The Reflex's reworks of million-selling disco, soul and pop hits may be sneered at by snooty, self-styled "collector" DJs, but the rest of us can't get enough of them. There's a reason for that, of course: they're invariably brilliant. Here he serves up two more gems guaranteed to start the party. On the A-side you'll find his legendary revision of the sparser LP mix of Wham's "Everything She Wants". The London-based Frenchman extends and dubs out the track's delicious machine drums and synths before introducing the late, great George Michael's fantastic vocals. The results are, of course, impressive. Over on the flip, he gets busy with Eddie Kendricks' classic "A Date With The Rain", making merry with the original's killer percussion, horns and reverb-drenched vocals.

Throughout his four year recording career, Larry "Bruce" McCarthy has managed to carve out a sonic space all of his own - one that mangles dystopian analogue techno, post-dubstep grooves, Young Echo style soundscapes, trippy electro and dub-wise sounds into thrilling new audio shapes. This unique musical mixture is the key to the success of debut album "Sonder Somatic", which cannily emphasizes the intoxicating, otherworldly side of McCarthy's output. Although there are a few dancefloor-focussed workouts on show - see the deep creep of "Baychimo", percussively punchy "What" and rugged "Cacao" - the majority of the album is more atmospheric and unusual, with clear nods towards fellow Bristol residents Young Echo, vintage IDM and the dub-fired electronica of Jay Glass Dubs.

Since defining the band's hybrid rock-rave sound with 1994's "Music For The Jilted Generation" and 1997's "The Fat of the Land", Prodigy main man Liam Howlett has largely stuck to his guns. He is, after all, incredibly good at what he does, and the formula has given us a string of bombastic, full-throttle singles and albums that have lasted the test of time. "No Tourists", Howlett and company's first full-length in three years, offers plenty of trademark festival-friendly workouts, hard-wired dancefloor smashers and fuzzy, all-action cuts. Judged on these terms, it's a triumph. Fans of the band's trademark brand of slamming sonic hedonism will love it.

Hailing from Detroit Heavy Funk, Drum Beak Monster of a cut. This record is a killer. Bangini drums, horns, a sweet bass line, Jake Wade and the Soul Searchers knew how to lay it down. Their DIY attitude was a great indication of just how much music that was under the radar at that time. Toured with Blue-eyed Motown artist Stoney Murphy, even played in venues such as Detroit's famous Grande Ballroom. Seaching for Soul, This 1968 Funk Bomb was even sampled in Beyonce song "Suga Mama"

Animals On Psychedelics retruns with a split EP, and it's a family affair with Release from previous artists who have Featured on the first 3 release and also the new addition of BPMF. All 4 tracks are very different, but all fit nicely with the realms of the Animals On Psychedelics sound. A2 is an old track from Invisible Menders that is finally getting to see the light off day. On the b side its a slightly less dance florr tripped out affair From Mmemphis & Miro sundayMuiq

Norken returns with 2 tracks recorded for Subconcious Algorithms, mysterious new label that will be releasing music made by machines that have become aware have become emotional.The function of your subconscious mind is to store and retrieve data.These 2 tracks from Norken possess an awareness that take your mind back to the early 90's but also into the future.

DJ Bone and Deetron reunite for their second release as The Story Tellers on Bone's Subject Detroit imprint. This second EP sees them putting forth two unique versions of their own original compositions accompanied by very special adaptations of each other's works.

Well Street Records maintain their progressive, broken-beat ethos with a classy & dynamic techno trip from elusive producer Ruff Cherry