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Our full range of studio equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.

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Coming Soon: Studio Equipment

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150/136(ページ1/3)の商品
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FORTHCOMING
2hp Pluck Physical Modelling Synthesizer Module (black faceplate)
e-mail me when released
coming soon $149.25
FORTHCOMING
2hp Vowel Speech Synthesis & Formant Oscillator Module (black faceplate)
e-mail me when released
coming soon $149.25
FORTHCOMING
4ms 10 Pin Multi Power Cable
Cat: 711993
e-mail me when released
coming soon $6.52
FORTHCOMING
4ms 16 Pin Multi Power Cable
Cat: 711994
e-mail me when released
coming soon $6.52
FORTHCOMING
4ms 90W Power Brick (powers 300-500HP)
e-mail me when released
coming soon $26.62
FORTHCOMING
4ms Barrel Power Jumper Cable For Daisy Chaining Row Powers & Pods
Cat: 711991
 
Jumper cable for connecting two 4ms RowPower modules or Pod cases - 8" length
Notes: 2.1mm barrel plug (5.5mm outer diameter). Short barrel to barrel cable for daisy-chaining Row Powers and/or Pods. Cable is 8" long, suitable for connection two adjacent Modular Rows that are directly connected or separated by a 30 or 45 degree angle piece. Also suitable for two Pods directly connected to each other.
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coming soon $16.18
FORTHCOMING
4ms Barrel Power Long Jumper Cable For Daisy Chaining Row Powers & Pods
Cat: 711992
 
Jumper cable for connecting two 4ms RowPower modules or Pod cases - 10" length
Notes: 2.1mm barrel plug (5.5mm outer diameter). Longer barrel to barrel cable for daisy-chaining Row Powers and/or Pods. Cable is 10" long, suitable for connecting Row Powers across an entire 3U (for example connecting a Double Modular Row 6U to another Row Power). Also suitable for two Pods that have a bit of space between the enclosures, or for connecting a Row Power and a Pod.
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e-mail me when released
coming soon $17.48
FORTHCOMING
4ms Pod 20 Powered Eurorack Enclosure
Cat: 706834
 
20HP metal enclosure for Eurorack modules with built-in power supply
Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod20 is 20HP with 1.34" (34mm) of available module depth. The built-in power supply has two power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod20 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.
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coming soon $101.23
FORTHCOMING
4ms Pod 20 Unpowered Eurorack Enclosure
Cat: 706833
 
20HP metal enclosure for Eurorack modules
Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod20 Unpowered is 20HP with 1.34" (34mm) of available module depth. No power supply is included, you must supply your means of powering modules with a DIY power supply or a front-facing module such as the Row Power. Two holes on the rear face are plugged with removable plastic plugs, and can be used for DIY applications.
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e-mail me when released
coming soon $56.35
FORTHCOMING
4ms Pod 26 Powered Eurorack Enclosure
Cat: 706837
 
26HP metal enclosure for Eurorack modules with built-in power supply
Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod26 is 26HP with 1.34" (34mm) of available module depth. The built-in power supply has two power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod26 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.
Read more
e-mail me when released
coming soon $110.63
FORTHCOMING
4ms Pod 26 Unpowered Eurorack Enclosure
Cat: 706836
 
26HP metal enclosure for Eurorack modules
Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod26 Unpowered is 26HP with 1.34" (34mm) of available module depth. No power supply is included, you must supply your means of powering modules with a DIY power supply or a front-facing module such as the Row Power. Two holes on the rear face are plugged with removable plastic plugs, and can be used for DIY applications.
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e-mail me when released
coming soon $61.57
FORTHCOMING
4ms Pod 32 Powered Eurorack Enclosure
Cat: 706840
 
32HP metal enclosure for Eurorack modules with built-in power supply
Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod32 is 32HP with 1.34" (34mm) of available module depth. The built-in power supply has two power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod32 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.
Read more
e-mail me when released
coming soon $121.06
FORTHCOMING
4ms Pod 32 Unpowered Eurorack Enclosure
Cat: 706839
 
32HP metal enclosure for Eurorack modules
Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod32 Unpowered is 32HP with 1.34" (34mm) of available module depth. No power supply is included, you must supply your means of powering modules with a DIY power supply or a front-facing module such as the Row Power. Two holes on the rear face are plugged with removable plastic plugs, and can be used for DIY applications.
Read more
e-mail me when released
coming soon $65.75
FORTHCOMING
4ms Pod 60 Powered Eurorack Enclosure
Cat: 711005
 
