Back catalogue: Leftfield

Review: If you don't know the backstory then Fred Again and Brian Eno being on the same record might seem rather unlikely. One is an ambient innovator and long-time musical wizard who has worked with the like of David Bowie on his most seminal albums, and the other is a dance music powerhouse who has turned out plenty of pop hits under his own name and worked on even bigger ones with stars like Ed Sheehan. But as a youth, Fred was mentored by Eno, so there you go. Together they fuse their respective sounds perfectly - Fred's diary-like vocal musings over Eno's painterly synth sequences, the whole thing an immersive and escapist masterclass.

Review: Talk about a cultural Tardis, Doctor Who ranks among the most longstanding love affairs British TV viewers have ever had with a work of science fiction, ranking up there with global phenomena such as Star Trek in terms of legions of faithful fans and decade-spanning sagas. After a small blip of obscurity in the mid-late-1990s and immediate post-millennium years, the show rebooted and reconfigured for the 21st Century in 2005, and hasn't left the common conscience since.

The score is certainly something to do with that resonance. As far as theme tunes go, Doctor Who's may not still be the most forward thinking (as it was back in 1963), but it's easily up there in the premier league of iconic. On this live rendition of music from the latter-day Series 1 & 2 that theme remains as impactful, while a talented entourage of players and conductors also help us remember just how consistent the music is overall.

Review: Over the last couple of years, author Justin Hopper has joined folk musician Sharron Kraus and vintage synthesizer fetishists Belbury Poly on stage to narrate sections of his 2017 novel "Old Weird Albion" - a "poetical, autobiographical and psycho-geographical account" of his experiences at Chanctonbury Ring in West Sussex. This album is, in effect, an extended re-recording of those performances, with Hopper reading choice excerpts from his book over an inspired fusion of traditional folk tropes - think recorder, flute, and drifting female vocals - atmospheric field recordings and 1970s style electronic instrumentation. Given that these synths have largely been used to re-record tudor style Baroque tunes (think "Greensleeves" and you're close), the results are not only delightfully eccentric but also admirably unique.

Review: Baby Buddha is the experimental new wave duo of Charles Hornaday (vocals, guitar, electronics, drums) and David Javelosa (vocals, electronics, clarinet). Born from late night improvisations of San Francisco synth-punks Los Microwaves with a rotating cast of musicians. Live shows would include music, projections, dance and performance art in both clubs and gallery spaces. In 1980, Howie Klein's 415 Records released their first single of Tammy Wynette's "Stand By Your Man". In 1981, 'Music For Teenage Sex' was their first full length album released via Poshboy Records. It featured Los Microwaves' Meg Brazill, Poshboy boss Robbie Fields, and Kathy Peck as "Tammy Why-not", who later went on to found H.E.A.R (Hearing Education and Awareness for Rockers). In January 1983 Kathy, Charles and David went into the studio with a couple of Kathy's original "country" songs and began working on a sophomore album. They also incorporated songs from a live multi-track recording of a concert at the Graffiti Club on June 6th 1984. The album titled 'Everyone Is My Age' sat unreleased until 1987 due to relocation to Los Angeles and eventually found a home on David's Hyperspace Communications, the original label for the first Los Microwaves singles. For this first time reissue we've added a previously unreleased bonus song "What's Going On," a Kathy Peck original. All songs have been remastered by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in the original jacket featuring a collage by David Javelosa and includes an insert with lyrics, photos and liner notes.

Review: La Perversita is something of a seminal French underground record first released back in 1979 but still sounds way ahead of its time today. It's a concept record and collage of found sounds, guitars and synths that was designed to "sublimate sexual perversion." It comes from Jacques Pasquier who was the founder of S.C.O.P.A./Invisible Records and a key part of the alternative scene that was rife in Paris in the 70s with producer Hector Zazou amongst other creative talents and outsiders. This remastered reissue comes with extensive liner notes from people in and around the project at the time.

