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Back In Stock: Studio Equipment

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2hp Pmkn Mult Signal Splitter Module (limited edition module)
2hp
Cat: 797074 Rel: 26 Oct 20
 
2-input/6-output signal splitter module
Notes: The Limited Edition Pumpkin Mult is here! Craft sonic concoctions with this pulp-free multiplier, exclusive for a limited time.

Mult is a 2 input, 6 output signal splitter. Channel 1 is normalled to channel 2 when no cable is present, allowing the user to split an input signal six ways, or two input signals with three outputs each.

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 2 in stock $37.85
Access Virus TI Replacement External Power Supply
Cat: 527767 Rel: 14 Apr 14
 
UK mains 240V - 12V current converter for Access Virus TI models
Notes: New replacement power adapter for Access Virus Models that use 12vdc power supplies.

Converter block has figure-of-8 connector and converts a 240V UK mains current to 12V for compatible Access Virus TI models.
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 3 in stock $37.85
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (120cm, red, pack of 2)
Cat: 758070 Rel: 09 Dec 19
 
3.5mm patch cables for Eurorack modular synths
Notes: Custom ALM patch cables. Small but strong, they are designed for maximum ergonomic post modern wiggling.

- 120cm (Pack of 2 + ALM branded tie)
- Colour: Red
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 5 in stock $6.96
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (30cm, white, pack of 5)
Cat: 758066 Rel: 09 Dec 19
 
3.5mm patch cables for Eurorack modular synths
Notes: Custom ALM patch cables. Small but strong, they are designed for maximum ergonomic post modern wiggling.

- 30cm (Pack of 5)
- Colour: White
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 5 in stock $8.63
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (90cm, white, pack of 3)
Cat: 758069 Rel: 09 Dec 19
 
3.5mm patch cables for Eurorack modular synths
Notes: Custom ALM patch cables. Small but strong, they are designed for maximum ergonomic post modern wiggling.

- 90cm (Pack of 3 + ALM branded tie)
- Colour: White
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 2 in stock $7.52
ALM MIDI DIN To TRS Adapter Cable
Cat: 757951 Rel: 09 Dec 19
 
MIDI-TRS adapter
Notes: Break out MIDI signals into a 3.5mm stereo jack.

- Tip = Pin 4 (Source)
- Ring = Pin 5 (Sink)
- Sleeve = Pin 2 (Shield)
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 9 in stock $4.45
ALM SID Guts Deluxe Voice Module
Cat: 607837 Rel: 18 May 16
 
Eurorack SID voice synth module - 19HP wide
Notes: The original SID GUTS took the legendary SID chip and tailored it into the eurorack modular environment. By use of a real SID chip the classic sound was taken in a new direction with the levels of direct and voltage control only a modular system can offer.

The 'SID GUTS DELUXE' improves upon the original SID GUTS 'Eurorack SID Voice' by adding both new features and further control.

The module now includes improved frequency control, a chord mode using all available oscillators and numerous other tweaks.

*SWIN SID chip included (please note - ALM & Juno do not offer any support for this product)*

Technical Specifications:
Supply: +/-12V
Current Draw: ~50-200ma (with vintage SID chip)
Size: 19 HP
Depth: 32mm (including power header)
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 5 in stock $320.62
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ART DTI Dual Transformer & Ground Loop Isolator
Cat: 450022 Rel: 12 Mar 12
 
Passive audio interface
Notes: The DTI (Dual Transformer/Isolater) is a high quality totally passive audio interface that uses a pair of high performance transformers to totally separate input and output signal grounds, thereby isolating two systems and reducing hum and ground-loop noise. The DTI's audio transformers have an extremely flat and wide frequency response and can handle high signal levels while maintaining an isolated balanced output. This gives the DTI a very clean and neutral sound with a wide variety of signal sources. The transformers are wound for 1:1 unity gain and are designed to be used with impedances from 600 Ohms to 100k Ohms.

What further sets the DTI apart from other lesser isolation boxes is its connection versatility, with XLR, 1/4" phone, and RCA type phono connections on all inputs and outputs. This allows it to easily fit into virtually any audio system and be the clean patch point between all types of systems.

Whether you need an interface between a computer based audio workstation and your monitor system, isolation on long cable runs in a fixed installation, isolation of a signal source from your recording equipment, or in many cases, just a safer connection between two audio systems, the DTI can accommodate.

The compact black anodized all aluminum case and it's passive design allow the DTI to provide years of trouble free service in Live Sound, Permanent/Fixed Install, DJ, and virtually any PA application. Its full feature set, rugged construction, and high-end specifications make the DTI the obvious choice.
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 3 in stock $54.46
Auralex Sub Dude II Subwoofer Isolation Platform (single)
Cat: 507573 Rel: 08 Oct 13
 
Foam/MDF isolation pad for subwoofer
Notes: The Auralex SubDude II is a lower profile version of our classic SubDude and is perfect for small subwoofers in home theaters and hi-fi systems. This patented isolation platform features a stylish velour covering over an inert structural layer that floats on a cushion of acclaimed Auralex Platfoam. This carefully engineered solution allows the true sound of your sub to come through by negating resonance artifacts.

Based on the same Auralex technology that famous recording artists use on-stage and in the studio, this carefully chosen combination of specialized materials instantly diminishes structural vibrations, resulting in cleaner and tighter bass, reduced coloration and a more accurate low-frequency response.

The SubDude-II is an incredibly effective isolation platform that instantly improves your subwoofer's performance.
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 7 in stock $66.78
Befaco Chopping Kinky Voltage Controllable Dual Channel Wavefolder Module
Cat: 668632 Rel: 09 Nov 17
 
Two-channel wavefolder - 8HP
Notes: Chopping kinky is a voltage controllable, dual channel Wavefolder.

A wavefolder converts simple signals into richer and more dynamically changing ones. In contrast to a filter, wavefolding adds harmonic content to the waveform. It works by amplifying the waveform until it begins to saturate, then rather than clipping, the waveform gets folded back in on itself.

Each of the module's two channels has a unique wavefolding profile. At each input there are two CV inputs for controlling the level of waveshaping including one that passes through an attenuverter.

The CHOPPING KINKY is DC coupled allowing it to be used for both CV and audio duties; to generate harmonics on an audio signal or kinking LFOs and envelopes.

- Current needs: +12V: 65mA, -12V: 55mA
- Width: 8 HP
- Depth:30mm (inc power connector)
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Beyerdynamic DT990 Pro Headphones (black)
Cat: 386769 Rel: 16 Jul 14
 
Professional acoustically open headphones for monitoring and studio applications
Notes: Modern classics. Open-backed design means they leak some sound but give a really clear impression of your music. Solid option for production work and mixing.

Supplier notes:
The DT 990 PRO is an open dynamic headphone for studio applications. Due to a weight reduction of the diaphragm an excellent sound reproduction quality is achieved. Its rugged design with a spring steel headband ensures a secure fit and withstands all demands. Soft headband and ear cushioning systems ensure a high comfort over long periods of time.

Beyerdynamic's DT PRO headphone series has it's roots in the early 1980s. Since then, millions of audio professionals from all parts of the world have become loyal users of beyerdynamic products. The series has been designed to cater for listening in a wide variety of environments, thanks to different headphone construction.
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 More than 10 in stock $115.84
Doepfer A-103 18dB Low Pass Filter Module
Cat: 692504 Rel: 18 Jun 18
 
18dB low pass filter based on a modified Moog cascade - 8HP
Notes: Module A-103 is a voltage controlled low pass filter with 18dB/octave slope. The circuit is based on a modified transistor ladder (Moog ladder) and is a reproduction of the legendary TB303 filter.

As for the rest the A-103 is identical to the A-120 Moog low pass filter (same controls, inputs/outputs) only the filter sound is different.
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 5 in stock $85.71
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Doepfer A-111-3v Micro Precision VCO & VCLFO Module (vintage edition)
Cat: 692518 Rel: 18 Jun 18
 
Analog VCO/LFO module with wide frequency range - 4HP
Notes: The Micro Precision VCO is a space-saving and utterly precise analog VCO/LFO with a extremely wide frequency range, immaculate tracking over at least ten octaves and nearly perfect waveforms.