60HP metal enclosure for Eurorack modules with built-in power supply
Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod60 is 60HP with 1.34" (34mm) of available module depth. The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod60 includes twenty (20) M3x8mm stainless steel screws and is compatible with M3 Knurlies.
Read more
e-mail me when released
coming soon $178.47
FORTHCOMING
4ms Pod 60 Unpowered Eurorack Enclosure
Cat: 711004
 
60HP metal enclosure for Eurorack modules
Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod60 Unpowered is 60HP with 1.34" (34mm) of available module depth. No power supply is included, you must supply your means of powering modules with a DIY power supply or a front-facing module such as the Row Power. Two holes on the rear face are plugged with removable plastic plugs, and can be used for DIY applications.
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e-mail me when released
coming soon $86.62
FORTHCOMING
Adam SP5 Studio Pro Headphones
Cat: 705853
 
Closed-back headphones with S-LOGIC Plus technology
Notes: ADAM Audio is renowned worldwide for its industry-leading professional studio monitoring technology. Introducing the Studio Pro SP-5 extends its expertise to the studio headphones product category. The SP-5 is a closed-backed, circumaural headphone manufactured to exacting standards, delivering a smoothly balanced sound across a broad frequency spectrum from 8 Hz to 38 kHz. Its sound characteristics are best described as analytically precise, being developed to satisfy the exacting demands of pro audio monitoring and mixing.

This premium headphone integrates Ultrasone's S-LOGIC technology, employing transducers spatially arranged to exploit the natural form of the human ear and utilizing the natural acoustics of the wearer's pinna to channel sound into the ear canal. The result is a superbly natural sound experience with startlingly realistic spatial imaging of a quality typical of a stereo monitoring system installed and calibrated by experts. This system makes mixing on the SP-5 easier than on traditional headphone designs that simply point directly at the ear canal.

Another advantage of headphones deploying S-LOGIC technology is that they require less SPL to deliver the same subjectively experienced volume. This reduces distortion artefacts and avoids listening fatigue, making the SP-5 an excellent choice for long mixing sessions. Great care has been taken to ensure that this headphone is comfortable to wear for extended periods.

ADAM Audio developed the SP-5 in collaboration with the Bavarian company Ultrasone, a manufacturer famed for its decades of experience in first-class quality headphones 'Made in Germany'. ADAM Audio's speaker technology experts put the transducers selected for the SP-5 through an intensive re-voicing process to give the SP-5 its own special character that mirrors the unmistakably precise ADAM Audio sound.

ADAM Audio CEO Christian Hellinger explains: "We're very pleased to have worked with such a renowned industry partner to offer our first ADAM Audio headphone. Our collaboration has produced a headphone that fits perfectly into ADAM Audio's range of reference-class monitors and follows the same objectives of providing ultra-precise reproduction of audio material while avoiding hearing fatigue.
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e-mail me when released
coming soon $520.83
FORTHCOMING
AJH Synth Fixed Filter Bank 914 Inductor Based Bandpass Filter Array Module (black)
Cat: 708095
 
14 band inductor based fixed filter bank - black, 30HP
Notes: This 30HP wide module features twelve fixed frequency, inductor based bandpass filters, set at half octave interval spacing and covering from 125 Hz through to 5.8kHz. It also features low pass and high pass shelf filters, again they are fixed frequency and both are active inductor based circuits. It has a vintage pedigree that harks back to the original and highly sought after 914 Fixed Filter bank from the 1960's Moog 900 series modular synthesiser system, however we have brought this design up to date and made it compact enough to fit into skiff friendly Eurorack cases by using gyrator based active inductors, and have added some other very useful features too - the bands are split alternatively to left and right channels, each having their own individual output, and there is also an inbuilt Voltage Controlled cross-fader that allows panning between the left and right banks, with a mix of all bands available in the central position.

In addition, we have a second cross fader that can mix between the dry incoming signal, or an external signal fed into input 2, and this is cross-faded against the wet MIX Output - this allows Voltage Controlled crossfading from wet to dry signals, or between wet and external signals - and the level of each can be adjusted using the Input 1 and Input 2 level controls.

A further addition is the feedback control, this is similar in design to the resonance control on a regular VCF, but because of the multiple fixed filters topology it is rather different in operation - it would normally be added in small amounts to thicken up the sound, however we have allowed the feedback to traverse to quite extreme settings for howling feedback and even soft clipped self-oscillation, especially for the noise merchants out there...

