New releases last two weeks: Studio Equipment

Notes: Easily connect your modular system to the rest of your setup with Out, a compact 2HP stereo line output and headphone module. Despite its small size, it includes everything you need for clear, convenient listening.

The top section features stereo modular-level inputs with LED indicators for quick level monitoring. From there, the signal is routed to both a stereo line output and a dedicated headphone jack, each with independent volume control. Whether you're sending your modular through external effects, recording into an interface, or just monitoring with headphones, Out keeps things simple and efficient.

Notes: Easily connect your modular system to the rest of your setup with Out, a compact 2HP stereo line output and headphone module. Despite its small size, it includes everything you need for clear, convenient listening.

The top section features stereo modular-level inputs with LED indicators for quick level monitoring. From there, the signal is routed to both a stereo line output and a dedicated headphone jack, each with independent volume control. Whether you're sending your modular through external effects, recording into an interface, or just monitoring with headphones, Out keeps things simple and efficient.

Notes: Building on the success of their recent rev3. releases (Minilab 3, Keylab Essential 3 and Keylab MK3) Arturia are delighted to share their next gen 88 note controller keyboard, the Keylab 88 MK3.

With a full-size hammer-action aftertouch keybed and next-level software integration encased in hard wearing high-quality materials and hard-wood panelling - KeyLab mk3 88 not only looks the part but will stand the test of time on stage and in the studio.

Keylab 88 MK3 features all of the refinements found in the other MK3 keyboards, but it sports a massive upgrade to it's keybed over previous models, now equipped with a FATAR TP/110 the Keylab 88 MK3 delivers a stunning playing experience, unlike any other 88 note controller on the market.

With a stunning visual display that shows a range of contextual information on-screen alongside touch-sensitive controls and advanced creative features; it enhances every aspect of the music-making process. From integrating effortlessly with Analog Lab Pro and all major DAWs to supporting musical ideation, keyboardists, producers and composers alike can take full command of their setup like never before.

From customizable MIDI settings and intuitive controls to advanced creative features that support musical ideation - KeyLab mk3 is a powerful ally both in the studio and on stage

KeyLab mk3 offers advanced connectivity with all major DAWs including MCU/ HUI protocols, allowing you to view contextual information on-screen, create user programs and have complete control of your music making software and instruments.

With Analog Lab Pro, Ableton Live Lite and a range of timeless instruments from the world-renowned V Collection, discover a suite of pro-grade software to start making music right away.

Notes: Part of TipTop's exceptional series of Eurorack-format Buchla modules, the 264t provides four sample-and-hold circuits, plus a logic circuit designed to control polyphonic patches. Deceptively simple but surprisingly creative, like most Buchla modules.

Supplier's Notes:
Four independent sample-and-hold circuits, plus a specialized logic circuit for expediently implementing polyphonic patches.

Sample-and-hold's are essentially one-cell analog memories. They are useful for "remembering" the instantaneous value of a control voltage (a detected envelope, for example), for generating equally spaced steps from a constant slope input (as from a 281t envelope generator), and for converting any continuously changing voltage (a random voltage, for instance) into a series of discrete values.

The 264's sample-and-hold circuits have two operating modes: sample and track. In the sample mode, the value of the input is sampled and applied to the output whenever a pulse is received. The output remains at this value until the next pulse arrives. The track mode diers in that an input is applied to the output for the duration of the pulse. The output tracks the input until the end of the pulse and remains at a constant value until the next pulse.

To use the 264t as four independent channels set the separate/common switch to separate. A single CV can be set to all four channels by setting the operate/common to common and plug CV in the the back jack on the with right side.

The Model 264t includes a polyphonic adaptor, which performs the logic necessary to implement four-voice polyphony. Facilities are incorporated for fine tuning and f.m. modulating the oscillators; light emitters display the adaptor's operation.

Specifications:

Size: 18 HP - Depth: 45mm
Power: +12V 60mA / -12V 30mA

Notes: Experience ultimate control and versatility with our Slimline Delay Module in a compact 2HP format. This highly specialized module is designed for synthesizer enthusiasts who are looking for precise settings and innovative sound effects in their modular system. With its minimal footprint and extensive functions, this delay module revolutionizes your soundscapes.

Notes: Dive deep into the world of sound manipulation with our Slimline Voltage Controlled Filter in a space-saving 2HP modular format. This module is ideal for all synthesizer lovers who are looking for intense and precise filter control in a compact design. Its powerful features allow you to shape your sounds with impressive detail.

Notes: Lore takes two of the lush all-analogue oscillators from OVUM, and adds frequency modulation to unlock a wild new range of sounds. It's designed for exploring tones, drones, and frequency modulated textures. Each voice is made of an independently controlled triangle-core oscillators, with separate control for volume, pitch, and can be crossfaded between a bright square wave and a crisp triangle wave.

Lore is frequency modulation. The left oscillator can be sent to the audio output, where it will create harmony or dissonance with the right oscillator, or it can be switched to modulate the frequency of the right oscillator. This is a simplified and analog version of the kind of FM synthesis you'll find in digital synthesizers like the DX7 and it's descendants. It's hand-built from 100% analog circuitry, with no digital components, screens, quantization, or key-combinations to memorize - everything is immediate and at your fingertips.

Lore is enclosed in a sturdy transparent-green petroleum-free bioplastic case. It has a USB-C port for power, and a single 3.5mm audio output jack for headphones or line-out to connect to an amplifier, audio interface, or effects.

To reduce waste, by default Lore comes with just the instrument and a USB to USB-C power cable. If you don't have a spare USB power supply, they can be added to your purchase at checkout. Lore is portable, but does not contain a battery. It can be powered by any USB powerbank.

Notes: A fresh, original take on pitch shifting, the HammerOn generates hammer-on pitch shifts which alternate between two different intervals. Seven modes provide a range of effects, from simple hammer-ons to automatic techno guitar sequencing with trills.

Supplier's Notes:
Hands-free Hammer-Ons

Hammer-on notes in conjunction with your hands to create never-before-heard licks and riffs - the only limit is your imagination.

7 pedals in 1

Seven modes range from pitch jumps and harmony effects to pitch sequences and drop/capo tunings - HammerOn is like seven pedals in one.

Play the Impossible

Impossible Mode allows you to hammer-on pitch shifts that alternate between two selectable pitch amounts.

The DigiTech HammerOn is a versatile effects pedal with an amazing amount of flexibility and options to create and channel your musical ideas. Take the time to get to know the many options and see if it sparks new creative ideas.

The PITCH 1 footswitch is dedicated to always be a hammer-on selectable momentary pitch shift above or below what you are playing. PITCH 2 footswitch has 3 different modes of operation selectable using the MODE button. There is a button called DRY+ that can turn on the dry signal and a button called TRILL that can mimic rapid presses of the footswitches.

