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127/27(ページ1/1)の商品
Cat: 665158 Rel: 18 Oct 17
 
State variable filter with 12dB slope, individual outputs & variable filter routing - 26HP
Notes: The Dual State Variable VCF consists of two multimode filters with high-pass, band-pass, notch and low-pass outputs. The circuits feature an edge steepness of -12 dB per octave. Routing options allow serial or parallel connection. Thanks to normalizations and a total of three cutoff potentiometers, stereo material can be processed as comfortably as mono signals.

Furthermore, a well-known feature from the Oberheim SEM synthesizer was implemented in the Dual State Variable VCF: The notch characteristic can be weighted more to the high-pass or low-pass side.

The resonance sounds extraordinarily rich and wet, even high values never sound all too harsh. While self-oscillating, the filters can be played like sine oscillators. By modulating both circuits in opposite direction, users are able to achieve interesting stereo effects.
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 1 in stock $577.64
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Akai LPD8 USB MIDI Laptop Pad Controller (USB-MIDI laptop pad controller)
Cat: 367275 Rel: 26 Oct 09
 
USB bus-powered 8-pad MIDI controller with 8 assignable Q-Link knobs & 4 memory banks, PC & Mac compatible
Notes: The Akai LPD8 USB is a ultra-portable production pad.

The LPD8 laptop pad controller is a USB-MIDI controller for musicians, producers, DJs and other music creators. It measures less than 13" across and weighs less than a pound to easily fit into a laptop case, backpack or messenger bag for extreme portability.

The LPD8 is based on Akai Professional's MPC line of iconic music production stations. Producers who love the feel of the MPC and want to work with software on their computer will find that the LPD8 gives their laptop the controls they prefer over a mouse and keyboard.

The LPD8 has 8 orange light-up pads that are velocity sensitive for programming rhythmic or melodic parts. The pads can also send program-change information to software. Additionally, the LPD8 has eight assignable Q-Link knobs you can assign to virtually any parameters in their software for hands-on control.

The LPD8 works plug and play with Mac and PC and requires no software driver installation or wall power for operation. It has 4 memory banks for programming and recalling settings appropriate to different software programs you use.

Make music in any setting with the LPD8.


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MRP:$51.69 SAVE 19%
 2 in stock $41.93
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AKG
Cat: 626581 Rel: 10 Mar 16
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Your music rocks - make sure you hear every detail with the AKG K52 over-ear, closed back headphones. Professional-grade 40mm drivers reveal even the subtlest nuances, so you can be confident your mix will translate accurately on any system. Whether you're monitoring vocals or tracking a bass line, the self-adjusting headband and lightweight design will provide hours of comfort. Designed by the company whose mics and headphones have helped create some of the world's most iconic recordings, the durable K52 headphones deliver great sound wherever your music takes you.

Did your recording sound great at home but you regret playing it for your friends in the car? If so, you need an accurate monitoring solution to expose problems before you leave the studio. Our K52 headphones deliver authoritative, extended low-frequency response that gives definition to kick drums and bass guitars. At the same time, the detail yet precisely balanced high-frequency response reveals the nuance in vocals, guitars and acoustic instruments. The K52 headphones confirm your critical creative decisions, so you know when your track's ready for prime time.

Wondering how it's possible to get such great sound from affordable headphones? When it comes to audio quality, driver size and weight are critical, especially in the lower frequencies. Our generous 40mm drivers deliver high sensitivity for powerful output, plus an extended frequency response that reveals every detail. The K52s also feature a low-impedance design for compatibility with a broad range of playback devices, from professional studio gear to portable music players. Our engineers leveraged their extensive expertise to optimize every single component - delivering a great set of headphones without compromise.

Whether you're practicing or tracking, you need to focus and perform at your best. The K52 headphones' closed-back design eliminates audio leakage and delivers sound to your ears only. You won't hear the drummer drop his sticks in the middle of tracking - and the mic won't pick up the sound of the click track in your headphones.

This exceptional level of audio isolation is due to a new acoustic chamber, which sits between the ear cup and the hinge that connects to the headband. Our innovative design gives you the freedom to move your head in any direction, without letting sound in or out. With the K52, you'll enjoy a private workspace, no matter where you choose to create.

