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Eight Weeks: Studio Equipment

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Studio Equipment

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AKG
Cat: 761994 Rel: 12 May 20 • View all Studio headphones
 
Bluetooth studio headphones
Notes: Great all-rounders from AKG, designed primarily for studio use but serving double duty as everyday headphones thanks to built-in Bluetooth streaming. Great sound and clean, stylish design.

Supplier's notes:
Whether you're an artist, engineer, podcaster, video editor or content producer, you're always in creative mode. AKG K371-BT Professional Studio Headphones strike the perfect balance between studio-quality sound, Bluetooth functionality, plush comfort and a sleek, sturdy design that stands up to your mobile lifestyle.

K371-BTs are precision-engineered to match AKG's Reference Response acoustic target to reproduce natural, balanced audio in extraordinary detail, so you can make more confident decisions when you're mixing and editing. They deliver deeper bass and higher highs than any other model in their class, with a stunning frequency response of 5 Hz to 40 kHz. K371-BTs offer the convenience of switchable Bluetooth wireless and wired connectivity; a built-in microphone allows two-way Bluetooth communications. Plush, ergonomic earcups cradle your ears in supreme comfortibecause once you hear how amazing your K371-BTs sound, you won't ever want to take them off.
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 3 in stock $159.08
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Cat: 773940 Rel: 01 May 20 • View all Synthesisers
 
modular synthesiser
Notes: Brilliant new complete system based around ALM classics like Pamela's New Workout, Squid Salmple and Quaid Megaslope. Brilliantly creative setup. Full review coming soon.

Supplier's notes:
The system coupe is a modern modular groove box combing both digital and analog technologies. It features various sound sources, innovative pattern creation and sequencing, modulation, sampling, processing and integration with external equipment.

Use the Coupe as a creative tool to sketch new original musical ideas and phrases, an enjoyable persuit to take on travels, a flexible instrument for live sets or imaginative first, or ongoing steps into modern modular synthesis. The System Coupe works great on its own or in partnership with your existing set up.

The Coupe consists of a powered case populated with a curated set of ALM modules - some new, some staples, some proven classics - all very functional and fun. All the modules are special editions, with grey panels, white screens, magenta and blue knobs and a custom powered compact aluminium 84hp case.

At the core of the system is the Squid Salmple, a powerful sampler capable of the recording and playback of up to 8 channels of both audio and CV. It can be used simply as a percussive voice but is extremely flexible as a sampler. Take advantage of its flexibitliy to create polyphonic voices, a super controlled delay or even a CV sequencer.

The Squid Salmple comes with an extensive royalty free sound library of over 700 carefully curated samples created specifically for the module.

The system's VCO is the small but mighty MCO, a morphing wavetable oscillator with 3 simultaneous outputs. It features a normal wave output, octave down sub oscillator output and a special pulse width modultion wavetable output. There are 4 PWM types which can be applied to all 10 wave shapes.

The four transparent & clean summed VCAs of the Tangle Quartet allow you to mix, shape and route audio from these sources. The MCF multi mode filter allows for further sculpting with 3 simultaneous outputs under full voltage control.

The Coupe features 3 new modules available for the first time as part of the system; the Milton, the MCF, and a basic mult, all designed primarily with the Coupe in mind.

The Milton is a utility module that provides amplication for external line level sources, a 1 in 3 out buffered mult, an attenuator and 4 input fixed gain mixer. It was designed specifically for the Coupe system - providing some very useful functionality on a small space.

The MCF is a classic analog multimode filter with resonance featuring hi, band and low pass outputs wth voltage control of both frequency and resonance. It can be used as a sine wave oscillator at higher resonance settings with v/oct tracking over pitch.

The basic mult allows signals to be duplicated to multiple destinations.

The classic Pamelas NEW Workout & Quaid Megaslope provide numerous sequencing and endless modulation oppertunities.

Pam is a staple in the Eurorack world. Use for synced triggers, gates, envelopes and quantised CV sequences all rythimcally synced to a core BPM. Patterns can be based on euclidean rules, then looped on beats for a repeating structure or not, if preferred.

The Megaslope can be used as an advanced multi stage envelope, an LFO and step sequencer with programmable slides. The sequencer is limited to 5 stages but when combined with Pam's flexible CV and gate outputs it is capable of great variation. Unlike many sequencers, the level of each step and slide times may be voltage controlled.

The mmMidi and expander provide the means for more convenetial Midi sequencing and can fully drive the system with multiple CV, gate and trigger outputs.

The adventurous types may even want to sample CV patterns into the Squid Salmple for playback and saving to the USB memory.

Included modules:

ALM023 / mmMidi & mmT expander
ALM017 / Pamela's NEW Workout
ALM020 / QUAID MEGASLOPE
ALM027 / MULT NEW!
ALM022 / SQUID SALMPLE
ALM024 / Milton NEW!
ALM021 / MCO
ALM025 / MCF NEW!
ALM009 / Tangle Quartet
ALM019 / HPO
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MRP:$2,369.57 SAVE 17%
 1 in stock $1,973.61
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quote 773940
Notes: Very, very nice high-end over-ear headphones from a company we expect to hear a lot more of in coming years. Closed-back design with great build quality and sound.

Supplier's notes:
The Hi-X55 circum-aural closed-back headphones provide over-the-ear comfort as well as portability with the foldable hinge design. Metal parts are used for all critical elements in order to guarantee long durability even under rough conditions be it in studios or tour buses.

Developed from scratch, the all new 44mm Hi-X driver features a ring magnet system - a home-grown technology which has been incorporated into various award-winning headphones in the past by our engineers. It allows improved air-flow and the strongest magnetic field in its class. This ring magnet structure coupled with a copper-clad aluminum voice coil reduces the weight of the membrane and voice coil that sits on it allowing it to move or change direction faster providing a better impulse reac- tion, highly desired for contemporary as well as traditional music production.

A double acoustic wall was designed to achieve the best damping results, to support this and in- creased comfort, the form factor of the earpads has been rethought completely, giving more room for the ears without enlarging the earcups, reducing fatigue from long listening sessions.

Engineered and manufactured in Austria, the Hi-X55, and its on-ear brother the Hi-X50, are tailored to suit the demanding production conditions of today. With the all-digital signal chain, using 24bit or even 32bit, the dynamic depth of contemporary source tracks puts engineer and material at the mix- ing desk to the test.
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MRP:$310.70 SAVE 17%
 2 in stock $257.87
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Cat: 767536 Rel: 28 May 20 • View all Synthesisers
 
analogue synthesiser
Notes: The unique architecture of KIJIMI features smoothly variable waveforms on each fully analog oscillator, a rich SSI2144 lowpass filter, and a wealth of deeply programmable modulators, making it one of the most powerful polyphonic analog synthesizers ever made.

KIJIMI features eight voices, each with two oscillators + one suboscillator, a lowpass filter, VCA, 6 envelopes, and 16 LFOs. A deeply programmable modulation matrix along with velocity and polyphonic aftertouch route these modulators into a variety of destinations to create anything from subtle movements in bass lines to complex, organically evolving soundscapes. Polyphonic aftertouch introduces another level of touch- controlled modulation independent to each voice, making KIJIMI a truly powerful performance tool.

Variable wave shaping of its analog oscillators is a feature unique to KIJIMI's synthesizer design. Rather than selecting a single waveform KIJIMI offers a range of waveforms from Triangle through Saw to Pulse waves, passing smoothly through every shape in between. Using modulation sources to control the oscillator waveform brings a new dimension to the sound sculpting process. Each oscillator can be modulated independently, detuned in semitone intervals and synced to each other, VCO2 can even be used to FM VCO and filter, bringing rich harmonic content to the initial tone.

KIJIMI's SSI2144-based lowpass filter is an updated version of a legendary design found in some of the most powerful analog synthesizers throughout history. Apart from being a gorgeous, rich lowpass filter for typical duties, a powerful feature found in the KIJIMI is the ability to FM the filter via VCO2, resulting in sounds ranging from atonal clangorous FX to aggressive vocal-sounding formants. The filter cutoff and resonance can be independently modulated, providing a filter section, which is far more complex than most analogue polyphonic synthesizers.