With all these options it's like having 7 pedals in one:

1. HAMMER-ON: An instantaneous momentary pitch shifter pedal
2. HAMMER-ON with TRILL: A rapid fire hammer-on action pedal
3. HARMONY-ON: An instantaneous harmony creation pedal
4. The IMPOSSIBLE Pedal: A dual alternating momentary pitch shift pedal
5. DROP/CAPO SEQUENCE: A multi-setting pitch transposition pedal
6. SEQUENCE with TRILL: An automatic guitar riff sequencer
7. SEQUENCE with DRY and TRILL: An automatic techno guitar sequencer

Specifications

Electronics
Sample Rate: 44.1 kHz in classic mode, 22 kHz in chords mode
Frequency Response: 20 Hz-16 kHz (classic mode), 20 Hz-11 kHz (chords mode)
Signal to Noise Ratio: > -106dB (A weighted); ref = max level, 22 kHz bandwidth
THD: 0.004% @ 1kHz; ref= 1 dBu w/ unity gain
A/D/A Conversion: 24-bit

Input / Output
Input Type: 1/4" Unbalanced TS
Max Input Level: +5 dBu
Input Impedance: 1MO
Output Type: 1/4" Unbalanced TS
Max Output Level: +10 dBu
Output Impedance: 1kO (Effect enabled or effect bypassed), True Bypass

Physical

Dimensions: 5.12"(13.00cm) x 3.57"(9.06cm) x 1.84"(4.67cm) (L x W x H)
Weight: 1.12 lbs. (508g)

Power

Power Consumption: 2.3 Watts (258 mA @ 9VDC) typical
Power Requirements: External Adapter (included), 9 VDC 1300 mA

Notes: This module is divided between 3 functions, a 3 channel mixer, with 3 knobs the the singal together, this then passes in a dual analogue filter, a resonant 24db LPF and a non resonant 18db HPF, passing from there into a built in VCA.

Notes: Analogue VCO with range from 16Hz up to 32.000Hz.

Variable Voltage Controlled Wave Shaper.

Advanced pitch control with Voltage Controlled Quantizer, so it is always in tune.

Hard Sync Input.

Separate Pulse Output, for use as a clock or to sync other oscillators
.
Power Consumption: 114mA @ +12V , 46mA @ -12V.

35mm depth.

Notes: EBS Flat Patch Cables have helped pedalboard users to optimize the use of space on their pedal boards and revolutionized the patch cable market.

With the EBS High Performance (HP) flat patch cables, you will have access to a cable that saves a lot of space and provides premium signal quality at the same time.

The new tin-plated copper braid shield improves the shielding capability immensely to guarantee no signal loss on your pedalboard. It also enhances the durability of the cables.

The cables also have extremely low capacitance & resistance to prevent any signal loss.

The contact is now 24K Gold plated in its entirety, features a 30% reduced size housing and has a ribbed surface on the side of the housing for better grip and identity.

The High Performance (HP) is the top-of-the-line flat patch cable from EBS in addition to the Premium Gold (most compact) and PCF-Deluxe (most affordable) cables.

Notes: EBS Flat Patch Cables have helped pedalboard users to optimize the use of space on their pedal boards and revolutionized the patch cable market.

With the EBS High Performance (HP) flat patch cables, you will have access to a cable that saves a lot of space and provides premium signal quality at the same time.

The new tin-plated copper braid shield improves the shielding capability immensely to guarantee no signal loss on your pedalboard. It also enhances the durability of the cables.

The cables also have extremely low capacitance & resistance to prevent any signal loss.

The contact is now 24K Gold plated in its entirety, features a 30% reduced size housing and has a ribbed surface on the side of the housing for better grip and identity.

The High Performance (HP) is the top-of-the-line flat patch cable from EBS in addition to the Premium Gold (most compact) and PCF-Deluxe (most affordable) cables.

Notes: The EBS PCF flat patch cable is an original design by EBS that started the global trend of flat patch cables for pedalboards. Due to the clever space-saving design, the cables have become the patch cable-to-go for musicians all over the world.

If you have ever struggled with limited space on your pedalboard, the super compact and affordable EBS Flat Patch Cables will help end the frustration. They perform excellently on sound and flexibility while reducing the required space between pedals to a minimum with their unique design.

Notes: The EBS PCF flat patch cable is an original design by EBS that started the global trend of flat patch cables for pedalboards. Due to the clever space-saving design, the cables have become the patch cable-to-go for musicians all over the world.

If you have ever struggled with limited space on your pedalboard, the super compact and affordable EBS Flat Patch Cables will help end the frustration. They perform excellently on sound and flexibility while reducing the required space between pedals to a minimum with their unique design.

Notes: To end the frustration of limited space on your pedalboard, EBS have designed the truly unique, super compact, and affordable EBS Flat Patch Cables. Cables that won't let you down on sound and flexibility, and at the same time reduce the space needed between pedals to a minimum. The elegant Premium Gold (PG) series is the most compact and features 24K gold-plated contacts with even smaller housing than the original EBS PCF-Deluxe (PCF-D) cables.

Double-shielded cables and very low resistance keep your signal path clean and strong through the pedalboard.
Extremely compact size and flexible cables ensure effective use of ALL space on your pedalboard.

Since their introduction, these cables have made thousands of customers happy. We hope you will become one of them too. Buy the cables at local stores and online dealers all over the world. Great customer reviews and very few reported failures from hundreds of thousands of sold cables so far.

*** Please note: the pedals are not included, they are shown for demonstration purposes only. ***

Notes: To end the frustration of limited space on your pedalboard, EBS have designed the truly unique, super compact, and affordable EBS Flat Patch Cables. Cables that won't let you down on sound and flexibility, and at the same time reduce the space needed between pedals to a minimum. The elegant Premium Gold (PG) series is the most compact and features 24K gold-plated contacts with even smaller housing than the original EBS PCF-Deluxe (PCF-D) cables.

Double-shielded cables and very low resistance keep your signal path clean and strong through the pedalboard.

Extremely compact size and flexible cables ensure effective use of ALL space on your pedalboard.

*** Please note: the pedalboards are not included, they are shown for demonstration purposes only. ***

Notes: About as good as closed-back studio headphones get. The Lensys Pros feature 40mm aluminium-magnesium 'M' dome drivers for flat frequency response, exceptional sound isolation and ergonomic memory foam earpads for comfort during long sessions.

Supplier's Notes:
Closed-Back Headphones of Excellence

Experience limitless possibilities with Lensys Professional. Whether you're in the studio or on the move, these headphones provide the comfort and durability you need. Their closed design, meticulous ergonomics, and robust materials make them the ideal choice for any environment. With Focal drivers delivering extremely accurate sound, you can trust these headphones for professional use. Plus, the included case and two cables add further convenience and flexibility to your experience.

Comfort & Insulation

Comfort is essential for headphones used during extended work sessions. The Lensys Professional headphones are designed to be lightweight and feature memory foam ear cushions for a comfortable fit and excellent sound insulation. Additionally, the aerated fabric headband provides a consistent curvature, making it perfect for extended wear.

Accuracy. Anywhere.

The Lensys Professional headphones are designed to offer a neutral tonal balance and high accuracy, making them an excellent choice for mixing. Their versatility and reliability make them a valuable tool in any setting, instilling confidence when working with audio. Additionally, they provide an immersive experience for binaural work.

Focal Expertise

The 40mm aluminium-magnesium 'M' dome drivers provide linear frequency response, low distortion, and improved sound dispersion, resulting in highly accurate sound. Their slightly angled position in the earcups enhances the stereo image, while their acoustic load has been optimized for operation similar to that of a bass-reflex loudspeaker.

Notes: Enhance your recording and listening experience by absorbing and controlling unwanted reflected noises. Each panel features a 2 inch thick, 12x12" pyramid design for maximum absorption.

Notes: These wedge stands angle your speakers towards your ears for improved clarity during playback and the mixdown process, designed for small to medium sized computer speakers/studio monitors.

*** Please note: the speakers are not included, they are shown for demonstration purposes only. ***

Notes: Intellijel have created a 1U version of the handy Atlantix Expander. It is exactly like the 3U version but arranged to fit in a 1U space. Comes with a cable for connecting to the Atlantix.

