Review: Legalize Lambada Vol 6 brings a vibrant Italo homage that showcasing the talents of Albion, Ric Piccolo, and Hysteric. Side-1 kicks off with Albion's 'Nucleare,' an early 80s DIY sound track seasoned with robotic Italian vocals, serving as a unique introduction. Next, Ric Piccolo's 'Disco Teacher' delivers a potent mix of early disco and 80s electro sounds, setting the stage for some serious dancefloor action. On Side-2, Ric Piccolo returns with 'Alright,' continuing the danceable energy with another infectious groove. Finally, Hysteric's 'Moment' offers a moody, keyboard-rich Italo house track, exuding a sexy, soulful vibe that prompts deep, introspective dance moves. This compilation is for fans of Italo disco and disco and those seeking something fresh in these genres. Legalize Lambada Vol 6 is steeped with that Italo sound with modern twists, making it perfect for both nostalgic disco enthusiasts and new listeners alike. Whether you're looking to fill a dancefloor or enjoy some soulful Italo vibes, this release delivers.
Review: Detroit mainstay and masterful hip hop and deep house fusionist Andres is back with not one but two new EPs. For this first one, he brings some silky electro rhythms to his signature sound but doesn't forgo that irresistible sense of r&b lushness he is known for. Track 1 brings a heart-aching vocal sample to quick beats and pristine snares, Track 2 has skittish rhythms topped with snapping snares and another classic, well-worked sample, then Track 3 takes off to the cosmos on ice-cold electro rhythms topped with plaintive chords. There is a hint of acid squelchy to Track 4 but it still somehow sounds very much like Andres. A fresh EP indeed.
Review: From the wide-ranging livestream sets he does from his basement to the sprawling hip hop and house albums he does for Moodymann's Mahogany via disco-laced house anthems like 'New 4 U', Andres always unites this music with a unique sense of groove and emotion. That is still true now as he steps out on GT Flips with a bunch of electro-leaning cuts that are classy yet primed and ready to ignite any party. Track 2 is a quick and punch one with ghetto undercurrents and jazzy keys, Track 4 is an excellent ass-wiggler with expertly deployed vocal hooks and Track 3 is a stripped-back bumper with a feel-good vibe.
Review: A fantastic dub disco, funk and electro record straight from the heart of North London. First released in 1986, 'Soul Of Haringey' emerged as the sole release on the ultra-rare Advance Level Enterprise imprint, information on which is, even now, extremely difficult to track down and source. Among the featuring artists on the release are Pip Archer, Andrea Lynn, Jennifer Viban, The Curruthers Brothers, and Boss, all of whom are almost equally obscure, and only a few of whom ever went on to release anything else. It's these kinds of records, seemingly unassailed by the material urgencies of working life or careerism, that beguile us the most. 'Time To Boogie' is as raw and uncut as can be, its trilling synth bells and double-claps revealing some early stirrings of UK grime in the track's latter half. Then there's the downtempo soul of 'Hold On To Your Heart' by Lynn, as smooth as smooth can be, while Viban's 'Miracles' is an equally blissful prayer to the electro-disco-funk tutelary god, with its numinous snare bursts and adhesively soft pad divans swearing fealty to the belief in miracles. Boss' and The Curruthers Brothers' contributions are just as creamy, offering two further authentic, homespun falsetto'ers for assuaging heartbreak and redemption.
Review: Los Angeles-based ASHRR are back on 2020 Vision ahead of a new album and this time serve up their own superb version of The Romantics's 1983 hit 'Talking in Your Sleep.' In their hands, it becomes a club-ready sound with a vocal you may recognise as it featured in the Mad Max episode of Stranger Things. Add in some DFA-inspired punk funk vibes and with all the instruments reapplied while new layers of bass and synth are added and you have one fantastic new version. Balearic don Fernando steps up for two remixes, first stripping things back to a deep house sound and then bringing some dub disco vibes to the fore.
