New releases last two weeks: Electro

Review: With his nom de plume, producer Anoesis - returning to Cyphon Records - posits an age-old philosophical question. Are there forms of knowledge that we can access independently of consciousness? Besides perception of phenomena, and by the use of reason, how else can we know things? One answer is "anoesis", which is the reception of impressions or sensations - sensory input, pure qualia - by the brain, prior to any intellectual (aka. noetic) work being done. As a form of 'Metacognition', anoesis is innate, paralogical, and before reason; such motor inputs are exactly the kind that electro and its adjacent styles hope to simulate and stimulate. 'Vision Off' and 'Do Don't Don't Do' seem to reflect something of this latent potentiation of thought, with patterned, helical beats, and bouncy neuronal noises, seeming to represent the ludicrousness of the unconscious and somatic mind. 'New Style Of Life' just as oxymoronic - irrationally rational - proving that the dancing body also follows its own, paralinguistic form of reason; sci-fi, Forbidden Planet-style, billowing synth note ascensions blend with clacky hats and snares, representing the forward-facing yet untempered drives of such a precognitive, subjective mental state.

Review: Asymetric80 is a really versatile producer. He's proven that with several fresh EPs in recent years on a range of different labels and they have explored everything from menacing electro to dark techno via industrial and noise. This new outing on Oraculo somewhat blends all that together into something new and fresh. 'Rara Avis' opens with stomping drums and EBM synths, 'Instant Manifesto' is a metallic techno workout and 'Plenary Indulgence' layers up scuzzy noise and gothic designs into something stark and strobe-lit. 'Innocent Stigmanta' and 'Internal Tears' bring more late night terror.

Review: Bloody Mary's Alternate States Of Reality on Dame Music delivers a powerful exploration of techno's diverse sounds. Side-1 opens with 'Reality One' (Acid mix), a heavy-hitting track drenched in mid-90s acid energy. The buildup is intense, leading to an explosive release that captures the essence of classic acid techno. Following it is 'Reality Two' (alternative mix), which shifts the vibe with a breakbeat/electro twist, introducing a darker, moodier melody. Flipping to Side 2, 'Reality Three' (909 mix) brings in a more percussive and straightforward warehouse techno feel. It's a banger designed for peak-time moments on the dancefloor. The 'Reality Three' (Slam mix) remix adds a Detroit flavour, playing with tempo shifts that keep the listener on their toes. Blending different styles while keeping the energy high, this is a strong addition to any techno enthusiast's arsenal.

Review: The new four-tracker from Chicaiza through Kimchi Records is decidedly impressive, finding reams of emotive expression in a knowing, but well-wrought gaudy-trance rawness. We clock we're in for a trippy one from the off; 'Frgil Bodies' hears an opening vocal natter with the intonation of a leprechaun under the influence of some lab-bought compound; and not long before the crudest of crude yet rudest of rude drum flows ensues. Then 'Metaphorical Nihlusiions' follows with a continually janky, but frankly wicked still, tunnel-toss through noetic synth flicks and gurglingly good bass groundings, throwing shade on false nihilations in the process. The understory opens up considerably with 'Shinobi', with trophic psychic layers and bushwalking sproutings-forth, culminating in a canopied trance lead atop. Finally, 'No Way' flushes an excess of chitinous, skin-shedded beats and leftover bass nacres, depositing them on the forest floor like lap-up fruits ripe for the taking.

Review: The furthest-flung nether regions of outworld electro teem with unsung, immortal voices, yet unhazarded terrains in which undiscovered dialects remain yet unlinked to the mass. Or so it sounds to be implied on this latest more-melter, 'The First Word', from young experimental electro outfit Coduality. First released in 2022 as the result of neighbourhood friends from Minsk, Tsyd and Kayssych meeting, sharing in and relishing the alien imagos projected by their electro predecessors, their debut 'The First Word' is back by popular demand; we're unsurprised that, despite the apparent extraterrestriality of sound, the artists drew this set of productions from inspirations derived from their local environments, responding to a series of collaborative music-making experiments taking place in the countryside. Opener 'Sacred Walk' is an incredible would-be horror-sci-fi soundtrack opener, its uillean emulations and harp synths riffing against gizmo and ASMR sound effects to terrifically audiovisual effect. The three dance ensuers go from there, though not without ample grounding in the EP's must-listen introduction; the A1 truly is the highlight here.

