Review: Sub Basics's album Sentient Machines was a doozy that many DJs have been keen to see pulled apart and served up on 12" and now Sub Basics has obliged on his own Temple of Sound label. This new and heavily limited 12" features four cuts from it. 'Internet Explorer' is a silky deep techno workout with lithe rhythms and watery dub undercurrents, while 'Configuration' has heavier drums and eerie synth wisps that bring cosmic ambience to the fore. 'Firewall' then rides on tumbling broken kick patterns that keep you moving and 'Integer' (feat Pugilist) is all about the oscillating low ends and moody pads.
Review: ZamZam Sounds present the latest release from esteemed dubstep illusionist V.I.V.E.K.. The label are quick to note him, amongst a select few others in the OG dubstep pantheon, as one of a few apostolic names to shine an especially novel light on the scene, notably perhaps due to his hosting of the much-loved System club night series. Now building on the accrual of over 20 years' worth of dubstep experience, comes 'Illusions', which self-admittedly goes to the "bedrock of soundsystem music" to deliver a power-stepper of galactic proportions. The title track gleams with exceptional understanding of the dubstep genome, its expositional 16 bars echoing early Deep Medi in not immediately privileging huge snares or snaggletooth mid-basses, but rather miring the listener deeply and accessibly into a simple kick pattern and mesmeric droplet synth, proving dubstep's malleability. The raw version amps this up even further, adding a master sonic blacksmith's ear to the snares and hats, and bringing crazed, quicksilvery tail modulations to the drum design as though the DAW were a floor-fired crucible.
Review: Garage powerhouse Zed Bias is back with more old school garage brilliance with the new single 'Shell Them Again' featuring the vocals of Yung Saber and Brakeman. The original has plenty of retro signifiers from the low-end wobble to the withering synth effects, plus crisp hits and jostling drums. After the dub mix comes a remix from Zed himself alongside Safire which is much more dirty and raw. The beats are broken up so the track takes on a dubstep quality as the low-end oscillations bring the weight and drums hit with more force. Finally, the acappella closes out this fresh 12" on IFG.
Review: Bay Area producer Dubamine returns to Dub-Stuy with yet another sureshot featuring the label's own JonnyGo Figure on vocals. 'Bulletproof' fuses dubstep and trap production and ragga vocals for maximum soundsystem readiness, with featured vocalist JonnyGo Figure speaking of confident reefer lightups, and braisings of the dancefloor by the tweeters. B-sider 'Mosquito Dub' is an increasingly weighty one, expressively trigger-happy on the spring reverb and rooting each hit in an undergrowth of eighth-note bass.
Review: Beau operates at the sharp end of the UK electronic underground and creates an immersive, dark ambient sound that is influenced by trailblazers like Burial. His soundscapes combine ethereal textures with moody rhythms and that is very much the case here on Lacuna, his new album for Feat PLAtes. It is full of roomy sounds, icy glass synths, smeared pads, late-night moods and evocative atmospheres that draw you in ever deeper, sometimes looking over your shoulder, always lost in deep thought. A real lost tape from the short-lived night bus genre, you could say.
Review: Sub Basics returns to Modern Hypnosis with the Rhino EP which features four finely crafted tracks that blend dub, techno, and house influences into something fresh. The EP kicks off with 'Roll Up', a shimmering broken beat track with cosmic dub undertones that sets a deep celestial vibe at just 115 BPM. The title track, 'Rhino', is just as captivating and is a cheeky progressive dub techno piece with dynamic dub-stabs creating diverse grooves that will energise dance floors no end. On the flip side, 'Haze' and 'Fluctuate' showcase hypnotic dub techno mastery once more with 'Fluctuate' in particular incorporating lush dub elements. Sub Basics delivers another standout release for collectors and selectors alike here.
Review: Denver's DMVU returns to DDD with the scorching Bruk EP, featuring heavy 808s and some wildly wonky grooves in between the menacing breakbeat interludes. DMVU's mastery lies in blending old and new and he delivers a meticulously crafted yet cohesive sound that is both physical and mental. The title track, 'Bruk,' kicks off with a thunderous drop that is guaranteed to shake speakers worldwide and introduces eerie atmospheres and warped percussive textures. 'Original Champion' combines quirky dubstep with medieval and 80s synthwave influences, while 'Suspect' delivers a powerful punch. The EP closes with 'Playback,' bridging dub reggae's roots with techy, metallic stabs.
Review: The Vivid label is yet another one from Burnski who also runs Constant Blanc and Instinct. He is s single handed garage hit making machine and he knows how to tap into the next gen, too. Here he calls upon Peaky Beats for a naughty and nasty three track affair that has retro feels but contemporary style. 'Can't Stop' opens up with a 2-step shuffle and steely hits, then 'Get Ready' gets more free and melodic with some boxing little melodic patterns and oscillating bass. Last of all is the most menacing and dark - 'Wildcat' flips into a dub wise swagger mid-way through that is going to blow up the clubs.