Nailing the perfect take sometimes means tracking the same part for hours - and that's where comfort really counts. We designed our unique self-adjusting headband to automatically create the perfect fit for every band member. No need to mess with delicate sizing mechanisms, which have the potential to break over time.

The exposed headband design keeps the K52 headphones comfortably light, without compromising driver size. Breathable, lightweight ear pads encircle your ears, rather than putting pressure on them. And a single-sided cable gives you freedom to move. To sum it up, these high-performance headphones sound, feel and look great. Who says you can't have it all?

AKG is known for making professional-grade gear that can stand the test of time, and the K52 headphones are no exception. We put them through extreme testing and abuse to ensure they'll handle anything you throw at them: Our regimen of drop-tests simulates exaggerated falls. 80,000 cable bend cycles at both end points ensure the cable won't break or underperform. And intensive driver testing - a prolonged series of 3W bursts each half second - means that the drivers won't fail when you really need them.

Since ear pads are often the first components to show wear, we made them replaceable to protect your investment over time. With exceptional performance and elegant design to match, the K52 is built for pros.
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 1 in stock $32.02
Cat: 519858 Rel: 06 Mar 14
 
Keyboard sustain pedal with 1/4" jack connector
Notes: The Alesis ASP-1 is a universal sustain pedal with a polarity switch that expands the expressive control of any electronic keyboard.

This low-profile, momentary pedal is built to perform and comes in a compact, simple design that's suited for the stage or studio. The fast-acting sustain mechanism provides an immediate response, and the ASP-1 comes ready with an attached 1/4" plug for out-of-the-box use. A non-slip bottom secures the pedal in place.
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 3 in stock $13.25
Cat: 676907 Rel: 28 Feb 18
 
Crossfold modulation processor - 6HP
Notes: The Crossfold is a new concept wavefolder: A high quality, compact, 8-stage, dual voltage-controlled crossfader, analog wavefolder/waveshaper from Antimatter Audio capable of producing subtle to extreme distortion, folding, and experimental synthesis.

Voltage controlled balance of two audio sources before processing through the high fidelity 8 stage wavefolder creates "crossfolds", unexpected and complex interactions of sound that can resemble through-zero FM synthesis, bizarre distortion, and even more mysterious results.

As lovers of wave shapers, we refined the Crossfold to produce timbres and patches that we were always seeking, patches that were either not possible, or required many more modules to accomplish before the Crossfold.

The Crossfold utilizes high quality op amps, multiple high quality VCA chips, and a small army of resistors and diodes to create a unique, hi fidelity wavefolder capable of producing sounds yet unheard of!

The fold and range controls with voltage control provide the main intensity level, with the range control setting the scope of the fold control, traveling from single folds, up to eight, further into clipping, which compresses and offsets the folds both into the positive and negative range. A built-in output limiter allows you to explore clipping effects without large volume spikes, while still allowing for a musical dynamic range.

The output stage has 3 modes selectable by a switch on the front panel: a voltage-controlled dry/wet of the input crossfader (great for balancing fundamental tones Vs added harmonics), wet vs. input 1 (great for mixing signals for the wet signal while maintaining a single dry signal), or as a final VCA to complete a voice or provide amplitude modulation of the output.

The Crossfold is capable of combining sources to produce low punchy basses, glassy marimbas, screaming synced leads, morphing alien drones, and much more. It even sounds amazing on bass guitar, thanks to its smooth distortion capabilities!

Antimatter Audio modules are proudly designed and assembled in Portland, OR, USA.
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 1 in stock $214.27
Cat: 613070 Rel: 26 Jul 13
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


When you've got to have the classic tremolo made famous by vintage '50s amps, get the Behringer Ultra Tremolo UT300.

The classic surf music of the '50s and '60s might not have even happened if tremolo hadn't come along. Vintage amps produced this intriguing effect by pulsing the volume of the instrument signal at a user-adjustable rate. The UT300 pays homage to this legendary sound, bringing it up to date for modern surf freaks.

With its dedicated Rate, Wave and Depth dials, you can shape a pulsating tremolo that nails every sound from rowdy rockabilly and surging surf, to modern space rock.