Basically, it's the same circuitry like the High-End VCO A-111-2 but with reduced functions and controls. It is suitable as a modulator for exact linear FM and much more.

The A-111-3 has two elements for setting the frequency: A switch selecting between LFO and VCO mode as well as a tune control with a jumper-selectable range:

- Jumper position 1: 16Hz to 20 kHz
- Jumper position 2: 16Hz to 70Hz
- Without jumper: 16Hz to 22Hz

The XM potentiometer can be used as a fine tune control as long as nothing is patched to the XM socket.

The oscillator has a frequency range of at least fifteen osctaves (0.0001 - 40 Hz in LFO mode; 0.5 Hz to 20 kHz in VCO mode) and offers perfect 1 V per octave tracking over ten octaves minimum, typically in the range of 20 Hz to 20 kHz. Frequencies below 25 Hz are visualized with a two-colour LED.

The 1V per octave input is accompanied by two FM inputs, one for linear and one for exponential frequency modulation. A jumper determines whether the module obtains pitch CV via the internal bus.

The VCO has a triangle core from which sawtooth, pulse and triangle are derived. The wave forms are almost perfect and sans glitches.

The pulse width can be set with a control from 0 to 100% and of course it can be modulated.

There is one input for oscillator synchronisation and its type, either hard or soft sync, is jumper-selected. Both types differ in sound with the hard sync being more aggressive and richer in harmonics.
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 1 in stock $152.51
Doepfer A-135-4A/B VC Performance Mixer Module (A+B)
Cat: 671608 Rel: 29 Nov 17
 
Voltage controllable performance mixer module package
Notes: Series A-135-4 contains several modules which are used to built a voltage controlled performance mixer. The modules of the A-135-4 series can be combined with the (non voltage controlled) mixer modules A-138o/p.

A-135-4A:

A-135-4A is the main module. It is very similar to module A-138p, but with voltage control for all parameters (except gain). Also the front panels of A-135-4A and A-138p are very similar. The only difference are the additional LEDs which are used to display the magnitudes of all voltage controlled parameters. This is necessary because the positions of the manual controls do not necessarily correspond to the resulting parameter value because these are composed by both the manual controls and the applied external control voltages (via A-135-4B). Without LEDs one would be left in the dark in regard to the actual parameter value.

A-135-4A contains four high quality voltage controlled amplifiers (VCA) for each channel: one for the main level, two for panorama left/right and one for aux. The control scales for all parameters are linear. Altogether 16 VCAs are included in the module. High end linear VCAs manufactured by Curtis/USA are used (CEM3381). The 16 LEDs display roughly the amplification of the VCA in question.

Module A-138o is used as output module for the A-135-4A. A-135-4A and A-138p can be connected together to the same A-138o to obtain e.g. four fully voltage controlled channels (A-135-4A) and four manually controlled channels (A-138p).

A-135-4B:

This module is used to route the 16 external control voltage to the main module A-135-4A. These control voltages are available for each channel:

- Level (main loudness)
- Panorama
- Aux
- Mute

Each control voltage has an input socket and a polarizer control available (the polarizer function is described more detailed on the A-138c info page). That way it's possible to adjust the depth and polarity of the external control voltage which affects the parameter in question. If the same CV (e.g. LFO or ADSR) is used e.g. for two panorama control inputs the result may be the opposite if the polarizers are adjusted accordingly (i.e. one positive and the other negative). The external control voltage is added to the voltage that is generated by the manual control on the A-135-4A main module. The sum of both voltages is used to control the VCA in question and is displayed with the corresponding LED on the A-135-4A module. The picture on the left side below shows one channel of A-135-4A/B as block diagram.

The mute CV input works in principle in the same way as the level CV input but with reverse polarity and higher sensitivity (about factor -2). Typically, the mute polarizer control is adjusted fully CW. Then a (gate) voltage of ~ +2.5V or more fully mutes the channel in question. If the mute function is not used the mute CV input can be used as a second CV input for level (with twice the sensitivity and inverted polarity compared to the normal level CV input).

A-135-4A and A-135-4B are connected internally via a 20 pin ribbon cable. The cable can be longer so that the CV input module A-135-4B needs not to be mounted next to the main module A-135-4A (e.g. to the row above or below).

Modules A-135-4A and A-135-4B are available only as a module combo because the single operation of each module does not make sense!
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Earth Quaker Devices Aqueduct True Pitch Vibrato pedal
Cat: 781154 Rel: 14 Jul 20
 
Vibrarto pedal
Notes: Aqueduct is a vintage-inspired pitch vibrato with eight modulation modes delivering synth-like sonar pulses, touch-sensitive frequency modulation, gentle rolling pitch-wobbles, steady kosmische pulsations, rapid trills, slimy sonic squiggles, whammy bar wiggles, pitch bends, pseudo-flange, and anything else your pitch-warped brain can picture in your murky mind's eye.

Controls
The controls are simple. Rate (1) adjusts the LFO speed which controls how quickly the pitch rises and falls. Depth (2) controls the LFO amplitude, adjusting the intensity of the vibrato effect. The rotary switch labeled Mode (3) selects between one of eight LFO waveshape and envelope combinations which drastically alter the character of the modulation and make Aqueduct adaptable to nearly any musical situation.

Modes
Sine: The smoothest and most subtle of all waveforms, sine waves are most commonly associated with classic amp-like vibrato. Plug in, turn on, and commence the Chooglin'.

Triangle: Triangle waves have a sharper rise and fall than sine waves with a more pronounced pitch bend at the peak of each LFO cycle.

Ramp: Like a triangle wave with a twist. The Ramp waveform has a sharp sonar pulse followed by a rapid downward slope with a synthesizer-like sustain and release. This is where things start to get a little weird.

Square: Square waves are the most rigid and abrupt of the waveforms. Rather than gliding smoothly between pitches, square waves produce an instant on-or-off transition between notes. Use this mode for trills when you get tired of doing hammer-ons and pull-offs.

Random: This waveform isn't a waveform at all as much as it's a drunken master of modulation who slurs your notes into an unpredictable assortment of greasy pitch-bends before disappearing at last call and leaving you stuck with the tab. It has a "warped record" effect at low Depth settings and becomes sloppier and more randomized as you increase the Depth control.

Env D: This is Envelope-Controlled Depth mode. The waveshape is set to a sine wave, the speed of which may be adjusted using the Rate control. The Depth control sets the sensitivity of the envelope - the point at which the effect kicks in as you play. In this mode, your pick attack sets the intensity of the modulation. The harder you dig in, the more pronounced the effect. Try it during your next motorik jam.

Env R: This is Envelope-Controlled Rate mode. In this mode, the input level (i.e. pick attack) controls the LFO rate. The LFO uses a sine waveshape. Play harder for faster modulation or lay low for slower modulation speeds. The Rate control adjusts the sensitivity of the envelope. Depth selects the LFO intensity.

Env P: This is Envelope-Controlled Pitch mode, which has been lovingly nicknamed "The My Bloody Valentine setting". If your instrument doesn't have a tremolo bar, it does now. In this mode, the LFO is set to a sine waveshape, and frequency modulation is controlled by the dynamics of your pick attack and not the LFO. Do yourself a favor and try this one with Flexi-Switching™.
Depth sets the wet/dry mix. This is the only mode that contains a wet/dry mix and may be set to taste to create touch-sensitive dynamic vibrato, chorus, flanger, or tactile pitch drops. Full counterclockwise is all dry, full clockwise is all wet. With this control set to noon you will get a 50/50 mix with a small amount of phase cancellation.
Rate sets the sensitivity and overall range of the pitch bend.