KIJIMI's two envelopes are set up in typical ADSR mode by default, but a CYCLE button can be switched on to enter a cycling trapezoidal mode reminiscent of the function generator found in the EMS Synthi. In this mode, the 4 parameters are instead used to control Rise, Time On, Fall, and Time Off, resulting in a uniquely controllable cyclic function. Each envelope also features 3 switchable speed modes ranging from fast, medium, or slow.

By default, KIJIMI features two powerful LFOs - Each with many selectable waveforms, rate, and a dedicated A/D envelope for modulating its rate on each new trigger. This means that each LFO can have its speed modulated on each new note independently of any other modulators across the synthesizer.

The modulation matrix in KIJIMI is what makes this instrument truly special: 8 destinations for each LFO, and 4 destinations for ADSR2, each with its own button to switch between Unipolar (+/-) or Bipolar modulation. Furthermore, the new firmware introduces the ability to assign different LFO settings (rate, waveform, EG and depth) to EACH individual destination. Below the Modulation Matrix are the performance modulators: Velocity and MPE- based polyphonic aftertouch which can be routed to 6 simultaneous destinations, each with its own bipolar level setting. With the ability to control filter, VCA, pitchbend, sub oscillator level, and 2 LFOs each modulating up to 8 destinations independently on each voice through your aftertouch performance, the expressive possibilities are truly limitless.

KIJIMI features full MIDI control and 10 preset banks with 128 slots including a Factory Bank and 9 user banks for storing and recalling settings.
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 1 in stock $3,794.35
Notes: IK Multimedia has added a white colour option for its iLoudr MTM, a compact reference monitor designed to deliver pristine sound and unprecedented accuracy for the modern professional and home studio. It provides innovative features not found elsewhere, and sound quality that rivals monitors several times the price.

iLoud MTM delivers unsurpassed accuracy, power and bass, 100W RMS power, and a class-defying 40 Hz to 24 kHz frequency response for a "firm", balanced and defined low end, to surpass the sound of speakers twice its size.

IK's advanced DSP expertise was leveraged to offer an ultra-flat frequency response, but more importantly, a truly linear phase response - a premiere feature in this price segment available only on a handful of products costing considerably more. This provides a natural, true-to-life sound made possible by IK's advanced DSP expertise.

The symmetrical MTM (midrange-tweeter-midrange) design provides point-source performance for superior imaging, even at close distances, so users can create mixes that will translate across multiple playback systems, with no ear fatigue. The design's exceptional, controlled sound dispersion enhances the transparency and neutrality by minimizing the impact of room acoustics, for truer monitoring.

iLoud MTM also offers one-touch, acoustic self-calibration derived from IK's award-winning ARC System, with an included reference microphone to easily adjust to any room's acoustics.

Additional features include: 103dB SPL maximum sound pressure; Audiophile-grade, high resolution algorithms and top-of-the line A/D converters; Off-axis response management to minimize the effects of room reverberation; and IK's patent-pending Physical Response Linearization (PRL™) system that corrects the system's performance in real time.

iLoud MTM also comes with a tilting isolation mount that adjusts from 0- to 20- for a wide range of setups, a rubber base for horizontal shelf-placement, and a bottom thread for mic stand mounting.

Incredible accuracy and transparency, deep and defined bass, precise stereo imaging at any distance, and automatic room calibration - all in a monitor that's small enough to fit on any desktop - make iLoud MTM deal for nearfield work or as a workhorse monitor in a home or project studio.
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 4 in stock $357.69
Cat: 774602 Rel: 07 May 20 • View all Vocal microphones
 
recording bundle
Notes: The bundle PODCASTER-1 is the perfect entry-level set for your first very own home recording studio. With the USB recording interface MX-1IO, the high-quality large diaphragm condenser microphone ECMS-70 as well as the matching microphone pop filter KM-23956 from Konig & Meyer, the PODCASTER-1 stands for real plug and play: setting up, connecting and getting started straightaway.

Components: 1 x ECMS-70, 1 x KM-23956, 1 x MS-12, 1 x MECN-200/SW, 1 x MX-1IO

Recording bundle for podcasters, consisting of:
1 x large diaphragm condenser microphone ECMS-70
1 x microphone pop filter KM-23956
1 x microphone floor stand MS-12
1 x XLR cable MECN-200/SW, 2 m, NEUTRIK connectors
1 x 1-channel USB recording interface MX-1IO
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MRP:$218.37 SAVE 26%
 1 in stock $161.17
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Cat: 762185 Rel: 12 May 20 • View all Studio monitors
 
studio monitors
Notes: Beginner-friendly multimedia monitors offering punchy, clear sound at an affordable price. Good entry-level option for anyone starting out working with audio.

Supplier's notes:
The perfect upgrade for your desktop speakers, CR Series monitors deliver the performance you expect from a Mackie studio monitor. Ideal for home studios, multimedia content creation, AV post-production, gaming, broadcast and more, CR Series monitors offer studio-quality sound in a compact, well-designed package that's equally at home in a high-end project room or your bookshelf.

Designed for premium sound that won't break the bank, CR Multimedia Monitors deliver the performance you expect from a Mackie studio monitor in designs ideal for home studios, multimedia creation, AV post-production and broadcast. Plus, with user-friendly front panel features and two models featuring Bluetoothr for music streaming, they are great for any desktop in any situation.

CR monitors deliver a combination of high-quality components and professional build quality typically only found on more expensive studio monitors. But, they are affordable and ultra-compact. Switch from video editing to music listening in no time flat. Edit a video, then watch a video. You are a multi-tasker who appreciates great sound. Whether you are looking for great studio speakers or want to upgrade your gaming audio, CR helps you in all aspects of your multimedia creation and enjoyment.
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 1 in stock $177.81
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quote 762185
Cat: 762128 Rel: 11 May 20 • View all Earphones
 
in-ear monitor headphones
Notes: Mackie MP BTA is a Bluetooth Adapter - Replace the cable on your MP Series IEMs for untethered listening freedom.
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 1 in stock $82.14
Cat: 762122 Rel: 11 May 20 • View all Earphones
 
in-ear monitors
Notes: When you need to hear yourself and everything else as clearly as possible on stage, in-ear monitors are the ultimate solution. MP Series Professional In-Ear Monitors offer the clarity and bass response you need to perform your best while being comfortable enough to wear all night.

We've been helping artists perform their best for decades with our renowned loudspeaker designs, and now we are bringing that signature sound straight to your ears. The precision-tuned drivers, ergonomic design, and rugged construction ensure you'll never miss a beat. When you want to hear yourself clearly on stage without all the noise that comes with it, MP Series In-Ear Monitors have got you covered.

The MP-120 houses a single large dynamic driver. This is a high-quality component chosen for its ability to supply plenty of bass without sacrificing high-frequency articulation and vocal detail. This model offers a balanced sound that performs great across the entire spectrum.
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 1 in stock $134.14
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quote 762122
Cat: 762125 Rel: 11 May 20 • View all Earphones
 
in-ear monitors
Notes: When you need to hear yourself and everything else as clearly as possible on stage, in-ear monitors are the ultimate solution. MP Series Professional In-Ear Monitors offer the clarity and bass response you need to perform your best while being comfortable enough to wear all night.

We've been helping artists perform their best for decades with our renowned loudspeaker designs, and now we are bringing that signature sound straight to your ears. The precision-tuned drivers, ergonomic design, and rugged construction ensure you'll never miss a beat. When you want to hear yourself clearly on stage without all the noise that comes with it, MP Series In-Ear Monitors have got you covered.

The MP-220 steps up the count with two dynamic drivers in each monitor. In addition to offering cleaner performance at higher levels, it allows the monitor to achieve higher efficiency evenly across the entire frequency range. Because you have twice the drivers taking care of the same job, they can resolve details and nuance in the sound much better, this also means increased bass which dynamic drivers are particularly good at.

