Review: This project stems from the mutual admiration between Daru Jones and Devonne "DJ" Harrison who, upon discovering their collaborations with Jack White, had the idea of blending rock with jazz. DJ Harrison's vintage keyboard skills and Daru's versatility made them perfect for such a rock-influenced project. Legendary guitarist Doyle Bramhall II, a longtime friend of Mr. Mandel, was ideal for the guitar role and after several years they finally got together to record this album in 2022. The result is a first 12" single, mastered at 45 rpm for exceptional sound. Here's hoping there will be more to come.
Review: Every album bands and artists release usually results in a tour, but not every album bands and artists release is really worthy of all that noise. Not so with British singer-songwriter Elles Bailey, whose first LP for the Cooking Vinyl imprint, Beneath The Glow, explored love and its various forms and guises. The unwavering adoration of two good friends. The rare flames of passion that burn long, not just bright. The heartbreak that follows a love that didn't last all time. You get the point - hyper emotional stuff which resonates universally. Backed by her critically acclaimed band, the record led many to once again position Bailey as a blues, Americana, rock artiste extraordinaire. While we're sure she didn't mind the praise, it's worth noting her view that none of those boxes really suit someone who purposefully plays with, bends and twists genres so freely.
Review: Pete Brown's The Shadow Club is a journey into the depths of jazz-infused storytelling and one that puts Brown's remarkable talent as a songwriter and performer front and centre. With its rich melodies and evocative lyrics, tracks exude great mystery and intrigue from smoky jazz clubs to moonlit alleyways. The album paints a vivid portrait of urban life as the distinctive vocals and soulful delivery imbue each song with a sense of authenticity and emotion that really makes a lasting impression and blends of jazz, blues, and musical narrative into something utterly absorbing.
Review: Since the release of Deja Vu in 1970, the music scene had evolved, but audiences still craved the harmony-driven idealism that catapulted Crosby, Stills & Nash to fame. CSN, the band's third album, reached number two on the charts, just behind Fleetwood Mac's Rumours. The album shows a mature lyrical depth and intricate compositions. Graham Nash's 'Just a Song Before I Go' became a hit single, epitomising his knack for radio-friendly acoustic tunes. Stephen Stills' 'See the Changes' and 'Dark Star' stand tall among his best, while David Crosby's contributions - 'Shadow Captain,' 'Anything at All,' and the poignant 'In My Dreams' - highlight his unique voice. Nash's multi-part epic 'Cathedral,' inspired by an acid trip in Winchester Cathedral, became a live staple. CSN is the last album where the trio's harmonies shine without additional voices, making it a timeless gem, blending country, pop, and rock seamlessly. Despite not reaching the innovative peaks of their first two albums, CSN remains a beloved album in their vault.
Review: The Faces are ready to thrill fans with Shake, Shudder, Shiver, a comprehensive box set featuring all of the band's BBC concerts and studio sessions. This collection, which includes a wealth of previously unreleased material, has been meticulously remastered with the involvement of Rod Stewart, Ronnie Wood, and Kenney Jones. The Blu-ray showcases newly restored footage of the Faces' April 1972 performance on Sounds for Saturday. This concert captures the band at their best, exuding the infectious, exuberant energy of rock 'n' roll that has influenced generations. The hardback set contains a 48-page booklet with fresh insights from surviving members and archival quotes from Ronnie Lane, Ian McLagan and iconic BBC broadcaster John Peel. Filled with rare photos, the booklet chronicles every Faces BBC session, concert, and broadcast. BBC broadcaster Gary Crowley provides detailed liner notes, including a new interview with Jeff Griffin, who produced all of the Faces' BBC appearances. Many of the band's BBC recordings, once thought lost, have been recovered from archives and private collections. Rarities include a stereo mix of the May 13, 1971, Paris Cinema concert, and a February 1973 show that was never aired due to the band's lively interaction with the audience.John Peel's Christmas Carol Concert, originally broadcast on Boxing Day 1970, completes the collection but these is much much more!!!