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw: 68 mA

Input Impedance: 1 MO

Output Impedance: <10 kO
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MRP:$265.84 SAVE 18%
 2 in stock $219.30
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Electro Harmonix Silencer Noise Gate Effects Loop Pedal
Cat: 581756 Rel: 14 Sep 15
 
Noise gate/effects loop pedal with 3 controls for precise fine-tuning & buffered bypass
Notes: A sophisticated noise gate that can tame a single pedal or an entire effects loop! The Silencer's three-control layout provides precise fine-tuning to fit your system, axe and playing style. Threshold adjusts how much level is required to open the noise gate and allow a signal to pass thru. Reduction regulated the degree to which the gated signal is reduced and is variable between -70dB and +4dB. Release controls how long the gate remains open after the signal drops below the Threshold. Release time is variable between 8ms and 4 seconds.

I/O includes 1/4" Input, Output, Send and Return jacks. The footswitch selects whether The Silencer is engaged or in bypass mode; buffered bypass allows the effects loop to remain in your signal path when the gate is bypassed. A built-in AC jack accepts a standard power supply like the EHX 9.6DC unit (optional) and the pedal comes with a 9V battery.

Conquer noise with The Silencer!
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Hosa MID303 MIDI Cable (3 ft, black)
Cat: 663417 Rel: 14 Sep 17
 
5-pin DIN to 5-pin DIN MIDI cable - 3 ft
Notes: This cable is designed to interconnect MIDI devices. It is wired 5-pin discrete and compatible with all MIDI standards, including SysEx. Features include:

- Nickel-plated plugs for rugged durability and efficient signal transfer
- Oxygen-Free Copper (OFC) conductors for enhanced signal clarity
- OFC spiral shield for effective EMI and RFI rejection and flexibility

Connectors: 5-pin DIN to Same
Colour: Black
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 3 in stock $4.90
Hungry Robot Mixer Desktop Module
Cat: 780992 Rel: 03 Sep 20
 
Mixer module
Notes: The 4 Channel Mixer is a basic DC coupled mixer with 4 inputs and 4 attenuators. DC coupled means that it will accept both DC and AC (Audio) signals. As with all Hungry Robot "Modular Boxes" the 4 Channel Mixer can be powered with a simple 9V DC, Negative Center power supply.

PATCH POINTS
-IN (x4): Patch in any audio or CV signal to any of the 4 inputs. (NOTE: Avoid mixing CV and Audio)
-OUT: This output is the sum of the four channels

KNOBS
-LEVEL (x4): Each input has its own attenuator that allow you to bring down the level of the inputs

Dimensions: 4.7" x 2.6" x 1.5"
Power: 9V DC - Negative Center - 2.1mm Barrel
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Hungry Robot Multiples Desktop Module
Cat: 780995 Rel: 03 Sep 20
 
Multiples module
Notes: The Buffered Multiples is a simple utility that allows you to patch in a cable and split it to three locations without any signal loss. A common problem with stackable cables or passive multiples is signal attenuation. The Buffered Multiples uses 4 high quality buffers to provide 4 banks of lossless splitting. There is nothing groundbreaking or sexy about the module, but it is an extremely useful utility for any modular rig. As with all Hungry Robot "Modular Boxes" the Buffered Multiples can be powered with a simple 9V DC, Negative Center power supply.

PATCH POINTS
-IN: Patch in what you want to split (can accept any voltage or audio source)
-OUTPUTS: Patch out with zero signal loss

Dimensions: 4.7" x 2.6" x 1.5"
Power: 9V DC - Negative Center - 2.1mm Barrel
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Hungry Robot Sample & Hold Desktop Module
Cat: 780982 Rel: 03 Sep 20
 
Sample & hold module
Notes: The Hungry Robot Sample & Hold provides basic S&H functionality with some added bells and whistles. It uses an internal clock dialed into a very useful range. If the internal clock rate is not to your liking, you can bypass the Rate knob by patching a clock signal into Clk In. The Sample & Hold has a built in attenuverter giving a bit of added control over the random voltages that are outputted. White noise out for uses elsewhere. Traditionally a S&H samples voltages from chaotic white noise, but E.In allows you to bypass the white noise and patch in your own sample source (i.e. patching an LFO in for a bit crushed LFO). As with all Hungry Robot "Modular Boxes" the Sample & Hold can be powered with a simple 9V DC, Negative Center power supply.

KNOBS
-MINUS/PLUS: Attenuverter for output. Allows you to sweep between positive and negative voltage outputs.
-RATE: On board clock source ranging from approximately 25ms to 1000ms.

PATCH POINTS
-E.IN: Bypasses internal white noise as a sample source. Patch in any CV source that you want to sample from
-STATIC: Taps into white noise output (0-5V range)
-CLK IN: Bypasses internal clock with your provided external clock
-S&H OUT: Two buffered outputs of S&H voltage

Dimensions: 4.7" x 2.6" x 1.5"
Power: 9V DC - Negative Center - 2.1mm Barrel
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Hungry Robot The Borderland (Tap) Tap Tempo Modulating Digital Reverb Pedal
Cat: 780923 Rel: 03 Sep 20
 
Digital reverb pedal
Notes: The Borderland is an advanced digital reverb with a versatile tap tempo LFO/modulation section. At its core, is a reverb algorithm designed specifically with an ambient player in mind. It has an adjustable low-pass filter to alter the character of the reverb, ranging from small room reverb to a cavernous, dark hall reverb.

There are 8 LFO waveforms to choose from and 4 unique modulation modes (tremolo, chorus, triple octave tremolo, and octave slide). Set the LFO rate manually by using the "Velocity" knob or using the tap tempo option (right footswitch).

The left footswitch sends the pedal into near infinite sustain with the trails teetering on the edge of self-oscillation. The "Effect" and "Clean" knobs allow you to independently dial in the perfect ratio of wet and dry signals. Adjusting the "Ambiance" and "Brilliance" knobs sets the length of decay and the cutoff frequency of the onboard low pass filter.

The Borderland is the perfect pedal for creating lush, modulating, ambient textures.

Modulation Modes

The four modulation modes can be accessed through different toggle switch combinations.

Tremolo
Left Toggle - dB / Right Toggle - OFF

LFO affects the volume of the reverb signal, creating a tremolo effect

Chorus

Left Toggle - HZ / Right Toggle - OFF

LFO affects the pitch of the reverb signal, creating a chorus effect

Triple Octave Tremolo

Left Toggle - dB / Right Toggle ON

Three Octaves of Reverb, LFO affects volume of reverb, creating a vintage organ effect

Octave Slide

Left Toggle - HZ / Right Toggle ON

LFO crossfades between original pitch and octave up, creating an octave slide effect

Knobs

"Clean" - Sets the volume of the original dry signal
"Ambiance"-Sets the overall decay of the reverb trails

"Brilliance" - Sets the cutoff frequency of the low pass filter

"Effect" - Sets the volume of the wet reverb signal

"Velocity" - Manually sets the LFO rate

"Modulation" - Sets the depth of the modulation

"Waveform" - Sets the waveform type. The 8 waveforms are listed on the back of the pedal.

Footswitches

Left - Sends the pedal into near infinite sustain

Middle - Master On/Off

Right - Tap Tempo


Other
"Secret Mode" - There is a secret mode that can be selected internally by way of a dipswitch. This mode replaces the reverb code with delay code. The LFO section applies the same 4 modulation types to the delay section. The "Ambiance" knob is now delay feedback and the "Brilliance" knob is now delay time.

"Clock Input" - The clock input can received traditional tap tempo or 5V modular clock signals (gates/triggers).

Switching: True-Bypass

Dimensions: 4.7" x 3.7" x 1.96"

Powering: 9V DC - Negative Center - 2.1mm Barrel
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iCon Qcon Pro G2 USB MIDI Controller
Cat: 708181 Rel: 16 Nov 18
 
Eight channel universal control surface
Notes: The Icon Pro Audio QCon Pro G2 is an eight channel universal control surface with Mackie Control and HUI emulation to support most major DAWs. Whether you are tracking or mixing, the QCon Pro G2 provides intuitive tactile control over your session. Set your levels, fine tune your EQs and effects, record automation, punch in and punch out of recordings, all at the tip of your fingers. The QCon Pro G2 sports nine motorized faders, eight multi-purpose push encoders, 78 buttons, jog shuttle wheel, and 2 foot pedal connectors. 12-segment LED level meters are provided for each channel, and a large backlit LCD screen displays channel names and parameter values. A 12-segment LED display is also provided for SMPTE or MIDI beat clock.