Notes: The IsoAcoustics ISO-200SUB Isolation Subwoofer Stands are available for front and side firing subwoofers used in professional studios, project studios, HiFi and home theatre settings. The ISO series is an updated version of the popular ISO-L8R series and features a lower profile, new frame design and a newer version of isolator for improved performance. The ISO-200SUB subwoofer stand is 7.8" (200mm) wide x 10" (255mm) depth x 3.75" (95mm) height and is rated for subwoofers weighing up to 75lbs. The ISO-200SUB does not include height or tilt adjustment.

The ISO-200SUB subwoofer stand is designed to clean up acoustic issues common with subwoofers. The ISO-200SUB allows the subwoofer to float and controls the energy of subwoofer to prevent the low frequencies from being driven into the supporting surface. As a result you will hear more punch and clarity from your subwoofer.

Exciting the supporting surface

The isolators manage the energy of the speaker to reduce vibrations resonating through the supporting surface to eliminate dissonant sounds in the listening area or joining rooms.

Reducing internal reflections

IsoAcoustics isolation prevents the subwoofer vibrations from reflecting on the supporting surface, eliminating muddy bass smear and revealing greater clarity and definition.

Dimensions (WxDxH): 7.8" x 10" x 3.75 (200mm x 255mm x 95mm)
Tilt: No
Weight Cap : 75lbs (34KG)
Quantity; 1 Stand (Single)

Notes: The JMT Synth EWG is a desktop analog synthesiser with a wide-ranging VCO and two reconfigurable sub-oscillators that emit square waves, ideal for thick bass tones. Two adjacent knobs can control the pulse of the square waves, allowing for a wide range of tones and timbres. Two reduce knobs govern the leve of each sub-oscillator, allowing the user to blend the tones to their taste. The EWG-1 is powered by a DC9V center negative adapter or a single 9V battery.

Notes: This model consists of two VCOs (oscillators), SAMPLE & HOLD, noise generator, low-pass filter, LFO, VCA, and envelope generator to create a powerful sound.

By itself, a wide range of sounds can be created, including random and regular intermittent sounds, mute timing, and fine-tuning of levels.

If you input sounds from other equipment through the A IN, you can apply a variety of filters, LFOs that oscillate the filters, and mutes to the input sounds in parallel with the built-in oscillator.

The variable range is wide enough to produce a variety of sounds. The filter is a 4-pole filter that works very smoothly, and external audio can be input via A IN.

You can also use it with a sequencer to create even more sounds.

CV INPUTs can accept - + 9V. Do not exceed this voltage.

The adapter is not included.

Please use centre negative 9V POWER SUPPLY or A 9V battery.

Notes: The SNB-2b is powered by a centre negative DC 9V adapter or a single 9V battery.

The SNB-2b is a noisy analogue synth oscillator with a distortion function that can emphasize HI, MID, and LO.

The oscillator can be input to the MAIN VCO with a wide range, and the three complex input SUB oscillators can be adjusted at LEVEL and input to the MAIN VCO.

Each of the three SUB oscillators is designed to affect each other, so a wide range of settings are possible with subtle knob position combinations.

The three oscillators are directly input to the waveform of the MAIN VCO, and different waveform changes can be added by adjusting the input level with the LEVEL knob.

It is a model that expands the variety of sounds by fine-tuning the knob and emphasizing the high, mid, and low frequencies of various tones such as noisy dense sounds and intermittent sounds.

From CV IN, you can input CV OUT (sequencer, analogue synth, modular synth) of other equipment and change the MAIN VCO. Since it is a 6.5mm jack, please use a conversion plug when using a 3.5mm cable.

Runs on DC9V negative centre or a 9V battery.

3 sub oscillator effect each other go to main VCO with LEVEL knob.

The main VCO goes to DISTORTION circuit with HI,MID,LO knobs.

The SNB-2b makes a variety of sounds.

CV IN is for VCO pitch. It accepts+-9V voltages.

Notes: Monumatic is a fully polyphonic 8-voice synthesiser and a monophonic synthesiser packed into a compact 12HP module.

It features16 selectable oscillator modes to provide a diverse range of both classic and futuristic tone generation using exclusively virtual analog algorithms. These include; Roland super-saw, Polymoog vox humana, Casio phase distortion, Solina string synth, percussive drawbar organs , "noisy cassette" strings, pulse width modulation and some gnarly asymmetric sync oscillators, all modelled without samples and each one of these customisable using the Detune control and each providing the foundation for further signal processing though the filter and effects sections.

6 powerful filter types are provided, including a vocal vowel filter, a 24db/oct Butterworth low pass filter, a dual peak notch filter and a phase shifter, each of which features an overdrive setting.

Like its sibling module Poly Cinematic, Monumatic is designed to be simple to use yet versatile, offering minimal controls to access a wealth of sounds, avoiding the need to scroll through 1000s of complex presets.

Monumatic supports full analog control of every parameter, with two instantly assignable CV inputs, as well as dedicated CV inputs for Gate, V/Oct and Filter cutoff, with additional digital control using comprehensive Midi CC and MPE implementation. An altogether unparalleled potential for expansion and integration into the eurorack universe.

As well as full midi capability, the 8 built-in chord presets can be custom programmed to provide polyphonic stabs and pads and using a single CV/Gate input, arpeggios can be layered polyphonically or "plucked" using long release times. The mono/poly function allows the Monumatic to switch between a fully capable poly synth or a mono synth at the touch of a button.

In polyphonic mode Monumatic introduces an advanced micro-tuning system to modular synthesis, it can replicate the organic drift of vintage analogue oscillators or it can apply realtime tuning temperaments to enhance harmonic authenticity using 'just' intonation, this parameter can even be assigned to CV control.

Notes: Modbap's three-voice drum module gets a major update, introducing new modal synthesis and metallic FM/RM algorithms, 12 customisable presets (four per channel), 12-pad finger drumming mode and much more. Super versatile.

Supplier's Notes:
Modbap Trinity 2.0 - Digital Drum Synth Array for Eurorack

Introducing Trinity 2.0, the updated and improved digital drum synth array eurorack module from Modbap Modular. This compact 20HP design packs innovative features, such as six different drum synth algorithms - including the newly added ORB and CLANG - as well as enhanced connectivity and expanded control options. Each of the three independent drum channels offers a wide range of sound design possibilities, with seven main controls for shaping tone, pitch, and texture, in addition to extensive CV and USB-C MIDI inputs.

Trinity 2.0 now incorporates advanced preset management, featuring 12 customizable presets (four per channel), a MIDI-based 12-pad finger drumming mode, and the capability to select presets via CV. Additionally, it retains its legacy features such as Cycle Modes (Round Robin and Random) and Stack Modes (layering two or three voices), providing infinite creative potential. With dimmable LEDs and USB-C connectivity, Trinity 2.0 caters to modular synth enthusiasts, hobbyists, beatmakers, and sound designers, offering a vast array of percussive textures and tonal possibilities. Compatible with both the original and refreshed hardware, Trinity 2.0 firmware elevates modular percussion to new levels of versatility. More than a module, Trinity is a powerful drum synth brain disguised as a Eurorack module.

Drum Synth Algorithms

BLOCK (Analogue Inspired): Drum synth building blocks featuring sine and triangle core. Great for traditional electronic drum creation.

HEAP (Additive): Additive drum synth with 8 partials. Great for fun natural sounds and pitched percussive sounds (i.e. bells, chimes, steel drums, and wood blocks etc.).

NEON (FM): FM drum synth engine. Great for high quality FM drums, clangourous metallic percussion and more.

ARCADE (Noise): Quirky noise generator synth, reminiscent of classic 1980's arcade games sounds - zaps, crashes, explosions etc. Great for claps, hats, even some vinyl noise approximations, and all sorts of fun percussive and degraded noises.

