wave that struck. He wrote it in Italy and it features the line "From Milano Italy to Tokyo Japan" in honour of that over hefty low ends, steely mid-range leads and ricochetting hits. A fat dub is found on the B-side of this release which was for years thought lost until a hard disk turned up the treasure.
… Read morePlayed by: Juno Recommends Dancehall/Ragga
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Cat: FSR 128. Rel: 04 Jul 23
Review: Albert "Alchemist" Thompson's Promise Land comes courtesy of Freestyle Records and has great appearances on the mic from reggae and dancehall greats Frankie Paul, Joseph Cotton, Prince Malachi and Anthony John. It has never before been released and has had a long maturation period over the last 30 years. Albert Thompson was chief engineer at I&I Sound Recording Studio once it left LA and head to Jamaica and he saw work with greats like Dennis Brown, Bunny Wailer and Gregory Isaacs. He laid down these rhythms in 1991 during some downtime and then added the vocals 16 years later in London when working with talented local and touring Jamaican artists.
… Read more in stock $14.95
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Jah Light (7")
Cat: RSCS 7008. Rel: 30 Mar 21
Review: Throughout the late '70s, Ruben Alexander regularly collaborated with the Brentford Disco Set (aka The Soul Defenders, The Brentford Road All-Stars, The Brentford Rockers) who were one of the main in-house bands of the Studio One recording studio and label at 13 Brentford Road, Kingston 5, Jamaica W.I. They were essentially made up of the same group of musicians which included Vin Morgan, Leroy 'Horsemouth' Wallace, Bagga Walker, Cedric Brooks and Pablove Black. Alexander's skillful mastery of the saxophone dominates the A side version of 'Jah Light', and then the B.D.S. let the good times continue to roll on the B-side dub version.
… Read more in stock $13.38
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Call It Life (7" limited to 300 copies)
Cat: DTWS 017. Rel: 30 Nov 23
in stock $13.38
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Review: Partial are busy reissuing a series of the best works from pioneering UK dub outfit Alpha & Omega. They are known for the likes of their timeless 1991 reggae album Overstanding and seminal 'Shashamani' tune which came on a 1996 long player called Voice in the Wilderness. This 7" offers up 'Bush Ganja' which came originally back in 2006 and was made as a one-off with Gregory Isaacs, the late and great Jamaican singer. It has pretty much been sold out since the day it dropped but now comes back to a sound system near you with its ice cold dub, head twisting electronics and impassioned vocal. Check the flip for a mad dub.
… Read more in stock $13.11
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Vortex (feat Yagya, Bluetrain mixes) (heavyweight vinyl 12")
Cat: LPY 08. Rel: 17 Oct 22
Review: After two utterly essential releases on ae Recordings and Primary Colours in 2021, Altone once more delivers the goods for Lempuyang. The label's eighth release brings together two of the most respected heads in the business on remix duties. Altone's deep & pulsing title track 'Vortex' gets Yagya's glacial treatment on the A-side. 'Customization' on the flip gets a Bluetrain rework; with Steve's trademark Special Edition Dub giving the track a dancefloor edge.
… Read morePlayed by: Juno Recommends Techno
in stock $9.97
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Review: There's a beautifully symmetrical aesthetic to the latest Lempuyang release that totally mirrors the impeccably positioned and delicately balanced sounds going on in the grooves. Two of the most consistent producers of the last few years - Altone and Gradient - produce creatively related tracks, the former named 'Day Drama' and the latter taking on 'Night Drama'. Then they hand their respective tracks over to each other for remixing duties and bingo, a pretty vital 12" is created, a gorgeous set of shimmering dubs on the A-side, and some heavyweight business for dark rainy nights on the flip. Both producers employ a modern day dub flavour to their minimal, moody techno, with it probably being fair to say that the influence of Maurizio and the Basic Channel label is fairly significant in the worlds of both. Altone's sound is a little grittier and seemingly fizzing with radioactivity, decaying and disintegrating as each offering proceeds, where there's something a bit more spartan and linear about Gradient's grooves, that seem to undulate and reverberate almost invisibly, propelling these exceptionally mixable, enjoyable DJ tools along almost under their own momentum. Nice work all round.
… Read more in stock $13.63
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Review: Horace Andy dropped one of his most well-known cuts back in 1987. It's a lovely rootsy dancehall skank in the form of 'What A Problem' that he produced himself alongside Michael Taylo and Andy Bassford. His mic work is exceptional as he twists and turns his vocals to ride on top of the drums and deliver his message with style and grace in his textbook smooth vocal tone. The version on the flip drills down into darker and more gritty dancehall vibes with the fat bassline front and centre next to plenty of echo and reverb.