Review: It might sound like an overlooked European dance record from 1985, but 'Surrender' is brand new. It's the debut from Babes in Love, a collaboration between DJ Subaru (real name Benny Howell) and best-friend Bella Quinn. Musically it's devilishly simple and lo-fi, with Quinn singing sweetly and expressively over a lo-fi drum machine rhythm, Italo-disco-meets-Hi-NRG bassline, spacey chords and memorable synthesiser motifs. Castro provides the flipside 'Babes in Love Dub', smothering elements of the original in delay and reverb while adding lashes of psychedelic intent. It's the kind of trippy, wildly dubbed-out hedonism we could imagine the Idjut Boys playing in a very dark room at four in the morning.
Blinkduus Dischetto - "Sein Cirque Les Poppies" (4:45)
Monica Venturella - "Page Not Found" (4:52)
Orso - "Bastardo" (6:00)
Review: Proper euphoric tune-tutelage from the Ajaccio label Digital Finesse, a good name for the label for sure. Run by Jimmy Batt, Digital Finesse's M.O. encompasses curt EPs as well as multitrack V/As, polished and readied for maximum credo. 'I Bastardi Aiaccini' is one of the latter, a six-track compendium fleshing the best one-offs from their personal roster, all while accelerating and hyper-modernising the classic electro and Italo sounds native to the Mediterranean. Beginning with the crisp, hyperactive, arpeggio-heavy metrosexual fascinator 'Electromotion', we then move into the comparatively gradated boxer 'Concorde' by Human Aventura, before rounding off the A on a note of bursting acid innovation, the instrumental version of Pasqua Pancrazi's 'Danesi'. The B opens on a note of sleaze-funk with the speedy 'Sein Cirque Les Poppies' from Blinkduus Dischetto, before going full-throttle dystopi-speed by way of a minimal but no less driven flat-beat cutup from Monica Venturella, 'Page Not Found'. Orso's 'Bastardo' flaunts the more experimental ends of the label's capacity, with 'Bastardo' hearing motifs of IT-hardcore get plunged into more-than-smokey scourings of Reese and sizzle.
Review: BDK's Tequila EP from Say Namm White delivers four full-powered, disco-tinged house heaters. Side-1 opens with 'Big Disco Banger,' a high-energy, filtered house anthem true to its name, followed by 'I Don't Want It,' which offers a deeper, yet still anthemic, vibe. Side-2 starts with 'Love Coming Over,' leaning into a Euro disco sound with heavy Fire Island influences. The EP closes with 'Please Don't Rush,' the deepest house track of the lot. If you are a disco house enthusiasts then check this record out because its packed with infectious grooves and vibrant energy.
Review: Swedish talent Beatconductor is back with more of his masterful mash-ups, this time looking to pop icons like Taylor Swift and more commercial house artists like Peggy Gou for inspiration across the four cuts. 'Fallin' is a nice laidback and loved-up summer vibe about the feelings of falling in love, 'Sugar & Spajs' brings old school US soul sounds to another mid-tempo groove embellished with big horns and 'Tell Me U Luv Me' is a nicely heated and cosmic disco stepper with some big vocal stabs. 'Peggy Swift' closes with effortlessly breezy and catchy disco-pop.
Review: Bell Towers' solo dancecraft has always had a knowing sense of transcendence to it, one that refuses merely to fan-serve 'floors, and which rather prefers to challenge the listener ever so subtly, all while still keeping the sound thoroughly pleasurable. After a six-year hiatus on the front of disco edits, Towers (not his real name, FYI) returns with a third addition to the Buro Hahn, his patented series for just that endeavour, resident on the Munich label Public Possession. Though we don't know their origins, 'Can U Feel It' and 'On The Spectrum' bring an expertly sheeny, filter-happy suggestiveness to each original, the latter of which is an especially sultry verging on lecherous song. 'Lucky' is comparatively but happily cheugy, conferring something of the vibe of an obscure Japanese sitcom's title sequence, while 'Shower Scene (Extra Steam)' rounds things off on a note of bemusement with an excellent 90s-style vocaloid house number. The last track especially is a need-to-know sample source, internet searches of which still nonetheless come up empty. Could it be you who finds it?
