Tags: Dark wave

Review: The birth point of ecstasy in British music is usually credited to acid house and the second summer of love: a cemented vision of kids sweating and vibrating in clubs, fields and warehouses in 1988, united by universal empathy and mind-popping sounds. However, in 1981, a couple of young men from Leeds went to New York, discovered the drug in its infancy, fused its' gritty synth pop to acid house's squelchy 303 groove and recorded an album - Soft Cell's Non-Stop Erotic Cabaret. The rest, as they say, is history.

Review: The music of London's Blitz nightclub is celebrated with a new box-set curated by Rusty Egan, the man who, with Steve Strange, helped usher in a transition from the late 70s musical gloom into a glamorous, sonorous new 1980s. After their prior band, Rich Kids, disbanded in 1978, Egan and Strange saw through their enterprising excesses with a new venture, launching the Blitz club as a wine bar in Covent Garden. Bottling the unique, generic essence of the nightclub - at a time where the styles and sounds of David Bowie, Sade, Spandau Ballet, Boy George, Billy Idol, Ultravox, Visage, Marilyn and Gary Numan reigned supreme, yet were often not heard all in one physical place - this new reminiscence compilation brings both well-known and lesser-heard gems of the Blitz era to a fantastically fresh set of ears, proving that even you, too, can be a hero, just for one day.

Review: Dark Entries looks to Portugal for this new and swinging collection of vintage Iberian synth, post-punk and wave. Rock Rendez Vous: Musica Moderna Portuguesa 1985-1986 is the sound of a legendary club which opened in 1980 and helped to usher in a new wave of sound for local emerging bands. They drew from national musical identity and fused it with contemporary international influences and came up with some of the prime indie tunes you hear here, from brooding post-punk 'Levante' from Jovem Guarda to more playful and Balearic-laced synth-pop stunners like D. W. Art's 'Mate'. This one is perfectly presented with a double-sided insert featuring lyrics and liner notes.

Review: Rusty Egan Presents Blitzed! offers a vivid sonic journey back to London's Blitz Club circa 1980, capturing the essence of the New Romantic movement with meticulous detail. As the resident DJ at the epicenter of this cultural phenomenon, Rusty Egan curated a soundtrack that defined an era and shaped the future of British pop music. This compilation meticulously captures the eclectic mix of influences that fueled the Blitz Club's electric atmosphere. From Bowie and Roxy Music to Kraftwerk and European electronic pioneers, Egan's sets seamlessly blended diverse musical styles, creating a sonic tapestry that transcended genres. The tracks on Blitzed! reflect the club's diverse clientele, from fashion designers to art school kids, post boys to pop stars in the making. The compilation's contemporary photography by Sheila Rock, Peter Ashworth, and Terry Smith, along with insightful sleeve notes by Alexis Petridis and Rusty Egan himself, provide a comprehensive look into the era and its cultural impact. Blitzed! not only celebrates the music of the time but also serves as a historical document of a revolutionary moment in British pop culture. It's a must-have for anyone interested in the New Romantic movement and the influential role of clubs like The Blitz in shaping music history.

Review: Narco Marco returns to Pace In Stereo for more adventures through yesterday's tomorrow. As ever, the production is incredible, offering two tracks that pack a timeless sound informed by Italo, early electro-pop, cold and synth wave, a twin delight that somehow serves as the ideal home or headphone listen, yet is also dance floor ready and primed for proper parties. Starting on the slowest, tempo wise, 'Bald Tag' doesn't exactly owe a debt to Kraftwerk but certainly offers a place for sounds could have evolved in the back catalogue of the German pioneers. It's a weird and warbling, stepping, highly musical ride. 'Ice Tea', meanwhile, opts to get more of a stomp on, glittering harmonies painting stars in the sky above, vocals swapped out for more melodic depth.

Review: In April 2023, Swiss label Subject To Restrictions Discs offered up a fine debut EP from Zurich electronic wave duo Dadalus & Bikarus. This follow-up EP presents the same tracks in freshly remixed form, with a variety of underground heroes and rising stars providing the revisions. Saeko Killy kicks things off with a minimalistic, subtly funky new wave rework of 'Voran', before Cage & Aviary man Jamie Paton drops versions of two tracks: a moody, slap bass-sporting dark-wave re-wire of 'Youri Gagarine', and a chugging, A Love From Out of Space style tweak of 'Gone'. Over on side B, Andrei Rusu re-imagines 'Tous Les Mesonges' as a dense, discordant slab of rolling acid-electro, while Anastasia Zems turns 'Voran' into a brain-melting acid jacker.

Review: Clouzer returns to Distant Gaze for the label's third release with Call of the Abyss, a six-track EP featuring three originals and three remixes by Damon Jee, Zakmina, and Berlin's rising star, Zee Mon. At the EP's core is Clouzer's mesmerising title cut which blends extraterrestrial echoes and broken beats as it delves into uncharted depths. The haunting vocals of Valentin Henning drive the EP's second track and envelop listeners in blurred, delayed textures. 'Perpetual' pulses with rave energy, merging cosmic elements and dark disco basslines, while Zee Mon infuses it with darkwave vigour, Damon Jee delivers full-throttle dark disco in 'Stalactites,' and Zakmina crafts a sublime broken beat trip.