Review: DDD makes a landmark signing here with the legendary dubstep artist Caspa who is undeniably one of the genre's most influential figures from right back in the early days. CASPA's Inner Space EP finds the main man back in top form with his signature sound of ice-cold beats, deep, pulsating basslines, and forward-thinking sound design all making a massive impact. The four-track project makes for an immersive journey through 140 BPM and manages to blend introspection with hard-hitting energy. It is impactful yet refined music that solidifies his legacy while pushing the boundaries of dubstep into new and freshly futuristic territories.
Review: Ilian Tape have been sympathetic to the sound of UK bass for some time now, but this new drop from Atrice leans even further into the pervading energy of dubstep as a source of club pressure. The Swiss duo first appeared on Ilian Tape with Q back in 2021, and they're sounding stronger than ever on this latest missive. If 'Multiplex' brings a cybernetic sheen to headsy 140, then 'Is It Warm' does similar work with techy d&b as the pair dice up breakbeats with precision and drape exquisite, shimmering pads over the ruffness. There's also space for crafty techno propulsion on 'Broke' and high-tempo trippiness on '83 Steps', making this a versatile, consistently brilliant release from a rising force in the scene.
Review: This first album on Kode9's deeply-respected Hyperdub label comes from the mysterious Burial, who carves out a sound which sends the dormant slinky syncopations of UK garage, via radio interference, into a padded cell of cushioned, muffled bass, passing through clouds of Pole's dense crackle dub en route. 'Burial' - the album - explores a tangential, parallel dimension of the growing dubstep ouevre, using sounds set in a near-future South London submerged underwater. You can never tell if the crackle is the burning static off pirate radio transmissions, or the tropical downpour of the city outside, taking its loud-quiet aesthetic neither from the latest digital glitch software nor a mere nostalgia for vinyl's intrinsic physicality. In their sometimes suffocating melancholy, most of these tracks seem to yearn for drowned lovers, as haunted echoed voices breeze in and out, on roads to and from other times. The smouldering desire of 'Distant Lights' is cooled only by the percussive ice-sharp slicing of blades and jets of hot air blowing from the bass. Listen also for a fleeting appearance from Hyperdub's resident vocalist, the Spaceape, unravelling his cryptobiography. 'Burial' is a renegade signal from other frequencies, a tidal wave of seductive low-impact noise submerging all but the crispest syncopations, and is well on course to be universally welcomed as the standard-bearer for creative vision built upon the grime and dubstep blueprint.
Review: Long running dubstep purveyors Duploc deliver an ultra-toothy new one from producer Coltcuts, a one-track-mind of pure sizzling heat from the UK. 'Antidote' launches with a banging slice of bass and crunch overlaid with a hook of derision from rapper PAV4N, who rides the beat with invective chagrin, throwing shade on the clout-chasing hangers-on present at the system stage. Then come the instrumental goods: 'Madhouse' maddens with its chipped-out bloops and underfoot-rattling womp-basses, while 'Menace' menaces with its sinusoidal wobbles and cavernous verbs, and 'Real Talk' offers a candid intervention with a wendigo's worth (that's about 26 basslines, to be exact) of synthetic cackles and growls.
Review: Legendary reggae imprint Greensleeves launches their new dubstep offshoot here with a suitably titanic match up between Yellowman and Horsepower Productions for their inaugural release. Yellowman's "Zungguzungguguzungguzeng" is widely regarded as bridging the gap between the dancehall and hip-hop worlds and is perhaps the toaster's most ubiquitous track. Equally, Horsepower Productions are credited with being instrumental in the sonic formation of dubstep, so they seem perfectly suited to take on the task of realigning Yellowman's "Zunga.." for the dubstep cognoscenti. There's a vocal and dub mix available here and it's the former that truly impresses here, Yellowman's distinctive tones strangely suited to the break heavy twisted industrial stepping subterranean riddim Horsepower have crafted. Big!
Review: James Blake's debut album is undoubtedly one of 2011's most keenly awaited releases, and its arrival via his own (major label funded) Atlas imprint ensures their is no lull in momentum for a producer who enjoyed a watershed 2010 with releases on Hessle Audio and R&S. The results here differ wildly from his previous sonic excursions - gone are the shimmering R&B soaked melodies of "CMYK" and the sheer experimentalism of the Klavierwerke EP, which saw the young Londoner depart from the confines of the dancefloor and enter a realm where there was only a passing reference to rhythm-based music. Instead we are treated to Blake's own yearning, raw voice, delicate pianos and an underlying sense of melancholy. Ubiquitous single "Limit To Your love" and the crackly sonic terrain evoked on "The Wilhelm Scream" are among the most immediately pleasing moments, but there is much to explore here. It's a fascinating opus and surely the catalyst to a long and fruitful career at the top.