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Review: Bernard Cumberbatch - presumably no relation to actor Benedict - and Garnett Cross are Aquizi, the dub duo fromed in the early 80s and Aiwa label mainstays. Their most notable 12" - aside from maybe 1981's 'Merry Christmas' was 'Kunte Kinte' earlier in the same year. It is a bit of a collector's fav that has more than held its value over the ensuing 40+ years. Driven by lazy dub swagger and carefree keys, it's a lovers rock outing peppered with toms and hits and plenty of echoing depths. Flip it over for version if you want something that will boggle the brain more with its endless mixing board effects.
… Read more in stock $15.20
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Review: Mad Professor's Aiwa Studios has never struggled with turning out sublime low end excursions in a range of dubby sub-genres. This 7" offers the latest chance to check in with what's going on there courtesy of the in-house Ariwa Posse with Joe Ariwa. This is reportedly one of two releases coming imminently which is great news because it bangs. First up is A-side wobbler 'Rise & Shine' (with Askala Selassie) which has clean digi-dub synths snaking between hissing hi hats and endless amounts of rerun while the silky bass rolls unhindered and the vocals bring aching soul. Joe Ariwa gets to work on a flip side dub that hits different.
… Read more in stock $12.06
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Review: Even before you hear the first beat, there is something incredibly exit about seeing the names Male - a pioneering beat master and pivotal figure in the early emergence of the dubstep sound - with Joe Armon-Jones, talented musician and master keys man. A Way Back comes on Aquarii, Armon-Jones's own label with him on keys and synths, Mala on drums and bass and Maxwell Owin featuring on 'Oh Lord'. It brings back memories of the golden dubstep years with cavernous bass and heavy weight drums all finished to perfection with Armon-Jones top lines.
… Read more! low stock $18.35
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Review: When composing the tracks featured on his first release on Anthony Naples and Jenny Slattery's Incienso imprint, Mister Saturday Night and Vanity Press alumnus James Bangura reportedly drew inspiration from long, late-night teenage driving experiences. There's certainly a 'speeding through canyons under a blanket of stars' feel to 'Barred Entry', a hypnotic techno journey rich in restless kick-drums, hissing ride cymbals, hazy organ loops and delay-laden chords. He flips the script on 'Mixed Signals', delivering a dubbed-out slab of mind-mangling breakbeat house hedonism, before blurring the boundaries between high-octane electro and breathless techno on 'Monterrey'. To round things off, he adds reverb-heavy ambient textures and yearning synth-strings to a crunchy dub techno groove on EP standout 'Wichita'.
… Read morePlayed by: Ney Faustini
in stock $14.68
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Four Steps (12" + MP3 download code limited to 300 copies)
Cat: UR 138EP. Rel: 08 Mar 22
in stock $22.29
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Review: Beatconductor serves up a cheeky white label that is masterfully laidback and sunny for those hot and lazy days. Despite the source of the bootleg being one of the most famous tunes in pop history, Beach Fanatic does a good job or working it into something fresh. The original vocals roll over ice-cold beats and hits and make for a real hypnotic piece. A dub of 'Good Vibes' is also included of those who like it more heady. Drop either of these to an outdoor crowd with a beer in their hand and the results will be magic.
… Read more in stock $13.38
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Goodbye Reworks (hand-stamped heavyweight purple marbled vinyl 12")
Cat: SCR 024. Rel: 31 Aug 22
Review: We don't think that the title of Beatconductor's latest edits and reworks EP is meant to suggest that he's bowing out (and we certainly hope he isn't). Instead, it's most likely a reference to the heart-aching, end-of-a-love affair lyrics at the heart of the tracks he's chosen to rework - and in some cases rebuild from scratch. Check first 'Neither One Of Us', where a poignant, echo-laden vocal from a soul classic rises above a head-nodding electronic groove and fuzzy analogue bass, before admiring the piano-laden, loved-up mid-to-late '80s house-not-house vibe of 'Simmer Down', which sounds like a rework of an old Whitney Houston gem. 'Simmer', meanwhile, is a boogie bass-sporting chunk of R&B re-cast as an 80s soul/disco fusion number.
… Read more in stock $14.95
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Treasure Of Love (hand-stamped 7")
Cat: HRS 1010. Rel: 01 Jun 23
in stock $13.63
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in stock $16.26
