Review: Paris talents Armless Kid and Aes are back together sharing a hot slab of wax for the Luud label. Yes takes the a-side and gets us underway with deep cosmic house and sauced out breaks of jazz-tinged gem "Jhonedo." "WAYD" ups the ante with fluttering sheet metal snares and ticking hits that ride over bumpy kicks for a truly sci-fi adventure. Armless Kid goes for a scintillating techno cut with warped acid and manic percussion working you into a lather on"603" then a wonky house kicker on "604" that will unhinge any club.
Review: Marco Pellegrino is Ancut, and here he make his debut on Wicked Bass with more fresh cuts that show off his ever evolving style. His opening statement is a strong one that finds him making his machines really dance - the drums are bumpy, the pads soulful, but there is a lithe looseness to the whole thing that stands it out. After "Sinergia", "Renaissance" is a more wonky late night tech house workout with twisted pads and spinning hi hats underpinned by double kicks. Innershades remixes with a slick Chicago energy and analogue hits, then "Stasis" trips you out with bubbly acid lines, smeared pads and the sort of dreamy emotions that capture your imagination at 4am.
Review: Turin techno stalwart Andrea has been serving up slabs of goodness on Ilian Tape since way back in 2012, though "Ritorno" is remarkably his very first full-length excursion. The 12 track set is far more varied than his fine club-focused singles, with the Italian variously turning his hand to swelling, Global Communication style ambient techno ("Attimo"), ultra-deep breakbeat dreaminess ("SKLYN"), melodious, jungle-influenced IDM ("LS September"), bassbin rattlers ("TrackQY", the skittish brilliance of moody roller "Reinf"), dreamy soundscape techno ("LG_Amb"), angular fusions of bass music and dark Italo-techno ("Drumzzy") and picturesque ambient dub slow jams ("Twin Forests").
Review: Strap in for a wild techno ride on the first ever offering from Psionic. The new label kicks off with an EP from Astral Travel. The aptly named artist reaches for beyond the event horizon on "Sky's The Limit", with its punchy kicks and relentlessly wobbly bass. "As One" gets into a nicely mechanical groove built on stomping kicks and rigid synth movements that make for perfectly robotic funk and the trip closes out with "Orbiting." With its urgent drums that are smooth and silky and serene synth work, it's one for peak time techno cruising.
Jared Wilson - "Lynnwood2 Northgate Transit Center" (6:39)
Sohrab - "Sinking" (6:42)
KCLF - "Reloaded 9615" (4:17)
Review: Undersound Recordings hit release number 15 with a various artist EP that packs four vital techno punches. Audio Quest's "The Mental Screen" kicks off with some old school techno that recalls the sound of legendary Dutch label Djax-Up. It's filled with metallic snare sounds and deep space bleeps. Jared Wilson of course brings the acid that has defined his output for years, and Sohrab get busy with a kicking number and some busy melody patterns. KCLF closes out with twisted bass and shiny chords that look back to go forwards with "Reloaded 9615".
Review: When Braik made his debut earlier this year with an EP of retro-futurist breakbeat/tech-house/techno fusions, it was released on the most unlikely of formats: a CD-ROM. We suspect he'll get more praise and plays for this follow-up, which marks his first appearance on wax. There's much to enjoy throughout, from the chiming, acid-flecked deep breaks shuffle of opener "Breakund", to the funky acid bass, psychedelic electronics, creepy melodies and snappy house beats of closer "Jack O'Lantern". Sandwiched in between you'll the bold synth-string stabs, squelchy alien bass and jacking drums of "Intentos Fallidos", as well as the funky, sharply defined 21st century electro shuffle of "Buildin".
Review: When Eric Prydz fancies offering up some forthright, warehouse-ready techno, he fires up the Mouseville label and dons the Cirez D alias. Clearly, he's in a rave-igniting mood right now, because this two-tracker is the first Cirez D outing - and Mouseville release - for almost two years. There's a definite "massive room" vibe emerging from A-side "Valborg", where decidedly foreboding lead lines and ghostly chords ride a chunky, Drumcode-friendly techno beat. The saucer-eyed, hands-aloft "festival techno" feel continues on flipside "The Raid", which cleverly peppers a house-tempo rhythm track with the sort of raw, razor-sharp riffs more often found in neo-trance productions.
Review: There's no doubt that Suara is one of the most popular techno labels in the world at the moment, with boss man Ivan Ramos aka Coyu heading up the imprint out of his Barcelona headquarters - accompanied by a large clowder of felines. Ramos takes charge of proceedings for the third edition in its special vinyl edition series titled 'Post War Era', featuring the thumping and syncopated tribal funk of "Newoldgen" which calls to mind golden age classics by the likes of Oliver Ho and Ben Sims from wayback when. On the flip, you've got the futuristic peak time banger "Descontrol" which is something more familiar of his usual style, and finally the pummelling mentalist tunnel vision of "Altered State" which must be fully realised in a dark warehouse under the strobe lights.
Review: Following a few fine outings on PARTOUT and Pressure Traxx, Cedric Dekowski makes his first appearance on Frankfurt imprint Traffic. The Offenbach-based producer kicks things off with "KBU", a fine fusion of off-key, modular-sounding electronic motifs, simmering melodies and a rhythm track that's arguably closer to house than techno. The feeling that he's really exploring the techno end of the tech-house spectrum intensifies on acid-flecked flipside opener "Glischfort", whose combination of squelchy acid bass and minor key stabs is undeniably alluring. Dekowski's 'all-rounder' status is confirmed by weird, dubbed-out closing cut "Diffused Slap", a bass-heavy excursion rich in minimal techno style drums, jazzy electronic flourishes and all manner of wonky noises.
Review: A sticker on the front of this 12" from Brussels-based Basic Moves proudly proclaims that 100 per cent of sales royalties will be donated to charity. It's a nice move and one that should guarantee that the record is taken even more seriously. Like much of the label's output, it boasts self-styled "outsider club music", this time from Casablanca-born DJ Booth and label co-founder Walrus. DJ Booth handles side A, first romping his way through a bleeping, intoxicating, peak-time techno club jam ("Defaulted (Industry)"), before reaching for the breakbeats, deep electronics and electro shuffle on the superb "The Door". On side B Walrus takes over. "Can't Get New Shoes" is a bubbly, acid-fired chunk of electro/techno crunchiness, while "Free City Light" is notably deeper jazzier and way more melodic.
Review: After a break of four years in which he flirted with other labels - most notably Ekyspia - extended UR crew-member Mark Flash is back on long-time home Underground Resistance. As you'd expect, he hits the ground running with EP opener "Audiofluid", a suitably out there and intergalactic techno number high on sturdy, electro-influenced beats, foreboding riffs, tweaked acid motifs and some suitably sci-fi electronics. Flash next delivers a talbox-laden "Tuneup Beats" version for those who just want to revel in rhythm, before paying tribute to the warehouse-ready, late '80s KMS sound on retro-futurist EP highlight "Synthetic Bump". Rounding things off is "Liquid Drive", a fizzing and clattering affair that explores similar sonic territory as the fine title track.
Review: Monnom Black welcome back Fractions for more of their sonic disturbances, will acid and rugged techno weapons. For those who like hard edge, brain frying sounds with an instant impact these are perfect tunes: "NITE NRG" has a prowling synth and dystopian vibe that is impossible to escape, while "Do You Believe" is a twisted and distorted techno stomper that will make your fists and teeth clench. "All The Streets Are Silent" sounds like it is straight from Wipeout in the original Playstation console and "Hive Mind" then explodes over and over with maximal drums driving it along.