The Icon Pro Audio QCon Pro G2 utilizes Mackie Control and HUI emulation to control your favorite digital audio workstation and includes overlays for most popular DAWs including Cubase/Nuendo, Logic Pro, Ableton Live, ProTools, Studio One, Digital Performer, FL Studio, Samplitude, Reaper, Bitwig, Reason, Sonar, and Audition. A User Defined mode is also included to create custom presets and midi mapping.

The QCon Pro G2 is class-compliant with Windows XP, Vista, Windows 7/8/10, and Mac OS X and features a high speed USB 2.0 connection. The QCon Pro G2 is expandable to up to 32 channels using three Qcon EX G2 extenders.
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MRP:$665.28 SAVE 24%
 2 in stock $507.63
Intellijel 7U Audio Jacks v2 Board For 7U Cases With Additional I/O Connectors
Cat: 739052 Rel: 19 Jul 19
 
Bi-directional audio board with four TRS jacks for 7U cases
Notes: The new, 2nd generation Audio Jacks Board comes pre-installed in every Intellijel 7U case manufactured since early 2019. Because this board is more fully featured than the previous generation, it's available as a stand-alone component for anyone who wishes to update an older 7U case.

You can tell which board you have by looking at the connectors. The new Audio Jacks Board has a large shrouded header flanked by two smaller shrouded headers, flanked by two link connectors at either end. Older boards have only one connector along the bottom edge.

The board holds four Neutrik TRS jacks, each of which can be configured as either an input or an output depending on the modules you connect. This allows you maximum flexibility when configuring your case - whether you wish to use the audio jacks as outputs, inputs, sends & returns; or some combination of these.

The jacks carry different audio signals depending on what you connect to the Audio Jacks Board. Please refer to the manual for more details on the many options available.
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 1 in stock $30.34
Intellijel Buff Mult Eurorack Module
Cat: 563563 Rel: 10 Mar 15
 
Buffered multiple synth module, 2HP wide
Notes: Dual 1 x 3 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×6 buffered mult
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Intellijel Stereo Out 1U Balanced Stereo Line Output Module
Cat: 739057 Rel: 19 Jul 19
 
Two channel, +4dBu balanced line level outputs
Notes: This module has 1/8" jacks to accept either mono or stereo audio signals from your modular gear.

It features input level indicator LEDs, and contains all the gain control circuitry necessary to drive external audio gear at the proper levels.

A ribbon cable is included for connecting it to either the Stereo Out Jacks 1U module, or a compatible Intellijel case with 1/4" jacks (e.g. 7U x 104HP, 7U x 84HP, or Palette 62).
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Joranalogue Generate 3 Through Zero Multiphonic Signal Generator Module
Cat: 757120 Rel: 07 Jan 20
 
High-stability precision analogue triangle-core VC(LF)O with fine and coarse tuning
Notes: Any signal can be expressed in terms of a few parameters: frequency, phase, amplitude and timbre. It is through modulation of these aspects that synthesists create electronic sound. With Generate 3, it is now possible to create a signal and control all its parameters by through-zero modulation within a single 12 HP wide module.

Everything starts with the exceptionally precise triangle-core voltage controlled oscillator (VCO) at the module’s heart. Through-zero linear frequency modulation (FM) enables rich yet pitch-stable FM sounds, by allowing the oscillator to run backwards into ‘negative frequencies’.

The resultant triangle wave is then processed by the through-zero phase modulator, providing a total phase shift range of 900°. Phase modulation offers an interesting alternative for FM, as it enables deep FM-type tones without actually changing the oscillation frequency.

The timbre of a signal is determined by its harmonic content. This full set of harmonics can be grouped into three main parts: the fundamental, even and odd harmonics. Generate 3’s harmonics generator separates out these three timbral ‘channels’. By adjusting their relative amplitudes, a vast array of different waveforms can be created, including but not limited to the classic sine, saw and square waves.

While the amplitudes can be adjusted manually, each timbral channel supports through-zero amplitude modulation, also known as balanced or ring modulation. When audio-frequency modulation signals are applied, the harmonics become ‘split’, enriching the spectrum.

In addition to all the usual analogue synthesis techniques, the extensive set of modulation options makes Generate 3 especially suited for exploring multiphonic synthesis: a monophonic source creating a complex timbre, much like throat singing, yet by electronic means.
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KMA Audio Machines Cirrus Ice Limited Edition Delay & Reverb Effects Pedal
Cat: 798745 Rel: 10 Nov 20
 
Delay & reverb effects pedal
Notes: KMA have dressed up their top selling Cirrus, a little soundscape helper pedal, in a fitting ice-blue finish so you can send your sounds into the stratosphere in style! Filled with crystalline arctic delays, glacial atmospheric reverbs and dynamically evolving modulation, Cirrus ICE will make every note played snowball into a true sonic wonderland.

Only 200 units of the Cirrus ICE - Spatial Temporal Modifier will be made available in this limited cool as ice colourway. So, if you want something sonically mesmerising and visually stunning to grace your annual winter board, then now is your chance!

Cirrus ICE is a truly special and versatile, dynamically modulated combined Delay and Reverb pedal that will forever change your perception of time and space. Made up of a Delay side and a Reverb side, both sides of Cirrus ICE sport the most important basic controls such as Time (up to 1.5 sec). Repeats for the Delay and Decay and Damp for the Reverb. Plus, each side has its own mix control as well. So far so good, but now it's time to jump down the sonic wormhole!

This little Spatial-Temporal Modifier gives you three different Delay AND Reverb modes, which all sport a special dynamic feature that is controlled by your picking attack. This enables you to create sounds that are certifiably out of this world! To set the sensitivity of how the sound reacts, every section has its own sensitivity control.

The different Delay and Reverb modes cover vastly different modulated areas.

Modulated Delay Mode (MOD) fluctuates the Delay signal for a dynamic dancing tape echo-inspired modulation that'll deliver everything from subtle sways, to crazy pitch-bends. The Sample & Hold Mode (S/H) adds a sequencer-like filter in front of the Delay line, perfect for synthy textures. Play softly for subtle filter action or hit it hard for more pronounced electro-vibes. The third Delay Mode (OCT) blends in a high octave as your notes decay for unique shimmery dimensions, shining through like tiny stars in the cloudy night sky.


Over to the Reverb section, Modulated Reverb Mode (MOD) will decorate your trails with silky smooth movement, whereas the two other Modes deliver either an opening Low-pass Filter (LP) or a closing High-pass Filter (HP). The harder you pick the more the Low-pass will open up and bring in those shimmering highs, as if you're opening and closing portals to far away galaxies simply through your playing. Contrary to that, the closing High-pass will cut your lower frequencies when picking harder which will create cool lo-fi textures. However, the ambient party doesn't stop here!

Engage Cirrus ICE and ride the atmospheric high clouds. But be aware - there's a big chance you'll get lost in its stunning beauty for hours when up there!


A big part of creating a signature sound comes from your pedal order and we know that a lot of you like to get creative there. Well, the Cirrus obliges! Set the Order Toggle to "Reverb" to run the Delay into the Reverb or flip it to "Delay" to switch it the other way - either direction will give you worlds of inspired soundscapes. You even get another Toggle Switch to set the Delay Tap subdivision, so you can get the right rhythms rolling fast. Toggles are awesome!

Now, on to the footswitches - Tap-Tempo on the left (neat!) and the much-needed Bypass Switch on the right (classic!). But wait, we actually made these stompers cool - the humble Bypass and Tap-Tempo Switches are suddenly full of additional creative secrets!


Besides the standard latching mode, the Bypass Switch offers some cool, yet creative and simple to use options. When the pedal is off, you can engage the pedal momentarily by holding the Switch down for sudden bursts of ambience. When the pedal is on though, holding down the Switch maxes out the Decay, jumping you straight into infinite reverb wonderland. You can also hold down the Tap-Tempo Switch to max out the repeats for infinite echoes. Plus, you can even hold down BOTH at the same time to enter an endless cascading dream state!