New with Trinity 2.0

Orb (Modal): Modal synthesis for resonant tonal percussion, ideal for creating rich, bell-like tones, tuned drums, and dynamic resonant textures. This algorithm excels in producing harmonic structures with natural decay, making it perfect for adding depth, warmth, and intricate timbres to rhythmic compositions.

Clang (Metallic FM / RM): Metallic FM/RM synthesis for bright, resonant cymbals and hi-hats, perfect for designing sharp, cutting high-frequency percussion. It is particularly suited for crafting hi-hats, cymbals, and other metallic percussion sounds with complex overtones and a crisp attack. It excels at producing metallic textures, chimes, and clangourous timbres with complex overtones.

Modes

Cycle Modes

The cycle modes can be enabled and disabled per channel.

'Round Robin' mode will switch between each drum synth type sequentially with each new trigger to the drum channel.

'Random' mode will generate a new random drum sound with each new trigger to the drum channel.

Stack Modes

The stack modes group the channels together allowing 2 or 3 drum channels to be triggered by the primary channel's trigger and v/oct inputs.

Stacked drums can be spread out similar to unison mode on a traditional synthesizer. Stack modes are inspired by the characteristics of chopped breaks where drums tend to overlap and fan out depending on the content of the chopped source material.

MIDI Finger Drumming Mode

MIDI Finger Drumming Mode allows control of drum voices and presets using an external MIDI pad controller connected via USB-C. It allows for triggering drum sounds with assigned MIDI notes via drum pads or keyboard controller. This mode enhances real-time performance and integrates seamlessly into MIDI-based music setups for dynamic, hands-on beatmaking and sound design.

This module features six drum algorithms utilizing various synthesis methods:

BLOCK: Classic drum synth using subtractive synthesis
HEAP: Additive drum synthesis with rich partials
NEON: Frequency modulation (FM) drum synth
ARCADE: Noise-based synthesis inspired by retro gaming sounds
ORB: Modal synthesis for resonant tonal percussion
CLANG: Metallic FM/RM synthesis for bright, resonant cymbals, hi-hats, and metallic percussion

Width: 20HP
Depth: 28mm
Power requirements: 153mA +12V, 7mA -12V (160mA peak on power-up)

Notes: MOOER has been releasing modern takes on traditional electric guitar products for years, such as its guitar pedal range, intelligent guitars, and cloud-driven tone capture platform. Its latest launch, the AIR P05, is set to bring things together, designed to provide guitarists with an unparalleled wireless experience.

The AIR P05 packs wireless transmission technology into a minimalist and compact device to ensure high-quality sound and reliable performance. The AIR P05 wireless system utilizes 2.4GhZ ISM worldwide technology to deliver low-distortion and low-signal-loss audio transmission, making it perfect for any style of live guitar performance or practice. With a 20-meter effective transmission range, guitarists can move freely across large stages without worrying about signal dropouts or interference, ensuring a seamless playing experience.

Featuring four selectable channels, the AIR P05 offers robust connectivity even in environments with high wireless interference, allowing guitarists to find the optimal channel for uninterrupted performance. The system's low latency and high dynamic range ensure that every note is transmitted accurately, providing a highly responsive playing experience-even when heavy distortion and effects are applied.

One of the standout features of the AIR P05 is its automatic sleep mode, which conserves battery life when the device is not in use. This, combined with the system's 8-hour battery life, ensures that the AIR P05 is always ready for extended play sessions. The built-in 400mAh rechargeable battery can be quickly charged using the included USB cable, even through a portable power bank, ensuring that musicians on the go are never left without usability.

The AIR P05 is also designed with portability and ease of use in mind; weighing only 85 grams, this compact device can easily fit into a gig bag or backpack. The user-friendly interface, including a simple power switch and channel selection button, makes it easy to set up and operate, allowing guitarists to focus on their performance.

MOOER's commitment to quality and innovation is evident in the AIR P05. This wireless system is practical and durable, built to withstand the rigors of regular use. Its sleek design and reliable performance make it a must-have tool for any guitarist looking to enhance their setup with a professional-grade wireless solution.

Notes: In 2025, MOOER has announced that it will be set to release its latest multi-effects pedal, the GS1000 Intelligent Amp Profiling Processor, an augmented intelligent amp profiling processor. Built on MOOER's advanced third-generation digital platform, the GS1000 introduces groundbreaking MNRS 2.0 technology, allowing guitarists around the world to emulate their favorite gear with immense precision -specifically, for distortion pedals, preamps, amplifier heads, and cabinets.

With this innovation, guitarists can fully capture the essence of their favorite guitar gear without owning the physical hardware, enabling them to carry their favorite tones wherever they go. Users are even able to use third-party IRs for cabinets of their choice, further enhancing the flexibility of this feature.

It's unforgettable how much MOOER's multi-effects pedals have impressed audiences so far, primarily thanks to their robust tone libraries. However, even still, the GS1000 continues to build upon this with storage for up to 120 sampling profiles, along with continued integration with the MOOER Cloud app. Essentially, this cloud integration facilitates infinite upload and download possibilities, giving users access to a global community of shared tones, widely expanding the number of accessible tones. More still, the GS1000's previously mentioned third-party IR cabinet simulations support up to 2048 sample points, guaranteeing studio-grade tonal accuracy across the board.

Even more impressive for the price is how the GS1000 inherits the dual-chain effects architecture that made previous MOOER gear so versatile, making it suitable for highly complex usage scenarios. With over 350 factory effects models and a Sub-Patch preset grouping mode, the GS1000 makes it far simpler for users to make seamless transitions between tones, all while maintaining effect tails to guarantee seamless transitions. Additionally, the reintroduction of the innovative AI-driven EQ Master builds upon MOOER devices' previous capabilities, using intelligent adjustments in real-time to match the musical style of players to tones, while still allowing manual tweaks for precise control.

Impressively, the GS1000 also comes packed with a Groove Station module, consisting of a combination of drum machine and looper features - including 56 high-quality drum kits! It offers a 480-second phrase looper with infinite overdubs, automated detection, and synchronization capabilities, resulting in an intuitive platform for solo jamming, composition, and live loop-based performance. Overall, the Groove Station acts as an all-in-one suite for creating full arrangements, without having to depend on additional backing tracks or bandmates.

Visually and functionally, the GS1000 really stands out thanks to its sleek visual design and enhanced user experience. For example, it features a convenient 5-inch high-resolution touch screen, which is also paired with ambient lighting to add a visually stunning element to the pedal. As a result, the GS1000 is not only designed for convenient touch-based control but also as a standout centerpiece in any guitar rig.

In addition to this touchscreen control system, the GS1000 also provides expanded connectivity options, improving upon the already impressive flexibility of past pedals. Most notably, it supports connectivity with the MOOER F4 wireless footswitch, as well as the ability to control presets via external MIDI devices.

As is expected from MOOER these days, the GS1000 also excels when it comes to routing opportunities, going above and beyond the typical stereo 14" inputs and outputs that would be expected from other brands. Yes, it still includes such staples, but it also includes an XLR microphone input, alongside balanced TRS outputs for long-distance signal clarity. The configurable serial/parallel stereo effects loop enables seamless integration of external effects, and the addition of Bluetooth audio input and MIDI compatibility broadens its wide range of use cases for live and practice-based applications.

Furthermore, the pedal also serves as a professional audio solution thanks to its low-latency 2-in/2-out ASIO USB sound card. Supporting up to 192kHz sampling rates, the GS1000 makes recording and live streaming effortless, as it can easily be used with software DAWs, MOOER's editing software, as well as the USB-based MIDI control.

