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New releases last two weeks: Minimal/Tech House
Minimal/Tech House vinyl released in the last two weeks
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Review: Montevideo mainstay Alejo steps up for his debut on System Error's Flow series with the '1984' EP , a sharp, floor-feeling statement from an artist who both stands out in and defines the Uruguayan figure-ground. As co-founder and resident of the long-running Emile Club, Alejo's instincts run deep, and here they come sluiced though a new channel: four tracks, from '4to En Discordia' to 'Rkr1', offering snarling low-end pressure opening out to estuaries of wiry electro wades. Raw, punchy and tightly engineered, it's music that speaks with the verve of someone who's lived the scene from inside and out the booth.
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Review: Following the success of his 'City Smile' EP, Aleqs Notal is back with more ear-piquing goodness in the form of this latest boundary-pushing vision. The EP is said to be unified by a central theme of self-acceptance and covers plenty of ground, from the deep and meditative essence of Chicago-inspired 'Pain Of Truth' to the more loose 'Talk' Em Down' with its snaking bass and eerie chords. 'Crushin'' sits somewhere between the two, with analogue textures and a firmly rooted groove forming the foundation for percussive and synth layering. 'Instant' has brilliantly pinging 909s and humid chords. This is Aleqs Notal at his most expressive.
… Read morePlayed by: ALEQS NOTAL
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JUUZ 005 (12")
Cat: JUUZ 005. Rel: 05 Jun 25
Review: Juuz out of Hungary continues to break new ground as it lays out its sonic identity with another tasteful various artists EP that roam free across the minimal world. Silat Beksi & Fedo get things underway with the heady but also playful and cheeky sounds of 'Porque Tu' before Minube's '909 Things' is a textural blend of found sounds, great sound designs and perfectly rubbery, dubby drum kicks. Daniel Broesecke's 'No Name' then gets more dark and down and dirty with a stripped-back mix of caps and bass that is pure backroom. Chris Llopis shut down its trippy sine waves and spinning hi-hats from the classic school of minimalism on his 'Manipulator.'
… Read more in stock $19.60
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Review: Released by a Kyiv-based label run by Noizar, this EP serves up a potent mix of minimal and tech house with futuristic flair. On Side-A, 'Ease Your Mind' by Borys offers a mesmerising minimal groove, blending techy, robotic beats with funky, spacey elements. The track's otherworldly vibe creates a hypnotic atmosphere, perfect for both laid-back and deep dancefloor moments. On Side B, 'Los Demeteros"' by Yzer is a heavy stomper, featuring a crunchy bassline that drives the track forward. The eerie, alien melodies lend an unsettling, yet quality to the track, making it feel both futuristic and rooted in the past. The dynamic composition of 'Los Demeteros' draws listeners into its depth, while maintaining a solid, danceable energy throughout. This release is a stunning journey through minimal and electro-techno, showcasing the unique sound of Kyiv's underground scene.
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Review: Carriego reemploys early Detroit techno and 00s minimalism, crafting a piezo powered four-track journey consisting in deeper, supersawed atmosses, and spanning electro to new wave. 'Hazard' sets a tense mood, while 'The Bridge' swells and quells pads and hip breaks voxes. 'Curtain Call' weirdens things, with popcorn string plucks piling on pylons of tension, while 'Seems Like' concludes on a snappier, momentous hush-hush. It's the fourth EP so far from the Frenchman, and an impressive one at that.
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Review: Belfast-born producer Cromby lands on Life and Death with a slick three-tracker that balances punchy house pressure with wide-eyed euphoria. The lead cut, 'I'm Coming Back', is a collaborative jam with vocalist NiKi K, all soaring pads and ecstatic vocal phrasing-pure serotonin with a subtle edge. Known Artist then flips it into a tense, club-focused version, peeling back the gloss in favour of moody propulsion and tight, broken drums. On the B-side, 'One More Time' hits with a grinning sense of peak-time mischief, full of springy basslines and bright melodic licks. It's a confident and cleanly produced record that toes the line between emotional release and practical dancefloor function-perfect for high-pressure sets and outdoor moments alike.