A red LED tells you when the effect is activated, and you can power this groovy stomp box with either a Behringer PSU-SB DC power supply (not included) or a 9 V battery.

A top quality on/off switch maintains excellent signal integrity in bypass mode.
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 1 in stock $23.18
Cat: 673454 Rel: 15 Dec 17
 
6.3mm (1/4") TRS jack connector to male XLR connector cable, 3m
Notes: High quality audio leads for exceptional sound quality and reliability. High grade cable comprises an insulated pure copper core and global shielding.

The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling. Terminated at one end with a 6.3mm stereo (TRS) jack plug and at the other end with a male XLR connector.
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 More than 10 in stock $3.15
Cat: 570397 Rel: 10 Apr 15
 
XLR (female) to USB adapter interface, plug & play solution
Notes: A barrel adaptor with an XLRF at one end and a USB type A plug at the other. Converts a balanced microphone input to digital audio format for use with PC recording software.
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 4 in stock $8.73
Cat: 719370 Rel: 18 Feb 19
 
Guitar synthesiser effects pedal with 11 monophonic synth sounds
Notes: The EHX Mono Synth transforms your guitar into eleven great sounding synthesizers... from vintage synth emulations to fat, stacked voices to soaring lead sounds and more.

The Mono Synth was designed to work on guitar without any modifications, special pickups or MIDI implementation. Its intuitive layout makes it easy to use and easy to dial in cool sounds quickly. The pedal's DRY dial adjusts the dry guitar volume at the Synth Output while SYNTH controls the volume of the synthesizer sound at the Synth Output. Used together they let you create just the right mix. The SENS control, short for sensitivity, adjusts how playing dynamics trigger the synthesizer and allows you to fine-tune the pedal's response to your guitar and playing style.

With the CTRL knob you can adjust a key parameter for each of the eleven synth types. It varies depending on the preset and provides extra tweakability for customizing your sound. There's also an EXP input which lets you control an entirely different parameter in real-time with an expression pedal!

Using the built-in Preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. The factory presets are also easy to restore should you wish to.

From string-like synths, to aggressive resonant sounds and deep drones and bell-like tones, the Mono Synth puts a collection of hot synthesizers at your fingertips.
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 1 in stock $127.02
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Cat: 586368 Rel: 21 Sep 15
 
7 port USB 3.0 hub tailored for Overbridge enabled units
Notes: A USB hub tailored for Overbridge

Made for Overbridge:
Overhub is the ideal USB hub solution for Overbridge enabled units. Connect up to 7 units to a single host computer for maximum productivity.

A USB hub for the modern studio:
Naturally, Overhub is fully compatible with all USB peripherals. And it works in the most convenient manner too as operation is completely driverless.

Clever tech:
Multi TT technology ensures ultimate USB data transfer performance. Every bit in its right place, at the right time. Overhub is a top performer.

In the box:
Overhub USB hub, USB cable, rubber feet, user manual
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 More than 10 in stock $51.91
Cat: 644153 Rel: 21 Mar 17
 
Protective lid for Analog Heat & Digitakt
Notes: Hard plastic protective lid for ultimate protection. Fits Analog Heat & Digitakt.
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 6 in stock $50.81
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Cat: 710481 Rel: 21 Feb 19
 
3.5mm Eurorack patch cable, 50cm length
Notes: Kitty Cables are a slim, low-profile 3.5mm Eurorack patch cable suitable for cases that close overtop, and jacks spaced close to one another. Available in five different sizes! And each one has a subtle little kitty at the end of the cable.

Length: 50cm
Colour: Orange
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 3 in stock $2.20
Cat: 607334 Rel: 04 Apr 16
 
TRS jacks for the Audio I/O interface in 1U module - 16HP wide
Notes: TRS jacks for the Audio I/O interface in 1U.

You need this module for the Audio I/O 1U

This module is not needed if you have the 7U performance case that comes with rear mounted audio i/o jacks.
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 1 in stock $24.29
Cat: 548434 Rel: 18 Sep 14
 
Keyboard foot controller with solid "road-proof" build and backlit buttons for onstage use
Notes: 12 Step is a road-proof, portable keyboard controller for your feet. Each key is brilliantly backlit, has multiple functions, and can sense foot tilt and pressure.