Review: Russian producer Kercha has already served up two superb EPs that cemented his reputation as a contemporary deep dubstep great, and now he backs it up with a standout first EP of 2021. His Mental Ballast EP comes on the label he is a firm part of, DNO Records, and is complete with his signature off-kilter rhythms. Opener 'Ignornants' has shimmering oscillations and deep, dark dub. Plenty of subtle samples flesh out the eerie groove including a clip of Russian maestro E. Ponasenkov. 'Analysis' is another gem, this time with Berlin artist Yoofee with plenty of purple flourishes. There is serious wobble to 'Tigers' that keeps you on edge and 'Acid' is a real spin out to close.
Little Bo Peep (feat Dave, Hamzaa & Wretch 32) (6:28)
Review: Ghett's Conflict Of Interest album late last year was one of grime's finest. It now makes its arrival on wax and still hits hard. There are plenty of hugely evocative and biographical stories in this record that make it all the more real and impactful, from tales of street life to memories of his childhood to worries about being a parent. Those many different sides to Ghett's personality are reflected by the artwork which shows him at different ages all at once. The dark production makes for long and shadowy moods but guest spots from the likes of Emile Sande and Ed Sheehan bring a lighter soul sound that will have you singing along.
Review: Two certified dubstep donnies collide for 'Ascension', a unique album that explores 140 music from the system roots to the very outer edges. Made remotely during the recent frustrating years, the pair developed a strong creative code and built a body of work that taps into Nomine's 'Blind Man' signature but trembles with that minimal Mondays vibe Youngsta famously pushed. This 12" is a great snapshot of the LP with some of the beguiling features; Breezy Lee brings a Portishead like earnestness on 'Catch Me', there's the disarming violin work and stark bass tones on 'Chasm' and Lelijveld's spelling-binding whispers on 'Hidden' will stop you in your tracks. '528' takes us far east for a final blast of special inspiration. A unique set.
Review: After the massive impact of Vex'd in the breakthrough years of dubstep, it was big news when Jamie Teasdale chose to swerve in his own direction and emerge as Kuedo. Released in 2011, Severant was a bold statement of intent which didn't wholly shirk what had come before, but placed emphasis on the kind of romantic synthesis you'd readily associate with Vangelis and saw trap and other influences sneaking into the mix. In hindsight, Severant is typical of the times we live in, drawing on a glut of influences and presenting its own idiosyncratic vision, but above all that the emotion and intent of Teasdale's ideas make it an enduring, captivating listen.
Review: Chad Dubz's Foundation Audio label outta Bristol remains a leading light in the bass, sound system and dubstep scene. This time out it is Kroomen and Somah who pair up for some mysterious late-night transmissions designed to rattle the walls. 'Kaba Rhythm' manages to be both light and airy yet dark and heavy all at once, with some Eastern melodies leading you ever deeper into the shadows. 'Sub 37' is all lurching kicks and skittish perc with twisted metallic textures and 'Heavy Smoke' is a slow and purposeful rhythm that takes its time to lure you in. It's golden-era dubstep that is as atmospheric as it is inviting.
Review: Clearlight is a Belgian producer of deep and experimental dubstep, with the 'experimental' label shining especially brightly on this latest EP for DNO. Through rich construction of atmosphere and intricate percussion, Clearlight evokes early Deep Heads on the likes of 'Super Strong' and 'Heavy Feet', harking back to the original dubsteppers' emphasis on style and immersion. The B-sider 'Spinning Head' is a special highlight, minimal on the low-end while remaining no less impactful in its use of a 16th note, midrange wobble.
Review: Riddim Tuffa's Echoboy follows up releases on Moonshine and Solway Dub with this exceptional triplet of soundsystem jams on Soul Ex Machina. Cosmic, meditative but kicking like a sub-loaded mule, there's a gentle progression throughout the EP. 'Roots Of Dub' immerses us like a Smith & Mighty blueprint, 'We Lock Down The Block' is a little more dancefloor focused but still heavily restrained and pared back (similar to Tipper at his deepest and most star-gazey) while finally 'Chords Trip' closes on a much more traditional digi dub tip. Beautiful.
Review: Even before you hear the first beat, there is something incredibly exit about seeing the names Male - a pioneering beat master and pivotal figure in the early emergence of the dubstep sound - with Joe Armon-Jones, talented musician and master keys man. A Way Back comes on Aquarii, Armon-Jones's own label with him on keys and synths, Mala on drums and bass and Maxwell Owin featuring on 'Oh Lord'. It brings back memories of the golden dubstep years with cavernous bass and heavy weight drums all finished to perfection with Armon-Jones top lines.
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