Paul Valery At The Disco (Prins Thomas remix) (11:40)
Ou Pas (Carrot Green remix) (6:16)
Farmarama (A Man Called Adam Too Much dub) (10:54)
Review: While A Man Called Adam's recent "Farmarama" album did contain a few dancefloor-centric cuts, it was more geared towards sofa-bound listening rather than club play. Hence this tidy EP, which offers up a trio of dancefloor-focused revisions for Balearic-minded DJs. For us, the standout is undoubtedly Carrot Green's inventive revision of "Ou Pas", which re-casts the cut as a dubbed-out, acid-powered psychedelic house trip. That said, many will enjoy Prins Thomas' jazzy and surprisingly trippy take on "Paul Valery At The Disco", which contains tons of new Latin-tinged live percussion and a suitably wonky cosmic disco vibe. If that lot's not enough to set the pulse racing, A Man Called Adam's own "Too Much Dub" of "Farmarama" strikes just the right balance between chunky, bass-heavy rhythms and melodic dreaminess.
Review: Unpredictable Dublin label maintain their capacity to surprise here, digging into the vaults of Ethiopian funk mob to reissue their 1984 accidental houser "Kalatashew Waga". Originating from the sole Admas album, Sons of Ethiopia, "Kalatashew Waga" has grown into something of a cult player amongst the more considered selectors over the years and gets pressed up for 12" by Major Problems replete with a fresh remastering job from the master Thomas P. Heckmann. Fans of the gliding style of lo-fi boogie PPU specialise in will love this track. Complementing the original, Major Problems have scored a brand new remix from long term Admas fan Andras Fox that brushes the track with some soft-hued new age bliss.
Review: New to Claremont but certainly not new to composing; Denis Leonvich has been writing for screen for over a decade and has amassed an impressive collection of heavier floor friendly cuts on the likes of National Techno. If these two rather warm and woozy Balearic debuts are anything to go by, his future cosmic output will be just as impressive; "Sunset Sparks" sways with a balmy mysticism with folk singing, an alluring hang drum and hazy pads while "Boma" takes a slightly darker route with psych sinewy arpeggios and a subtle but unforgettable brassy bass texture and sleazy guitar plucks. We look forward to Alterleo's next adventures...
Review: German imprint Pingipung has been doing a great job in re-introducing the world to the music of Umeko Ando, a Japanese folk singer who spent decades championing her native Ainu culture before passing away in 2004. Pingipung has already reissued her rare debut album, 2000's "Ihunke", and here gives a deserved first single release to that set's closing track, "Atuy So Kata". Her beautiful and haunting original version - all handclaps, traditional instrumentation and her sublime vocals - nestles on the A-side, with Patric Catani's remix on the flip. His version is drowsy, foreboding and fuzzy, with the remixer expertly mixing Ando's vocals and instrumentation with crunchy electronic drums, psych-rock guitars and all manner of out-there noises.
Review: The Andromeda Orchestra project was last seen on Faze Action last year, when "Get Up & Dance" got the remix treatment by Nick The Record. This time around the project gets a serious disco treatment from Ray Mang, who stretches "Don't Stop" out across the A side for a nine minute pleasure ride that's heavy on the funk. "Kano Line Dance" kicks off the B side in another loose and nasty party jam, before the original Philly string busting brilliance of "Don't Stop" completes the set in fabulous fashion.
Review: Although Ludovic Llorca has released albums under his other production aliases (the most recent being 2017's jazz-funk set "The Garden" under his longest-running pseudonym, Llorca), "Unbalanced" marks his first full-length outing as Art of Tones - some 13 years. While it is available digitally as one expansive work, Local Talk has decided to split the vinyl version into two parts. This first volume contains six suitably warm and fuzzy tracks, most of which are gleeful dancefloor workouts that put fun and positivity front and centre. Highlights include the disco-fired "Keep On Having Fun", the Clavinet and organ-heavy stomper "Where One Is", suitably loopy "Have Fun For A Little While" and P-funk influenced "I Can" and "To The Limit". It's all up to the Frenchman's usual high standards.