KMA have also equipped Cirrus ICE with an Expression Pedal input (standard TRS connection) and a Selector Switch, giving you complete hands-free control over whatever key parameter of Cirrus you want. In addition, an internal switch can turn the Reverb and Delay trails on or off to taste, plus the individual Reverb and Delay mix controls help to tailor your sound exactly as you see fit.


As the final piece of the tonal puzzle, KMA added a Serial FX-Loop, letting you put any pedal in front of the Delay/Reverb line, to further flavor your own signature sound.


Engage Cirrus ICE and ride the atmospheric high clouds. But be aware - there's a big chance you'll get lost in its stunning beauty for hours when up there!
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 4 in stock $199.28
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Koma Elektronik Attenuator Cable
Koma Elektronik Attenuator Cable (audio attenuator cable)
Cat: 608838 Rel: 02 Dec 16
 
Attenuator cable with 3.5mm jack socket to 3.5mm jack plug
Notes: The Attenuator Cable is a cable with one jack input socket on one side, an output socket on the other side and a slider in the middle that gives the user the opportunity to attenuate both CV and audio signals traveling between modules. You simply connect a 3,5mm patch cable to the input socket of the Attenuator Cable and connect the output jack plug to any input of your liking. You can use the slider in the middle of the cable to attenuate and adjust the signal, easy peasy! The cable design has been optimized to function with any CV or audio signal and with all known and widely available 3,5mm jack cables.
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 5 in stock $8.63
Koma Elektronik Field Kit Expansion Pack
Koma Elektronik Field Kit Expansion Pack (expansion/accessory pack)
Cat: 663392 Rel: 26 Oct 17
 
Expansion pack for the Koma Elektronik Electro Acoustic Workstation
Notes: It's all about the things you connect to the The Field Kit! To get you started, Koma Elektronik have decided to offer an Expansion Pack with a bunch of different sources that you can use and connect to create your own signature sounds.

The Expansion Pack contains:

- 2 x Contact Microphones: Use these contact microphones to pick up vibration or sound, they are an amazing versatile input source
- 1 x Electro-Magnetic Pickup: This guy is good at picking up changes in magnetic fields, you can use it to amplify a string like a guitar pickup or amplify a spinning motor
- 1 x Solenoid push-pull motor: Use the solenoid to hit things, together with the DC Interface the solenoid can make anything rhythmical and percussive
- 1 x DC motor: The Motor can be used to rotate things or as a noisy oscillator together with the Electro-Magnetic Pickup
- 1 x small speaker: Use the speaker to listen to the main mix or as a sound source and to feedback sounds
- 3 x patch cables Always handy to have around to patch up different parts of your Field Kit... and a bunch of little objects to play with (little springs, marbles)

The new KOMA Elektronik Field Kit is the perfect tool for everyone who would like to experiment with electro acoustic sound. Use everyday objects, amplify them and use them to make sound, like our heroes John Cage and David Tudor used to do!

The Field Kit is optimized to process signals from microphones, contact microphones, electromagnetic pickups and able to run DC motors and solenoids. On top of that it can receive radio signals and convert signals from switches and sensors into control voltage!
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Koma Elektronik Field Kit FX Expansion Pack
Cat: 689034 Rel: 19 Jun 18
 
Expansion pack for the Koma Elektronik Field Kit FX
Notes: Its all about the things you connect to the Field Kit FX! To get you started, Koma Elektronik decided to offer an FX Expansion Pack with a bunch of handy cables, contact mic's and spring tank that you can use and connect to create your own signature sounds.

The Field Kit FX Pack contains:

1 x Spring Reverb Tank
1 x Delay Feedback Path Cable
1 x Big Contact Microphone
1 x Small Contact Microphone
1 x KOMA Elektronik Attenuator Cable
3 x 3.5mm Patch Cables
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 3 in stock $64.56
Koma Elektronik Field Kit Sensor Pack A (set of 5 sensors)
Cat: 725945 Rel: 25 Mar 19
 
Sensor Pack A - features five useful components for owners of the Field Kit
Notes: The Field Kit Sensor Pack A consists of 5 sensors:

- Button/Jack
- Electret Microphone
- Light Sensor
- Temperature Sensor
- Ball Switch
- 2 x Dupont 3 contact cable to connect the Sensors to the Field Kit

Button/Jack:

This is rather a utility tool than an actual sensor. It allows you to either use a pushbutton or any CV-Signal (0- 5V) as a signal source. You can select to either use the button or any signal connected to the jack input with the jumper located right next to pin-header. The voltage present at the output upon a button press can be selected with the two jumpers next to the button. The button and jack can be used with both the ANALOG IN and the DIGITAL IN of the Field Kit's Sensor Interface.

Electret Microphone:

The electret microphone provides a simple solution to use your surroundings as a sample source. The board features a little trimmer to adjust the gain of the microphone pre-amplifier. Use a little screwdriver to adjust the gain according to the printing on the sensor board. It's preferable to adjust the signal level with the trimmer first and only use the level pot of the analog signal interface as a second adjustment stage. The electret microphone has an omnidirectional directivity and is capable of capturing the whole frequency spectrum from 20 to 20000 Hz. The electret microphone is best be used with the ANALOG IN of the Field Kit's Sensor Interface.

Light Sensor:

The light sensor will change the output voltage depending on the light intensity. The spectral sensitivity is similar to the human eye, covering the full spectra of visible light, with a peak at 570nm (green/yellow). The change of the voltage according to the light intensity can be set with the three jumpers on the board. Set those jumpers according to printing on the board. The light sensor can be used with the ANALOG IN and the DIGITAL IN of the Field Kit's Sensor Interface.

Temperature Sensor:

The temperature board features two output modes: a continuous CV or a trigger.

CV Mode: The board will output a continuous voltage in range 0 - 5 V depending on the measured temperature and scaled to the set lower and upper temperature limit.

Trigger Mode: The board will generate a trigger whenever the measured temperature rises above the set upper limit temperature. LED 1 will blink whenever a trigger is generated. The sensor covers a temperature range from -55-C to +125-C.

Ball Switch:

The ball switch consists of a little bouncy ball jumping around in a container connecting two contacts and thus acts like a switch. In contrary to a normal push button, which has very well defined states, the switching of a ball switch is more similar to a percussion shaker. There are two resting-positions which define a certain state of the switch: the board is lying flat on the table with its bottom facing the table: the switch is open the board is lying flat on the table with its top facing the table: the switch is closed. The voltage assigned to those states can be set with the two jumpers on the board. Refer to the printing on the board to identify the position that suits your needs. The ball switch can be used with the ANALOG IN and the DIGITAL IN of the Field Kit's Sensor Interface.
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Koma Elektronik Field Kit Sensor Pack B (set of 3 sensors)
Cat: 725946 Rel: 25 Mar 19
 
Sensor Pack B - features three useful components for owners of the Field Kit
Notes: The Field Kit Sensor Pack B consists of 3 sensors:

- Accelerometer
- Capacitive Touch
- Sequential Voltage Source
- 2 x Dupont 3 contact cable to connect the Sensors to the Field Kit

Accelerometer:

This board measures acceleration along three axis. Those measurements are used to generate CV signals or triggers. The accelerometer board features three modes:

- Tap Detector with continuous CV output
- Tap Detector with trigger output
- The 'motorcycle mode'

Capacitive Touch:

Connect the Capacitive Touch to organic items and use them as a controller, the Field Kit Sensor Interface will send out signals once you touch the matter. Banana rock, Cucumber Swing, Avocado Samba!

Sequential Voltage Source:

The Sequential Voltage Source is a little magical module which you can use in your musical setup quite easily and allows your Field Kit to become a Sequencer too. This board has three different modes: Stepped Random Voltage, CV Sequencer and a Euclidean Trigger Sequencer.
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Korg Minilogue XD 4 Voice Polyphonic Hybrid Keyboard Synthesiser
Cat: 715952 Rel: 21 Mar 19
 
4-voice analogue synth with deep digital multi-engine
Notes: One of our favourite synths of 2019 and still amazing value. Analogue meets digital, offering hugely versatile sound in the same compact, user-friendly format as the original Minilogue.