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 1 in stock $175.73
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MFB
Cat: 755493 Rel: 09 Apr 20 • View all Synthesisers
 
analogue polyphonic desktop synthesiser & sequencer
Notes: The SYNTH PRO is the advanced, polyphonic version of the SYNTH II. All oscillators are discretely structured. So here are for the sound base so no highly integrated chips are used, but proven components that even in Synthesizer 40 years ago produced a great analog sound. If required, the VCOs can be switched over to the particularly stable DCO mode, for example if unfavorable environmental conditions have to be overcome. The provided waveforms can be superimposed and additionally modulated by different sources. VCO2 and VCO3 can be synchronized to the first oscillator. For this purpose, VCO1 and VCO2 can be frequency-modulated with VCO3. In the SYNTH PRO, two filters are used per voice, which can be connected in series or in parallel. The low-pass filter works as a cascade filter with a slope of 24 dB / oct. and uses the popular SSI 2144. Multifilter and VCAs are based on OTA's. Both filters and the VCA's can be modulated by different sources. The LFOs and envelopes are calculated per voice by fast processor. There is also a dedicated chip for the effects section. This can produce not only reverb and echo but also chorus and flanging effects. The built-in sequencer works polyphonically and is available in addition to a monophonic arpeggiator.
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 1 in stock $952.48
Cat: 763205 Rel: 11 May 20 • View all Synthesisers
 
desktop synthesiser module
Notes: Desktop module version of one of our favourite new synths of 2020. Beautifully rich wavetable synth engine that somehow sounds good whatever you do with it.

Supplier's notes:
The Argon8M features an identical sound engine and feature set, but rather than a 37-note keybed, it has brackets for mounting to a 19" 3U rack, as well as end-cheeks for simple desktop use. Mind-bending functionality and near-infinite tonal possibilities meets an attractive price tag; Modal have once again raised the bar in the desktop synth category.
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MRP:$622.65 SAVE 19%
 More than 10 in stock $502.24
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quote 763205
Notes: A professional alkaline battery from Philips Industrial, long lasting, reliable power and superb performance.

High quality performance for a range of applications
Long lasting reliable power
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 2 in stock $3.64
Cat: 772281 Rel: 16 Apr 20 • View all Torches batteries & lamps
 
Type C batteries
Notes: A professional alkaline battery from Philips Industrial, long lasting, reliable power and superb performance.

High quality performance for a range of applications
Long lasting reliable power
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 1 in stock $13.00
Notes: Nicely priced bundle of Toraiz Squid sampler and AS-1 analogue synth, designed to hook up neatly with Pioneer CDJs and controllers.

Supplier's notes:
This package includes:
1x Pioneer TORAIZ AS-1 Synthesiser
1x Pioneer TORAIZ SQUID Sequencer

Pioneer TORAIZ AS-1 Analog Synthesiser:
The second musical instrument in the TORAIZ range, the AS-1 is a monophonic analog synthesizer that brings new creative possibilities to the studio and the stage. Its intuitive controls include parameter knobs that let you make both subtle and dramatic changes to the tone of your music to create your own personalised sound. Plus you can use the touchpad-style keyboard and slider to manipulate sounds during performances.

The TORAIZ AS-1 is driven by a fully programmable, true analogue synthesis engine based on the discrete analogue circuitry in Dave Smith Instruments' Prophet-6 synthesizer. It also inherits 7 on-board effects from the Prophet-6 synth as well as a brand new digital distortion. Working closely with Dave Smith himself, the results are a synth that produces powerful analogue sound. The TORAIZ AS-1 is an ideal addition to the setups of professional and aspiring producers.

The AS-1 is based on the same analogue filters as Dave Smith's renowned Prophet-6 synthesiser. It has 2 voltage-controlled oscillators (VCO) with continuously-variable triangle, sawtooth, and pulse wave shapes. Sculpt your sound using the 2 voltage-controlled filters (VCF), a 4-pole, resonant low-pass filter that can self-oscillate, and a 2-pole, resonant high-pass filter.

Use the TORAIZ AS-1 to create one-of-a-kind sounds using 2 VCOs, 2 VCFs, and VCA, 2 EGs and 1 LFO, then save each sound and its parameter settings as a program so you can instantly access it later.

The inspiring 495 preset programmes each have a different sound and 64-step sequence that can be edited separately. You can also save up to 495 of your own programmes in the 5 user banks.

Be creative with the Prophet-6-derived dual FX engine and use a single effect or pair 2 together to add extra texture to your sounds. FX includes Bucket Brigade Delay, Distortion, Ring Modulation, Chorus and Maestro Phaser.

The TORAIZ AS-1 will make sure your performance is in perfect harmony as you perform the sounds you create with the touchpad keyboard or change the notes assigned to the keys with Scale Mode.

Add dynamic changes to your performance by using the slider to manipulate.

Pioneer TORAIZ SQUID Sequencer:
Unlock limitless creativity with the SQUID multitrack sequencer. Part of the TORAIZ series of musical instruments and production equipment, this inspiration tool will be the heartbeat of your studio and live setups. The SQUID will control your workflow and give you the chance to develop new styles of music as you create unique sequence patterns and phrases at the touch of a button. Connect, sync and simultaneously control up to 16 instruments via its multiple input/outputs. The terminals are compatible with various equipment, from your DAW and hardware instruments to modular synths, vintage synthesizers and drum machines.

Perfect for on-the-fly music production, the layout and controls are effortless to navigate so your ideas will come to life the moment inspiration strikes. This production tool enables you to randomize sounds, sequences, and drums - all in key. Access endless polyrhythmic-looping options and instantly change the playback direction and speeds. With the world-first Groove Bend feature, you'll really feel the groove as you generate original rhythms in real time. And by controlling everything in one place, you can focus on developing phrases.

Have fun creating phrases by tapping the 16 multicolored LED rubber pads in the Step Edit section. Set step parameters and play live as if the pads were keys on a keyboard. Combine various sequence functions such as Interpolation and Harmonizer to help build your sounds.

Rearrange phrases you've created in the Step Edit section to craft your ideas the instant they spring to mind. Enhance your sounds with performance features, such as Running Direction, Speed Modulation, and Groove Bend.

The SQUID records performance information in the background so you'll never lose phrases you create accidentally. When you're experimenting and hear something you love, use the Time Warp feature to recall and save it as a sequence pattern for your next track.

The SQUID has a USB B terminal, MIDI terminals, 2 sets of CV/Gate outputs, and Clock and DIN Sync input/output terminals. This means you can combine the power of your DAW with modern, modular and vintage synths, as well as drum machines. Signals are converted automatically.

Quickly transfer sequence patterns, projects and Midi clips between the SQUID and your PC or Mac with the SQUID Manager function. Easily import a sequence pattern created on your DAW to the SQUID, instinctively arrange it using the sequencer's features, and return it to your DAW.
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MRP:$1,084.34 SAVE 17%
 2 in stock $903.62
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quote 776173
Cat: 756315 Rel: 20 Apr 20 • View all Audio & MIDI interfaces
 
audio & MIDI interface
Notes: PreSonus Quantum 2626 is the fastest and best-sounding interface on the planet, thanks to the jaw-dropping speed of Thunderbolt 3, 8 front-mounted premium PreSonus XMAX analog mic preamps, and pristine ADA converters.

The PreSonus Quantum Thunderbolt Audio Interface is a 26x32 thunderbolt 2 ultra-low-latency audio interface. The Quantum Thunderbolt Audio Interface includes two combo mic/line/instrument inputs and six combo mic/line inputs, with each mic input featuring a digital-controlled XMAX preamp. The versatile design allows you to daisy-chain multiple units to expand your I/O up to 96 in and out connections. The PreSonus Quantum features a wide range of analog and digital connectivity making it one of the most comprehensive high-end interfaces on the market. The interface also operates up to 192kHz for ultra-high-definition mixing and recording.