Using L/C inductor topology bandpass circuits rather than the usual Sallen Key R/C active bandpass filters does give a slightly different sound and this is part of the magic of the original 914 filterbank, as the LC based circuit exhibits less phase shift against frequency that the more common Sallen Key R/C based bandpass filters that are used in many Modular synths.

Many people often wrongly assume that a fixed filter bank is exactly the same as a graphic equaliser - however this is certainly not the case, if all of the controls of a graphic EQ are set to centre then a flat frequency response is expected and the output will sound very similar, or identical to the input - this does not happen with a fixed filter bank, the frequency response rises and falls as it passes between each stage (but to a lesser extent than if the filters are all set to maximum output), so it acts as a soft slope comb filter, and the resulting output sounds very different from the input signal. Also, with all of the individual filters turned to zero there will be no output at all.
Read more
e-mail me when released
coming soon $TBA
FORTHCOMING
AJH Synth Fixed Filter Bank 914 Inductor Based Bandpass Filter Array Module (silver)
Cat: 708102
 
14 band inductor based fixed filter bank - silver, 30HP
Notes: This 30HP wide module features twelve fixed frequency, inductor based bandpass filters, set at half octave interval spacing and covering from 125 Hz through to 5.8kHz. It also features low pass and high pass shelf filters, again they are fixed frequency and both are active inductor based circuits. It has a vintage pedigree that harks back to the original and highly sought after 914 Fixed Filter bank from the 1960's Moog 900 series modular synthesiser system, however we have brought this design up to date and made it compact enough to fit into skiff friendly Eurorack cases by using gyrator based active inductors, and have added some other very useful features too - the bands are split alternatively to left and right channels, each having their own individual output, and there is also an inbuilt Voltage Controlled cross-fader that allows panning between the left and right banks, with a mix of all bands available in the central position.

In addition, we have a second cross fader that can mix between the dry incoming signal, or an external signal fed into input 2, and this is cross-faded against the wet MIX Output - this allows Voltage Controlled crossfading from wet to dry signals, or between wet and external signals - and the level of each can be adjusted using the Input 1 and Input 2 level controls.

A further addition is the feedback control, this is similar in design to the resonance control on a regular VCF, but because of the multiple fixed filters topology it is rather different in operation - it would normally be added in small amounts to thicken up the sound, however we have allowed the feedback to traverse to quite extreme settings for howling feedback and even soft clipped self-oscillation, especially for the noise merchants out there...

Using L/C inductor topology bandpass circuits rather than the usual Sallen Key R/C active bandpass filters does give a slightly different sound and this is part of the magic of the original 914 filterbank, as the LC based circuit exhibits less phase shift against frequency that the more common Sallen Key R/C based bandpass filters that are used in many Modular synths.

Many people often wrongly assume that a fixed filter bank is exactly the same as a graphic equaliser - however this is certainly not the case, if all of the controls of a graphic EQ are set to centre then a flat frequency response is expected and the output will sound very similar, or identical to the input - this does not happen with a fixed filter bank, the frequency response rises and falls as it passes between each stage (but to a lesser extent than if the filters are all set to maximum output), so it acts as a soft slope comb filter, and the resulting output sounds very different from the input signal. Also, with all of the individual filters turned to zero there will be no output at all.
Read more
e-mail me when released
coming soon $TBA
FORTHCOMING
AJH Synth Mini Mod Glide + Noise MK2 Module (black)
e-mail me when released
coming soon $TBA
FORTHCOMING
AJH Synth Mini Mod Glide + Noise MK2 Module (silver)
e-mail me when released
coming soon $TBA
FORTHCOMING
AJH Synth Mini Mod Sample Hold & Slew Module (black)
Cat: 708087
 
Sample & Hold, Track & Hold, Gated Slew, Clock & Noise generator - black, 12HP
Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
Dimensions: 12HP wide, 26mm Deep
Current draw: 55mA Positive, 40mA Negative
Read more
e-mail me when released
coming soon $TBA
FORTHCOMING
AJH Synth Mini Mod Sample Hold & Slew Module (silver)
Cat: 708090
 
Sample & Hold, Track & Hold, Gated Slew, Clock & Noise generator - silver, 12HP
Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
Read more
e-mail me when released
coming soon $TBA
FORTHCOMING
AJH Synth Next Phase Analogue Multi Tap Phaser Module (black)
Cat: 708079
 
12 stage multi tap stereo phaser - black, 18HP
Notes: The next generation 12 stage, analogue multi tap Phaser, which is a development of, and replacement for, our earlier MegaPhase 12 unit. It includes all the features of the MegaPhase 12 and is also built around the circuitry of the superb sounding EH Smallstone Phaser, which was used to such great effect on synthesisers and string machines by J M Jarre on his early albums. It has the same versatile Stage and Emphasis stage switching, and the same configuration of stereo outputs, where the left channel is taken from the Stage switch, and the Right output from the Emphasis Stage Switch.