Messing With The Kid (Popgala; Vliegermolen, Voorborg, March 10th 1973 - bonus)
Hands Off (Popgala; Vliegermolen, Voorborg, March 10th 1973 - bonus)
Review: In 1972, Irish blues guitarist Rory Gallagher was at the peak of his powers. On the back of two much-loved and critically acclaimed albums, Gallagher was named Melody Maker's Musician of the Year. Before scooping that gong, he toured Europe and, while in Switzerland, recorded a now legendary session for Radio Suisse. This CD showcases that session in full, complete with crowd noise and trademark effects aplenty, with Gallagher and his band's dazzling - if fuzzy and lo-fi, in keeping with the original recording - blues and blues-rock performances (Gallagher's squally and extended guitar solos are especially memorable) being joined by interview experts and introductions by the radio station's unnamed disc jockey.
Review: Whether Rory Gallagher was "the greatest guitarist you've never heard of" or not probably depends on a couple of things. Firstly, whether you have ever heard of Rory Gallagher. And, secondly, which other guitarists you've heard of. Or not heard of. It gets confusing around this point, so let's move on. The simple truth is this Irish virtuosic six string maestro was unarguably up there with the finest strummers to ever walk the Earth, and his legacy is rightly celebrated among serious boffins. For many, though, his name is either an unknown or a faint memory. Which is why In Concert At The BBC 1972 is such an essential release for fans of heavy, hard and blues rock. Unleashed, untethered, and unapologetically ahead of his time in terms of style and attitude, sit back and allow the riffs, power chords, solos and frenzies take control. There will be no regrets.
Review: Now considered a genuine legend of delta blues, Skip James spent much of his career in obscurity. He was finally tracked down and 'rediscovered' in the early 1960s, some 30 years after his only recordings were made, and promptly sent back into the studio. Today, officially his third studio album, was made and released in 1964 and shows the iconic bluesman at his very best. The 12 acoustic recordings on show brilliantly showcase his superbly soulful falsetto voice and incredible finger-picking guitar skills, with James providing awe-inspiring renditions of traditional blues numbers and his own compositions - many of which became staples in folk and blues clubs worldwide in the years that followed the album's release. An essential reissue of a genuinely important and iconic album.
Review: Renowned for creating the iconic riff in Betty Wright's 'Clean Up Woman' and delivering the #2 r&b hit 'Party Down,' bassist, guitarist, and arranger Little Beaver is a cult hero amongst soul fans. He proved that beyond doubt with his 1972 debut album, Joey, which now gets reissued on both black wax, as well as this clear vinyl version. It's a sublime blend of rhythm & blues, soul and funk all enhanced by lush orchestrations. It features the captivating title track 'Joey,' which as produced by Betty Wright, along with 'I'm Losin' the Feelin',' which was later covered by Gwen McRae, plus the soulful 'Katie Pearl.' All beautifully remastered to preserve the original warmth and spirit, this is a must-cop reissue.
Review: Little Beaver's 1972 debut album, Joey, is finally getting the reissue it deserves. This album highlights Little Beaver's talent, known for creating the iconic guitar riff in Betty Wright's 'Clean Up Woman' and delivering the #2 R&B hit 'Party Down.' Joey is a masterful blend of Rhythm & Blues, Soul, and Funk, enriched by lush orchestrations. The album features the enchanting title track 'Joey,' produced by Betty Wright, 'I'm Losin' the Feelin',' later covered by Gwen McRae, and the deeply evocative 'Katie Pearl,' each track adding layers of soulful resonance. Little Beaver was already a revered figure in the Miami Soul scene, known for his work as a bassist, guitarist and arranger and this album shows his formidable guitar skills and deep, intuitive songwriting, drawing listeners into the emotional landscapes of his songs. This reissue celebrates a profound musical legacy that continues to resonate. Experience this seminal album, beautifully remastered to capture the original warmth and spirit of Little Beaver's early work.
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