12 Step is ready for the road with a build that you can trust to perform on stage after stage, night after night.

12 Step's keys respond to the velocity, pressure and tilt of your foot, giving new dimensions of expression to your performance.

No moving parts means you'll never accidentally break off a knob or button.

Perfect for triggering clips in Ableton Live, playing synth bass, swelling pads, organ stabs, or any other musical accents that fit your style.

The 12 Step Editor Software v2.0 was reprogrammed from the ground up, optimized for speed and ease of use, and given a snazzy new user interface.

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 4 in stock $258.44
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Cat: 548432 Rel: 18 Sep 14
 
MIDI foot controller featuring 10 foot pads with smart sensor technology
Notes: SoftStep is a leap forward in the evolution of MIDI foot controllers. 10 pads equipped with Smart Sensor technology each send up to 6 unique messages in 3 dimensions for unparalleled control.

SoftStep Basic Editor is an easy way to program presets taking advantage of the most commonly requested sources and messages.

SoftStep Advanced Editor allows you to take full advantage of the power and flexibility of the SoftStep. More fully featured than the Basic Editor, the Advanced Editor is for users who want to get the very most out of their SoftStep.

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 3 in stock $331.34
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Cat: 358430 Rel: 18 Jun 09
 
controller for Ableton & other software/hardware applications
Notes: The Killamix-Mini is a compact USB controller housed in a sturdy brushed aluminium case with solid aluminium knobs. It is the perfect companion to your laptop, whether you are using a sequencer, DJ-ing or VJ-ing, just plug in the USB cable and go. Despite having only 9 knobs, 9 buttons and a joystick, the Killamix-Mini can in effect be 144 knobs,144 buttons and a joystick. By pressing a single knob you can select any MIDI transmit channel from 1 to 9, or, with a combination of two knobs, select the remaining channels 10 to 16. When you select a new MIDI channel, the current values of the knobs for that channel are stored so that they can be restored when you next select this channel, thus avoiding any parameter jump difficulties typical of units with traditional knobs and faders. When the values are restored, the LED rings around the knobs indicate their new positions.
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 1 in stock $331.34
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Cat: 656385 Rel: 07 Jul 17
 
High specification CV to MIDI converter - designed to work with all types of CV inputs
Notes: - CV & Gate inputs on 3.5mm mono jack sockets
- A to D conversion for main CV input is 16 bit high quality ADC
- V/octave, Hz/V or 1.2V/oct modes selectable
- Gate type can be selected as Gate or S-trig
- Aux1 & 2 inputs on 3.5mm mono jack (continuously variable or switch selectable)
- Auxes can select controller number
- Auto tune feature makes setup easy
- MIDI Out on 5 pin DIN socket
- Non-volatile memory EEPROM (no back-up battery required)
- 32 bit ARM processor

PLEASE NOTE: Comes with UK 3-pin power supply
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 1 in stock $157.93
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Cat: 675886 Rel: 15 Mar 18
 
Portable, pocket-sized, high-precision chromatic tuner
Notes: The CA-50 features high-precision tuning functionality and a slim and compact design. The new CA-50's display is now, even easier to read. Long considered the standard in chromatic tuners, the CA-50 offers simple and intuitive operation and a satisfying tuning experience for every instrumentalist.

The LCD screen of the CA-50 shows a needle-type meter to quickly and accurately show the pitch, and provides a note name indication in the middle of the display. The note name indication is now larger and even easier to read. This ensures simple and smooth operation even for beginners.

The CA-50 features a detection range of A0 (27.50 Hz) to C8 (4186.01 Hz). For wind instruments from piccolo to tuba, or string instruments from violin to contrabass, you can tune band or orchestral instruments of any pitch range. A high-sensitivity mic is built in, allowing the note name to be detected accurately even without a contact mic. By using the separately sold CM-200 contact mic, you can tune with confidence that nearby sounds will not affect the result.

The calibration function supports a variety of concert pitches. It can be adjusted in 1 Hz units in the range 410-480 Hz, allowing flexible tuning that matches the song or key.