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Review: Kiria Records drops a sleek EP here from Romanian DJ and producer Direkt, who keeps it refined with minimal grooves and deep vibes. The title track, 'Vintage A,' opens with classy synth work and crisp percussion, setting a hypnotic tone and Cally's remix follows with a stripped-down, razor-sharp rework ideal for subtle transitions and after-hours sets. Flip to the B, and 'Best Kick Forward' lives up to its name and is driven by bold basslines and forward-moving momentum. Closing track 'Fragments' floats on airy textures and intricate rhythms, so it leaves a thoughtful and lasting impact. A polished, versatile EP built for selectors who like it deep.
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Review: Punctuality's fifth release introduces Irish producer Drua and his high-energy new EP which blends late-90s and early-2000s dance influences with smart modern production. Drawing from contemporary hard house, the four tracks feature punchy basslines crafted for massive sound systems and packed dancefloors. Opening with the refracted vocals, M1 organs and rushes of trance euphoria of 'UP,' Drua then goes all prog-hard-house with catchy vocal hooks and skippy bass on 'Job 2.3.'. 'Nightfire' then brings a deep house twist perfect for peak-time sets, while 'Arch In Ur Back' closes with breakbeats and party vocals. Fun, effective stuff.
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Review: REPRESS ALERT!: Few labels do minimal as well as Trelik and in terms of artists, Edward is also as good as they come right now. This perfect pairing opens up with the deeply alluring 'Time' with its woozy pads and smeared chords over warm and rubbery drums. It's a hypnagogic affair then 'Vacuum Tube' has a more menacing air thanks to the wispy and unsettling synth details and clunky hooks. 'Watch Out' brings a more spangled and rubbery rhythm that has colourful details peeling off the beats and last of all, 'Stream' ups the ante with some thudding deep house and widescreen ambient synth work.
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Review: Three Es would be some trip, and EEE also symbolises guaranteed good times in the club. The mysterious label and eponymous artists keep on rolling out essential tech and minimal cuts that are smartly designed and authentic, but also with anthem potential. Maybe that's why each one is a one-sided 12", to really allow the tune room to shine. In this case, dusty drums with a hint of garage swing and shuffle are paired with melodic baseline motifs and colourful synth patterns. It's a good time groove with plenty of heart.
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Review: German techno DJ and producer Tim Engelhardt takes a bold steps toward ascendant progressive techno with 'My Joy', his latest for Habitat. Nodding to the many sun-drenched euphorias personally experienced in Ibiza, this is a true live-it-up house record. Panned organs and subtle vocals take centre stage on the A1, while the B 'Love Triangle' complicates things with a beachside love involution. Midway moment 'Take Control', meanwhile, marks the record's pivotal shift from organ-led emotion to a percussive lock-in.
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Review: New label klaxon! Jus De Rose mergers form the ever-fertile Romanian scene with a first EP from George Gavanescu aka Floog, a minimalist who has put out some 24-odd EPs in less than a decade. His very firm grasp of dacenfloro dynamics is laid bare here with 'Not A SOS' kicking off with a soot-black post-punk energy, rugged bassline and slapping drum funk. 'Talo Bisco' twists cold wave and synth energy from 80s Eastern Europe into a slapping tech house workout and 'Intamplarea Din' is a more stripped-back thumper with a warped bassline and hurried drums that will lead to plenty of weirded-out moments. 'OMB 3' is another proto-techno experiment with cold analogue drums, 80s synths and dehumanised vocals.
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Third Stream 007 (12")
Cat: THIRDSTREAM 007. Rel: 03 Jun 25
Review: The good early work of the Third Stream label carries on with this seventh missive and it's a various artists affair featuring some top talent. Alex Font gets things underway with 'Keep Moving', which is aloof, rolling minimal tech defined by a billowing lead which does what it wants. Kyle&Sam's 'Chapter 36' is an ice-cold and deft, steel-plated tech cut a la Melchior's best and Altarf & Backhauser -keep the synthetic, abstract aesthetic going with their occult machine whirs and loopy drum funk on 'Yeah.' Dumi & Nopau's 'Time Measurements' is like a long-lost Ricardo Villalobos cut from his most famous album.