With a barely measurable round-trip latency of less than 1 ms*, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt audio interfaces the "fastest audio interfaces on the planet". Superb high-definition digital conversion and the ultra-transparent analog XMAX mic preamp design mean that your audio will always sound its bestiwhether you're recording with or without your favorite plug-ins engaged in real-time.

Every design decision during Quantum 2626 audio interface's engineering was made with one goal in mind: blazing-fast speed without any sonic compromise. The Quantum-series proprietary Thunderbolt driver was written from the ground up to deliver ultra-low-latency performance while maximizing efficiency. Cutting-edge 24-bit, 192 kHz converters with 115 dB of dynamic range and superior low-jitter clocking- coupled with our ultra-transparent, pure analog XMAX preamps- result in superb audio quality with the lowest round-trip latency of any audio interface available (< 1 ms).

Audiophile-grade digital converters, low-jitter clocking, and transparent preamps add up to a superior recording and listening experience. The Quantum 2626 audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our lauded XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings.

Impressive speed combined with stunning sound quality means that the Quantum Thunderbolt audio interface is an ideal recording solution for any size of studio. Need more mic preamps? Connect the PreSonus DigiMax DP88 to your Quantum interface's ADAT/dual S/MUX ports. Once synced, the DigiMax DP88 preamps can be remotely controlled via Studio One or UC Surface. Want to insert your favorite gear? The Quantum 2626 features two direct preamp outputs with dedicated returns, so you can insert your favorite analog compressor and your favorite plug-ins with ease.

While compatible with any macOS or Windows recording application, the Quantum 2626 ships as a complete recording studio with Studio One Artist music production software included. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment- including powerful extensions for Studio One like the Presence XT Expansion packs and the PreSonus Channel Strip Collection.

Industry-leading speed and pristine audio quality combined with jaw-dropping expandability are the hallmarks of the Quantum interface design. Record and monitor from your favorite DAW with any plug-in engaged. Insert your favorite outboard analog gear with ease. Regardless of your studio's size, Quantum audio interfaces will streamline your recording process- you'll make better music, faster.
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 2 in stock $519.92
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Cat: 772445 Rel: 21 Apr 20 • View all Vocal microphones
 
USB microphone
Notes: The spoken word has moved to the web. With the Reloop s-Podcaster it is possible to produce audio files and offer them to the podcast community. Whether broadcasting one''s oown radio show via the internet, promoting one''s own music or publishing audio newsletters - with the sPodcaster condenser microphone one is equipped and ready for the future. Thanks to the high-speed USB 2.0 technology, all connections are as easy as they have never been - plug-n-play for PC and Mac. The latency-free transmission, 16 bit resolution and the 48 kHz A/D converter promise brilliant sound quality and playback that can be presented to the public.

Features
Professional USB microphone for podcasting
Condenser microphone with one-sided directional characteristics
USB 2.0 technology
Latency-free transmission
16 bit resolution
48 kHz A/D converter

Technical Data
Voltage: USB feed, 5.0 V
Sensibility: -65 i5 dB @ 1 kHz
S/N ratio: -59 dB
Frequency range: 50 Hz - 18 kHz
Plug&Play compatible with Windows Vista, XP, 8 and Mac OS X
Connection: USB
Dimensions: 148 x 65 x 56 mm
Weight: 350 g
Incl. USB cord, table stand and software
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MRP:$81.11 SAVE 12%
 1 in stock $71.65
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quote 772445
Cat: 761833 Rel: 05 May 20 • View all Audio & MIDI interfaces
 
Portable USB MIDI & gate hub
Notes: Tiny but hugely powerful MIDI interface packing huge functionality. Ten separate outputs with flexible MIDI, gate and sync settings, plus convenient options like MIDI merge and thru. Versatile.

Supplier's notes:
What do you call a super portable MIDI interface which also is a standalone USB host, can drive gate signals, has per-port MIDI Filtering/Clock Processing and is about the size of an Altoids tin? We don't know- we call it the RK-006!

The RK-006 is about 7x5x1cm in size (3x2x0.4?) and packs 10 MIDI outputs plus 2 MIDI Inputs.

Every output port on the RK-006 can be individually set to send out full MIDI or Gate pulses, making a lovely hybrid use of it's 3.5mm TRS connectors: You can connect DIN5 MIDI Gear via the included TRS-A to DIN5 cables or just plug in a plain 'stereo minijack audio cable' (preferably shielded) to sync up modular gear or even 'minijack-MIDI' devices like the Korg Electribe or NTS-1 and such.

In MIDI mode you can apply MIDI Channel/Clock filtering and even clock modifiers ('Multiclock', allowing creative use of an abundance of sequencer gear which are available nowadays. These ports can also power the RK-002 Smart MIDI processing cable as well.

When you set a port to Gate mode the MIDI-Tempo-to-Gate multiclock is still available. This together with an assignable Run/Stop signal allows synchronisation of devices like older Sync24/DINSync units as the TR-808, TR-303 and TR-606 (just to name a few) but also newer ones like the Moog DFAM and Teenage Pocket Operators and anything inbetween; Directly from your MIDI device.

The gate signals can be triggered via a MIDI clock signal but also via MIDI Notes, adding the ability to bridge MIDI controller pads and modular gear.

The one-button on the RK-006 can be used to tap in a master clock or change presets on the RK-006 routing. You can also use it to switch from seemingly a MIDI merger/thru box to e.g. an independent dual-brain setup or one-big-master-gate-clocks-generator.

By using a simple (and included) OTG Adapter cable you can even connect plain 5V power and a USB hub to the RK-006 and host multiple USB-MIDI devices. The RK-006 will interconnect them and merge them together with the existing hardware ports. And because one USB-cable can route a whole lot more than just a MIDI-In or MIDI-Out we added extra filtering to specifically target these USB devices as well.

And while in the USB area: You can even plug in a USB Memory Stick with prepared MIDI files (also called 'SMF'). You can export these files on a DAW like Bitwig, Fruityloops, Ableton or Reason and playback these prepared tracks on your DAWless system, ready to play or clock-slave on your standalone sequencer of choice and play along live with it.

All the above can take place in the DAWless area BUT...You can also connect the RK-006 to e.g. a Desktop computer or iPad (note that iOS do need Apple's USB2Lightning cable) and enjoy all the RK-006 ports independently addressable on your DAW! This means:

10 separate MIDI outputs, every one of them can accommodate 16 MIDI devices
2 separate MIDI Inputs

Also, for usability's sake we added:
Aggregate merged MIDI Out port to ALL 10 ports
Aggregate auto MIDI Merged Input

The RK-006 is our most complete product yet and with this, we have also taken the extra effort to design and produce an Injection moulded enclosure. Final enclosure will be of dark, semi transparent material and is expected to be ready end of january. Should you be in a hurry using the RK-006 we can ship out a limited set with a white SLS-Printed 3D enclosure. Pre-ordered RK-006 will include the following accessories:

1x 10cm USB Cable (for use as USB MIDI Interface)
1x USB OTG/Power Cable (for use as USB Standalone host)
1x TRS-A to Female DIN5 Dongle
1x 1m TRS-A to TRS-B cable
4x 1.5m Shielded TRS-A to male DIN5 cables
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MRP:$180.93
 More than 10 in stock $175.73
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quote 761833
Cat: 778146 Rel: 05 May 20 • View all Audio & MIDI interfaces
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Tiny but hugely powerful MIDI interface packing huge functionality. Ten separate outputs with flexible MIDI, gate and sync settings, plus convenient options like MIDI merge and thru. Versatile.

Supplier's notes:
What do you call a super portable MIDI interface which also is a standalone USB host, can drive gate signals, has per-port MIDI Filtering/Clock Processing and is about the size of an Altoids tin? We don't know- we call it the RK-006!

The RK-006 is about 7x5x1cm in size (3x2x0.4?) and packs 10 MIDI outputs plus 2 MIDI Inputs.