Archie Bell & The Drells - "Tighten Up At The Disco" (5:41)
The Intruders - "Be Thankfull For What You Got" (3:14)
Review: Archie Bell and his crew had become prominent on the Philly International label by the end of the 1970s. Their standout album Strategy proved to be one of the last put out by the imprint but one that left an indelible mark, not least with dance floor anthem 'Tighten Up At The Disco,' which now sees its first-ever 7" single release. On the flip is another one never before its own 45 rpm and it is from William DeVaughn, a Washington D.C. government worker and aspiring artist who discovered Philadelphia's Omega Sound where you could pay to record. DeVaughn thus shelled out $900 to record 'Be Thankful for What You Got,' a reworked version of his original 'A Cadillac Don't Come Easy,' in 1972. The Intruders, another Philly International group, recorded a more up-tempo version which is the one presented here.
Review: More scalpel-wielding reworks of vintage cuts from 'bella Italia' (that's Italy, not the Italian-themed restaurant chain) courtesy of the ever on-point Belpease crew. This time round they begin with 'Un Colpo al Cuore', a fine rearrangement of a soaring Italian disco gem from (we think) the late 1970s - all Chic-style bass and guitars, spacey synths, sweeping orchestration and sweet, eyes-closed female vocals. Over on the flip, 'Inevitable' takes us into quirky disco-funk territory, with down-low guitar, organ and Clavinet licks vying for sound space with shuffling drum-breaks, heady horns and stylish blue-eyed soul vocals. Like the A-side, it's a winner.
Review: The new Bishop 88 imprint hits gold from the off here as they offer up an edit of 'Last Night Changed It All' by Esther Williams, a track famously sampled by numerous artists like Boogie Down Productions and Public Enemy. It is a drum-heavy version of a funky tune with conversational melodies and blissful soul vocals next to swooning strings. On the flip is an edit of 'I'm Gonna Love You Just A Little More, Baby' - originally by Kellee Patterson - which itself is a rendition of Barry White's original. These are classy and sophisticated soul sounds for serious heads.
Review: The Bloto quartet recently marked their return with 'Szlam' and 'Scieki,' their first singles in over two years, released on a limited 7" vinyl via Astigmatic Records. These tracks sold out instantly, leaving fans eager for more. The band now continues their musical assault with another 7" release, featuring a remix by modern funk maestro DaM-FunK from Pasadena, California. This release serves as a prelude to their upcoming LP Grzybnia, set for an autumn 2024 release. Bloto's latest single, 'Bakteria,' draws heavily from classic acid house, offering a sinister and primitive sound that's reminiscent of the harsh resilience of bacteria. Recorded during an improvisation session at Studio Pasterka, the band has abandoned acoustic instruments in favour of synthesisers and drums, creating a raw, infectious track. DaM-FunK's remix, 'Bakteria Re-Freak,' transforms the original's dark atmosphere into a vibrant G-Funk track, filled with sunny synths and a drum machine beat. It evokes a biopharmaceutical bacterium leisurely moving through the streets of Los Angeles, blending warmth with a hint of danger. This release not only boasts Bloto's innovative spirit but also highlights DaM-FunK's ability to reimagine and elevate the original material.
Review: Bogdan Ra's excellent 'What Is A DJ?' EP takes its inspiration from the late 80s acid house and Italo, displaying a real mix of vintage charm and contemporary relevance that will strike all the right notes on the dancefloor. From the snappy title cut to the electro rhythms of 'Arroios' via the funky disco rhythms of 'Tonic Glue' and feel good factor of closer 'That's All', this is quality production that will more than stand the test of time.