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Loxton EP (12" limited to 100 copies)
Cat: TOS 010. Rel: 16 Jun 25
Review: Sub Basics's Temple Of Sound is back with new music from Henry Greenleaf who appears under his new moniker, Greenteeth. It is a project he is clearly using to cook up smart back room minimal sounds going off this evidence: 'Loxton' is a slow motion and prowling groove but one with deep, menacing bass and nice louche percussion. 'Jungle Love' is another subversive sound with a snaking rhythm and dubby low ends, dusty hi hats and late night mischief. Last of, 'On & On & On' plays out over all of the flipside with shuffling drums that are light and airy and topped with wispy drones. It's delightfully hypnotic.
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Review: Jori is Jori Hulkkonen, the long-time Finnish artist who has mastered dub techno depths many times over. Here he gets more minimal and tech-inclined with the seance outing on Gorin, but very much keeps his signature dubbed out low ends. 'Chroma' is masterfully smooth and silky, with deft hi hats and lithe synths making for sweet and seductive loops as some nice synth work layers in the narrative. 'Quelle' is another impossibly cool and breezy deep tech glider with hints of old school West Coast tech. 'Citrone' is the final original and another super stylish deep minimal tech fusion. The Track & Trace New Friends mix reworks the drums to land with extra pillowy softness.
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Review: Acid tests, in a scientific context, refer to metallurgic processes whereby the chemical composition of metals are analysed in order to determine their makeup. We can't place exactly when the term was co-opted by artists of the acid techno movement, but we can certainly attest to this acid test's besting of several other lesser litmuses in the micro-genre. ITWS have found a gem in Ilario Liburni, a mainstay of the Italian audio-alchemic underground: 'I Don't Tip' and 'The Acid Test' provide twin minimal acid, with psychedelic ad-libs sure to make even Timothy Leary blush, while isotopes from TIJN and The Wizzard heighten the base compounds' corrosive intensities. A well assayed assault on the ears, well suited for those hazarding another lysergic dabble.
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Review: Sometime Trauma Tribe and Spy vs Spy member Christian "Chris" Lloris is now two decades into his production career, though remarkably it has been 12 years since he last released a solo EP on vinyl. 'Echo Ridge', which also marks his debut on Lisbon label Satya, is therefore a long-awaited return to wax. He begins in confident mood with 'Ministrone', a fine fusion of lolloping tech-house grooves, spacey electronics and deep house flourishes, before delivering a chunkier and more bass-heavy slab of trippy tech-house with oddball samples aplenty ('Echo Ridge'). Over on side B, 'Mod Squad' is smooth, squelchy, quietly funky and delightfully off-kilter, while 'Snares Don't Care' is a more hypnotic, spaced-out and bass-heavy affair that's perfect for those "locked in" early morning moments.
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Review: Future garage via techno excursivenesses by new producer Loopdeville, whose name sure does sound like a place we'd like to live, London having failed us as of late! On deep purple vinyl first comes 'Celestial Quest', an interstellar undertaking handled with remarkable ease, with little so much as a flickery garage beat and ruminant chords making mellow light of light years. Mihai Pol amps up the danger factor with rogue chord asteroids threatening to pierce the hull; and B-siders 'Nosy Fella' and 'Moonlight' both swerve tactile, with their concussive percussions and vocal murmurations, resounding like unconscious inner workings of the spacefaring mind.
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Review: Vinyl only record label Purple Print mark an impressive selection with 'Lanao Izany', a fresh EP from the Hungarian artist Daniel Meister, whose snappily produced but well-balanced mixes help bring a reinvigorating freshness to the easily mishandled world of minimal tech. We're not sure what "lazao Izany" means, but the track *is* zany: unmistakable synth santoor and crying vocals make for a mournfully mobile mix on the A track. Meanwhile, 'Delight' and 'Different Places' continue to goosebump us with low bandwidth static SFX and relentlessly snappy hits.