New features include independent Level Controls for Input 1 and Input 2, and a Phase "Colour" Control, which can lighten or darken the phasing effect. We have also used much lower noise internal VCA's and low noise audio op-amps along with a four layer PCB design, so that the S/N ratio is improved and the noise floor is considerably reduced compared with the previous MegaPhase 12 phaser. Like its predecessor it occupies 18HP of Eurorack space.
Read more
e-mail me when released
coming soon $TBA
FORTHCOMING
AJH Synth Next Phase Analogue Multi Tap Phaser Module (silver)
Cat: 708085
 
12 stage multi tap stereo phaser - silver, 18HP
Notes: The next generation 12 stage, analogue multi tap Phaser, which is a development of, and replacement for, our earlier MegaPhase 12 unit. It includes all the features of the MegaPhase 12 and is also built around the circuitry of the superb sounding EH Smallstone Phaser, which was used to such great effect on synthesisers and string machines by J M Jarre on his early albums. It has the same versatile Stage and Emphasis stage switching, and the same configuration of stereo outputs, where the left channel is taken from the Stage switch, and the Right output from the Emphasis Stage Switch.

New features include independent Level Controls for Input 1 and Input 2, and a Phase "Colour" Control, which can lighten or darken the phasing effect. We have also used much lower noise internal VCA's and low noise audio op-amps along with a four layer PCB design, so that the S/N ratio is improved and the noise floor is considerably reduced compared with the previous MegaPhase 12 phaser. Like its predecessor it occupies 18HP of Eurorack space.
Read more
e-mail me when released
coming soon $TBA
FORTHCOMING
Alesis Strike Multipad Percussion Pad With Sampler & Looper
e-mail me when released
coming soon $TBA
FORTHCOMING
Antimatter Audio V3KT Morphing Vector Mixer & Quadraphonic Panner Module
e-mail me when released
coming soon $198.30
FORTHCOMING
Audio Technica ATH PRO5X DJ Monitor Headphones (white)
e-mail me when released
coming soon $92.36
FORTHCOMING
Audiowerkstatt DIN 2 MIDI 2 DIN Converter v2
Cat: 714389 Rel: 25 Dec 18
e-mail me when released
coming soon $154.46
FORTHCOMING
AVP Synth ADS7 Analogue Drum Synthesiser
Cat: 704198
 
Drum synthesiser with built-in 32-step sequencer & MIDI control
Notes: ADS-7 is an analogue drum synthesiser inspired by the drum machines/synthesisers of the 70s-80s with a built-in 32-step sequencer and MIDI control. It has 65 controls, 4 switches and 28 buttons with which you can have a wide control over the sound parameters, sequencer and MIDI. It has individual audio outputs and individual trigger inputs for each of the seven sounds.

Assembled in Moscow/Russia using discrete components and OTA chips.
Read more
e-mail me when released
coming soon $TBA
FORTHCOMING
Behringer NX1000D Class D Power Amplifier With DSP Control (1000W)
Cat: 699341
 
Class-D amplifier with 1000 watts output & DSP control
Notes: The NX range of power amplifiers pack large Wattages into exceptionally lightweight and rack-mountable packages. And because the NX range is so much more efficient than conventional designs, they run cooler and don't require the massive heat sinks and heavy toroid transformers typically associated with their conventional counterparts. Thanks to our 'Zero-Attack' limiters that offer maximum output level with exceptionally-reliable overload protection and SmartSense Loudspeaker impedance compensation, which provides fully linear frequency response at any speaker load impedance, you can run the NX range full-out for hours on-end. Our revolutionary high-density Class-D technology, combined with an ultra-efficient, switch-mode power supply ensure these feather-light powerhouses will drive your rig effortlessly for many years to come.

Thanks to our High-Density Class-D amplifier Technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment.

The front panel controls and indicators provide your systems vital signs at a glance. After pressing the Power button, the Power LED lights to show the amp is ready for action. All channels feature positive-detent Gain controls with Signal LEDs that light when a signal is present, as well as Limit LEDs to indicate when the amplifier is running at full capacity. Just as elegant as the front, the rear panel is home to the combo XLR and 1/4" TRS Input connectors, making the NX range compatible with virtually any source, balanced or unbalanced. Professional twist-lock speaker sockets are provided to ensure every drop of output power gets to your loudspeakers.