The meter scale of the CA-50 provides marks that indicate pure major and minor third intervals. By tuning to these marks you can play beautiful harmonies when you're in an ensemble. This is convenient not only in a brass band or orchestra, but also for vocal or a cappella practice.

The "Sound Out" mode lets you listen to a reference tone emitted by the internal speaker, allowing you to tune by ear. A reference tone in the range of C4 (261.63 Hz) to C5 (523.25 Hz) can be output. You can check the pitch using both eye and ear, allowing you to tune more accurately, and also providing an ideal method of training your sense of pitch.

The CA-50 can be used for approximately 135 hours (when using zinc-carbon batteries). When the remaining battery capacity runs low, the display shows an indicator, letting you know that it's time to replace the batteries.

A new mechanism reduces the possibility that the unit will overturn, making it less likely that the tuner will slide off and fall when placed on a music stand. You'll be able to concentrate on your playing without fearing that the tuner might fall during the performance.

The memory backup function remembers the calibration and sound out mode settings even when the power is turned off. (Settings are initialized when you replace the batteries.) The auto power off function automatically turns off the power when 20 minutes have passed without sound being input.

The folding stand allows the tuner unit to be more stable on its own. The sliding battery cover is designed as a single piece with the unit itself, so there's no worry that the cover might be lost when replacing the batteries.
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 1 in stock $18.52
Cat: 631792 Rel: 13 Apr 17
 
Analog synthesiser with all-new synthesis structure optimized for monophonic sounds & sequences - black
Notes: Next-generation monophonic analog synthesizer in a vivid five-colour line-up:
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.

The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.

Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.

The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.

Fully programmable:
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.

16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.

There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.

Battery-powered analog:
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.

In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.

Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.
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 3 in stock $237.47
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Cat: 715950 Rel: 18 Feb 19
 
Compact patch-based synth, ideal for beginners
Notes: A semi-modular analogue synthesizer that makes modular synthesis more accessible and understandable than ever before.

Creating new sounds that don't exist in the outside world is an unending dream which has continued since the birth of electronic musical instruments. This dream has evolved and expanded throughout the development of new and unique music production devices.

The popularity of modular synthesizers around the world has generated new excitement and interest in the so-called "West Coast style" of synthesis that deviates from traditional synthesis norms.

The compact body of this volca synth features eight modules and 50 patch points. While learning the basics of a modular synth, you can use popular features of the volca synthesizer line to control a unique and different flavour of analogue sounds.

Eight modules:

The volca modular is a semi-modular synthesizer consisting of independent analogue synth modules, digital effects, and a sequencer. Each of the modules has been carefully selected for its stand-alone completeness. The modules are internally connected so that sound can be produced even before connecting the included pin cables, and the routing is shown by white lines on the panel. Module connections via a pin cable take priority over the internal connections, bypassing them.

A fusion of West Coast style in a volca format:

Analog synthesizers in which a simple oscillator such as a saw wave or square wave is modified by a filter are referred to as "East Coast style" because of their origin from well-known American manufacturers. Synths of this style, as exemplified by the MS-20, have continued to evolve toward a goal of being used in many mainstream musical genres, thus being equipped with a keyboard for performance. Their sounds are notable for sharp filters and rich presence, and can be heard in many well-known songs.

Patching allows infinite possibilities:

volca modular's modules are connected via the included pin cables, allowing a diverse range of combinations. The unit's compact chassis provides 50 patch points. Inputs and outputs are color-coded for recognition at a glance, and the signals are also marked by symbols to indicate audio, control, gate or trigger. Normally, each signal is connected according to its use, but on the volca modular, signal levels are universally compatible between modules, allowing hidden possibilities to arise from patching that defies common sense. Twenty pin cables are included, and also included is a reference sheet explaining each patch point and providing basic examples of patching.

Sixteen-step sequencer that can automate parameters:

While the volca modular is a semi-modular synth, it is equipped with a full-fledged 16-step sequencer providing a wide range of functions, letting you enjoy automatic performance even when used stand-alone.

Using the 16 buttons familiar from the volca series, you can perform step input or use the buttons as a keyboard for realtime recording. The pattern chaining function plays back multiple sequence patterns in succession, allowing you to connect up to 16 sequences with up to 32, 64, or even 256 steps to create large-scale development.