Every output port on the RK-006 can be individually set to send out full MIDI or Gate pulses, making a lovely hybrid use of it's 3.5mm TRS connectors: You can connect DIN5 MIDI Gear via the included TRS-A to DIN5 cables or just plug in a plain 'stereo minijack audio cable' (preferably shielded) to sync up modular gear or even 'minijack-MIDI' devices like the Korg Electribe or NTS-1 and such.

In MIDI mode you can apply MIDI Channel/Clock filtering and even clock modifiers ('Multiclock', allowing creative use of an abundance of sequencer gear which are available nowadays. These ports can also power the RK-002 Smart MIDI processing cable as well.

When you set a port to Gate mode the MIDI-Tempo-to-Gate multiclock is still available. This together with an assignable Run/Stop signal allows synchronisation of devices like older Sync24/DINSync units as the TR-808, TR-303 and TR-606 (just to name a few) but also newer ones like the Moog DFAM and Teenage Pocket Operators and anything inbetween; Directly from your MIDI device.

The gate signals can be triggered via a MIDI clock signal but also via MIDI Notes, adding the ability to bridge MIDI controller pads and modular gear.

The one-button on the RK-006 can be used to tap in a master clock or change presets on the RK-006 routing. You can also use it to switch from seemingly a MIDI merger/thru box to e.g. an independent dual-brain setup or one-big-master-gate-clocks-generator.

By using a simple (and included) OTG Adapter cable you can even connect plain 5V power and a USB hub to the RK-006 and host multiple USB-MIDI devices. The RK-006 will interconnect them and merge them together with the existing hardware ports. And because one USB-cable can route a whole lot more than just a MIDI-In or MIDI-Out we added extra filtering to specifically target these USB devices as well.

And while in the USB area: You can even plug in a USB Memory Stick with prepared MIDI files (also called 'SMF'). You can export these files on a DAW like Bitwig, Fruityloops, Ableton or Reason and playback these prepared tracks on your DAWless system, ready to play or clock-slave on your standalone sequencer of choice and play along live with it.

All the above can take place in the DAWless area BUT...You can also connect the RK-006 to e.g. a Desktop computer or iPad (note that iOS do need Apple's USB2Lightning cable) and enjoy all the RK-006 ports independently addressable on your DAW! This means:

10 separate MIDI outputs, every one of them can accommodate 16 MIDI devices
2 separate MIDI Inputs

Also, for usability's sake we added:
Aggregate merged MIDI Out port to ALL 10 ports
Aggregate auto MIDI Merged Input

The RK-006 is our most complete product yet and with this, we have also taken the extra effort to design and produce an Injection moulded enclosure. Final enclosure will be of dark, semi transparent material and is expected to be ready end of january. Should you be in a hurry using the RK-006 we can ship out a limited set with a white SLS-Printed 3D enclosure. Pre-ordered RK-006 will include the following accessories:

1x 10cm USB Cable (for use as USB MIDI Interface)
1x USB OTG/Power Cable (for use as USB Standalone host)
1x TRS-A to Female DIN5 Dongle
1x 1m TRS-A to TRS-B cable
4x 1.5m Shielded TRS-A to male DIN5 cables
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 1 in stock $165.32
Notes: Building on the success of previous versions, Cubase Artist 10.5 includes a redesigned channel strip, designed to optimise your workflow. Also included is Groove Agent SE 5,the latest edition of the highly versatile virtual drum emulator and soundbank. It also provides exceptional audio fidelity thanks to the improved resampling quality.

Cubase Artist 10.5 also comes complete with 5GB of premium-grade loops and sounds from some of the most revered music producers in the world. With a range of new features, instruments and enhancements, Cubase 10.5 is ideal for musicians and audio professionals alike.
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 1 in stock $128.94
Notes: Cubase is one of the most powerful music creation software packages in the world. With it's unrivalled range of flexible tools, you can create any kind of music quickly and intuitively. It comes packed with a wide range of virtual instruments, effects and thousands of sounds.Whether you're a professional composer or a music production beginner, Cubase provides you with everything you need for turning your ideas into music.
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 1 in stock $85.26
Notes: The award-winning music production software just got better. Steinberg Cubase Pro 10.5 is the most comprehensive version of Cubase 10.5, providing a wide range of exclusive audio tools, effects and virtual instruments.

Cubase has long been one of the most popular DAWs on the market, thanks to its intuitive digital interface and its innovative audio editing. Cubase 10.5 builds on previous version with a range of new features including a redesigned Channel Strip, MixConsole Snapshots, Latency Monitor and support for 32-bit/64-bit float audio formats.

Cubase Pro 10.5 also comes complete with 5GB of premium-grade loops and sounds from some of the most revered music producers in the world. With a range of new features, instruments and enhancements, Cubase 10.5 is ideal for musicians and audio professionals alike.
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 1 in stock $299.46
Notes: Cubase has long been one of the most popular DAWs on the market, thanks to its intuitive digital interface and its innovative audio editing. Cubase 10.5 builds on previous version with a range of new features including a redesigned Channel Strip, MixConsole Snapshots, Latency Monitor and support for 32-bit/64-bit float audio formats.

Cubase Pro 10.5 also comes complete with 5GB of premium-grade loops and sounds from some of the most revered music producers in the world. With a range of new features, instruments and enhancements, Cubase 10.5 is ideal for musicians and audio professionals alike.
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 1 in stock $460.33
Notes: Cubase has long been one of the most popular DAWs on the market, thanks to its intuitive digital interface and its innovative audio editing. Cubase 10.5 builds on previous version with a range of new features including a redesigned Channel Strip, MixConsole Snapshots, Latency Monitor and support for 32-bit/64-bit float audio formats.

Cubase Pro 10.5 also comes complete with 5GB of premium-grade loops and sounds from some of the most revered music producers in the world. With a range of new features, instruments and enhancements, Cubase 10.5 is ideal for musicians and audio professionals alike.
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! low stock $253.37
Cat: 768059 Rel: 24 Apr 20 • View all Audio & MIDI interfaces
 
audio & MIDI interface
Notes: Clever interface from Steinberg, designed to work equally as well for DAW use and DJing. Two inputs, four outputs, clear sound quality and a decent bundle of software included for good measure.

Supplier's notes:
Thanks to its 4 outputs, the new unique feature about the UR24C is its switchable monitor modes: DAW and DJ.

In DAW mode - used for producing music with a DAW, such as Cubase - you can adjust the balance of the signals coming from the DAW and from the UR24C's input.

In DJ mode - optimized for performances with DJ software or backing tracks - you can choose to either output the mono master sound to the right side of your headphones, with the mono cue sound to the left, or have both in stereo and mix the two. The monitor mode is switched in the setup window of the dspMixFxUR-C application.

The 2 operations are clearly visible on the interface: In DAW mode the power indicator LED ring is lit white, in DJ mode it is lit red.

The DJ feature is equally useful if you are recording somebody else and need to set-up a separate headphone cue mix, that in addition to the build in DSP effects is a very unique feature at this price point.
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MRP:$267.03 SAVE 29%
 3 in stock $190.09
Notes: Teenage Engineering go DIY with this kit-build CV/MIDI keyboard, designed to play nicely with Eurorack gear, Pocket Operators and the brand's own modular range.

Supplier's notes:
The POM-16 is a home-build stand-alone keyboard with individual tuneable keys and a programmable step sequencer.

Each kit comes with all of the parts needed to build the project. Included in these flat packed synthesizers are everything from a powder coated aluminium chassis to an illustrated build guide with instructions and bend angles. When bending is complete, snap the wire connectors and finalise your build with knobs and rubber feet. Remember, think twice and double-check the angles before bending.

Note: The unit is designed to send CV, Gate, MIDI, and PO Sync to control the POM-400 or other synthesizers. These signals do not make sounds.