Talking To The Night (instrumental version) (6:41)
Talking To The Night (Flemming Dalum remix) (5:52)
Talking To The Night (Hysteric edit) (6:04)
Review: After making it over the hurdle of misreading the name of the artist behind this one as "Brain Ice" comes the realisation that 'Talking To The Night' is an unorthodox kind of release, a suave, svelte mixture of Italo disco, synth, electro and hip house. First released in 1985 by the hip Italian actor and singer, real name Fabrizio Rizzolo, this was his debut release, and saw to a thoroughgoing musical career predominantly with the likes of Memory Records and ZYX Music. Popular at the time of its release, we chalk up its debutant acclaim to the offhand, subtly pitch-inflected character of its lead line, and the tomming, lighter-waving feeling of drama evoked in its four-chord progression. New remixes by Flemming Dalum and Hysteric lend an extra sense of deconstruction, and recreation, ex nihilo, to the original's demure taste for the night, providing ample sense of how scarily far we've come as modern dance artists.
Review: Western Australian Casual Connection has been serving up occasional seven-inch singles of edits and reworks since 2019, each pleasingly limited and packed with cuts tweaked for dancefloor pressure. This '45' is the Perth-based producer's first outing of 2024. On side A you'll find '1 Thing Feels So Good', a cannily crafted number in which the vocal from Amerie R&B classic 'One Thing' rides a backing track built out of loops and samples from a pitched-down disco-boogie classic. It's cheeky but brilliantly executed - instant party-starting guaranteed! His love of blending r&b and hip-hop vocals with classic samples and his own beats comes to the fore once more on 'Always Party on Time'. It's good, too, but lacks the instant gratification provided by the A-side.
Review: Cetu Javu's reissue of 'Situations' pays homage to a classic synth-pop gem originally released in 1988. This release features an extended version of the titular track, expanding on its infectious melodies and nostalgic electronic beats. The Razormaid mix, skillfully edited by Joseph Watt, adds a fresh dimension with its sleek production and dynamic arrangements, making it a standout remix for fans and collectors alike. Side-2 treats listeners to Quien La Sabia,' a beloved track from their debut album, showcasing the band's enduring appeal among synth-pop enthusiasts. Overall, this reissue from ZYX Germany underscores Cetu Javu's timeless sound, blending disco influences with distinctive synth-pop aesthetics that continue to resonate decades later.
Review: LRK Records proudly presents their latest limited edition 45, featuring Dylan Chambers with the tracks 'I Can Never Get Enough' and 'Comin' Up' (LRK-28). Hailing from Arlington, TX, Chambers is a talented vintage pop, R&B, and soul artist known for his smooth vocals and guitar laent. After opting out of Berklee College of Music, Dylan moved to Los Angeles, where he built an impressive career, sharing the stage with artists like Haley Reinhart, Gavin DeGraw, and Three Dog Night. 'I Can Never Get Enough' is exactly what many Soul music fans look for in vintage production and vocal talent. With a great flip side to balance it,this 45 is great for fans of contemporary soul with a nostalgic twist.
Review: Clarita y Los Pecho Lobo's Marcelo EP encapsulates a mesmerising nightlife narrative through diverse mixes. The original version unfolds with evocative imagery of strobe-lit trajectories and cocktail-fueled allure, set against a backdrop of pastel shirts and Cuban-heeled boots. The Energy Mix amplifies the pulse with its extended dancefloor vigor, while the Club House Version infuses a deeper, rhythmic groove. The Makina Mix adds an edgy, experimental flair, contrasting with the stripped-back intimacy of the Acappella. Each iteration enriches the nocturnal saga, where encounters like Marcelo's magnetic presence and seductive allure unfold effortlessly. This release not only celebrates musical diversity but also paints a vivid tableau of desire and escapism, echoing through the pulse of the night.
Review: The rare Stephen LP by Nassau-born multi-instrumentalist Stephen Colebrooke offers elusive sunshine boogie vibes that have long been sought after by those in the know. Recorded at GBI studios in Freeport with guidance from Frank Penn (of Grand Bahama Goombay), two of the tracks from it now get pressed up to this crucial 7" by the faultless Numero Group. Both of these tunes are groove-filled disco delights with both 'Shake Your Chic Behind' and 'Stay Away From Music' sure to do damage on a wide range of dance floors this summer and beyond.
