Review: Mannequin boss Alessandro Adriani returns to Stroboscopic Artefacts with 'Embryo' - an immersive four-track micro-odyssey spanning across jagged ambient scopes,unmapped acidic grounds and further leftfield-friendly sonic territories, opening up the path for his forthcoming sophomore LP and first ever for Stroboscopic Artefacts, 'Morphic Dreams'.
Review: There's a delightfully celebratory feel about this debut volume of Cititrax Tracks, a new 12" series from Minimal Wave offshoot Cititrax. As beautifully presented as we've come to expect, Tracks Volume 1 boasts a quartet of dancefloor-ready smashers from a blend of new faces and label stalwarts. Amato (aka The Hacker) kicks things off with the glistening EBM funk of "Physique" - all restless synth refrains and pounding bottom end - before LIES affiliate Tsuzing go all dark, psychedelic and twisted on the thrillingly intense, acid-flecked "King of System". An-I go all DAF (with a touch of Front 242) on the fuzzy and dystopian stomper "Mutter", before Cititrax regulars Broken English Club delivers a storming chunk of industrial-tinged analogue funk ("Glass"). Bravo!
Review: From the minds of Direct Beat and Detroit Bass Classics, comes the first initial compilation of electro/techno heat. "Electro In The Key Of Detroit Vol 1" presents 4 proven dance floor dope and record crate staples that provide the hungry ears of masses the groove to move. A Side features two sure-fire steppers - a rare AUX 88 voyage entitled "Phantom Power" and Blak Tony's tempo-pushing "Holla Holla" finally see the light of day on this wax collectable, giving praise to Motor City footwork culture. On the flip, DJ K-1's "Erase The Time" rocked the airwaves and global clubs with its signature thumping style laced beneath alien-like melody and repetitive vocal structure while Posatronix's mutant-rhythm mantra, "Pure Techno Sound" pulls the weight of Detroit's street dance roots down to the origin of how to boogie in space. This collection of re-issued jams and new explorations is the must-have for the electro/techno & bass aficionado.
Review: The seventh and final instalment of De:Tuned's brilliant Unboxed Brain series - an unashamed tribute to 1990s IDM and ambient techno featuring contributions from many of the artists who defined that scene - is predictably special. It features a slew of new remixes of previously released tracks, plus "Monolith", a previously unreleased ambient track from the Future Sound of London that's every bit as weird, wonderful and out there as the duo's greatest work. Elsewhere, Kirk Degiorgio (as Future/Past) and Mark Broom both drag B12's "World's End" towards the dancefloor (the latter providing a punchy electro re-make), while The Black Dog provides a brilliantly blissful, string-drenched ambient interpretation of Scanner's "Eros".
Review: It's high time that Berlin's Henning Baer launched his own imprint, and we're surprised that this is only happening now given the success of both his prior productions and of his Berlin club night, Grounded Theory. Manhigh kicks off with Henning Baer himself, gearing up the machines first with the bleeps and sporadic machine tones of "System Test (Nsdxit)", followed by the much more concrete and beat-laden shreds of drums on "Fighting The Dogs". The surprise comes from a rare appearance by Blawan as a remix of "Pan2945", with the Yorkshire native delivering some of his signature thrashing on the drums, and a fuzzy, drugged-out bassline that would have made Regis and Surgeon proud back in the days. The flip continues with more grey-scaled techno in the form of "Moving Ground", the excellent sack of squealing drones that is "The Last Quarter", and finished off tidily by the pouncing kick drums residing on "Copper Skin". Heavy duty gear.
Review: Copenhagen-based producer Rune Bagge (Northern Electronics/Ectotherm) presents the third installment on Courtesy's Kulor imprint. "Ingen Tak Til Systemet" (English translation: No Gratitude Towards The System) is a four track exercise in pure unadulterated sonic ultraviolence - if we've ever heard such a thing. From the pummeling and strobe-lit warehouse onslaught of opener "Secret Solutions", to the guttural and contorted noise terror of "Repulsion" followed by the frantic peak time mentalism of "I Am The Solution" which then gives way to the hyperspeed IDM of "Coup D'Etat" - there's truly no rest for the wicked on this one!
Review: After slowly establishing his career via a handful of tidy EPs released over an eight-year period, Evan Baggs has really hit his stride in 2018. This outing on Partout is not only the American's fourth vinyl excursion of the year, but arguably his strongest, too. He hits the ground running on opener "New Language", where vintage Steel City bleeps rise above doom-laden chords and crunchy electronic percussion, before peppering another drum machine rhythm with spacey electro style synth lines on "5 Phased". Over on the flip, Baggs successfully breaks up the beats, ratchets up the sub bass and reaches for the deep electronics on "As It Is", while closer "Bo Jangles" is a fine slab of foreboding, acid-flecked late night techno funk.
Order From Chaos Of The Death (Samuel Kerridge remix) (5:59)
Avoidance Paranoid (Isabella remix) (8:27)
Order From Chaos Of The Death (Ryo Murakami remix) (6:10)
Hissiyat (Svreca remix) (6:35)
Review: Following the release of Tolga Baklacioglu & Dee Grinski's album "Your Secret Face", VENT presents a remix package featuring Samuel Kerridge, Svreca, Ryo Murakami, and Isabella, who are some of the artists who have most inspired and supported the duo's music. These exceptional artists' interpretations refract the industrial rhythms and harrowing vocalisations of the original tracks into caleidoscopic tunnel visions with each remixer's individualistic expression.