Review: In some circles, Arvo's 1984 album Luna is considered something of a lost synth-pop classic. It was unarguably the high point of Arvo's career, with the album's two most lauded tracks - "Bikini" and "So Deep" - remaining popular with dusty-fingered Balearic beards. Here those two tracks are given the reissue treatment by New Zealand imprint Strangelove Music. You'll find the breezy, stylish and largely slo-mo original versions on the A-side, with fresh reworks on the flip. First, French producer Shelter does a brilliant job in extending "Bikini", wisely extending the dreamy first section and making more of the Brazilian-influenced synthesizer motifs, before Aussie Italo-disco digger Hysteric delivers a head-nodding instrumental take on "So Deep" that's worth the entrance price on its own.
Tony Esposito - "Dove C'e Luce" (LucaEffeSunset Balearic Seagulls & Children mix)
Antonio Nicola Bruno - "Danza E Ridanza"
Antonio Nicola Bruno - "Danza E Ridanza" (B version)
Review: "This release is a 12"" and it's individually 500 hand-numbered limited edition. The first 100 copies are pressed on CLEAR TRANSPARENT vinyls (AR013).
It contains 2 previously unreleased tracks from TONY ESPOSITO's Viaggio Tribale CD (2004): Dove c'e luce and Veronica song + A SPECIAL BALEARIC REMIX of Dove c'e luce from LucaEffeSunset + 3 previously unreleased tracks from the Lucan (Basilicata) musician Antonio Nicola Bruno CD (2004): Storia della terra mia and Danza e ridanza. In addition to the usual Archeo insert of credits and photos of the original album, it features also of a second insert concerning a beautiful photographic journey of 2004 by Manu-Archeo, related to this Music.
Archeo Recordings is a reissue record label that regenerates old, lost, obscure (and forgotten) rare gems of Italian music of the 70s and 80s, and not only.
All outputs are licensed by the artists and the vintage labels; audio tracks are remastered in their original form; the sleeves and center labels are graphically recreated for today but all based on the original images.
Archeo would like to make the music available to a wider audience of collectors, DJs, music lovers of a forgotten time.
All releases are hand-numbered limited edition vinyl. The first copies of each release are pressed in coloured vinyls."
Antonio Nicola Bruno - "Storia Della Terra Mia" (3:30)
Tony Esposito - "Dove C'e Luce" (LucaEffeSunset Balearic Seagulls & Children mix) (9:52)
Antonio Nicola Bruno - "Danza E Ridanza" (1:54)
Antonio Nicola Bruno - "Danza E Ridanza" (B version) (3:59)
Review: Archeo Recordings chart a course for the Balearics with this laid back delight of overlooked Italian island grooves. Tony Esposito is a long-serving singer-songwriter, and two tracks from his 2004 CD Viaggio Tribale get a vinyl cut here. "Dove C'e Luce" gets a special, 90s tinged remix from LucaEffeSunset. Antonio Nicola Bruno's "Storia Della Terra Mia" is the first of three unreleased tracks from this little known Lucan artist, striking a curious note with folk undertones and a sunny disposition. There's a more dramatic tone to "Danza E Ridanza," which takes on an almost Talking Heads-esque quality for the "B Version" that closes this high quality 12" from the ever reliable Archeo camp.
Review: It's been over two decades since original Balearic heroes A Man Called Adam last treated us to a full-length excursion. "Farmarama", then, is rather a big deal - at least for those of us with fond memories of key early singles such as "Barefoot In The Head", "Musica De Amor" and "Earthly Powers". We can happily report that Sally Rodgers and Steve Jones are in fine form throughout, lazily drifting between jazz-funk fired dancefloor workouts ("Mountains and Waterfalls"), atmospheric chug-pop ("Ou Pas"), tactile Balearic deep house ("Farmarama", "Higher Powers"), blissful sunrise soundscapes ("Top Of The Lake"), and surprisingly out-there experimental missives (the music concrete style collage of "Spots of Time"). Sally Rodgers' tribute to early female synth pioneers, "Ladies Of Electronica", is also brilliant.