FEATURES
Powder-coated Aluminium Chassis
Keyboard and Sequencer
Stores up to 64 patterns
Battery power option
Power supply sold separately
Note: There is no power supply included. If you want to run the units on wall power you need an adapter with the following specifications (sold separately):
AC/DC adapter
12V, min 1A (12 watt)
Polarity: center negative
Plug: 4.75/1.7mm
Warning: Make sure to remove the batteries from the battery holder before connecting the DC-plug to the external AC/DC adapter.

Use separate battery charger to charge re-chargeable batteries.

SPECIFICATIONS
1 x POM-16 chassis
1 x Keyboard
16 x Trim Knob
1 x Value Knob
4 x Rubber Foot
4 x Chassis Screw
1 x Screwdriver
1 x User's Manual
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MRP:$248.31 SAVE 25%
 2 in stock $187.16
Notes: 20 pack of purple 6", white 12", blue 12", and black 24" patch cables for modular synths. 3.5mm mono jack connectors.
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 7 in stock $36.91
Cat: 774014 Rel: 13 May 20 • View all Synth modules
 
VCF module
Notes: This product is an analog filter that processes -5v/+5v synth level audio signals. This particular product is using a 10 stage diode ladder circuit influenced from a classic Steiner filter.

Width: 10hp
Current: +16mA,-15mA

16 mA +12V
15 mA -12V
32 mm deep
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 2 in stock $134.14
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quote 774014
Cat: 774002 Rel: 13 May 20 • View all Synth modules
 
bass drum module
Notes: This module use the classic 'twin T' circuit to generate a sine wave for percussion and drum duties. This particular module has an additional accent circuit. The accent circuit allows for volume changes when two trigger sources are used. This module covers a good spectrum of possible classic drum sounds : 808, 909, Gabber, wood blocks, etc.

There is a boost circuit to push the sine wave into a square wave shape.

Control: Tune knob, Sweep (like a fine knob), Tone knob (muffled or pop sound), Decay knob, accent knob, and boost knob.

Jacks: Accent trigger input, Trigger input, and BD output.

Operation is straight forward. You patch a trigger signal into the trigger input and use the Out jack to hear the drum sound. The toggle switch allows for long 808 style drums, middle position for shorter drums, and toggle right for shorter stuff.

For default position sound exploring have the tune knob fully clockwise and sweep knob in the middle. Then use the fine knob to fine tune the pitch. If you require a lower range then turn the tune knob a bit counter clockwise, and use the Sweep knob to again fine tune.

When using the Accent circuit, you will hear better results when the accent knob is middle position. If the accent knob is fully clockwise the effect is less noticeable.

32mm deep.
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MRP:$165.96 SAVE 17%
 1 in stock $138.29
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quote 774002
Cat: 774006 Rel: 13 May 20 • View all Synth modules
 
envelope generator module
Notes: Module: Accented Percussion Envelope Module (APE)

envelope generator, percussion, vca

Width: 6hp

Depth: 32mm , 1.26 inches clearance

Current: +19mA, -32mA

Circuits: Attack Decay Envelope Generator, and VCA's.

What does this module do?

This module allows you to add that dynamic 'accented' sound found in vintage gear like the Pearl SY-1 without having to build one of those kits, or hunt down the original. This module was influenced by such gear, but with modern parts. The goal was not to clone, but to get you really close results.

-There is a vca on the envelope output (DEPTH) with it's own CV Level input. This Dynamic Envelope has it's own output to give external vco's a 'pitch' ability. To do Disco 'POW' for example.



-There is another vca set up with CV Accent control just for the audio input.


If you patch up a sequencer, you can get very close results to the DFAM envelope portion.

*Gate or trigger input mode.

*3 modes for envelope time: Long, Perc (middle), and Short.
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MRP:$111.05 SAVE 17%
 1 in stock $92.55
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Cat: 773978 Rel: 13 May 20 • View all Synth modules
 
quantizer module
Notes: This is a quantizer based on the Michael Barton simple quantizer firmware PIC. There are two identical circuits found on this module. You can select two modes using the toggle switch. The 'Stand' mode is the standard mode which includes the follow scales:

STANDARD BANK

1.Bypass - Inputted voltage is outputted

2.Major - Root, 2nd, 3rd, 4th, 5th, 6th, 7th

3.Minor - Root, 2nd, flat 3rd, 4th, 5th, flat 6th, flat 7th

4.Major Pentatonic - Root, 2nd, 3rd, 5th, 6th

5.Minor Pentatonic - Root, flat 3rd, 4th, 5th, flat 7th

6.Blues Scale Root, flat 3rd, 4th, flat 5th, 5th, flat 7th

7.Whole Tone - Root, 2nd, 3rd, flat 5th, flat 6th, flat 7th

8.Chromatic - All 12 notes



The 'OCT' mode is the Octave BANK, which includes the following:

OCTAVE BANK

1.Bypass - Inputted voltage is outputted

2.Octave - Root

3.Octave and Fifth - Root, 5th

4.Octave and Flat Fifth - Root, flat 5th

5.Major Arppegio - Root, 3rd, 5th

6.Minor Arppegio - Root, flat 3rd, 5th

7.Dominant Arppegio - Root, 3rd, 5th, flat 7th

8.Chromatic

You use the knobs to select the different scales.
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MRP:$131.02 SAVE 17%
 2 in stock $109.18
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quote 773978
Cat: 775759 Rel: 27 May 20 • View all Synth modules
 
synth module
Notes: The module has two filters, and two OTA-based VCAs. Most of the controls are setup to control both filters with one set of parameter knobs. There is a spread knob that separates the resonance peaks between both filters. You can get cool vocal and nasal filtering with careful adjustment. The filters self resonate. There is a trimmer for each filter which allows you to adjust how much feedback you want.

There is a CMOS based logic control system to select the state variable outputs. DG412 modern analog switch is used internally. This analog switch is made for audio (-5v / +5). There is a 'reset' button to quickly go back to LP flavor.
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MRP:$343.15 SAVE 22%
 1 in stock $268.28
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quote 775759
Cat: 774012 Rel: 13 May 20 • View all Synth modules
 
stereo delay module
Notes: This module has two echo delay effect circuits based on the Dwarf Star Semi Modular system. With this module you can add cool delay fx to synth level signals. Each of the parameters has CV control with their own attenuators. There are three parameters per channel. The two echo fx circuits are mirrored on the front panel: Channel A and Channel B.

The fx processing was fine tuned for clean fx processing. You can however patch a cv input into the 'REPEAT' parameter, have the RCV attenuator fully clockwise, and force it to feedback into loud trash. There is no switch jack on the input jacks. However, all the CV jacks have switch jack internal connections. This allows you to modulated both channels using only the the Channel A side. For true independent patching on each separate channel simple patch something into the corresponding Channel B jack.

The Kill toggle switches kill the dry signal input going into the pt2399 fx chip. It will however allow echo trails to keep going until they die out. So this is not just a mute switch to abruptly cut the echo trails in halfm which is potentaially better for live manipulation and recording.

The module also features onboard head phone monitoring. You can also use a JBL portable speaker or any other charger type portable speaker to hear your modular using a 3.5mm stereo cable. There is also a new spread parameter and fx bypass push button for live use.

width: 18hp
current: 10mA, -6mA
depth: 1.5 inches
FX Chip: PT2399.
Signal Levels for In/Outs: modular synth levels -5/+5.
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MRP:$219.61 SAVE 17%
 2 in stock $183.01
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BLM Europa VCO Module (synth module)
Cat: 775763 Rel: 13 May 20 • View all Synth modules
 
VCO module
Notes: Alan R. Pearlman inspired system. Part of the BLM7200

The system only mimics the collection of sections from the 2600 to make a complete instrument.

(Discrete Tri Core) sine, ramp, square, triangle waves
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MRP:$298.22 SAVE 21%
 1 in stock $236.05
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quote 775763
BLM Hermippe VCF Module (synth module)
Cat: 773986 Rel: 13 May 20 • View all Synth modules
 
analogue filter module
Notes: This is an analog filter with a lot of low end. The design uses a JRC 13700 OTA dual vca chip to produce 12db Low pass and 12db high pass filtering. The module can easily self oscillate. There is a trimmer to adjust how much sine wave you want. There is a 2 channel internal mixer, so that you can patch two sound sources. There is a bi polar FM input, and a 'MOD' input with level control. These are used to voltage control the Cutoff knob.