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Review: Mystic Bill (real name William Torres) has been making music in Chicago since the late 1980s, though it's only since the mid 1990s that his records have been appearing in stores. Here he makes his bow on Rawax offshoot ChiWax with a set of cuts loosely inspired by the long-held Windy City trend of fusing elements of jacking house and jazz. He begins in typically forthright fashion on 'Pitmaster Ritual', where jacking acid house drums are overlaid with spacey synth solos and jazzy electronics, before unfurling the chunkier and more locked in, organ-sporting shuffle of 'We Play Jazz'. Over on side B, '4 Paul' is a wholehearted tribute to sadly departed Chicagoan house great Paul Johnson, while 'This Side of the Tracks' is deeper, warmer and altogether weirder in the best possible way.
… Read morePlayed by: ROTCIV
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Review: A Beautiful Place label founder Noha (who is also head of Panick Panick) opens his new True Mirrors EP with its title track, which blends airy atmospheres, shimmering stabs and a buoyant bassline with crisp percussion into a vibrant, dancefloor-ready groove. Next, 'Royal Objects' dives deeper, layering ethereal pads, swung drums and processed spoken word into a richly textured composition. On the flip, 'Ghost Life' delivers warm, resonant synths, dubbed-out vocals, sweeping chords and saturated drums for a late-night feel. The EP closes with 'Over and Over' channelling early 2000s microhouse with raw, minimalist drums, deep sub-bass and warped synths. It's a pensive trip.
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Neurogenesis EP (12")
Cat: PLAS 001. Rel: 06 Jun 25
Review: Plasticity Records launches with a bang on its debut release, which is a various artists offering with our fierce and floor-ready tracks. Nulek & Roto open with 'Eternal Space,' a shadowy techno-electro hybrid laced with eerie vocals, then Flhez follows with 'Study Nights' stylishly channelling Uruguay's deep-rooted rhythmic heritage through gritty analogue texture. On the B-side, Mar.C drops 'Not Normal,' a pounding EBM-inflected banger built for dark rooms and late hours. Closing things out, Acid Charlie brings warped percussion and twisted structure on 'Nuclear Era,' which makes for a fractured, futuristic workout. A bold first statement from a label with serious potential.
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Review: With more than two decades of output behind him, French producer Okain continues to carve his own path through the deeper ends of dance music. On this latest EP, he folds elements of acid, sci-fi and Goa trance into a rich and forward-moving four-tracker. The experience leans much more toward interstellar techno exploration. 'Acid Spin' kicks things off with propulsion. It's not overly fast, but the drive is undeniable. Electric squiggles and sharp synth lines dart across a steady rhythm, giving the track an urgent yet sleek atmosphere. 'EPR Paradox' is just as tightly produced, letting its groove build gradually with layers of texture and restraint. On the 2nd side, 'Wavefunction' drops into a swirling, cosmic descent. It feels like tumbling through a wormhole, where the lines between gravity and sound begin to blur. 'Computing Force' rounds off the journey with a deft hybrid of Goa trance energy and techno structure. The melodies shimmer with a nostalgic rave glow, yet everything remains clean, spacious, and functional. Altogether, the EP is a bold statement from a veteran still pushing boundaries. It's deep, physical, and built for futuristic dancefloors. This EP could change minds when it comes to what psy-trance is...
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Electronic Wave Function (limited 180 gram vinyl 12")
Cat: MOSAICDBS 03. Rel: 02 Jun 25
Review: You might think that Yassin Omidi is a newcomer, but in fact it is the new-coming of an already accomplished and respected head who now delves deep into the world of dub techno on Steve O'Sullivan's Mosaic. The beatless 'Sluder Dub' is coated in heavy fog and static with conscious vocal musings and the roomiest of chords landing with great drama and tons of echo. On the flip is another analogue sound that features buffed metal dub chords, classic effects and a shapeshifting ambient hiss. It's dramatic despite being such a minimal piece.