The GS1000 will be available in two versions - the standard white edition, which is powered by mains power, and the GS1000 Li version, which introduces a 7.4V 4750mAh lithium battery, chargeable through its power port. With this upgrade, users can enjoy up to six hours of continuous power-free playtime, making it ideal for practicing, busking, and generally performing on the go.

Overall, for fans of MOOER's previous amp simulation offerings, the GS1000 represents a natural evolution, building on everything that made its predecessors great while introducing cutting-edge features and expanded capabilities. Most importantly, MOOER has promised to continuously update its MOOER 4.0 tonal algorithms on the MOOER Cloud in line with the release, keeping things fresh for the company's dedicated user base.

Notes: In 2025, MOOER has announced that it will be set to release its latest multi-effects pedal, the GS1000 Intelligent Amp Profiling Processor, an augmented intelligent amp profiling processor. Built on MOOER's advanced third-generation digital platform, the GS1000 introduces groundbreaking MNRS 2.0 technology, allowing guitarists around the world to emulate their favorite gear with immense precision -specifically, for distortion pedals, preamps, amplifier heads, and cabinets.

With this innovation, guitarists can fully capture the essence of their favorite guitar gear without owning the physical hardware, enabling them to carry their favorite tones wherever they go. Users are even able to use third-party IRs for cabinets of their choice, further enhancing the flexibility of this feature.

It's unforgettable how much MOOER's multi-effects pedals have impressed audiences so far, primarily thanks to their robust tone libraries. However, even still, the GS1000 continues to build upon this with storage for up to 120 sampling profiles, along with continued integration with the MOOER Cloud app. Essentially, this cloud integration facilitates infinite upload and download possibilities, giving users access to a global community of shared tones, widely expanding the number of accessible tones. More still, the GS1000's previously mentioned third-party IR cabinet simulations support up to 2048 sample points, guaranteeing studio-grade tonal accuracy across the board.

Even more impressive for the price is how the GS1000 inherits the dual-chain effects architecture that made previous MOOER gear so versatile, making it suitable for highly complex usage scenarios. With over 350 factory effects models and a Sub-Patch preset grouping mode, the GS1000 makes it far simpler for users to make seamless transitions between tones, all while maintaining effect tails to guarantee seamless transitions. Additionally, the reintroduction of the innovative AI-driven EQ Master builds upon MOOER devices' previous capabilities, using intelligent adjustments in real-time to match the musical style of players to tones, while still allowing manual tweaks for precise control.

Impressively, the GS1000 also comes packed with a Groove Station module, consisting of a combination of drum machine and looper features - including 56 high-quality drum kits! It offers a 480-second phrase looper with infinite overdubs, automated detection, and synchronization capabilities, resulting in an intuitive platform for solo jamming, composition, and live loop-based performance. Overall, the Groove Station acts as an all-in-one suite for creating full arrangements, without having to depend on additional backing tracks or bandmates.

Visually and functionally, the GS1000 really stands out thanks to its sleek visual design and enhanced user experience. For example, it features a convenient 5-inch high-resolution touch screen, which is also paired with ambient lighting to add a visually stunning element to the pedal. As a result, the GS1000 is not only designed for convenient touch-based control but also as a standout centerpiece in any guitar rig.

In addition to this touchscreen control system, the GS1000 also provides expanded connectivity options, improving upon the already impressive flexibility of past pedals. Most notably, it supports connectivity with the MOOER F4 wireless footswitch, as well as the ability to control presets via external MIDI devices.

As is expected from MOOER these days, the GS1000 also excels when it comes to routing opportunities, going above and beyond the typical stereo 14" inputs and outputs that would be expected from other brands. Yes, it still includes such staples, but it also includes an XLR microphone input, alongside balanced TRS outputs for long-distance signal clarity. The configurable serial/parallel stereo effects loop enables seamless integration of external effects, and the addition of Bluetooth audio input and MIDI compatibility broadens its wide range of use cases for live and practice-based applications.

Furthermore, the pedal also serves as a professional audio solution thanks to its low-latency 2-in/2-out ASIO USB sound card. Supporting up to 192kHz sampling rates, the GS1000 makes recording and live streaming effortless, as it can easily be used with software DAWs, MOOER's editing software, as well as the USB-based MIDI control.

The GS1000 will be available in two versions - the standard white edition, which is powered by mains power, and the GS1000 Li version, which introduces a 7.4V 4750mAh lithium battery, chargeable through its power port. With this upgrade, users can enjoy up to six hours of continuous power-free playtime, making it ideal for practicing, busking, and generally performing on the go.

Overall, for fans of MOOER's previous amp simulation offerings, the GS1000 represents a natural evolution, building on everything that made its predecessors great while introducing cutting-edge features and expanded capabilities. Most importantly, MOOER has promised to continuously update its MOOER 4.0 tonal algorithms on the MOOER Cloud in line with the release, keeping things fresh for the company's dedicated user base.

Notes: Over the last few years, MOOER has released several Prime multi-effects devices, including the Prime P1, P2, S1, and most recently in 2024, the Prime Minimax M1. Excitingly, the company is kicking off 2025 with a brand new addition to the Prime family-the Prime Minimax M2 Intelligent Pedal.

Within this small multi-effects device, a whole lot of functionality is packed in, including an impressive 194 effects models, including overdrive, preamp simulators, cabinet models, delays, reverbs, modulation effects etc., and more. In typical MOOER style, though, the company took things a step further by offering limitless flexibility through the support of its in-house MNRS sample files, as well as third-party IR sample files. Essentially, this means that users can download additional tonal emulations and effects from the MOOER Cloud and third-party sources to the device, which they can then save across 80 preset slots.

As with some past models in the Prime series, the M2 sports a convenient touchscreen design, facilitating easy browsing through the device's banks of presets. However, guitarists are not limited to interfacing with the pedal in this way, as it also features two footswitches, both of which can be used to switch between presets in each bank. There is even a MIDI jack built into the device, enabling users to connect their MIDI controllers to extend the control functions, and the MOOER F4 wireless footswitch support is also supported. Essentially, these augmentation options facilitate additional footswitches to ensure switching preset tones is always as quick and seamless as possible within any workflow.

While the Prime M2 Intelligent Pedal is primarily designed for effects and tonal simulations, it also comes packed with an array of other useful features. For example, it contains a looping module with a hefty 80-minute capacity, in addition to 10 recording save slots to ensure that any looping creations can be kept for future use in performances. Similar to past looper modules in MOOER's products, users are also free to overdub their recordings and even undo or redo their overdubs, offering a lot of real-time flexibility for creating loop-based musical structures.

As if the addition of a looper wasn't enough, this feature is also synchronizable with an internal drum machine and metronome, a combination that includes 56 drum grooves and 4 metronome varieties. Ultimately, it's a reminder that MOOER clearly recognizes and wishes to solve the struggles that musicians have when attempting to produce precise loops while staying in time. Upon commencing recording, the drum machine can produce four initial beats to serve as a count-in cue, and of course, this can be combined with the device's tap-tempo control for dynamic use. Best of all, this feature can also be applied to modulation and delay effects, ensuring that they work perfectly in time with any performance.

Extra features are included to complete this all-in-one pedal, including a high-precision tuner with fully customizable frequency ranges. Guitarists can even leverage the M2's built-in Bluetooth input support, allowing them to practice, jam, and even produce looped musical structures over their favorite backing tracks, band prototypes, and musical pieces.