Review: Ziggy Stardust's yet unheard instrumental album after he returned from a trip on his Gemini spaceship. Not much is known of the shadowy producer (yes, despite the compelling pitch we gave you before!) as yet, but this just adds to the mystery surrounding the release as a whole. From hazy balearica to blunted hip-hop beats, deep country-infused exotica (if we've ever heard such a thing!) to lo-slung psychedelia - it's a captivating journey from start to finish. Will certainly appeal to fans of life in the slow lane, best presented recently by Marcus Worgull and Motor City Drum Ensemble's Vermont project or pretty much anything on London's Claremont 56 imprint. Highly recommended. Tip!
Review: Roberto Aglieri is a noted Italian flutist and composer, and his 1987 album Ragapadani stands as one of his finest achievements. Archeo Recordings are ever hip to the finest treasures hidden away in the folds of esoteric music, Italian or otherwise, and have done a great service in reissuing the album so that it might reach a wider audience. Aglieri's flute sounds haunting and evocative over the range of delicate synth treatments, largely orbiting the minimal realm but with a naive charm that makes the music wholly accessible at the same time. Soothing, thoughtfully crafted music for tender times.
Review: To our ears, Rollover's ongoing "Edit Service" series has delivered some of the most interesting, obscure and intoxicating re-edits of recent times. The Milanese crew and their associates are in fine form again on volume three. They begin by offering up a re-shape of a pleasingly percussive, hypnotic and off-kilter chunk of pared-back Afro goodness (the drum-heavy quirkiness of "Mimi"), before Italian scene veterans Fabrice and Leo Mas go all low-slung and spacey on the dub disco chug of "Genius". Mark:eno savagely (and brilliantly) chops up a cosmic chunk of obscure disco-funk on "Io & Te", while Abbrangeli has his/her wicked way with a sleazy disco workout on druggy-but-funky closing cut "Dillo Ancora". In a word: essential.
Review: Apparat has been working closely with London's infamous Mute records for a few years, and it's borne some rich fruit. We finally have a new LP from the man which we've been waiting impatiently for and its as excellent as you'd expect. The opener "44" is actually something slightly unexpected from Apparat, where solemn cellos twine graciously to their own rhythm, but things are soon engulfed into a familiar electronic shade one the noise version. "LightOn" is a near perfect amalgamation of shuffling clicks, euphoric pads and one hell of a bassline; but there's other highlights here for sure, such as the irresistibly seductive whale chants on "Blank Page" or the modern classical piano keys and violins merging on "K & F Thema (Pizzicato)" and the closing track "A Violet Sky" - something which surpasses all expectation thanks to its almost synth pop vibes.
Hjalmar Larusson & Jonbjorn Gislason - "Jomsvikingarimur - Yta Eigi Feldi Ror." (1:15)
Julianna Barwick - "Forever" (5:30)
Koreless - "Last Remnants" (4:22)
Odesza - "How Did I Get Here" (instrumental) (2:00)
Anois - "A Noise" (4:10)
Samaris - "Gooa Tungl" (4:08)
Olafur Arnalds - "RGB" (4:36)
Rival Consoles - "Pre" (5:14)
Jai Paul - "Jasmine" (demo) (4:11)
Four Tet - "Lion" (Jamie Xx remix) (6:52)
James Blake - "Our Love Comes Back" (3:39)
Spooky Black - "Pull" (4:13)
Colin Stetson & Sarah Neufeld - "And Still They Move" (2:55)
Olafur Arnalds - "Say My Name" (feat Arnor Dan) (5:38)
Kiasmos - "Orgoned" (5:57)
Olafur Arnalds - "Kinesthesia" (1:44)
Hjaltalin - "Ethereal" (6:32)
David Tennant - "Undone" (3:51)
Review: Icelandic classical, experimental and soundtrack composer Olafur Arnalds steps away from the loops and Broadchurch OSTs to conjure yet another sublime LNT saga. Carefully balancing between contemporary odysseys ("Jomsvikingarimur"), dense futuristic electronic weaves ("Last Remnants"), fuzzy 22nd century pop ("A Noise") sludgy cosmic funk ("Jasmine") and introspective soul ("Our Love Comes Back"), Olafur blows wave after woozy wave of soft sonic conjurations in a way that's broad, detailed and cleverly considered. Good night.