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Review: After a short hiatus, FA>lE Records is back with a new offering that reminds us what made the label so vital. Podime is behind it and makes a heartfelt nod to the early 2000s UK tech house scene by channelling the spirit of pioneers like Nathan Coles and Terry Francis. Each track brings tight grooves, swung percussion, and deep, funk-laced energy that defined the golden days of Wiggle and The End. 'Idnina' is a nice early evening cruiser, while 'Sonouede' brings a party vibe with its soul samples and shimmering synths. 'Fiasco' is a more triable tinged effort with layers of jumbled percussion and 'Sample Abuser' strips it back to late night dreaming with undulating drums for the heads. Proper UK flavours.
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Pattern Gardening (12")
Cat: WSDMLP 009. Rel: 12 Jun 25
Review: With Pattern Gardening, London-after-Leeds imprint Wisdom Teeth yank out an extra gnasher we didn't know we had. As has always been the case, label heads Facta and K-Lone could be said to have curated and curetted a new compilation from the joint dentist's chair, exacting a 22-track root canal with periodontal precision, nearly doubling the size of their V/A ambit since 2024's Club Moss. But on this selective six-track sampler for wax, we've only a further sanding down of a much larger minimal, micro and tech house selection; here's gummy textures and maxillary moods by Polygonia, rRoxymore, Lurka, Sub Basics, and newcomer Jichael Mackson. Clarity and sound design are top priorities, as is the ideal of whitened teeth flashed by the poolside. Snappy, Rhodesy, watery.
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Review: Demi Riquisimo and The Trip join forces to launch Tessalicious, debuting a collaborative project, splitting partly off from the former artist's own Semi Delicious imprint. The new four-tracker evidences a shared talent by the pair for producing a twisting, winding dance finesser mood, blending melodiousness and functionality so that we almost can't tell the difference between them. Intended to captivate festival-goers, the likes of 'Don't Go Away' and 'Rock The House' offer sensorial and distant vocal samples, though their rare audible moments - "how do you say... you're gorgeous!?" - manage to leave us feeling all fuzzy inside.
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Cat: UAR 020. Rel: 02 Jun 25
Review: Norm Talley's Detroit label Upstairs Asylum comes through with another various artists gem here: Gari Romalis kick off with the sort of smoky house depths you always expect from this imprint. 'Electronix (I'm Ya Dancer)' is dubbed out but dynamic, then G Major's 'Metro To Downtown' brings an injection of soul warmth and percussive looseness. Chuck Daniels & Hazmat Live's 'I Want You' is a darker, more heads down affair with freaky vocals and digital synth patterns over gritty, US garage styled low ends. Max Watts then cuts loose with the undulating dub techno depths of 'Velocity' to round out a varied EP.
… Read morePlayed by: Superbreak
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Review: REPRESS ALERT!: As Soul Capsule, Baby Ford and Thomas Melchior made some of minimal techno's most accomplished records. It has been many years since they stopped turning out new material - sadly - but their archive tracks are still in hot demand and undeniably relevant. While 1999's 'Lady Science' might be their most famous offering, this EP from 2001 on Aspect Music is no less vital and it will currently cost you well over L250 on second-hand markets. It is Ford's Trelik label who reissues it here in all its glory: the entirety of the a-side is taken up with 'Law Of Grace,' a delightfully deep and breezy minimal dub house roller with pensive chords draped over the frictionless drums. 'Meltdown' has a more experimental feel with brushed metal drums beneath a wordless vocal musing. The cult 'Lady Science' (Tek Mix) is also inched with the whole package being remastered by D&M to make this one utterly essential.