Randomize function that can generate accidental ideas:

The sequencer of the volca modular lets you specify randomization for notes, active steps, and micro tuning. Irregular phrases, rhythms, and scaling that would be unlikely to come to mind can be generated by applying randomness, letting the volca be a source of unknown ideas.

Two new modes added for sequence playback:

Two new sequence modes have been added: bounce sequence mode which makes a round trip through the steps, and stochastic sequence mode which gradually proceeds while randomly moving forward and backward. Playing back a recorded sequence in a different form can add dramatic changes to your song or performance.

Musically advanced scales, keys, and micro tuning:

Although the volca modular is a West Coast style synthesizer, it also provides flexible support for music as a contemporary instrument. You can choose from 14 types of scale including equal temperament. Since you can also specify the tonic key from which these scales start, you can play these scales in any key.

There's also a micro tuning function that lets you individually specify the pitch of each note. You can pursue your own unique music by performing in an original tuning with the pitch of individual notes raised or lowered.

Connectors that allow synchronized performance and external control:

With a sync jack that allows easy connection to a Korg groove machine, you can connect the volca modular to another volca series unit, a minilogue, monologue, or prologue, an electribe, or the SQ-1, and enjoy sessions with the sequencer synchronized to the playback.
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 More than 10 in stock $186.66
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quote 715950
Cat: 703158 Rel: 08 Feb 18
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


The Mackie Big Knob Studio+ Monitor Interface is a modern version of the original Big Knob Studio Command System, combining intuitive design with high-resolution Onyx mic preamps and seamless integration with all major DAWs. Equipped with USB connectivity, the Big Knob Studio+ features TRS combo and 1/4'' jack input connectors, along with 1/4'' jack balanced/unbalanced output connectors and dedicated headphone outputs.

Onyx Recording/Playback:
The Mackie Big Knob Studio+ offers high-resolution USB interfacing with resolutions up to 192kHz. Featuring two Onyx microphone preamps, the Big Knob Studio delivers an ultra-wide gain range - up to 60dB - and award-winning sound quality.

Flexible Integration:
The latest addition to the Big Knob series provides models with unique features and a variety of I/O, ensuring that this interface seamlessly integrates within your existing setup. Suitable for a range of applications, the Mackie Big Knob Studio+ is equipped with dual headphone outputs, a dedicated amp-driven studio out, a true cue mix and much more.
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 1 in stock $263.30
Cat: 542614 Rel: 23 Oct 14
 
Bus powered USB/iPad recording interface with built-in class A mic preamplifiers
Notes: Excellent choices for mobile musicians, sound designers, and podcasters, the USB 2.0 bus-powered AudioBox iOne and iTwo provide high-quality audio I/O for Mac, PC, and Apple iPad. These compact, ruggedly built interfaces offer high-performance Class A mic preamplifiers, record 24-bit audio at up to 96 kHz, and include powerful, easy-to-use Studio Oner Artist DAW for Mac and Windows and Capture Duo recording software for iPad.

PreSonus is famous for its tightly integrated hardware/software solutions, and the AudioBox i series is no exception. Of course you get Studio One Artist. But we didn't stop there!

PreSonus' award-winning analog signal processors and microphone preamps have long been popular among top professionals and home enthusiasts alike. So when you see the name PreSonus, you expect top audio quality - and the AudioBox i series delivers.

AudioBox iOne and iTwo are mobile interfaces in the best sense of the term. They can sit on a tabletop or fit in the pocket of a backpack or laptop bag and are powered by the USB bus, so you don't have to mess with a "wall wart" power supply or AC cord. And they're built to withstand the rigors of travel.

The AudioBox i series consists of two great 24-bit, 96 kHz mobile-recording solutions: the compact AudioBox iTwo and subcompact AudioBox iOne.
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 1 in stock $76.21
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Cat: 675742 Rel: 23 Jan 18
 
Large-diaphragm cardioid condenser microphone with upgraded capsule & low noise electronics
Notes: There's a new entry point to sE's acclaimed X1 Series, and it's breaking the performance barrier (again) for every mic in its class.