The 'ping' input is a unique trigger conditioner that will send a spike to the filter. This is used to produce percussion type sounds from the output. This is used in combination with the Rez knob. The cutoff knob determines the sine wave frequency.
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MRP:$136.01 SAVE 17%
 2 in stock $113.34
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quote 773986
Cat: 773976 Rel: 13 May 20 • View all Synth modules
 
ADSR module
Notes: A Simple Envelope Generator that produces an Attack, Decay, Sustain, and Release voltage output. This product only produces voltage. You will need an external VCA module for you to complete the common Envelope + Amplifier Patch. This module can also be used to modulate for example a vco. This is a digital product. There is positive CV control for the output,amplitude level of the envelope.
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MRP:$106.06 SAVE 17%
 1 in stock $88.38
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quote 773976
Cat: 774000 Rel: 13 May 20 • View all Synth modules
 
VCO module
Notes: Typically excellent stuff from Blue Lantern Modules. Proper versatile VCO that also goes slow enough to handle LFO duties, with a wealth of FM, sync and modulation options plus sub-osc output.

Supplier's notes:
This product produces continuous wave forms that can be used as an LFO or audio rate VCO. There are 11 possible wave form outputs. This is a discrete, triangle core design based on the Bergfotron 'Advanced' VCO. This particular version uses a VCA based exponential converter for the core 1v per octave converter.

11 Wave Form Outputs: Ramp, Double Saw x2 Frequency, Sine with Level Out, Triangle, Saw, Even Harmonic, Pulse with PWM, Falling Stairs, Folded Triangloid, Pulse Train, Sub Generated Pulse Output (Divider)

Model: BLM Lunar Modulation Lab VCO
Analog Oscillator, LFO,VCO
Width: 18hp
Current: +91mA,-61mA


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MRP:$385.57 SAVE 17%
 2 in stock $321.31
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Cat: 774004 Rel: 13 May 20 • View all Synth modules
 
metallic generator module
Notes: Freshly updated to a more user-friendly and versatile MK2 form, this percussion module was always a great value and now even better. MK2 introduces layout changes, FM and easier tuning.

Supplier's notes:
There are 3 square wave oscillators that ring mod each other twice to produce 'shimmery' sounding tones or drones. The internal sound does not stop. When you patch from the 'drone' jack it is a constant sound. You use the A, B, and C knobs to tune each individual oscillator. Then you use the 'Tune' Knob to adjust all of the oscillators when you find that perfect sound. There is a TR influenced circuit that uses the abrupt dirty transistor vca to produce hi-hats or metallic percussion. I added the essential accent control to vary the amplitude. You need a gate or trigger signal from an lfo, etc, to activate the TR VCA portion of the module.

Otherwise if you want clean hi-fi sounding percussion from this unit, you patch from the 'Drone' jack to your hi quality ssm2164, or cool audio v2164 vca.

Model: Mini Shimmery Module MK2
Percussive Metallic Generator
Depth: 2.5 inches
Width: 10hp
Current: TBA
Colors: Matt Black
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MRP:$148.49 SAVE 17%
 1 in stock $123.74
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Cat: 775747 Rel: 13 May 20 • View all Synth modules
 
mixer module
Notes: Alan R. Pearlman inspired system- part of the BLM7200
The system only mimics the collection of sections from the 2600 to make a complete instrument.

Audio Mixer, Noise Generator, Sample and Hold, Ring Mod (633 chip)

32 mm deep
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MRP:$180.93 SAVE 22%
 1 in stock $141.41
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quote 775747
Cat: 773981 Rel: 13 May 20 • View all Synth modules
 
LFO module
Notes: This module contains about 5 modules in one. You get a lot of features. This is using a Phase Lock Loop based internal patch to create the oscillation (LFO). I then give you access to the clock divider used in the Phase Lock process.

This LFO can go audio rate or really slow using the toggle switch to decide LFO/HFO mode. There is an internal CV switch for you to select from 6 wave forms. The special wave form is the step generated wave. It sounds like a quantized ramp wave, and moves at half the overall internal lfo rate. There is a nice Level out knob to control the LFO wave output. This LFO has very HARD sync, that will reset the LFO.

The other half of this module contains a clock divider that also uses a CV selectable output. The clock divider can also go audio rate and sound like a sub harmonic generator when in audio rate. At very high frequencies (FREQ knob fully clockwise), the clock divider will lock up, this is due to the cmos chip.

The clock divider can be used with internal clock or external clock.

This is a fun performance type of lfo with just about all the features an LFO should have. There is 1v/ octave tracking of about 4 octaves when used as an oscillator. This product is for most part more of an LFO. The best patch one can do with this product is a 'cross' patch from the Phobos Lunar LFO, and have it patched to your Oscillator module. Then patch your oscillator to the CV waveform select on the Phobos.
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MRP:$235.83 SAVE 17%
 1 in stock $196.53
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BLM Simple VCLFO Module (synth module)
Cat: 775771 Rel: 13 May 20 • View all Synth modules
 
LFO module
Notes: This is another analog lfo made specifically for those who may be on a really tight budget- this particular module is good for modulating your filter module or VCO module.
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MRP:$106.06 SAVE 21%
 1 in stock $84.23
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quote 775771
BLM TW DCO Module (synth module)
Cat: 773991 Rel: 13 May 20 • View all Synth modules
 
DCO module
Notes: This is a digital vco with on board wave table and sub oscillator outputs that are audible.

The Tune Knob Parameter is Quantized. As you turn the knob it locks to musical chromatic scale.

This is an analog vco based on the Bergfotron Advanced VCO. It has heavy modification compared to other buchla vco's. It will track much better than other modules because this is using a VCA based tracking system instead of the matched transistor system. The 'Lock' switch allows for setting up your favorite reference Frequency. For example you can set it up on Zero Volts equals low Note 'C'.

You use this as a sound source.
You use this as a precision LFO.
You get a bonus analog sample and hold.

There are two possible sound source outputs:
-Wave Out. This has 8 possible wave shapes: Triangle, Saw, Double Saw, Pulse Width, Sine, Ramp, Even Harmonics, and Double Pusle wave. All of this is selected by push button. The selector circuit is using a Precision DG412 IC chip, so there is no bleeding. There is of coarse CV input for the selector (by Triggering).
All 8 waves are roughly -5/+5.

-(Positive) Static Square Wave Out. This is a great clock source, it is also a great sync source for other products.

The analog sample and hold is using the internal VCO as the 'clock'. You simply patch a sound source on the 'input' and use the output to monitor the result. The (red knob) Tune knob above is used to control the S&H rate.

This product is the evolution of the 'Transistor Pyramid Core' saga.

MODULE: TW DCO
DIGITAL OSCILLATOR, SOUND SOURCE

WIDTH: 6HP

CV Input sources:
Wave table CV
Sub Wave Selector CV
Detune CV
1v / Octave Pitch input CV

Outputs: Wave out, Sub out.
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MRP:$155.98 SAVE 17%
 1 in stock $129.98
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quote 773991
Cat: 775779 Rel: 13 May 20 • View all Synth modules
 
velocity amplifier module
Notes: This module contains everything you need to complete an analog voice- all you need is a VCO for example. There is CV velocity for the filter, and CV velocity for the amplifier. You can create very dynamic sounding accents, and percussion sounds with this module.
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MRP:$455.45 SAVE 20%
 1 in stock $362.90
Cat: 774828 Rel: 20 May 20 • View all Synth modules
 
fusion series module
Notes: The Fusion VCF3 is resonant 24dB/oct lowpass filter of unique design that combines vacuum tubes and vactrols, providing distinct, soft filtering. For more versatility, the independent audio mixer and buffered multiple is incorporated in the module, and, most importantly - a CV recorder that records motion of the potentiometer, so you can design advanced modulation patterns.