Supplier's notes:
An evolved next-generation analogue synthesizer with huge potential for sound design and performance. We wanted to deliver a next-generation analogue synthesizer for a new generation of musicians new to analogue synthesis. That dream was realized in the development of the minilogue, which instantly made the analogue synthesizer approachable.

In addition to emphasizing the same real analogue sound and joy of controlling an electronic musical instrument offered by the original minilogue, the minilogue xd newly adds a digital multi-engine, effects, a powered-up sequencer, and micro tuning functionality, further expanding the possibilities for sound design and performance potential. Minilogue xd is a fitting addition to the original groundbreaking minilogue.

Four-voice polyphonic analogue synthesis. The analogue synthesizer circuit of the minilogue, whose genuine analogue sound had a huge impact on the synth world, has been further developed for the minilogue xd.

Voice structure of minilogue xd is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a sharp two-pole filter, and a drive switch that adds thickness and drives signal into minilogue xd's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

Of course, programs that you create can also be saved in the unit. Out of the box, minilogue xd comes loaded with 200 presets, and a total of 500 programs can be saved.

Equipped with a digital multi-engine:

The additional sound design possibilities of digital sound are delivered by the multi-engine that's provided as a third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and user slot) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding the potential of hybrid sound design.
Noise generator

The noise generator provides four types of noise that are indispensable for percussive sounds or for sound effects. You can use the digital filter to directly change the colour of the noise.

VPM oscillator:

minilogue xd's multi-engine features a VPM (Variable Phase Modulation)/FM oscillator with a two-operator structure. It can produce sharp, metallic sounds with complex overtones beyond the possibilities offered by analogue systems. With 16 types of oscillator and a SHAPE knob control, you'll be able to create complex sounds intuitively.

User oscillators:

User oscillators allow you to load your own oscillator programs that you created or obtained via the internet. There are 16 user slots, as well as one type of morphing wavetable oscillator provided as a preset.

High-quality digital effects:

minilogue xd's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The minilogue xd features a customizable open environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the minilogue xd via the dedicated librarian software.

Polyphonic step sequencer controlled by 16 buttons:

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to design the sound differently at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.
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Korg Patch Cable Set For SQ1 Sequencer (pack of 6 cables)
Cat: 631806 Rel: 01 Dec 16
 
Set of six coloured monaural mini-patch cables & two adapters
Notes: This is a set containing six monaural mini-patch cables that are ideal for connecting the SQ-1 to external devices. The six colours are red, orange, yellow, green, blue, and purple, and the cables are 750 mm long. Since these are longer than the 500 mm cables included with the MS-20M Kit + SQ-1, you'll have plenty of room for routing. Also included are two adapters that convert from mini-size to 1/4" so that you can make connections to the 1/4" jacks of devices such as the MS-20M.
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Korg Volca Mix Four Channel Analogue Performance Mixer
Cat: 675871 Rel: 26 Mar 18
 
Compact multi-function four-channel mixer
Notes: The Volca Mix is a four-channel analogue performance mixer that lets you construct a live setup combining multiple Volca units.

Volume faders are easy to control, plus crisp-sounding LO/HI CUT filters, and a master chain that radically transforms the sound. In addition to the sync function found on all Volcas, there are also DC output connectors that can supply power for up to three Volca units. Numerous functions to facilitate your on-stage Volca performances have been packed into a high-quality aluminium-panelled body, reminiscent of a high-end DJ mixer. The Volca Mix will unlock the maximum potential of the Volca series.

An analog mixer for performance:

The Volca Mix is a four-channel analog mixer with an intuitive interface and plenty of connectivity. It provides two mono inputs and one stereo input, perfect for connecting three Volca units. The jacks are mini-jacks, allowing you to make connections with just one stereo mini-cable from the headphone out of each Volca unit. The channel volumes use vertical faders that allow precise control. The gain can be boosted to adjust the mix balance, and mute buttons are also provided. Each channel is also equipped with a LO/HI CUT filter that lets you control the low and high frequency ranges with a single knob. The pristine, natural-sounding filters that you expect from analog gear give you complete control over the character of your sound.

Output and monitor capabilities for use on stage, plus stereo speakers for maximum portability:

The output section provides RCA stereo line outputs to ensure stable connection. There's a master volume with LED VU meter for adjusting the output level, as well as a headphone output that can be used simultaneously with the line output, providing a reliable monitoring environment on stage. Speakers are also built-in for excellent portability. The stereo speakers are placed at both sides of the front, and while compact, deliver SPL levels that are even greater than the built-in speakers on previous Volca units.

Powerful master chain:

The Volca Mix is equipped with master effects powered by all-analog circuitry. In addition to an expander that broadens a mono source into a stereo sound image, there's a dynamic range compressor that compresses the high-frequency range according to level changes of the low-frequency region, as well as a side chain effect that's indispensable for dance music. Use these to dynamically vary the mix, adding a professional feel to live performances with the Volca.

Connect an external effect unit for further variety:

The Volca Mix provides a stereo mini-jack send out and AUX in jack, and send level knobs for each channel. This allows you to use it with an external effect unit in a send/return connection. When used in conjunction with a unit such as the mini Kaoss pad 2S, you can also enhance your live performances using standard effects such as reverb, delay, filter, and break. The AUX in jack can also be used as a stereo input channel for a fourth Volca unit, an iOS app, or any other gadget, instrument, or device.

As the master of your Volca live setup:

The Volca Mix features an analog sync out jack that can easily be connected to many pieces of KORG gear for tempo sync, and also a play button and tempo knob to control that sync signal. By using the Volca Mix as the sync master device of your live setup, you can easily enhance your live performance, such as simultaneously playing sequences from multiple synced units, and combining mute and volume control to create performances that use your Volca units in even more ingenious ways.
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Korg Volca Modular Micro Modular Synthesiser
Cat: 715950 Rel: 18 Feb 19
 
Compact patch-based synth, ideal for beginners
Notes: Buchla-inspired modular business in Korg's small and affordable Volca range. Amazingly creative and experimental synth power in a tiny little box. Highly recommended.

Supplier's notes:
A semi-modular analogue synthesizer that makes modular synthesis more accessible and understandable than ever before.
Creating new sounds that don't exist in the outside world is an unending dream which has continued since the birth of electronic musical instruments. This dream has evolved and expanded throughout the development of new and unique music production devices.

The popularity of modular synthesizers around the world has generated new excitement and interest in the so-called "West Coast style" of synthesis that deviates from traditional synthesis norms.
The compact body of this volca synth features eight modules and 50 patch points. While learning the basics of a modular synth, you can use popular features of the volca synthesizer line to control a unique and different flavour of analogue sounds.

Eight modules:
The volca modular is a semi-modular synthesizer consisting of independent analogue synth modules, digital effects, and a sequencer. Each of the modules has been carefully selected for its stand-alone completeness. The modules are internally connected so that sound can be produced even before connecting the included pin cables, and the routing is shown by white lines on the panel. Module connections via a pin cable take priority over the internal connections, bypassing them.

A fusion of West Coast style in a volca format:
Analog synthesizers in which a simple oscillator such as a saw wave or square wave is modified by a filter are referred to as "East Coast style" because of their origin from well-known American manufacturers. Synths of this style, as exemplified by the MS-20, have continued to evolve toward a goal of being used in many mainstream musical genres, thus being equipped with a keyboard for performance. Their sounds are notable for sharp filters and rich presence, and can be heard in many well-known songs.

Patching allows infinite possibilities:
volca modular's modules are connected via the included pin cables, allowing a diverse range of combinations. The unit's compact chassis provides 50 patch points. Inputs and outputs are color-coded for recognition at a glance, and the signals are also marked by symbols to indicate audio, control, gate or trigger. Normally, each signal is connected according to its use, but on the volca modular, signal levels are universally compatible between modules, allowing hidden possibilities to arise from patching that defies common sense. Twenty pin cables are included, and also included is a reference sheet explaining each patch point and providing basic examples of patching.