Review: Numero Group always excels and that's certainly the case once more with its Hottest Sounds Around series which has been shining a light on late-70s Caribbean grooves with a trio of brilliant 7"s. Nassau-born multi-instrumentalist Stephen Colebrooke is behind one of them including this. The original is taken from his Stephen LP which is mega rare and sought after. Recorded at GBI studios in Freeport with guidance from Frank Penn (of Grand Bahama Goombay), these tunes get pressed up to green vinyl which is as bright and exotic as the sounds themselves. Both 'Shake Your Chic Behind' and 'Stay Away From Music' are summer essentials.
Review: The excellent Dark Entries returns to shine a spotlight on the legend that is Patrick Cowley with a newly remastered release of 'Kickin' In.' Although Cowley left behind an extensive archive of unreleased work, Dark Entries has honoured his legacy with many great previous releases. This one came about after Cowley heard rising star Frank Loverde perform at San Fran's The City, a disco cabaret, and invited him, Linda Imperial, and Peggy Gibbons to collaborate on recordings. The result was a nine-minute cybernetic disco anthem embodying Cowley's hi-NRG style. Originally released in 2015 by Honey Soundsystem, this remastered edition features a new mix and includes two sleazy 1980 tracks, 'Thief of Love' and 'Make It Come Loose.' Another great tribute to a great artist.
Review: This killer UK boogie 12-inch by Tony Crockett was originally recorded and released in 1982. It has some brilliant raps delivered in an aloof style, with plenty of swagger, and a touch of campness. They sound dated but in a good, nostalgic way, while the music around still sounds fresh with the sleek bass and big flutes, low slung drums and warm chords. On the reverse is /Plane Jane', another cheeky bit of UK boogie that oozes funk and cool. These are fun tracks for sure and come in a full picture cover.
Review: Some 11 years on from their debut, Italian duo Crossroads continue to offer up authentic slabs of soulful dancefloor fare inspired by vintage disco, boogie and jazz-funk. This time round they've joined forces with vocalist Cler to deliver an impressively slick, polished and 80s soul-inspired cover of Chaz Jankel classic 'You're My Occupation'. On the A-side you'll find extended and edited versions, where the duo wrap sparkling synths, dreamy chords, sun-bright guitar licks and Cler's memorable vocals around a squelcny boogie bassline and unfussy nu-disco beats. They do a good job in stripping things back and prioritising the groove on the effects-laden flip-side dub, while 'Tripping Out' is head-nodding slab of colourful vocal jazz-funk with an 80s soul twist.
Equipe Radio Cidade - "Bons Tempo Sao Paulo (Good Times)" (3:38)
Review: Sandra de Sa's 'Olhos Coloridos' and Equipe Radio Cidade's 'Bons Tempos Sao Paulo' bring vibrant Brazilian boogie back to life in this remastered reissue from Mr Bongo's Brazil 45's series. Sandra de Sa's track, from her 1982 self-titled LP, is a brilliant example of '80s MPB and boogie, featuring the iconic collaboration of Lincoln Olivetti, Robson Jorge, and members from Banda Black Rio. Funky basslines, dreamy Rhodes and jubilant horns complement Sa's outstanding vocals, making it a joyous, danceable piece reminiscent of Tim Maia and Marcos Valle's best. On Side-2, Equipe Radio Cidade's 'Bons Tempos Sao Paulo' transforms Chic's 'Good Times' into a Brazilian boogie delight. Originally a rare promo-only release from 1980, this version infuses the classic melody with samba rhythms, clavinet grooves, and cuica percussion breaks. Voiced by Sao Paulo radio DJs with festive greetings, it adds a unique local flavour to the familiar tune, reminiscent of the era's vibrant Brazilian music scene.