Perhaps unsurprisingly for existing MOOER product users, the Prime M2 also boasts an impressive variety of audio routing systems. As was previously mentioned, that includes Bluetooth input, as well as industry standards such as dual-channel stereo output, perfect for stereo delay and modulation effects. It also supports headphone output for those who wish to practice in silence, and even OTG recording, which means that guitarists can record their creations directly to their smartphone whilst on the go.

Speaking of on-the-go, MOOER is continuing its recent portable-play focus with the Prime M2 Intelligent Pedal, as it is fitted with a built-in rechargeable lithium battery with a battery life of up to 6 hours. Ultimately, this means that even a lack of local power sources won't get in the way of rehearsals and live performances. Combined with the pedal's lightweight and small build, it truly is an ideal addition to the pedalboard of any traveling musician.

Overall, the Prime M2 Intelligent Pedal is set to be an impressive new addition to the Prime series. It features augmented functionality when compared to past models, yet still in a minimalist and easy-to-use package, keeping the size small and light yet still packing in footswitches, a touch screen, and other flexible control systems.

Notes: Over the last few years, MOOER has released several Prime multi-effects devices, including the Prime P1, P2, S1, and most recently in 2024, the Prime Minimax M1. Excitingly, the company is kicking off 2025 with a brand new addition to the Prime family-the Prime Minimax M2 Intelligent Pedal.

Within this small multi-effects device, a whole lot of functionality is packed in, including an impressive 194 effects models, including overdrive, preamp simulators, cabinet models, delays, reverbs, modulation effects etc., and more. In typical MOOER style, though, the company took things a step further by offering limitless flexibility through the support of its in-house MNRS sample files, as well as third-party IR sample files. Essentially, this means that users can download additional tonal emulations and effects from the MOOER Cloud and third-party sources to the device, which they can then save across 80 preset slots.

As with some past models in the Prime series, the M2 sports a convenient touchscreen design, facilitating easy browsing through the device's banks of presets. However, guitarists are not limited to interfacing with the pedal in this way, as it also features two footswitches, both of which can be used to switch between presets in each bank. There is even a MIDI jack built into the device, enabling users to connect their MIDI controllers to extend the control functions, and the MOOER F4 wireless footswitch support is also supported. Essentially, these augmentation options facilitate additional footswitches to ensure switching preset tones is always as quick and seamless as possible within any workflow.

While the Prime M2 Intelligent Pedal is primarily designed for effects and tonal simulations, it also comes packed with an array of other useful features. For example, it contains a looping module with a hefty 80-minute capacity, in addition to 10 recording save slots to ensure that any looping creations can be kept for future use in performances. Similar to past looper modules in MOOER's products, users are also free to overdub their recordings and even undo or redo their overdubs, offering a lot of real-time flexibility for creating loop-based musical structures.

As if the addition of a looper wasn't enough, this feature is also synchronizable with an internal drum machine and metronome, a combination that includes 56 drum grooves and 4 metronome varieties. Ultimately, it's a reminder that MOOER clearly recognizes and wishes to solve the struggles that musicians have when attempting to produce precise loops while staying in time. Upon commencing recording, the drum machine can produce four initial beats to serve as a count-in cue, and of course, this can be combined with the device's tap-tempo control for dynamic use. Best of all, this feature can also be applied to modulation and delay effects, ensuring that they work perfectly in time with any performance.

Extra features are included to complete this all-in-one pedal, including a high-precision tuner with fully customizable frequency ranges. Guitarists can even leverage the M2's built-in Bluetooth input support, allowing them to practice, jam, and even produce looped musical structures over their favorite backing tracks, band prototypes, and musical pieces.

Perhaps unsurprisingly for existing MOOER product users, the Prime M2 also boasts an impressive variety of audio routing systems. As was previously mentioned, that includes Bluetooth input, as well as industry standards such as dual-channel stereo output, perfect for stereo delay and modulation effects. It also supports headphone output for those who wish to practice in silence, and even OTG recording, which means that guitarists can record their creations directly to their smartphone whilst on the go.

Speaking of on-the-go, MOOER is continuing its recent portable-play focus with the Prime M2 Intelligent Pedal, as it is fitted with a built-in rechargeable lithium battery with a battery life of up to 6 hours. Ultimately, this means that even a lack of local power sources won't get in the way of rehearsals and live performances. Combined with the pedal's lightweight and small build, it truly is an ideal addition to the pedalboard of any traveling musician.

Overall, the Prime M2 Intelligent Pedal is set to be an impressive new addition to the Prime series. It features augmented functionality when compared to past models, yet still in a minimalist and easy-to-use package, keeping the size small and light yet still packing in footswitches, a touch screen, and other flexible control systems.

Notes: The 16A Thunderbolt audio interface provides industry-leading dynamic range and large console style mixing. With 64 channels of audio I/O (32 ins and 32 outs), the 16A also supports USB 2.0 audio class compliant connectivity that is USB 3.0 compatible.

As an interface, standalone mixer or patchbay, the 16A provides 32 separate inputs and 32 separate outputs, including sixteen balanced TRS analog inputs, sixteen balanced TRS analog outputs, and two 8-channel banks of ADAT optical digital I/O. Powerful DSP delivers large console style mixing with 48 channels, 12 stereo busses, and 32-bit floating point effects processing, including modeled analog EQ, vintage compression and classic reverb. The unit's extensive routing grid patches ins to outs, or splits inputs to multiple destinations.

Use the 16A as a stand-alone mixer and control everything from the 16A's innovative web app running on your iPad, iPhone, tablet, smart phone, and laptop. Connect a second MOTU AVB interface (1248, 8M or 16A) with a simple Ethernet cable. Add more I/O with the MOTU AVB Switch (sold separately). Build an AVB audio network with multiple switches and sub-millisecond latency, even over long cable runs. Stream hundreds of channels among devices and computers on the network. From initial tracking to final mastering, the 16A delivers superb sound quality, state-of-the-art operation, and reliable performance.

This box contains everything you need to turn your computer into a powerful 24-bit/192 kHz digital audio workstation. As a "hybrid" audio interface, the 16A offers flexible connectivity to your computer via ultra-fast Thunderbolt technology or class compliant, hi-speed USB 2.0, with 32 channels of pristine analog I/O, combined with 32 channels of digital I/O, for a total of 64 simultaneous audio channels.

Connect all of your studio gear, including synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board digital mixer - with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb with lengths up to 60 seconds. Further sculpt your sound with gating, 4-band parametric EQ, and vintage compression modeled after the legendary LA-2A leveling amplifier.

Add more MOTU interfaces as your needs grow, connected to a state-of-the-art audio network using standard AVB Ethernet switches and CAT-5e cabling, with near-zero network latency, even over long cable runs (several hundred meters). Record and monitor up to 128 audio channels in and out, simultaneously, to a host computer through Thunderbolt. Route hundreds of audio channels among multiple devices and computers on the network.

Control all DSP-based mixing and effects, device settings, and network audio routing using your favorite web browser running on your laptop, tablet or smart phone connected wirelessly or locally to the 16A audio network.

From initial tracking to final mastering, the 16A delivers superb sound quality, state-of-the-art operation, and reliable performance.

Notes: It's always nice to have some extra power cables handy. Omnitone's standard modular power cables come in a pack of 5. Each power cable is 26cm (~10 inches) long.

Notes: Have some noisy modules in your case? Or maybe you're just looking to attenuate your sound for a different vibe. Whatever your case, Lopas is a great, compact solution for your passive filtering needs. Lopas has 5 passive low-pass filters each with a different cutoff frequency (10k, 5k, 1k, 500, 100) at -6dB/octave. Lopas has NO resonance making it great for reducing unwanted harsh frequencies without sacrificing a VCF.