Review: Bill Converse and Patricia land on Acid Test with more of their dynamic beat machine workouts in the form of this '380/750' EP which merges their distinct styles into an introspective, dancefloor-driven four-track workout. Recorded live at Ravitz's Brooklyn studio in just two days, the EP features raw, unedited performances that show off the duo's intuitive rhythm-making skills while drawing on Converse's 90s Michigan rave roots and Ravitz's Chicago upbringing. The immersive, bubbly, rubbery sounds are perfect blends of body music and heady synth work and cannot fail to take you deep.

Review: Cruz returns to Griffe with the new EP 'La Pasion Paga', delivering a wicked set of five elements in the form of neon-drenched electro and wearable wetware Italo. The title track throws us into an extrasensory fervour, serving visions of streaklit motorbikes burning phosphenic light trails onto our retinas, be this due to the various LED filter-cutoff stabs, flash-photo gated snares or two-tone melodic glow discharges heard thereupon. 'Music Addicted' furthers this sense of lubricious but psychotic drive, as we're continually bewitched and bedazzled by murderous murmurations and piquant flicks and guttural saws, glued by the clever working of police sirens into the mix's distance. B-sider 'Always My Illusion' finds a moment of brief respite, deploying a detuned synth xerogel that glues each otherwise sparse, janky electro element into a well-soldered prosthetic. 'Los Atajos Del Delirio' builds on similar themes of futural disillusion, yet ramps things up to yet another accelerative exponent, ending on a juddering but bittersweet note of finality.

Review: DJ Stingray 313's 'INDUSTRY 4.0' is a contemporary dazzler from the enigmatic techno artist. Seemingly at once a lament of - and an embrace of - the modern manufacturing concepts that impact and even construct humanity's contemporary self-concept, this techniciously high-octane new EP wrenches our modern psyches by the collective ear and abrades it like an existential rasp. 'Large Language Model' pummels our sono-somas with jagged electrobass hellpits and the occasional robotic voice interjection - "machine learning" - while the second act, 'Multi Functional Robotics' and 'Sensor Data', moves even less predictably, exuding aneurysms of wonky mindmelt toplines turned assembly lines gone maliciously sentient turned rogue. The music plays back like a forbidden dossier of infohazards; terrifying AI trade secrets you weren't meant to see or hear.

Review: Analog Concept Vol. 3 delivers a striking collection of forward-thinking deep techno, blending electro, acid, and sci-fi elements to push boundaries across its four tracks. Fasme opens with 'Crying Robot', a standout acid electro monster that's both raw and energetic, setting the tone with its sharp, robotic intensity. CCO's 'Solar Sail' follows, bringing a darker, sci-fi edge to the mix. Its blend of EBM and new beat creates a timeless, futuristic trip that feels immersive and cinematic. Side-2 kicks off with Unwonted's 'Frontier', a high-energy electro track laced with trance elements, adding a hypnotic, rave-ready vibe. Serge Geyzel closes the compilation with 'Flash', a heavy-hitting deep electro cut that dives into darker, alien soundscapes. Its deep techno undercurrents enhance the track's sense of foreboding and mystery. Overall, Analog Concept Vol. 3 captures a thrilling array of deep, futuristic sounds. Take a journey through techno's more experimental and atmospheric realms with this Russian label. Each track stands strong on its own while contributing to the cohesive, forward-thinking vision of the compilation.

Review: Jayse and Steve P are two DJs and producers hailing from Australia. As is often the way with music as quality and neat as this, they keep a generally low profile but their edits are deft and crispier-than-crisp, with their instrumentals - here titled simple 'Boogie A' and 'Boogie B' - sounding production-sharp enough to cut glass. Bordering on freestyle and funk, these are short slices of beat dazzlement, and also function as perfect songwriter fuel too.

Review: Killowat Hour is a collection of 90s-inspired gems that seamlessly blend new and old influences. On Side-1, LP Rhythm's 'Want Your Love' kicks things off with a nostalgic nod to prog and euro house, delivering a distinctly 90s vibe. Aida's title track, 'Killowat Hour,' ventures into futuristic techno territory, incorporating elements of new beat for a modern twist. Mance's 'Cross Reference' follows with bouncy techno rhythms, smooth melodies, and trance influences that keep the energy flowing. Other highlights include Hottpretty's 'Make Me Yours,' which takes listeners on a trancey, heady journey through early 90s techno, offering a vibrant and energetic experience. Mad Again's 'The Night' closes the collection with deep euro house vibes, adding a layer of sophistication to the nostalgic set. This compilation is idea for those who like deep house and those who appreciate the balance of classic and contemporary sounds.