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Review: Meg Mulhearn and Belly Full of Stars come together for this split release on which the former takes care of the first four tunes and the latter the other five. For her part, Mulhearn harnesses the power of fire and ice, sunshine and torrential rain in tracks that are occasionally gentle and sometimes harsh. The textures are fuzzy and grainy but synths and strings bring light and hope. Kim Rueger's Belly Full of Stars alias finds her going deep into subterranean worlds of cavernous sound detailed with the finest of wispy melodies on' Ebon Flow' while 'Perihelia' has a more organic and summery feel desire being so pressurised and tense. These are enchanting sounds for sure.

Review: Minneapolis' Chris Bartels aka Blurstem, and Philadelphia's Andrew Tasselmyer of the likes of Hotel Neon and Gray Acres have hooked up once more for a second collaborative album Midnight Letters. This album's starting point was original concepts played out on guitar which were then processed and experimented with through an ages-old analog tape machine. Add in an array of iPad audio processing apps, samplers, and Ableton software and you have a perfect mix of tools to serve up a sonic journey that perfectly merges the old with the new. The resulting ambient soundscapes are immersive and sparse but packed with subtle details that convey all manner of emotions.

Review: Given 'Africa' has been the soundtrack to university athletics union night's out for the last 40 years or so it's safe to say Toto are a band that really deserve more in-depth attention. As this mind-blowing soundtrack to the cult science fiction film Dune goes to show, there's a lot more to the outfit than the chart-friendly glam-riffdom of their most famous single.



Brian Eno's name gives a sign of how arty things get, but in truth he's only responsible for a fraction of this adventurous listen, which is packed with movie soundbites to set the scene among fantastical landscapes, rather than realism. From classical overtures ('Leto's Theme', 'Trip To Arrakis'), through tense incidentals ('The Box') and crystalline synthdom ('Prophecy Theme'), it's only really on the credit-worthy 80s pop balladry of 'Take My Hand' that we get the stadium payoff Toto fans are used to, completing an epic journey.

Review: Wanderwelle & Bandhagens Musikforening's masterful Victory Over The Sun album gets skilfully reinterpreted by some of techno's most forward thinking protagonists. Amsterdam pair Wanderwelle themselves go first with a misty ambient take of 'An Unusual Sunrise' that sets a perfectly dramatic scene. Label boss Sverca serves up one of the highlights with his deep, pulsing hypnotic version of the title track and Anthony Linell sinks us way down below the ocean surface on his meditative dub roller. There is more energy to the busted beats and hidden vocal sounds of Celestial Crusade (E-Saggila remix) and plenty more greatness through the other tracks.

Notes: Originally shown in 1998, Big Train was the eagerly awaited follow-up to Father Ted from writers Graham Linehan and Arthur Matthews. Resisting the pressure to make another sitcom, Big Train is, instead, a sketch show in the best Monty Python tradition, updated with influences from arch-surrealist Chris Morris as well as the contemporary The Fast Show. The sketches can be joyously odd--Pythonesque firefighting showjumpers, the evil hypnotist, and the outrageous onanistic office workers, for example--but the show never neglects to keep the punchlines coming thick and fast (though the animated staring contest does rather drag after a while). The cast comprises some of the best new names in comedy, including Kevin Eldon, Simon Pegg, Mark Heap, Julia Davis and Amelia Bullmore (who went on to become Alan Partridge's Ukrainian girlfriend).

Series 2 didn't pull into the platform until 2002, by which time Graham Linehan was absent writing Black Books. But Arthur Matthews maintains the quality of the first series on the whole--the man with oversized hands, the creepy cult questionnaire, the zookeeper's recruitment agency--adding some spot-on French art house cinema spoofs and other movie-style take offs somewhat in the manner of Spaced, which Pegg and Heap had gone on to make. That duo return here for more silliness along with new cast members Rebecca Front (The Day Today, Knowing Me, Knowing You) and Tracey-Ann Oberman (better known now as Chrissie Watts in Eastenders).

On the DVD: Big Train belatedly arrives on DVD in a two-disc set which includes a plethora of deleted scenes for both Series 1 and 2. There are cast biogs plus three of the sketches as performed on a German TV sketch show. Commentary on the first series is by both writers, though happily Pegg, Heap and Eldon gatecrash halfway through. Matthews and Eldon join director and producer for the somewhat more straight-faced commentary on the second disc. Menu options thankfully include the treasurable "Play all" facility. --Mark Walker

Region 1 NTSC format. Will only play on multiregion DVD players.