Technical specs:

3U x 4HP x 20 mm deep.
Passive Module -- No power required!

What's in the box:

1x Lopas Module
2x Mounting Screws

Notes: Discover Biotron, the musical instrument that transforms plants into sound.

Play with your favourite plant and let nature compose your music. As the plant's natural electrical properties change, the sound evolves, creating a unique musical experience every time.

Ready to get started? Connect Biotron to a computer, tablet, or smartphone, and play with our online synth or your favourite music software/hardware. With no noticeable latency, Biotron responds just like any other MIDI controller.

What you can do

- Play using plants as your instrument
- Change the sound based on the plant's natural responses
- Interact with nature to create music
- No musical skill needed

How to use

- Connect Biotron to your PC, phone, or tablet using the provided USB cable.
- Attach the electrodes to your plant. Ensure they are securely connected to the stems or leaves for optimal conductivity.

- Open Google Chrome and navigate to synth.playtronica.com, then choose any synth you like. Alternatively, use your preferred music software or hardware that accepts MIDI input.

- Interact with your plant by moving your hands near it, touching its leaves, or adjusting environmental factors like light and moisture to influence the sound.

- Experience the unique music generated by your plant's natural electrical activity translated into MIDI signals

Kit includes

- Biotron MIDI-controller and packaging
- USB-C cable is sold separately to reduce waste in case you have one already
- Alligator clips and patches are also not included, make sure you add whichever you need

Notes: The latest incarnation of Softube's Console 1 Fader controller expands on the original with features including dual USB-C ports with the option to daisy chain multiple units, parameter mode, expanded DAW compatibility, haptic feedback and high-res screens.

Supplier's Notes:
Console 1 Fader Mk III gives you the control and feel of 100 mm high quality faders, featuring the new Analog Feel fader with capacitive touch to vastly improve your workflow in your DAW and round out the Console 1 Mixing System.

The Fader III is the perfect complement to Console 1 Channel Mk III. Set levels, automation, adjust pan, select tracks and many other functions with the tactile feel of faders - no mouse required! Daisy chain up to four units.

Fader Mk III offers the feeling of a high-quality analogue console, the recall and control of a modern DAW, and modularity that means the versatility you need.

World-class console sound

Authentic, timeless big studio sounds from the company known for exquisitely modeling big studio gear, from Tube-Tech to Weiss. Console 1 Fader Mk III comes with Softube's Core Mixing Suite software. It delivers the award-winning sounds of Softube Tape, FET Compressor Mk II, and Bus Processor in versatile preamp, shape, equalization, and compression sections, and an innovative drive befitting Softube's stellar saturation reputation. It's Softube's take on the perfect channel strip, but users will appreciate the ability to draw on Softube's one-of-a-kind catalogue to design their unique dream console.

Console 1 Fader Mk III key features:

Premium bead-blasted aluminium in a Nordic Night Sky finish.

Ten high-resolution screens that make track navigation a breeze. You'll always know exactly where you're at with screens that show you customizable information like track name, number, level meters, pan, and colour.

Refined Analog Feel faders with capacitive touch make for the smoothest experience possible.

Haptic feedback that feels amazing and communicates critical information in an uber-intuitive way.

Core Mixing Suite featuring:

Softube Tape/Preamp section
Shape: Transient Shaper plus new utility tools
Two equalizers: passive vintage and precise modern
Three compressors based on FET Compressor Mk II, Bus Processor, and OPTO Compressor
Core Modern Preamp and Core Vintage Preamp
Customize your workflow on the fly. Param mode (or parameter mode) gives you fast control over filters, drive, or even compression thresholds.
FabFilter and UADx control for Console 1 Mixing System
Dual USB-C ports with daisy chain compatibility without a hub. Fader offers single connectivity for as many faders as you want.

Technical Specifications

Included Software: Console 1 Core Mixing Suite
Connectivity: Dual USB-C ports
Daisy Chain Units: yes
Power: Incl. 20W USB-C PSU delivers power to multiple units

Operation Modes:
Console 1
Pro Tools HUI
Generic MCU (Volume, Pan, Sends, Solo, Mute)
UAD Apollo Central

DAW Control
Volume
Pan
Solo/Mute
6 Sends
Track Select

DAW Communication
Direct DAW Integration (Logic, Cubase)
Pro Tools HUI (Pro Tools)
Integrated DAW Control (Ableton Live, Reaper, Nuendo, FL Studio, LUNA, Digital Performer, Harrison Mixbus, Bitwig, Cakewalk, Samplitude)

Haptic Feedback
Notch on Zero (volume at unity or pan at center)
Event Mode (fader "vibrates" to indicate clipping)
Discrete Values Mode (fader "snaps" to nearest value when controlling a product with discrete values e.g. an EQ with set frequencies)
Faders: 10 x 100 mm Analog Feel™ Motorized Faders
High Resolution Screens: 10 high resolution screens showing track name, color, number, and VU meter

Unique Features:
Parameter Mode (maps fader to any Console 1 Channel parameter)
Quickly change modes (C1, Pro Tools HUI, MCU, UA Apollo Central)
Select track on solo
Select track on touch
Favourite and Compact mode
Fader Trim
Track Width
Load Strip/Section
Presets (Load/Save)

Buttons

10 buttons with RGB LEDs for track selection
37 buttons with RGB LEDs for Solo, Mute, Sends, and various other functions
Shift button for access to additional parameters

Knobs: 1 touch sensitive high-resolution Analog Feel™ potentiometer for pan and menu control
Mounting options: 100 mm M4 VESA on the bottom. M4 threads on the side
Construction: Anodized aluminum top, injection moulded smooth sides and back with integrated connectivity points

Included Cables
2m USB C to USB C braided
1m USB A to USB C braided
1m USB C to USB C braided

Included Screws:
4 x screws for VESA mounting option
Expandable: Connect up to four Console 1 Fader Mk III units and one Console 1 Channel Mk III units


Dimensions
Dimensions (mm and in):
435 mm / 17.1" length
219 mm / 8.66" width
45 mm / 1.77" height

Product Weight (kg and lbs): 1.8 kg / 3.96 lbs

Notes: This lightweight soft case has a carrying handle, shoulder strap and inner padding to protect your Lyra-4s. Inside is a compartment for your mains adapter, cable and other accessories.

Notes: This lightweight soft case has a carrying handle, shoulder strap and inner padding to protect your Lyra-4. Inside is a compartment for your mains adapter, cable and other accessories.

Notes: Are you a digital DJ/producer looking for a professional, durable case solution for your Ableton Move? UDG has developed a super lightweight EVA hardcase designed for life on the road. Constructed from durable, lightweight compression-molded EVA material with a laminated durable fabric exterior, this case provides protection against drops, scratches & liquids. Skillfully designed & molded to fit the Ableton Move, this case is perfect for the traveling DJ/producer who needs to protect their equipment.

Colour: Black
Weight: 0.43 kg / 0.95 lb
Outer Dimensions (W x H x D): 39.3 x 16.0 x 6.3 cm | 15.5 x 6.3 x 2.5 inch
Material: Durashock molded EVA foam

Protection

Cover main material 600D polyester with 5 mm EVA durashock molded body
Water repellent durable fabric exterior
Black soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks

Extras

Removable divider for extra cables or power adapter
Convenient carry handles
Easy grip zipper pulls

Fits

Ableton Move

Notes: Are you a digital creator looking for a professional, durable case solution for your Rodecaster Pro II / Duo, microphone and power adapter? Then look no further, UDG has developed a super lightweight EVA hard case designed for life on the road. Constructed from durable, lightweight compression-molded EVA material with a laminated durable fabric exterior, this case provides protection against drops, scratches & liquids. Skillfully designed & molded to fit the Rodecaster Pro II / Duo, microphone and power adapter, this case is perfect for the traveling digital creator who needs to protect their equipment.