David Dingess - "Hyper Love" (Toni Rossano edit) (4:17)
Jaegerossa - "The Buzz" (6:07)
Cruisic - "Inspector Norse" (Slowly remix) (4:47)
FSQ - "This Is Carribean Disco" (A Tom Moulton mix) (6:28)
Review: Midnight Riot help the listener carve out their own personal Balearic headspaces with their new compilation Balearic Headspace, likening the "experience" of Balearic not just to a sound, but an affect, one that cannot be experienced without specific records or specific times and places. Do we believe it to be true? We may or may not, but that doesn't distract from the whopping curation job here, with most tunes on offer consisting of both total newness and reworks/revisions by the Midnight Riot crew; this 12" is a four-track selection of a wider 19-track digital comp. Our highlight has to be the ultra-smeary Tom Moulton mix of 'This Is Caribbean Disco' by Fsq, which floats atop a serious floe of stretched-out axe bubble and echoing crosstick, as its lyrics deal in word-painted themes of being held underwater. As mindfully, cognitively Balearic as it gets!
Review: The shadowy DIscotecas collective has served up some of the most on-point re-edits of recent times, with their self-released EPs regularly dipping into the worlds of electrofunk, boogie, disco and Balearica. The fifth 12" in the series delivers another quartet of killer cuts, each liberally sprinkled with a dash of delay and reverb for added dancefloor satisfaction. They begin with a hard-wired, deliciously squelchy workout blessed with the vocal refrain from a boogie-era synth jam ('Jellied Eels') before bouncing their way through the classic, lightly dubbed-out electrofunk flex of 'Love Action'. 'Early Riser' is a fine peak-time disco workout rich in mazy synth solos, glistening guitar licks and swelling orchestration, while 'Shoulda Known' is a colourful, Tiger & Woods style house jam constructed from killer loops from a vintage boogie jam and heady hand percussion.
Review: We're not going to tell you who is behind the Divine Who project, though if you have a working knowledge about gospel disco DJs and nu-disco producers, you can probably join the dots. Either way, their self-titled gospel rework series is genuinely top-drawer. After a couple of tidy 12" singles they offer up a seven-inch for the first time. A-side 'Weekend (Dubbed Out Mix)' takes a squelchy, joyous and infectious mid-80s electrofunk-gospel number - and subtly touches it up and even more subtly dubs it out for modern dancefloors. On 'Forget Me Nots', they deliver their altar-ation (sorry) of an exquisitely soulful, tactile and loved-up cover version of Patrice Rushen favourite 'Forget-me-Nots' complete with a killer slap-bass breakdown.
Review: Aussie mash-up maestro and re-editor DJ Agent '86 first made his mark two decades ago and has periodically delivered killer cuts ever since. Of those, the most celebrated is undoubtedly 'All About The Money' - a cannily constructed party jam that first dropped digitally at the tail end of the noughties. Here it finally makes it to wax. It's a simple idea, expertly executed, with the Australian producer peppering a jaunty reggae-disco groove (built mostly from a late 70s disco cover of Pink Floyd's 'Money') with a variety of cash-money related rap samples. Over on the B-side he works his magic on Blondie classic 'Rapture', adding in subtle elements from other cuts early on before building energy via the familiar groove and well-used effects.
Review: Having already introduced us to many of their regular 'pals' - re-editors specialising in Balearic and cosmic oddities - Manchester's Drum Chums crew now wants is to meet their 'percussion pals'. They operate within similar sonic territory if this first multi-artist missive is believed, albeit with more of a penchant for dubbed-out drums. There's plenty to set the oulse racing throughout, from the metronomic dub-chug of Spice Route's incredible 'Gruler Dub' - a fine re-edit debut from the long-serving Bristol selector - and the expertly dubbed-out space disco trip that is DJ Pouffsouffle's 'Totally Manic'. Elsewhere, Manc stalwart Neil Diablo delivers the ultra-slow weird-wave pop of 'Starry Night', while Hysteric's 'Pinball' is a blue-eyed soul treat.