When it was introduced in 2011, the X1 brought a new level of quality to its price point, competing easily with microphones costing several times as much. But that didn't stop sE from trying to outdo themselves again.

With a newly-developed condenser capsule and an exterior based on the rugged metal chassis of the X1, the X1 A offers first-class sound & specifications at an even better "home studio" cost, featuring an extremely natural frequency response, massive SPL-handling capabilities (150dB!), switchable attenuation and low-cut filters, and a perfectly balanced sensitivity level - so it's at home on absolutely any source.

From vocals to acoustic instruments to electric guitars or percussion, the X1 A is the perfect choice for any musician seeking a high-quality microphone with an entry-level price tag.

All-metal housing & premium finish:

Unlike the cheaply constructed bodies of some other "entry-level" microphones, the X1 A's all-metal chassis provides efficient rejection of any electrical interference and noise - and the high-quality finish ensures a great look for years to come.

Integrated windscreen:

Eliminates the need for an external pop filter, and provides an extra layer of safety and security for the all-important capsule.

Completely new acoustic design:

The X1 A's new condenser capsule design is a work of art, delivering stellar sonic performance on any source with incredible speed, accuracy, and well-balanced frequency response.

The electronics have also undergone a complete overhaul, and exhibit better specifications and sound - on and off the test bench - than any other microphone in its class.

Attenuation & low cut switches:

The -20 dB pad switch on the left provides extended dynamic range, enabling a wide range of applications and close-mic techniques for even the loudest instruments...think super-heavy electric guitars, fortissimo brass instruments, and heavy-footed kick drums.

On the right, the 100 Hz low-cut switch helps eliminate low-frequency rumble or footfall noise, and compensates for excessive bass with close-mic techniques (proximity effect).

Gold-plated XLR connector:

Ensures loss-free, reliable signal connection for years and years and years and...

The X1 A comes complete with a rock-solid, newly designed swivel mic clip and thread adapter to fit with any mic stand.

If you need additional rumble control, the X1 A integrates perfectly with sE's Isolation Pack, as well as the Reflexion Filter X - recommended for an instant pro vocal recording setup for your home studio.

In the box:

- X1 A microphone
- Swivel mic clip
- Mic stand thread adapter
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 1 in stock $87.26
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Cat: 358117 Rel: 31 Jul 09
Notes: Designed for professional audio engineers and musicians, the SRH840 professional monitoring headphones from Shure are optimized for studio recording and critical listening. A precisely tailored frequency response and 40mm neodymium dynamic drivers combine with total comfort and durability to provide the ultimate listening experience. The replaceable cable and included set of replacement ear pads ensure a long-lasting lifetime of use.
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MRP:$284.96 SAVE 59%
 2 in stock $117.91
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Cat: 658626 Rel: 08 Jan 18
 
Versatile percussion synth voice module
Notes: The Entity Percussion Synthesizer is a complete and versatile voice module, geared for designing a huge array of percussion, bass and lead sounds and well suited for processing external audio sources.

The design consists of a high fidelity resonant band pass filter, two voltage controlled decay envelopes, multi-mode noise generator, a high fidelity VCA and a voltage controlled diode wave multiplier. Every parameter on the Entity Percussion is voltage controllable.

Features and controls:

SOUND SHAPING:

BODY control simulates the tightness of a drum head. From soft and muted to flabby and bass heavy.

PITCH affects the frequency of the resonant filter. The nominal control range is from about 8Hz to 2.2kHz. This range is expanded upon use of internal and external control voltage sources.

HARMONICS increases the number of overtones heard via the main resonant sound source. Subtle to extreme. A substantial function of the Entity PS.

RING controls the resonant decay time, independently from the modulation controls. Both short and plucky and very long rings are obtainable. The filter is tuned so that it will always resonate a little, even when RING control is all the way down.

OUTPUT section controls the resonator volume level and the overall output level when NOISE-FILTER mode in enabled. MIX switch selects processing the internal resonator, external source via the EXT IN jack or a mix of both, greatly enhancing the sound capabilities of the Entity PS.