Colour: Black
Weight: 1.15 kg / 2.54 lb
Outer Dimensions (W x H x D): 41.0 x 30.7 x 13.9 cm | 16.1 x 12.1 x 5.5 inch
Material: Durashock molded EVA foam

Protection

Cover main material 600D polyester with 5 mm EVA durashock molded body
Water repellent durable fabric exterior
Black soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks
Interior foam is made of pearl cotton foam

Extras

Removable foam compartment for Rodecaster Duo
Separate compartment for 1x microphone and power adapter, cables and accessories
Extra space for cables
Convenient carry handles
Easy grip zipper pulls

Fits
Rodecaster Pro II or Duo, microphone, power adapter, cables & accessories

Notes: The H2essential is the only Handy Recorder with three internal microphones. With the ability to select different mic patterns, it gives creators more options than ever before. With two cardioid mics facing front and rear and a bi-directional mic facing side to side, the H2essential allows you to choose the perfect pick-up pattern for every recording.

Set your pickup pattern to 90O or 120O stereo, or choose mono for a hyper directional pickup, reducing background noise. Then choose to record from the front, rear, or activate both sides for surround sound pickup. Record in 32-bit float up to 96kHz ensuring high-quality audio without ever having to set gain.

When connected to a PC, Mac, iOS, or Android device using the USB-C port, the H2essential can be used as a USB microphone while simultaneously recording to the SD card. Connect the H2essential to your mobile device via USB and record professional audio directly onto your phone's video. Perfect for video podcasts and live streams.

Record in MS Raw and adjust the width of the stereo image in post production. This is helpful when you want to control ambient noise. The H2essential has advanced features such as a low cut filter, pre-record, auto record, and playback speed adjustment.

Using the BTA-1* Bluetooth Adapter, pair one or more H2essentials with your iOS device to remotely hit record and sync timecode. The H2essential is designed with Accessibility for the blind and visually impaired. Navigate the menu with audible descriptions through the built-in speaker or headphones. Creators can choose English, Spanish, French, Japanese, German, Italian or Chinese.

The specially designed windscreen for the H2essential provides wind protection when recording outdoors. The custom fit gives access to controls while the windscreen is attached. The 3.5mm input can accommodate audio players, keyboards, and lav mics with plug-in power. You can record with the front mic and the 3.5mm input simultaneously.

Use the mixer to easily adjust each track's audio level. The color LCD screen makes it easy to navigate through the H2essential's simple interface.The real-time waveform display lets you see your audio as it records.

Use the 3.5mm headphone output for headphones or connect directly to a camera. The onboard speaker allows you to listen to your recordings for quick reference as well as utilize the Accessibility functions. The H2essential supports SDXC cards up to 1TB.

The H2essential has a dedicated Marker button to instantly set reference points while recording. The H2essential can be powered by two AA batteries or via the USB-C port. This includes bus-power as well as external USB battery pa

Notes: One Small Stomp For Man - One Giant Leap For Chorus, Delays & Reverbs

The Zoom MS-70CDR+: Your New Modulation Station

The MS-70CDR+ gives musicians 149 spatial effects ranging from lush choruses to crystal-clear delays to atmospheric reverbs. This single stompbox can shape your tone and provide endless depth and textures.

A Deep Dive into Chorus, Delays, Reverbs & More

Chorus - 43 different chorus and modulation effects that add depth and motion to your sound including phasing, flanging, tremolo, vibrato, detuning, and pitch shifting.

Delays - Featuring 29 mono and stereo delays, with delay times of up to 4 seconds. Everything from reverse and multi-tap to pitch-shifted and self-oscillating delays.

Reverbs - 33 sophisticated studio-quality effects. From spring and plate reverbs to giant hall and arena reverbs.

Dynamics / Filters - Round out your sound with 44 dynamics and filters such as EQ's, compression, noise reduction, and special effects.

Expanded Controls

The MS-70CDR+ offers expansive parameters for each effect, allowing you to dive deep into tweaking your tone.

Define Your Sound
Use a singular effect or up to 6 simultaneously to create unique tones. Save your creations in one of the 100 patch slots or use the 80 preset patches as inspiration to get you started.

Next Generation Circuitry

Newly designed analogue circuits provide more fidelity for improved sound quality. The flat phase response provides sharp attacks and clean low end.

Everything's Better in Stereo.

The MS-70CDR+ has stereo input jacks that accept signals from passive and active guitars, as well as line-level devices such as synthesizers. Its dual line-level output jacks enable you to record and perform with the MS-70CDR+'s 58 stereo effects.

Soundscapes Are Key

For musicians looking to add lush layers to their synths or keyboards, the MS-70CDR+ provides high-quality effects that are perfect for adding atmosphere and character to your sound.

Change Patches With MIDI

With USB MIDI, you can connect the MS-70CDR+ to other MIDI gear to remotely trigger patch changes.

Enhanced Navigation

Cross Key Switches

The Cross Key switches allow you to instantly switch between effects and patches with a tap of your foot.

Control Knobs

Adjusting and tweaking parameters for each effect can be done with the four encoder knobs.

Colour Coded LCD Screen

The LCD backlight changes colour to make it easier to distinguish each category of effects while scrolling.

Sturdy Build

The MS-70CDR+ is built around a metal frame designed to withstand the rigors of live performances.

Power Options

The MS-70CDR+ runs on 2 AA batteries, USB power or AC power.

Tune-Up

The onboard chromatic tuner uses the colour backlight to give visual feedback to help you tune quickly and accurately. It supports all standard guitar tunings as well as open & drop tunings.

Handy Guitar Lab

With a growing library of patches and effects, guitarists can continue to expand their sound with the Handy Guitar Lab for MS-70CDR+ app for iOS. *Coming Soon to the App Store.

Technical Specifications

Maximum number of simultaneous effects: 6 effects
User patch memories: 100
Sampling frequency: 44.1 kHz
A/D conversion: 24-bit 128× oversampling
D/A conversion: 24-bit 128× oversampling
Signal processing: 32-bit
Frequency response: 20 Hz - 20 kHz (+0.5 dB/-0.5 dB) (when 10kO load)
Display: 160×128 dot-matrix LCD

Inputs L/R
Standard mono phone jacks
Rated input level: -20 dBu
Input impedance (line): 470 kO
Input S/N: 122 dB

Outputs L/R
Standard mono phone jacks
Maximum output level: +7.2 dBu (when output impedance 10 kO or higher)
Noise floor (residual noise) L/R: -100 dBu

Power
AC adapter: 9V DC 500mA centre negative (ZOOM AD-16 optional)
2 AA batteries (alkaline, lithium or rechargeable NiMH batteries)
Estimated operation time using batteries
These values are approximate. Battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.
Alkaline batteries: about 7 hours (about 5 hours using stereo input)
NiMH batteries (1900 mAh): about 6.5 hours (about 5 hours using stereo input)
Lithium batteries: about 14 hours (about 10 hours using stereo input)

USB Port:
USB 2.0 Type-C / Supported cable type: Type-C
Handy Guitar Lab: USB 1.1 Full Speed
Use a USB cable that supports data transfer. USB bus power is supported.

Dimensions: 133 mm (D) × 79 mm (W) × 61 mm (H)
Weight: 368 g (excluding batteries) / 415 g (including batteries)
Note: 0 dBu = 0.775 V