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Review: Martyn Hodgson (Tijn) and Daines (real name not known) have been mutually favourite collaborators within the experimental minimal techno scene in London since at least 2019, when the pair first crossed streams for Moss Co's eleventh for the 'Archway' EP, dedicated to the unmistakable North London district. Then came 'Aesthetic', a black vinyl interloper with revolutionary undertones, and now finally in 2025 comes 'CVS 008' for Curtea Veche, the voltage controlled UK outfit named after a Wallachian-Romanian palace built in Dracula's time (yes, that Dracula). On 'So Mad At You' and 'Excuse Me', we hear dreamy and fog-filled orbs of sound float before our ears, emitting juts of twiglike percussion and sheet metal gong sounds, worked around studious oneiric beats and swirling, timestretched vowel sounds.
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Review: Russian Tripmastaz is back with more devastatingly effective tech house that's infused with a touch of minimal, dub and garage. The prolific producer really knows how to tap into the dancefloor with his tunes and this one shows that from the off as 'Politics As Usual' sucks you in with a nice deep, loose groove that's lit up with singing leads. A dub mix pairs back some of the synths to allow the cavernous drums to shine and then 'Coffee Smack 4 Dat Azz' gets more raw and direct. 'Scarp' shuts down with physical drums and squiggly acid that bursts out of the speakers.
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Review: Interdance impressed with its first couple of forays onto wax and now its third release packs in more fresh talent from South America's underground. On the A-side, Buenos Aires' Vinz delivers two standout tracks: 'Instinto,' a raw, trance-tinged techno trip straight from 1992, and 'Transradio,' which is a cinematic journey with pounding drums and acidic synth lines burrowing deep. Flip to the B-side for Uruguayan producer Juan Dairecshion's deeper, more hypnotic sound on 'Rebel Rebel,' which rides a steady four-on-the-floor pulse, while 'UR Love' dives into murky, Detroit-inspired territory with eerie vocals and twisted melodies inspired by the group name-checked in the title. A bold, mind-bending four-tracker built for serious late-night floors.
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BODOACEVA 004 (12")
Cat: BODOACEVA 004. Rel: 10 Jun 25
Review: Bobby Donny's ongoing ACE series of vinyl releases has thus far delivered some genuine deep house treats. This is particularly true of the Dutch label's sporadic, compilation style EPs, which tend to showcase tracks previously released on digital-only EPs. There's plenty to set the pulse racing on EP number four, with highlights including two fine collaborations between label founder Frits Wentink and fellow Amsterdam scene stalwart Malin Genie (the sub-heavy peak-time bounce of 'Ambrosia' and the techno-tempo hypnotism of 'Exopaq'); the ultra-deep two-step house shuffle of 'Comet (Deep mix)' by ZZ Banks; the Italo-house influenced colour of Clovis Chilwell's 'Don't Let The Night End'; and the deep, hazy and dubbed-out brilliance of 'Slow Burn' by Rico Scott.
… Read more in stock $16.79
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Review: With nearly 20 releases under his belt, this seasoned German producer delivers a strong techno EP that fluidly bridges multiple styles while maintaining a cohesive, forward-facing vision. Drawing from techno, tech house, electroclash and even breakbeat house, the EP moves with confidence and a subtle experimental streak. 'Klobb' starts with a sleek and sleazy futuristic edge. Its dark, pulsing rhythm and eerie melody create a fun-but-serious mood. 'You're Slipping Away' follows, diving deep into EBM and darkwave-inflected territory. It's a relentless and commanding track. 'Hush' flips the energy on its head, a welcome slowdown that leans into downtempo vibes. The B-side has 'Am I Making Sense', a bold techno cut with pristine sound design and a sense of urgency. It's big and atmospheric, with drums that punch through the mix cleanly. The EP closes on 'Rana Temporaria', a track that combines dynamic groove work with melodic tension and a slightly edgy twist. An ideal closer for a set or a record that resists easy categorisation. A confident, genre-fluid EP with some versatility too.
… Read more in stock $19.33
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Tia (reissue) (limited 180 gram purple vinyl 12")
Cat: RV 04P. Rel: 06 Jun 25
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