New releases last two weeks: Dubstep

Review: Basel-based experimental labels Amenthia Recordings and A Walking Contradiction join forces for their first collaborative release here in the form of the Flash Crash/Hack Crash EP. Both labels are known for pushing boundaries within their close-knit creative circles and this one features Agonis' heavy stepper and Konduku's whirlpool of low frequencies on the Amenthia side, while Lemont continues the low-end, tripped-out vibe. Varuna represents A Walking Contradiction and delivers swampy, slow-motion sounds in their signature style. This release embodies both labels' commitment to daring, unconventional electronic sounds.

Review: Kevin Richard Martin, known for pushing the boundaries of sound as THE BUG, unleashes his latest full-length, Machine. The album, released via Relapse, is his first solo instrumental work under the moniker, following a series of self-released EPs on PRESSURE. Each track is a sonic barrage, merging futuristic dub with crushing electronic elements, heavy bass riffs, and industrial weight that recalls his earlier work with Techno Animal and King Midas Sound. Machine takes the listener on a journey through dense, dystopian soundscapes, where each beat feels like a seismic event, making it perfect for oversized systems in sweat-drenched clubs. Tracks like 'Buried' and 'Bodied' epitomise this, with the former dropping tectonic bass lines over heavyweight beats, while the latter smoulders with industrial doom. Martin's signature "ice cold and dystopian" sound is at its zenith here, blending visceral sub-bass pressure with masterful production. It's a brutal yet nuanced record, one that demands to be felt as much as heard.

Review: Kevin Richard Martin, known as The Bug, unleashes Machine, a monumental double album released via Relapse Records. This is his first solo instrumental work under The Bug moniker, compiling earlier EPs into a cohesive, blistering experience. Known for his groundbreaking sound, Martin blends crushing dub mutations with deep electronics and metal-worthy bass riffs. Machine radiates a cold, dystopian atmosphere, as if designed for massive sound systems in claustrophobic spaces. Tracks like 'Buried' and 'Bodied' epitomise Martin’s apocalyptic vision. 'Buried' opens with a tectonic riff, while 'Bodied' pulses with an acid-soaked, industrial doom riff that feels impossibly slow and heavy. The album’s sound design, steeped in blackened textures and overwhelming bass pressure, pushes dub into uncharted, destructive territory. Drawing from his Macro Dub Infection ethos, Martin sculpts these tracks into a visceral sonic narrative, echoing his earlier projects like Techno Animal. Machine is a record that feels like a body assault through sound alone.

Review: Mariachiara Troianiello is the creative mind behind Katatonic Silentio and here she continues to explore spatial and sound design while also blending diverse forms of dub and instinctively weaving stories through her music. Her tracks and live sets are known for their meditative quality, with each transition serving a deeper, intentional purpose. That plays out here on her new EP Axis of Light, on which Troianiello presents five pieces where the drops and transitions flow seamlessly and gradually reveal hidden layers and meanings as the journey unfolds.

Review: The synergy and kindred spirit unapologetic energy between System and Rupture galvanises once again Rupture co-founder Mantra makes her debut on V.I.V.E.K's label with 'Schemes & Dreams'. Two years in the making, Mantra joins the dots between the two London crews with four spacious, groove-heavy 140 jams. Percussive, hypnotic and soulful, it's Mantra at her deepest as she takes us to places we don't often hear among the Amens at 4am. Highlights include the swampy, gloopy harmonic haze of 'Book Of Nightmares' and the dissarming Detroitian pads on the EP title track. Stunning.