Review: Maelstrom returns to Central Processing Unit for his fourth outing, and this time he's dropping his longest release yet. French electro mainstay Joan-Mael Peneau, known to many as Maelstrom, has been a fixture on the scene since the early 2000s, and he brings every ounce of that experience to his new LP, The FM Tapes. Spanning 11 tracks, this album is a masterclass in precision, confidence, and control. From the opening moments of 'Ondes Courtes', Maelstrom makes it clear that he's not here to mess around. The track offers a dark, brooding take on electro, with tight, shuffling beats and expertly layered synth work that sets the tone for what's to come. Tracks like 'Alt50ser' follow, pushing forward with mechanical rhythms and a frenetic energy that could only come from an artist with such a seasoned hand. 'La Vie Sociale Des Sons' showcases his knack for combining complex soundscapes with raw, dancefloor-ready energy, blending heavy basslines with shimmering top-end details. The album's centrepiece, 'Res 06 (feat. Fasme)', serves as a standout, bringing in an almost cinematic quality. The beats remain hard and driving, but there's a subtle elegance in the way Maelstrom weaves textures around them, creating something that feels both intense and intricate. Yet, despite all the technical wizardry, The FM Tapes never feels cold or clinical. There's a warmth to tracks like 'My Digitone', where the rhythms are precise but still leave room for playfulness and experimentation. It's this balance of meticulous craftsmanship and spontaneous energy that defines the LP and makes it feel so vital.

Review: The Berlin-based 432HERTZ crew kicks on here with a new various artists 12" packed with electro heat. Rinaldo Makaj gets things underway with the serene grooves of 'Computational Universe', which has some of the nicest snares we've heard in some time. Rickie's 'Mesosphere' is a nice off balance sound with thumping kicks and melodic bass, then it's time to get sleazy and more than a little ghetto with the raw Electric City jam 'Escape From Reality.' Pumio Space brings a little colour and playfulness to closer 'Mario's Juice'.

Review: ile Flottante is Mr. Beatnick's fith album, following 2023's Joy In Variation (including the notorious cover of 'Love On A Real Train'), and his well-received, off-beat collaboration with London-based avant-garde agitator Richard Greenan: Coasty. This is his first contribution to the International Feel trademark; the record draws its name from the national French staple pudding enjoyed on Mr. Beatnick's childhood holidays, also being a jeux de mot (pun) for "floating island". With fantasy visions of self-suspensory lands held firmly in mind, we launch ourselves into a bristling eight-track record, breezily nodding along to the rhythmic snowfall detailed on 'Crystal Snowflakes' and the impossible aerial beaches of 'Low Tide'. A truly fantastical sonic landscape; in a realm of floating landmasses, do dolphins still dance? Mr. Beatnick seems to say yes.

Review: A rich exploration of minimal and tech house sounds with a nostalgic twist. The EP kicks off with 'Istinto,' blending futuristic techno with elements of house music and early 90s bass vibes, all wrapped in spacey sounds that evoke a sense of cosmic adventure. Next, 'Aura' delivers a stomping, darker beat designed to capture attention and drive energy on the dancefloor. Side-2 features 'Potenza' which channels raw techno reminiscent of 1991, incorporating trance elements for a nostalgic feel. The track's energetic vibe and vintage touches make it great for old skool sets. 'Essenza' ends the EP with a great groove and atmospheric feel good melody. A devastating blend of beauty and brawn. Dynamic, engaging tracks that will resonate with techno enthusiasts.

Review: Objekt reintroduces 'Ganzfeld' on his new Kapsela label, marking a decade since its release. The track, originally the B-side to 'Hypnagogia' on Leisure System in 2014, stood out in the electro/IDM landscape with its 147bpm tempo and blend of deep drum patterns and an energetic bass solo. Despite its unconventional speed, 'Ganzfeld' quickly gained recognition, including Resident Advisor's Track of the Year. Ten years on, Objekt's decision to reissue feels well-timed. The musical world has evolved, with genres shifting and new producers expanding on Objekt's work. This reissue presents 'Ganzfeld' to a new generation of listeners. It features remixes that extend the track's scope: Djrum offers a ten-minute multi-genre exploration, Piezo builds tension at 80bpm before doubling the tempo, and Ulla deconstructs the original into an ambient landscape. The reissue of 'Ganzfeld' affirms its ongoing relevance in electro and IDM. These remixes showcase the track's adaptability across different styles and eras. As Objekt launches Kapsela, 'Ganzfeld' serves as a link between his past work and future directions in electronic music.

