New releases last two weeks: Coldwave/Synth

Review: Originally released in April 2017, this is a reissue that reaffirms the album's pivotal role in modern darkwave. Crafted by Sydney-based Marc Dwyer, Chroma pulses with a brooding energy that fuses stark minimalism with unexpected pop leanings. Across its runtime, jagged synths and relentless drum programming frame a series of emotionally charged compositions, each one dissecting states of isolation, longing, and inner turbulence. Far from being just a genre exercise, Chroma pushes the boundaries of synth wave and post-punk, threading glimmers of melody through layers of tension and shadow. Dwyer's delivery is cold and commanding, yet there's an underlying vulnerability in how he constructs each track, always rooted in personal reflection but never static. The production is raw but intentional, giving it an immediacy that still hits with force today. Since its release, Chroma has gained a cult following, inspiring peers in the darker corners of electronic music. With two additional albums and several international tours under his belt, Dwyer has grown into a spectral mainstay of the global goth underground. The long-awaited reissue brings Chroma back into circulation where it belongs. Restored, relevant and just as magnetic as it was eight years ago.

Review: Silver Tears is the new project from Berlin-based artists Luca Venezia of Curses fame, and Damian Shilman of Skelesys. After debuting in 2023 with a standout track on Next Wave Acid Punx Deux, the duo returns with their self-titled full-length album and it features eight tracks of refined, beat-driven coldwave that are all layered to perfection. Deep bass, shimmering guitars, mechanical drums, and haunting baritone vocals. Blending dancefloor energy with introspective moods, it draws influence from 90s shoegaze and grunge. Their sound pays homage to the goth subculture while proving its continued relevance through a compelling mix of elegance, darkness and emotional intensity.