Review: Robin Ball has been on a roll of late, flaunting his wares on the Memory Box label amongst others. He makes a second outing on Groovepressure with four tracks of dynamic, inventive machine jams touching on synthwave influences and a healthy dose of electro. There's atmosphere loaded into each of these forthright, roughly hewn workouts, not least on the eerie, trancey synth strings on "Mr Mumble". The B side features the steadiest material in the shape of two versions of "Satin" that tap into the housier end of Ball's output.
Review: Bambooman (real name Kirk Barley) is a London based producer who presents his fourth release on Matthew Herbert's Accidental imprint - which follows up last year's terrific long player, Whispers. His new offering is the trippy minimal techno kicker "Ricochet", with its sparse arrangement revolving around a stuttering bassline and nasty chord stabs awash in plate reverb. On the flip, the man himself Herbert steps up to deliver a wacky and glitched out remix in his own truly idiosyncratic style once again.
Review: Fresh from his exploits with King Kashmere, beat alchemist Bambooman crashes the party at Accidental with four more singular experiments; "Shudder" rolls on a stuttering break that's paced in such a way it's as much UKG as it is techno. Both "Grasp" and "M1" show off more of a house side to B's spectrum as the former insists with an almost Detroitian charm while "M1" scrapes strange strings to create unique texture. Finally "Kyrian" takes us on a futurist twist on broken beat with spacious kicks and a warm, fat analogue synth. Some say shudder, we say goosebumps...
Review: At first glance, French enfant terrible Bambounou is a surprising addition to the Diskant impint - now known as just Disk. Known for his techno and house exploits on Clek Clek Boom and 50 Weapons, his knack for intricately programmed rhythms were on display even back then. It kind of figures that he'd be a good choice for the label, come to think of it now. That's certainly proven across the three tracks on the Parametr Perkusja EP, where his sound sits comfortably alongside label mates like Harmonious Thelonious and Durian Brothers. From the slo-mo esoterica of "Dernier Metro" which reaches near tribal moments, the hard hitting polyrhythmic techno of "Kosovo Hardcore" it is great to hear some original productions from him after lengthy absence.
Review: Hessle Audio's emergence from hibernation in 2012 really has seen the label release some of the most extraordinary music of its life, and this EP from Bandshell might top the lot. Tapping into the grainy, murky sound world of the like of STL, Shed and Actress, this record explores strange rhythms constantly on the verge of breaking out into a frenzy. The title track is comprised of little more than rattling percussion and dense, fizzy bass, while "Rise 'Em" places a jungle breakbeat atop a mucky hum. On the flip, "Metzger" takes the vibe of classic dubstep and fills it with subtle melodies and clipped snares, but "Dog Sweater" is the real killer - a homage to soundsystem culture whose threadbare rhythms are the only thing to stop you being dragged into the track's viscous centre. Make no mistake, this is a serious new talent.
Review: Having shot into the limelight in 2012 with a 12" on Hessle Audio followed up by an outing on Liberation Technologies, Bandshell has since been on covert operations largely centred around releasing his music himself via Bandcamp. Now he's extended that practice into the B.S.Hell label, providing a physical presence to his wayward experimentation on the fringes of bass music. It's a sound that naturally aligns with the likes of Batu and Laksa, but also defiantly makes its own statement as well. With five tracks of distinctive drum science and textural voodoo to indulge in, this is a welcome return to wax for a thrilling, self-motivated producer.
Review: Essential repress! Tomas Bangalter's stone cold classic Roule 12" Trax On Da Rocks makes a return. The five tracks on offer - "On Da Rocks", "Roule Boule", "What To Do", "Outrun" and "Ventura" - have acquired legendary status, standing as sublime examples of the rough, raw end of the filter-soaked French house sound. Some 17 years since they were first released, these tracks have lost none of their madcap brilliance; if this isn't already a cherished part of your record collection, here's your chance.
Review: Both Ike Release and John Barera have been buzzing in the underground community for some time now. Ike with releases on Mister Saturday Night, Finale Sessions, Skudge and MOS and John with releases on Argot, Just Jack and Zakim. Now they turn to Ike's Episodes imprint to supply more of their upfront and dancefloor ready cuts. Starting out on the A side with the new wave acid sensibilities of "Looking Ahead" and the ferocious retro jack of "Lights Out" which are sure to set the night on fire. On the flip, the neon lit aesthetic continues with "Cosmic Divide" and "Winding Up" respectively, which conjure the ghosts from those dusty analogue machines to stunning effect.
Review: After initial outings from phile and Ptwiggs, the Deep Seeded crew welcome phile member Barking into the fold for another excursion into crooked techno from the outer realm. There's a lingering sense of industrial malaise emanating out of "Singularity" thanks to some dense signal processing, while "Clay Passage" pings off into a strange but utterly accomplished trip into Fourth World techno that packs a serious rhythm without the need for obvious drum lines. "Pathos" matches malevolent beats and tones with dominant ambience to create a proper push 'n' pull of a track, and then "Prone" rounds the EP off with some gutsy analogue demolition for the broken techno and electro crowd to get wild to.