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VINYLATORS 11Vinylators
MJ getting the krewcial remix treatment. Astonishingly, apparently mixed from the original multi-tracks, with love and respect for the original, side A sets off with an alternate version of 'Get On The Floor', completely built on the various Afrobeat inspired elements within the original multitracks. The result is a hard hitting and intense seven-plus minute dancefloor workout. 'Baby' takes us from Off The Wall to Thriller, with classic 80s MJ on one of his more underrated midtempo tunes, updated for today's dancefloor. On the Flip Krewcial presents a nine-minute, almost never-ending version of 'Get On The Floor', true to the spirit of the album version.
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BBC Christmas Special 1979Dear Boss
Kate Bush enjoyed an unlikely renaissance (and a welcome boost to her bank balance, no doubt) with the younger generation when her music was used in iconic scenes in the hit Netflix show Stranger Things. She has long been a revered pop great who always had an outlier sound which despite that saw great commercial success. For that reason, she was invited to the BBC for a Christmas Special in 1979 and that recording is now pressed up just in time for the festival season. It features plenty of her best moments which will bring great warmth to the winter including the likes of 'December Will be Magic Again' and 'The Man With The Child' plus a version of Peter Gabriel's 'Here Comes the Flood' featuring the former Genesis frontman himself.
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Gratts / Robert Owens - Today (feat Mark Hand mix)
12"
Today (feat Mark Hand mix)Be Strong Be Free
Belgian-born producer Gratts and pioneering Chicago vocalist Robert Owens first collaborated on 'Brighter Future' back in 2021 after meeting in the streets of Kreuzberg years before. The pair now join forces again for follow up 'Today', a powerful and emotive, 90s inspired deep house cut with layered backings and Owens' lilting affirmations soaring above. The extended club version takes you straight to house music's ecstatic heydays, while the twelve also includes an acapella tool for those singalong moments. On the flip, Mark Hand's slower, soulful rendition takes things into sideroom territory. Finally, 'Mount Olympus', home to the Greek deities, fuses a rattling drum machine, arpeggiated synth lines and a potent analogue bassline - with added bonus beats to bang the box and get weird!
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Federsen - KOR 010
12"
KOR 010Koridor Belgium
Federsen’s latest release offers a minimalist techno experience that balances depth with precision. The first track, 'Fundamental', draws listeners into a deep, atmospheric groove with a pulsing bassline that builds steadily, creating an engaging tension that evolves over its runtime. The hypnotic rhythms and subtle nuances in production set a perfect tone for the entire release. On the second side, 'Polarity' maintains the hypnotic atmosphere but introduces more dynamic shifts in texture, layering intricate percussive elements that gradually intertwine with the track’s driving force. The result is a track that pushes forward while leaving space for subtle details, making it a worthwhile journey into deep techno. Overall, this release showcases Federsen’s ability to craft immersive, yet restrained techno, with a focus on rhythm and atmosphere. It’s a refined offering that will resonate with fans of deep, cerebral techno.
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Talking Heads: 77 (Expanded Edition)Rhino US
If you're a new band introducing yourself to the world it makes sense to keep your album to under 40 minutes, like David Byrne and co did with Talking Heads: 77. But the seminal new wave band, who emerged from the New York punk scene in the 70s, have earned the right to keep us on the line for a lot longer and give us the companion tracks we sorely deserve after years of fandom. There's rarities, unreleased outtakes and live recordings, which give us an intimate insight into a truly iconic band, who were at the very top of their game at the time they were making this record. Afterall, coming up with 'Psycho Killer' for a debut album shows that years spent honing their sound and shopping around for the right record deal before landing at Sire records turned out to be a shrewd move. We're still listening to them today and so will our kids and our kids' kids.
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Long After Dark (remastered)Geffen US
Long After Dark by Tom Petty and the Heartbreakers is a standout album that often doesn't get the recognition it deserves. This nearly ballad-free record, released in 1982, is a cohesive, energetic breakup album. While none of its tracks are typically ranked among Petty's top ten classics, six of the ten songs are essential Petty numbers, filled with prime-era vocal performances and engaging musical arrangements. This new remastered versions comes complete with 12 rediscovered tracks, enhances the sound, bringing more depth to the instrumentation. It's essential listening for Tom Petty fans and highly recommended for lovers of heartland rock. Released on turquoise makes this package extra special. Tracks like 'One Story Town', 'You Got Lucky', 'Deliver Me', 'Change of Heart', 'We Stand a Chance' and 'Straight Into Darkness' stand out, showing the band's great musicianship and Petty's songwriting at its peak. Even the more understated songs like 'Finding Out' have a solid rock energy that excites.'The Same Old You' and 'Between Two Worlds' channel a Rolling Stones-like vibe. Overall, this album is still one of Tom Petty's best.
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ApplicationsIlian Tape Germany
German loop specialist Shed is a perfect match for the expertly designed breakbeats of Munich's finest, Ilian Tape, so we're delighted to see this one happen. His 'Applications' EP is bulky and brilliant from the off: 'EMCZ' is all skittish hits and dusty drums barrelling along with speed and energy. 'TLSQ' is doused in dub chord work and has a warming glow as the weight basslines roll on and the drums hit hard. Last but not least is 'UFO2' which is more menacing, with darker atmospheres and prying synth lines paired with physical and forceful kick patterns.
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Music In My Mind Revisited Reboots181 Recordings
Adam F revisits his 'Music In My Mind' outing, first released in 1997 via 181 Recordings. A deft working-through of vocoded cognitions and snappy neuro receptor firings and frazzlings, the original track is lent further weight here by DJ Marky & Makoto and Nookie respectively. 20 years on from its original release, Adam F's issue is lent two further mech-anthropic appendages, phattening the OG drumfunk number up with both extra-weighted yet extra-crisp transient edges.

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