Review: Roll out the linoleum for breakdancin' in the streets to Soul Jazz's expertly curated Electro Throwdown: Sci-Fi Inter-Planetary Electro Attack on Planet Earth 1982-89. The compilation documents a distinct period of prolific creativity and sonic futurism, delivering thirteen body-rockin' classics, obscurities, and deep cuts from the '80s. Leading the charge is Professor X's 'Professor X (Saga)', outlining his self-referential bodypopping beat manifesto in sound, while certain other emblematic come procured by originators like The Rickie Clark Company, Jonzun Crew, Mo-Jo, The Troids and Jazaq. Harking to a time when the only prerequisite for rocking a crowd was a TR-808 and a sense of groove, we're more than happy to be beamed back.

Review: Soul Jazz Records' Electro Throwdown - Sci-Fi Inter-Planetary Electro Attack on Planet Earth 1982-89 is a thrilling expedition into the farthest corners of electro music. This collection captures the raw energy of the 1980s, highlighting mostly private-press and indie label gems that are also rare. With iconic vocoders, Roland TR-808 drum machines, and infectious grooves, these tracks embody the era's cutting-edge electronic sound. Aside from a few familiar names like Michael Jonzun's Jonzun Crew and The Packman, the album shines a spotlight on lesser-known pioneers such as Pretty Tony, Planet Detroit (aka Maggotron), and Rich Cason. These underground innovators helped define the electro scene across the U.S., from Miami to New York and Los Angeles. Each track showcases the futuristic, funk-laden spirit of the 80s electro boom, making this compilation an essential ride through sci-fi-inspired, beat-driven landscapes. It's an indispensable time capsule for any electro aficionado.

Review: The iconic Total compilation series returns with its 24th installment, continuing to set the standard in techno music. This year's edition offers a diverse and engaging lineup that celebrates the genre's rich history while embracing fresh sounds. Tee Mango opens with 'So In Love,' a track that revives the minimal funk of early Kompakt days with a touch of English charm. Reinhart Voigt's 'Der, der mit dem Gummiball sang (Orange)' features an eclectic mix of animal sounds, adding an unconventional twist to his trademark style. Jurgen Paape's 'Chee-Caruso' blends Rhenish joy with tropical flair, creating an upbeat and whimsical track. Rex The Dogs 'Laika' pays homage to the first dog in space with its bleepy, nostalgic vibe. Michael Mayer's 'Urian' is a playful nod to his love for crossword puzzles, while Jonathan Kaspar's 'Are You' captures the vibrant spirit of Cologne's nightlife. Sascha Funke's 'The Heck' honours German showbiz with its trippy electro beats, and ARGIA's 'Love Keeps You Running' combines groove and pop in a heartwarming fusion. Jorg Burger's psychedelic contributions and Wasserman's fairy-tale-inspired track complete this eclectic mix, making Total 24 a standout in the techno landscape. Another great edition by one of the longest running and most successful techno labels of all time.

Review: Kompakt's Total 24 compilation is the nest episode in the label's amazing series. This cd version opens with Hamburg's Ada remixing Heiko Voss, followed by Jurgen Paape's vibrant 'Chee-Caruso.' Newcomer Deer Jade delivers the frolicsome house track 'Jukurpa,' while Jonathan Kaspar's 'Are You' captures the euphoria of his DJ sets. Hardt Antoine impresses with his dynamic style, and Sascha Funke pays homage to German showbiz with 'The Heck.' Tee Mango joins with his unique sound, and Joyce Muniz teams up with Sara Blum for the uplifting 'Beats & Lines.' Gui Boratto collaborates with Darren Emerson on the captivating 'The Shell,' and Rex The Dog offers the heartfelt 'Laika.' Raxon's 'Beskar' showcases his Star Wars inspiration, and David Hasert and Nicone's 'Wasting My Time With You' is a highlight. Reinhard Voigt's quirky 'Der, der mit dem Gummiball sang (Orange)' features various animals, while Argia's 'Love Keeps You Running' blends groove and pop. Wassermann's track concludes the compilation with a touch of Arabian Nights magic. Total 24 is a diverse and engaging collection that exemplifies Kompakt's ability to curate exceptional electronic music.