Sixteen-step sequencer that can automate parameters:
While the volca modular is a semi-modular synth, it is equipped with a full-fledged 16-step sequencer providing a wide range of functions, letting you enjoy automatic performance even when used stand-alone.

Using the 16 buttons familiar from the volca series, you can perform step input or use the buttons as a keyboard for realtime recording. The pattern chaining function plays back multiple sequence patterns in succession, allowing you to connect up to 16 sequences with up to 32, 64, or even 256 steps to create large-scale development.

Randomize function that can generate accidental ideas:
The sequencer of the volca modular lets you specify randomization for notes, active steps, and micro tuning. Irregular phrases, rhythms, and scaling that would be unlikely to come to mind can be generated by applying randomness, letting the volca be a source of unknown ideas.

Two new modes added for sequence playback:
Two new sequence modes have been added: bounce sequence mode which makes a round trip through the steps, and stochastic sequence mode which gradually proceeds while randomly moving forward and backward. Playing back a recorded sequence in a different form can add dramatic changes to your song or performance.

Musically advanced scales, keys, and micro tuning:
Although the volca modular is a West Coast style synthesizer, it also provides flexible support for music as a contemporary instrument. You can choose from 14 types of scale including equal temperament. Since you can also specify the tonic key from which these scales start, you can play these scales in any key.

Connectors that allow synchronized performance and external control:
With a sync jack that allows easy connection to a Korg groove machine, you can connect the volca modular to another volca series unit, a minilogue, monologue, or prologue, an electribe, or the SQ-1, and enjoy sessions with the sequencer synchronized to the playback.
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LEP Arpopone Analogue Melody & Bass Line Generator Module
Cat: 707885 Rel: 02 Jan 19
 
Bass line generator with a rhythmic chord section
Notes: The Arpopone from LepLoop is a little synthesizer for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: The envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: The envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: The envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.

Two outputs jacks are available: the mono OUT jack on the back panel and the STEREO jack on the front panel, useful for listening with headphones and for separate channel output.
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LEP Multicassa Analogue Desktop Drum Machine With Clock Divider Sequencer (aluminium box version)
Cat: 730434 Rel: 11 Jun 19
 
Polyrhythmic drum module featuring raw analogue drum sound
Notes: - 3 x external audio out
- 1 x audio out
- 3 x cassation bass drum
- With clock
- Internal or external
- Trigger in
- Click out

The MULTI CASSA is an electronic Eurorack module for percussion sound and special FX. Created by LEP Laboratories, the MULTI CASSA module takes inspiration from the Leploop synth. MULTI CASSA is a combination of two modules with different pitch settings, the first maintains the original pitch, the second increases the pitch to recreate the sound off high tom or snare drum.

TRIG MIX: The rhythm played by the MULTI CASSA is the sum of the two trig IN1 and IN2. The trig mix pot adjusts the mix between the two trig input, which is great for creating polyrhythms.

FREQUENCY: Adjusts the pitch of the sound, also effects the resonance.

RESONANCE: Adjust the resonance, i.e. the damping time of the case. Beyond a certain level the MULTI CASSA can go into permanent oscillation. The level at which the oscillation begins varies with frequency.

DISTORTION: Adjusts the level of signal distortion.
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 2 in stock $287.22
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Mackie MR524 Powered Studio Monitor (single)
Cat: 657220 Rel: 18 Sep 17
 
5-inch 50W powered studio monitor equipped with Mackie's proven logarithmic waveguide design
Notes: The MR524 5" Powered Studio Monitors by Mackie offer professional performance, clarity and superior mix translation so you can listen with confidence knowing your mix will sound great anywhere. Drawing from Mackie's extensive studio monitor design experience, the MR524 monitors are precision tuned to stay true to your mix whether it's dialogue, hip hop, rock and beyond. Their proven logarithmic waveguide provides an ultra-wide listening sweet spot and enhanced stereo imaging while the Acoustic Space controls allow you to adjust the frequency response of the monitor to match your studio. The studio monitor inspired by you - MR524 Powered Studio Monitors.

***Now with Pro Tools First (including The Musician Collection) upon registration***
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 2 in stock $130.04
Mad Professor Big Tweedy Drive Pedal
Cat: 635225 Rel: 03 May 17
 
Drive effects pedal for guitars
Notes: Big Tweedy Drive pedal is voiced after a super rare High Powered Tweed Twin amp. The pedal gives you the highly sought-after vintage tone that has big fat punchy midrange and sweet gnarly bite like the late 50 's American amplifiers.

Like the big vintage tweed amps, the Big Tweedy Drive has the same tactile dynamics and touch sensitivity players are raving about: adjust the amount of gain with your picking attack or the guitar volume. This makes the pedal fit into a surprisingly broad range of genres: jazz, blues, rockabilly, country and rock 'n 'roll.

The pedal stacks very well too, so you can find the more saturated and higher gain tones by placing a booster or an overdrive in front of the Big Tweedy Drive for extra gain and sustain. Or you can place the Big Tweedy Drive in front of a clean amplifier or boost an already distorted amp.

The tone controls help you to fine tune your tone when using the pedal with different guitars and amplifiers.

VOLUME: Sets the output voltage.
GAIN: Adjusts the amount of distortion.
TONE: Adjusts high frequency tone. Adjustment range is from significant high frequency cut to slight high frequency boost. The wide spectrum Tone control can either soften the tone or add some brightness to your straight signal.
PRESENCE: You can fine tune the shimmer and cut with Presence knob that adjusts the upper high end.

Turn both TONE and PRECENSE knobs down for a mellow fat tone or turn them up for a bright cutting rock tone.

The pedal cleans very well from the guitar volume pot and thanks to the finely balanced compression the volume level will be adjusted just the right amount.

- Current consumption 10 mA at 9VDC
- Supply voltage range 7.5V to 12V (9V recommended, the sound of the pedal depends on supply voltage)
- Input impedance 220kOhm at 1kHz
- Output impedance 1kOhm
- Complete bypass (true bypass)
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 1 in stock $168.10
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Mad Professor Twimble Simble Overdrive & Predrive Pedal
Cat: 638225 Rel: 03 May 17
 
Simble Overdrive & Simble Predriver in one stompbox
Notes: The Twimble is a combination of the Simble Overdrive and the Simble Predrive. Both of the drives have been tailored slightly in order to achieve an even more organic tonal result. As you turn the contour fully clockwise, you will notice the overdrive section now features enhanced clarity with a sparkling top end. The Predrive section has additional sweet compression. This results in a pedal with a more 3-dimentional tonal feel and it is even more easy to slide between clean and overdriven guitar tones, which can easily be controlled by your guitar volume. In addition, you will notice more warm sustain to ease playing.

Naturally, both drives sound excellent on their own, on both single-coils and humbuckers. And when activated together they really make you flow.

The Mad Professor Twimble pedal allows you to be the foundation of the tone. With the Twimble pedal, your picking attack, your guitar and the pickups you have chosen will retain their character, keeping your valuable original sonic footprint intact.

Controls:

SENSITIVITY: Amount of distortion and compression.
LEVEL: Output level.
ACCENT: Pick attack and brightness.
CONTOUR: Brightness of the output. (Darker when you adjust CCW)
HOT/COOL: +10db or +6 db boost.
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 1 in stock $200.37
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MFB Tanzbar 2 Analogue Drum Computer & Bass Synthesiser (B-STOCK)
MFB
Cat: 788032 Rel: 07 Mar 19
 
B-STOCK: Slight surface marks
Notes: ***B-STOCK: Slight surface marks ***


Analogue-focused drum machine and synth from a consistently innovative German brand. Great sound and extensive programming capabilities for studio and stage.

Supplier's notes:
The Tanzbar 2 is a further development of the successful Tanzbar with a slightly different concept. Here, in addition to the LCD display, emphasis was placed on a hybrid structure, which allows the sounds to be selected more versatile, and the bass voice has also been upgraded to a fully-fledged synthesizer.