Gimme Your Love (Jan Driver remix - radio edit) (3:28)
Review: Oliver Dollar knows a thing or two about cooking up hot and steamy house jams with smart samples that send dancers wild. He's done it many times before on several labels and here he lands on Spot Lite with the irresistible 'Gimme Your Love'. It's old school and packed with heat from the slinky synths and drums to the big horns and lung-busting vocals. The Floorplan remix is a more driving and tool-like but no less passionate sound while the Jan Driver remix is playful and fun.
Review: Selector Series is back with another gem, bringing us a slice of early 80s Detroit boogie with Gene Dunlap's classic tracks. Born and raised in Detroit, Michigan, Gene Dunlap's musical journey began at the tender age of four, thanks to his father's drumming lessons. His talent flourished at Mumford High School and later with jazz legend Roy Ayers. In 1981, Dunlap released two remarkable solo albums, It's Just The Way I Feel and Party In Me. The title track "Party In Me," backed with "Take My Love," was originally issued as a limited 12" promo, making it a rare treasure among collectors, often fetching over L100 on the second-hand market. Now, for the first time in 43 years, this boogie masterpiece has been remastered from the original tapes and is available for fans to enjoy. This reissue offers an opportunity to experience the vibrant rhythms and impeccable drumming of Gene Dunlap as well as Detroit's boogie scene. Don't miss your chance to own a piece of music history, exquisitely revived and ready to reignite dance floors.
Review: This month, Sonic Wax has started a new sub-label, Disco Edits, to deal with just that. The first one was a stunner, and this second one is another essential weapon for DJs who work in the worlds of funk and disco. It finds the dream team pairing of Matt Early and Lee Jefferies once again cooking up a storm as they remix 'Rocking Me In Your Arms' into a sensuous groove with a knitted, funky bassline that loops tightly under the sing-along chorus. The Disco Dust mix of 'Knowledge & Love' is a little more paired back and deeper but still has a high funk level and timeless charm.
Review: Ok, we're calling it. August 2024 is utterly being owned by Matt Early and Lee Jeffries. The pair have been mad busy in the studio turning their unique hand to cuts from the disco, soul, Afro and funk worlds. The results are all dropping in quick succession on Sonic Wax In Da House and its new sister label Disco Edits which is where this one appears as the label's third outing. First up it finds them in slinky late-night house mode as they flip 'Disco Knights' into a medically rich groove sprinkled with cosmic fairy dust. On the flip is a main mix of 'Lets Boogie Disco Joint' which is a slinky, hip-swinging bit of funky house with some great brass hooks.
Love Is A Vision (Jeffries & Early main mix) (11:58)
Love Is A Vision (Opolopo mix) (6:17)
Review: We're not sure what Lee Jeffries and Matt Early have been eating of late but we want some, because they have dropped a whole bunch of killer 7"s all in quick success this month. Some come on Sonic Wax In Da House and some have minted new Sonic Wax sub-label Disco Edits, which is where this one lands. It finds the scalpel masters and dancefloor dynamics experts offering up their own main mix of stone-cold classic 'Love Is A Vision'. In their hands, it has a low-slung baseline and dry, clipped drums that call to mind Mood II Swing. The Opolopo mix of the same tune is much more lavish and luxurious in its rich synths and strings.
Review: Lee Jeffries and Matt Early kick off Sonic Wax Records' new Disco Edits label with a deep dive into 'Lady' which is something of a classic, sought-after gem that will reportedly cost you over a grand to find in decent condition. First up the pair elevate the original with their Disco Dust mix which is perfect for main house rooms and the inks of the glammed-up Glitterbox crowd. It features bold production and diva vocals and then Opolopo delivers a moody, pulsating disco remix that infuses the original with some stylish grooves and quality production. Both tracks have been played plenty already by heavyweights like Opolopo, Kenny Dope, Bobby & Steve, and Wade Teo.