NOISE generator inspired by the Quantum Rainbow 2, with three select-able noise modes - WHITE, PINK and FILTER. FILTER mode routes the noise into the resonator's signal path - to be processed through the resonant filter, harmonics processor and main VCA.

N-LEVEL independently controls the volume and CV level of the noise VCA.

MODULATION:

Two voltage controllable decay envelopes are provided to modulate the frequency and/or volume of the resonator and noise. DECAY controls the FM/VCA decay time of the resonator, N-DECAY controls the VCA decay time of the noise generator.

DELAY provides voltage controlled delay of the resonator DECAY envelope with respect to the noise (N-DECAY) envelope - a useful feature for creating various snare, clap and snap sounds and layering internal and external sources.

FM LVL is a bipolar attenuator for controlling the frequency modulation depth of the resonator. The switch below selects the internal resonator decay envelope, a mix of the decay envelope and external FM CV source, or the external FM CV source only.

DUCK output jack provides an offset and inverted copy of the resonator DECAY envelope for ducking VCAs and other modulation duties.

Additional Features:

PING! button to demo sounds without a trigger source.

RGB LED for visual feedback of trigger, FM and output waveform

All parameters are voltage controllable.
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 4 in stock $305.95
Cat: 662842 Rel: 18 Sep 17
 
Dual filter module with flexible routing & excellent audio properties - 24HP
Notes: There is almost no modular system without at least one filter-module. You can look at them as the stars within the giant Eurorack-jungle. twinVCFilter is such a star as well. A dual filter module with flexible routing and excellent audio properties. It covers a huge range of different applications without the slightest effort.

Features and Routing:

Each filter section of twinVCFilter works as low- or highpass-filter with a slope of 12 dB/octave or as bandpass-filter with 6 db/octave. Signals can be directed in three ways through the module:

- Serial: The incoming signal passes both filter sections in a row.
- Dual: The filter sections act completely separated of each other. As if they were two individual filter modules.
- Parallel: The incoming signal passes both filters at the same time.

With these routings you can i.e. generate bandpasses or notches with variable slopes and different resonance settings or doubling the filter's slope. These are the more obvious combinations but there is a lot more to discover.

The convenient link-feature allows to couple cutoff- and resonance of both filter sections for straightforward stereo use in dual mode.

Mix section:

The flexible signal-routing is supplemented by the mix-section. Here you can crossfade both filter sections manually or by control voltages. Seamless movements from low- to highpass-filter, is as easy as crossfading from half to doubled slope. Of course you can mix two completely individual signals or toggle between them by using a rectangle-LFO-modulation.

Resonance:

Resonance is a key factor in the context of sound-shaping and sound-generation using a filter. Therefore we carefully trimmed twinVCFilter's resonance to be as musically and stable as possible. You can apply subtle frequency-dependent emphasis to signals and tear them up to self-oscillation. The latter generates a solid sine-wave which is an excellent base for percussive sounds. Possible cross-modulations significantly enhance the sound-generator features. By the way: If you are missing a vibrato-LFO in a patch, twinVCFilter can do the job.

twinVCFilter offers a huge set of features to form impressive soundscapes. It can take subtle influence to signals or massively truncate frequencies. It leaves nothing to be desired. Despite, for those who need additional possibilities we especially designed the tVCF-Extension module.
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 1 in stock $373.31
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Cat: 664480 Rel: 11 Oct 17
 
Percussion module using granular synthesis - 8HP
Notes: The Chimera, pronounced "kai-meer-ah", is WMD's first percussion synthesizer module for Eurorack.

First, they recorded samples of different metallic hits to create the sonic signatures that they call Surfaces. The sources include tambourines, sleigh bells, drill bits, wrenches, shell casings, coins, chains and stomp box enclosures.

Second, they built a proprietary granular synthesis engine around the sonic signatures with the goal of making a module that could sound like a human hitting and shaking a tambourine. With the fundamentals finished, they tweaked the control ranges, built the post-engine effects, and bomb-proofed the hardware.

From there they pushed and polished the engine and user experience, squeezing every juicy drop out of 8HP.

Humanistic shakers, drum machine tambourines, laser guns, minimal techno offbeats, giant-robot movie sound design, etc. It's all yours with the Chimera.
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 2 in stock $251.82
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