The drum machine features 7 analogue percussion instruments, an analogue bass synthesizer, 3 digital sample voices with analogue multifilters and 10 sample instruments, of which 2 instruments share a sample voice. The samples can be exchanged via a free tool offered on our website and allow everyone to have their own personal drum sound. The sample memory contains around 300 seconds for 208 samples.

Also noteworthy is that each instrument has its own LFO (replaces the "Bend function in the predecessor Tanzbar) and thus does not stand in the way of diverse modulations. The sequencer has chase programming and can store 100 patterns. The patterns can be chained via "CHAIN" and have up to 64 steps (A / B / C / D). Furthermore, 16 different Flames can be programmed, multiple triggers are a breeze. The plumb line can be adjusted individually for each instrument, making it easy to realize polymetric grooves. 32th, 16th or 16th / 8th triplet is adjustable as a metric.

There are 4 different Accente available by instrument. The sound parameters can be recorded by step recording. Two tracks appeal to external Midi instruments, practically, no external sequencer needed! The shuffle can be individually or globally regulated in strength. Step programming also sends Midi Out and of course can control other sound sources.

The drum computer can be synchronized via USB or MIDI via Midi Clock. In addition to a master volume, each instrument has its own volume slider (except for four sample voices where this is controlled via the endless dial) and the mute button mutes the individual instruments. There are 12 single outputs (mini jack) and a stereo output (large stereo jack) available.
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 1 in stock $934.15
Miditech Audiolink Light USB Audio Interface
Cat: 784449 Rel: 28 Sep 20
 
USB audio interface
Notes: Compact USB Audio-Interface for all cases: With one build-in Microphone-Preamp with phantom power and a complete 16 Bit/48 kHz Stereo Instrument/Line Interface.

This class compliant USB Audio Interface is very easy to use. It is made for playing mp3 and film streaming with your PC and iPad- you will love the very good sound quality with less noises during playback!

Fully USB powered, with fast Windows ASIO drivers and high performance headphone output the Audiolink light gives you all the recording and playback possibilities you will ever need.

Inclusive: free Miditech software bundle (download versions): Toontrack EZ Mix 2 lite, Magix Samplitude Pro X2 Silver, Makemusic Finale Notepad, Ik Multimedias Amplitube CS, Magix Independence free, Waldorf Edition LE and Imagelines Poizone Synthesizer
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MRP:$81.49 SAVE 48%
 2 in stock $42.29
Miditech MIDI Thru7 V2 MIDI Thru Box
Cat: 784431 Rel: 30 Jul 20
 
MIDI thru box
Notes: The MIDI THRU 7 interface is a MIDI Thru box and multiples the incoming MIDI signal to a maximum of 7 MIDI Out ports. To power the MIDI Thru 7 you need an optional USB DC adaptor. In the current version 2 we have increased the stability and reliability of the data transmission.

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MRP:$93.51 SAVE 25%
 1 in stock $70.12
Moog Mother 6" Patch Cables
Moog Mother 6" Patch Cables (patch cables, pack of 5)
Cat: 590211 Rel: 28 Jan 16
 
Pack of 5 x high quality 3.5mm patch cables - 6" long
Notes: Contains 5 high quality Moog modular patch cables for use with Mother-32 and all 3.5mm equipped instruments.
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MRP:$22.71 SAVE 17%
! low stock $18.80
Mutable Instruments Ears Contact Microphone Module
Cat: 687873 Rel: 01 May 18
 
Unique contact microphone & amplifier, based on Tom Whitwell's open-source module - 4HP
Notes: Ears is Mutable Instruments' take on Tom Whitwell's open-source Mikrophonie module - a contact microphone and amplifier.

A large palette of organic, physical sounds can be generated by scratching, tapping, and more generally collecting any kind of acoustic waves surrounding your modular case - even speaker feedback.

With its built-in envelope follower and gate detector, it can also be the gateway between external audio sources and your modular system.

Ears for your modular:

- Built-in contact microphone soldered right under the front panel, turning the panel and your entire case into a microphone.

- Increasingly spaced ridges on the panel, generating sonically interesting pulses or impulse combs when rubbed. Strike, pick or scratch digital resonators like Rings, Elements or the 4ms SMR.

- High-quality amplification stage suitable for external contact microphones, electro-acoustic instruments like guitars, or plain line-level signals.
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Mutable Instruments Tides Tidal Modulator Eurorack Module
Cat: 569585 Rel: 30 Jun 15
 
Tidal modulator signal generator Eurorack synth module - 14HP wide
Notes: Tides is all about waves that go up and down, from minute-long cycles to audio rates... This module is Mutable Instruments' unique take on the looping AD envelope generator - pushing this well-known trope to unknown territories.

The core of the module is a digital asymmetric triangle function generator, which can be used in AD and AR modes (for envelope generation), or looping (as a VC-LFO or VC-DO). The triangle generator is followed by a wavetable waveshaper providing linear, exponential, logarithmic, sinusoidal, or arc-sinusoidal shapes for the A and D segments. Then, a second processor applies either a 2-pole low-pass filter to the waveform, smoothing its sharp edges; or a rubbery wavefolder, adding kinks and "bounces" to the waveform. Because Tides has been designed from the ground up to work at audio rates with minimal aliasing, and because all its parameters are under voltage control, it can be used as a unique self-contained synth voice.

Tides' advanced features include:

- Output level CV input (digital VCA).
- Dual outputs: standard unipolar waveform, and "double-shot" waveform with a positive spike during the ascent and a negative spike during the descent. At audio rate, both of them have a different sound.
- Accurate V/Oct tracking with straightforward calibration procedure.
- Freeze input to temporarily hold the waveform.
- Clock input to lock onto a multiple or fraction of a trigger sequence... or audio signal, PLL-style.

*For audio demos, please visit - http://mutable-instruments.net/modules/tides/demos
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 3 in stock $193.69
Neumann TLM103 Cardioid Studio Microphone & Shockmount Set (nickel)
Cat: 515446 Rel: 19 Dec 13
 
Large diaphragm condenser microphone with shockmount and cardioid polar pattern
Notes: The TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.

By utilizing the tried and true transformer-less circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear.

Applications:
Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.

Polar pattern:
The TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern - used in most recording situations - the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.

Acoustic features:
The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 / U 87 microphones. The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost. The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.

Electrical features:
With just 7 dB-A / 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138 dB without distortion, the TLM 103 provides a dynamic range of 131 dB (A-weighted). The letters TLM stand for "transformer-less microphone". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.

Operational safety:
The entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount. The frequency range reaches below 20 Hz and thus even very low bass signals are reproduced without coloration. Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the elastic suspension EA 1 and the windscreen WS 87 are available as accessories. For close vocal use, the PS 15 or PS 20 a pop screens are recommended.

*Includes an SG 1 metal swivel mount.
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MRP:$1,294.49 SAVE 30%
 1 in stock $900.62
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Noise Engineering Horologic Uter Clock Generator & Expander Module For Horologic Solum (black faceplate)
Cat: 795624 Rel: 30 Oct 20
 
Clock generator & expander module
Notes: Horologic Uter is an optional expander for Horologic Solum that offers an extra seven outputs at fixed, musically useful, divisors.
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MRP:$110.88 SAVE 17%
 1 in stock $92.39
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Noise Engineering Quantus Pax Four-Channel Transposable Precision Adder Module (black faceplate)
Cat: 739889 Rel: 02 Oct 19
 
Four-channel precision adder, buffered mult, and transposition tool
Notes: Quantus Pax is a four-channel precision adder, buffered multiple, and polyphonic transposition utility. Each channel has two CV inputs and can be further modified by the three Xpose inputs. QP is made with high quality low-tolerance resistors for unbeatable accuracy. Patch-wide key changes, polyphonic movement, mathematically derived melodies, and more are all to be had with this simple but useful utility.
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MRP:$276.53 SAVE 16%
 2 in stock $231.55
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