Technical Specifications:
Filter slope
24dB/oct
Audio Input level
10Vptp
CV input level
-5V - +5V
CV Output level
0V - +5V
Panel width
20HP
Module depth
36mm
Power consumption
81mA@+12V, 76mA@-12V
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MRP:$430.49 SAVE 19%
 2 in stock $350.42
Cat: 771733 Rel: 06 Apr 20 • View all Synth modules
 
VCO grpahic series module
Notes: Better known for analogue modules, it turns out Erica Synths are pretty damn good at digital too. Draw your own waveforms, build wavetables, tweak in real time and get freaky. Killer VCO.

Supplier's notes:
Erica Synths Graphic VCO allows you to draw your own waveforms, arrange them in wavetables and wavetable banks, morph between two selected waves and alter the resulting wave in advanced ways (FXes) - apply FM, phase distortion, ring modulation, wavefold/wavewrap, bitcrush.

Waves, wavetables, FXes and other settings can be saved and recalled from the memory instantly. The module has two outputs - the main output and the output with configurable suboscillator.

NB! To have the module functionality up to date, we recommend you to check the Erica Synths home pageor our social media from time to timefor announcements about firmware updates for the Graphic VCO. You can update the firmware of the module via miniUSB cable. More detailed instructions of the firmware update can be found in the User Manual.

The sound is clean, modern, punchy and detailed thanks to the unit running at 96kHz - quite different to some low bit-rate wavetable oscillators on the market. Wavetable interpolation is smooth as butter and with the built-in effects you can dirty things up in many different ways. The module scores highly on the sound front. The Graphic VCO is a very capable oscillator module with excellent sound quality and a lot of features that could make it the right choice, especially if live performance is your thing. - Sound On Sound
The bottom line is that the Graphic VCO is a joy to use. It's a module that's unashamedly digital, yet unmistakably eurorack. I think Erica showed a great deal of careful judgement and restraint in the design of this module. It would have been easy to have made it bloated and cumbersome trying to cram as many features as possible into it, but they kept it fairly simple which keeps the module fun and immediate in use. It's capable of a huge tonal palette ranging from beautiful to brutal that is bound to fit in with a lot of different styles and systems. - Ask Audio
The ability to draw and then effortlessly jump between different custom digital waveforms in this way feels unique on the Eurorack stage, and allows for a wide range of tones and transitions between them. - Orb Mag

Technical specifications:

Audio output amplitude
10Vptp
Octave range
C0-C8
Sample rate
96kHz
Unipolar CV input range
0 -+10V
Bipolar CV input range
-10V -+10V
Panel Width
16 HP
Module depth
30mm
Power consumption
152mA@+12V,
20mA@-12V
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 2 in stock $358.73
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quote 771733
Cat: 777208 Rel: 06 Apr 20 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Better known for analogue modules, it turns out Erica Synths are pretty damn good at digital too. Draw your own waveforms, build wavetables, tweak in real time and get freaky. Killer VCO.

Supplier's notes:
Erica Synths Graphic VCO allows you to draw your own waveforms, arrange them in wavetables and wavetable banks, morph between two selected waves and alter the resulting wave in advanced ways (FXes) - apply FM, phase distortion, ring modulation, wavefold/wavewrap, bitcrush.

Waves, wavetables, FXes and other settings can be saved and recalled from the memory instantly. The module has two outputs - the main output and the output with configurable suboscillator.

NB! To have the module functionality up to date, we recommend you to check the Erica Synths home pageor our social media from time to timefor announcements about firmware updates for the Graphic VCO. You can update the firmware of the module via miniUSB cable. More detailed instructions of the firmware update can be found in the User Manual.

The sound is clean, modern, punchy and detailed thanks to the unit running at 96kHz - quite different to some low bit-rate wavetable oscillators on the market. Wavetable interpolation is smooth as butter and with the built-in effects you can dirty things up in many different ways. The module scores highly on the sound front. The Graphic VCO is a very capable oscillator module with excellent sound quality and a lot of features that could make it the right choice, especially if live performance is your thing. - Sound On Sound
The bottom line is that the Graphic VCO is a joy to use. It's a module that's unashamedly digital, yet unmistakably eurorack. I think Erica showed a great deal of careful judgement and restraint in the design of this module. It would have been easy to have made it bloated and cumbersome trying to cram as many features as possible into it, but they kept it fairly simple which keeps the module fun and immediate in use. It's capable of a huge tonal palette ranging from beautiful to brutal that is bound to fit in with a lot of different styles and systems. - Ask Audio
The ability to draw and then effortlessly jump between different custom digital waveforms in this way feels unique on the Eurorack stage, and allows for a wide range of tones and transitions between them. - Orb Mag

Technical specifications:

Audio output amplitude
10Vptp
Octave range
C0-C8
Sample rate
96kHz
Unipolar CV input range
0 -+10V
Bipolar CV input range
-10V -+10V
Panel Width
16 HP
Module depth
30mm
Power consumption
152mA@+12V,
20mA@-12V
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 1 in stock $331.88
Cat: 773240 Rel: 23 Apr 20 • View all Synth modules
 
Synth module
Notes: Want some distorted drums or thicken up the final mix but you are short in rack space? Pico Drive is the answer! Pico Drive is combined wavefolder overdrive module that features manually adjustable Gain and Drive level, CV control over Gain and Drive adds more expression, while built in limiter prevents output signal to run into undesired clipping.
Features
Manual Gain and Drive controls
CV control over Gain and Drive
Wavefolder
Output signal limiter
Input and output protection against undesired overvoltage
Technical specifications:
Audio output level
-5…+5V
CV level (full span)
-5V - +5V
Power consumption
29mA @ +12V, 29mA @ -12V
Module width
3HP
Module depth
35mm
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 1 in stock $103.98
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quote 773240
Cat: 757294 Rel: 20 Apr 20 • View all Synth modules
 
Gate module
Notes: The FLAME u16MGT converts 12 Midi one octave notes to gates and 4 Midi CC channels to CV.

Part of the new FLAME Midi family. These 5HP modules use the new Midi-Mini jack standard and all have a Midi-Through socket.
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MRP:$205.89 SAVE 17%
 1 in stock $171.57
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quote 757294
Cat: 767379 Rel: 16 Apr 20 • View all Synth modules
 
calibrator & transposer module
Notes: The CalTrans solves issues encountered when playing tonal music with a modular system: tracking problems, curves unrelated to Volt per octave ratio, limited octave range, cumbersome transpose, ...

The CalTrans corrects and expands the range of troublesome VCOs and brings V/Oct tracking to anything that oscillates.

Besides calibration, the CalTrans offers live play features. Each channel can be quantized and any combination of them transposed jointly.

A pair of rotary encoders with detent allow an precise selection of octaves and semitones.

VCOs whose tracking doesn't go high enough to follow the leader will see their pitch repositioned in their highest possible octave so that the global harmony is unaffected.

You can add a pinch of portamento and glissando to each channel and save the whole in user presets.
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MRP:$180.93 SAVE 15%
 5 in stock $153.89
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quote 767379
Cat: 767372 Rel: 16 Apr 20 • View all Synth modules
 
processor module
Notes: Neat little logic and gate processor offering various modes and simple, effective processing power in a small format. Updated version adds state-based logic functions and more.

Supplier's notes:
Voltage-controlled logic and gate processor.

Built upon the foundations of its acclaimed predecessor, this new version drastically expands the feature set within the same footprint.

All the original goodies are still there, now enriched by a full list of state-based logic functions including a delay line.

Faster processing allows perfect handling of audio signals.

User editable settings are stored in non-volatile memory.

With its versatility and features never seen before, the Klavis Logica XT will arouse your creativity and bring inventiveness to your soundscapes.
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MRP:$136.01 SAVE 24%
 1 in stock $103.98
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