The rear panel is also where you'll find the switches that enable the NX amp range to run in your choice of dual mono, stereo or mono bridge modes. The ranges built-in Crossover switch sets the amp to Full-Range mode, where the output is sent unfiltered to your loudspeakers, or Bi-amp mode, which sends only the low-frequency content (<100 Hz) to passive subwoofers, while the high-frequency content (>100 Hz) is channelled to your full-range loudspeakers.

Our new SmartSense Technology puts the punch back into Class-D amplification, providing vastly improved full-range frequency response with more powerfully-dynamic bass, and smoother high-frequency reproduction. The resulting output is no longer dependent on the actual load, but is rendered perfectly ruler flat via impedance compensation. NX's design also incorporates a significantly-higher damping factor that yields better amplifier control over the loudspeaker for stronger audio reproduction especially in the LF area.

Sporting massive output ratings, lightweight Class-D technology and an equally lightweight price tag plus all the amenities a professional audio engineer could ask for the BEHRINGER NX range of power amplifiers are serious amps for your most demanding applications.
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e-mail me when released
coming soon $248.41
FORTHCOMING
Boredbrain Transmutron Dual FX Loop Crossover Filter
Cat: 704118
 
Nexus for effects pedals & Eurorack effects modules
Notes: Are your effects chains suffering from radioactive decay? The Transmutron allows you to combine pedals (and Eurorack effects) within its sonic reactor to create new and exciting compounds! Different results can be achieved using one of three modes: Fission (crossover filter), Fusion (crossfader), and Fallout (resonant wide-notch filter).

In the primary mode, Fission, the signal from your guitar, bass, synth, or drum machine is split into separate frequency bands, sent simultaneously to different effects, and then recombined to a single output (or two separate outputs). The Splitpoint parameter can be controlled manually or with an expression pedal, and simultaneously injected with a control voltage (CV) source for extremely dynamic reactions!

In Fusion mode, the Splitpoint instead acts as a pre-FX level crossfader, rather than splitting the signal into separate bands. This allows for less extreme blends, especially when modulating. In the third mode, Fallout, a resonant wide-notch filter is applied to both pre-FX channel signals, cutting a hole and creating a phasing-wah effect when using an expression pedal or LFO to sweep the Splitpoint back and forth.

To further shape the signals sent to your effects, the Transmutron is equipped with dedicated hi and low cut filters. In Fission and Fallout modes, the cutoff frequencies of these filters also define the end-to-end sweepable range of the Splitpoint parameter and its centre frequency. The filters have selectable slopes of 12, 24, or 48 db/oct, which also affects the crossover filter, and greatly enhances the resonance of the wide-notch filter. If further separation of the parallel FX channels is needed, a dedicated phase switch is on-hand.

Both FX channels have two sets of sends and returns: 1/4-in for guitar pedals and line-level effects, and 3.5mm for Eurorack level processing. For each channel, the 1/4-in and 3.5mm FX loops can be used simultaneously, as they are in series (3.5mm then 1/4-in). The FX sends are half-normalled so they can be used as buffered copies without affecting the returns. Additionally, the 3.5mm FX loops for each channel can be independently switched to pedal/line-level using internal dip switches, which allows for seamless integration with the Boredbrain Patchulator 8000.

How complex the reaction is up to you! From simple tone shaping using only a couple effects, to interconnected combinations of pedals and Eurorack modulation madness, the Transmutron is just the tool you need to reactivate your effects!
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e-mail me when released
coming soon $298.50
FORTHCOMING
Bubblesound Instruments Hex VCA Module
e-mail me when released
coming soon $245.27
FORTHCOMING
Bubblesound Instruments Hexar Module
e-mail me when released
coming soon $245.27
FORTHCOMING
Bubblesound Instruments VCA4p VCA Module
e-mail me when released
coming soon $226.48
FORTHCOMING
Electrosmith 10-16 Pin Eurorack Power Cable (25cm)
Cat: 714422 Rel: 25 Dec 18
e-mail me when released
coming soon $1.57
FORTHCOMING
Electrosmith 16-16 Pin Eurorack Power Cable (25cm)
Cat: 714423 Rel: 25 Dec 18
e-mail me when released
coming soon $1.57
FORTHCOMING
Electrosmith Eurorack Cable Splitter
Cat: 714402 Rel: 25 Dec 18
e-mail me when released
coming soon $7.05
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