Review: Love Chug by East Coast Love Affair and BDK delivers two distinct approaches to peak-time dancefloor energy, perfect for any house club setting. Side-1 features 'Love Chug' by East Coast Love Affair, a track that expertly builds with a driving disco vibe. A powerful guitar riff takes the lead, while a filtered hook pushes the sound deep into house territory, creating an immersive experience that evolves throughout. On Side-2, BDK's 'Pure Sass' offers a strong, uplifting house track that borders on gospel house. Its vibrant energy and soulful vibe are reminiscent of classic Jasper Street tracks, making it an irresistible choice for the dancefloor. Together, these tracks provide a dynamic balanceione that builds and one that never lets upiensuring that the energy stays high all night.
Review: Fab Mayday is a legendary Italian crate digger who has been at it once again. After time spent searching for treasure in the vaults, he has come up with these four gems for a third volume of his on going series on Violette Szabo. There is starry-eyed energy on opener 'Ritmo', 'Mare' has a more raw and guttural funk feel, 'Lovetti' is a big band sound with some rich horns and exuberant songs over a nice instrumental groove and 'Fra Martino' then shuts down with a slow motion and sensors sound that is led by more magnificent strings.
Review: REPRESS ALERT!: The Fossils label has been unearthing more musical treasure for its fifth outing, and this one takes you directly to the Middle East for some twisted disco-funk with red hot grooves courtesy of Fava Luva & Dr. Professor. The source of the tunes is obscure and unknown but the pair bring plenty of their own goodness with additional layers of live instrumentation really bring them to life. 'Lahatz' is steamy and full of sensuous vocal magic and cosmic synth work that will get the floor into action, while 'Kerem' is even more topical and exotic with its rich array of strong melodies and downtempo beats making for a woozy and wonderful trip.
Blunted Dummies - "House For All" (From House To Disco remix) (5:13)
Las Americas - "Look, Listen, Love" (From House To Disco remix) (5:19)
Wax Fruit - "Be Yourself" (From House To Disco remix) (6:22)
Barada - "Gasoline" (From House To Disco remix) (5:47)
Review: Definitive Recordings is a classic Canadian label from the 90s started by John Aquaviva. It has recently done a deal with Get Physical Music to start reissuing some of its classics and a definitive (pun intended) back-cat comp is on the way soon as curated by Brazilian duo From House to Disco. It incudes four remixes they have done of some of their favourite gems, and those remixes now all get pressed up to this timeless standalone 12" which offers up some classy deep house with cool Chicago appeal. All four of these are dynamic but also emotive.
Review: You can always rely on Optimo Music to serve up the leftfield goodies. And that's exactly what we have here with this new EP from Gaeg entitled Anarcho Disco Vol 1. It is a trio of innovative tracks starting with 'Merpa' which is a jumble of rhythms, the sounds of spacecraft taking off, ghoulish laughter, dubby bass and wire electronics that will lead to madness in any set. 'Hi-Land' is another richly layered with twanging bass guitar, sci-fi signifiers and vocals that ramp up the pressure. As the title suggests, this really is an outing of anarchic disco.
Magnolia - "Deep Inside My Soul" (feat Elliot Chapman - John Morales remix) (7:57)
Review: Celebrating its milestone 75th release, The Disco Express delivers an essential collection with four heavyweight remixes by The Reflex, Dr Packer, Hot Toddy, and John Morales. The 75th Release Special highlights the label's finest talent, reimagining original tracks into top-tier nu-disco, electronic and soulful house sounds. This limited edition turquoise blue vinyl, pressed in just 500 copies, is a meticulously crafted gem. Each remix breathes new life into the label's back catalogue. This is disco for 21st-century dancefloors and The Disco Express show no signs of slowing down.
Review: Funkyjaws Music comes though with more of that lovely loose-limbed disco goodness that is never going to fail in energising a decent danc floor. Let's Dance Volume 4 is another various artists affair that launches with James Greenwood & Aniello's feel-good 'Look Of Love' which has it all - the sweet female vocal, the florid strings, the rolling bassline and big brass leads. Scruscru & Los Protos's 'Corason' brings some Latin flavours with a more deep and seductive groove and Jkriv and Love Drop offer up two b-side jams packed with soul and irresistible rhythms that effervesce with uplifting vibes.
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