Review: This glorious package of remixes of the BaianaSystem band draws together contemporary Brazilian sounds with plenty of modern dance floor flourishes. A?gua is the standout track from their 2018 LP and is a poem to the bands native Bahia people with the legendary Antonio Carlos & Jocafi. It is perfect material to rework for different settings and deep house don Jimpster does that with his fat bottomed, tropical remix then stripped back dub. Brazilian producer Diogo Strausz joins forces with RNT boss JKriv on the flip for a more drawn out and cosmic exploration that pumps up and down on weight bass and that lovely loose jumble of percussion.
Brooklyn Baby & Ten Fingerz - "Back To Acid" (5:54)
James Curd & Ten Fingerz - "Stash & Ride" (feat Mr Flip) (5:52)
S3A & Ten Fingerz - "We Are Acid Friendz" (6:28)
Tomasi Brothers & Ten Fingerz - "After Hours Club" (5:43)
Review: This new one from Frappe Records is all about the joy of collaboration and crafting banging acid cuts that tap into the genre's great traditions. As an all-time acid afficionado, Ten Fingerz features on them all starting with his 'Back to Acid' jam with Brooklyn Baby which is a brilliant throwback. With James Curd he gets more heady with the soft acid lines of 'Stash & Ride' and with S3A things get deep and slinky with 'We are Acid Friends' perfect for 5 am sessions. Last of all, Tomasi Brothers & Ten Fingerz craft 'After Hours Club' which is a timeless acid house workout.
Review: Native Soul Recordings has been around a long old time in dance music terms and now it looks back over some of its finest works with this first in a new series of Best Of comps. Music writer Harold Heath is first up with 'Slipstream,' an effortless smooth late-night house cut with introspective chords and silky pads bringing real depth. The Candy Dealers get more lithe and elastic with the spraying bass and jumbled percussive house of 'Train Of Thought' and last of all, Asad Rizvi remixes Jevne's 'Moderize' with a funky little bassline and chord vamps that keep you on edge. A tasteful package of timeless house grooves.
Review: DJs this one is for you, The Makossa Man is back AGAIN after its 18 years of hiatus with more of their covers and remixes of the original 2003 EP. Limited to just 300 copies this is a much-welcomed love letter to DJs and the original EP, giving it a lease of new life and being a much-anticipated sequel to the sold-out original Makossa Man Remix EP that is set to release later this August. Carlos Nilmmns and Simoncino are a welcome return to the roster, serving up another plate of fantastic tribal deep house. The rhythms are infectious and hopefully serve as samples for some incredible DJ sets to come.
Cor.ece & JKriv - "Dance To Keep From Crying" (extended mix) (8:01)
Cor.ece & Danny Kane - "What's The Word" (4:52)
Cor.ece - "Possibly Impossible" (feat Dave Giles II - Crackazat dub) (5:11)
Cor.ece - "Possibly Impossible" (feat Dave Giles II - extended mix) (6:46)
Review: Following the digital release of Cor.ece's debut EP, New York City's Razor N Tape drops the Dance To Keep From Crying 12' with fresh versions and exclusive remixes. On the first side, there's the soulful disco of the title track (extended mix) in collaboration with label co-head JKriv, followed by the acidified spiritual deep house of 'What's The Word' featuring Danny Kane. Over on the flip, get stoned into the groove with the Crackazat dub of 'Possibly Impossible' (feat Dave Giles II) and the late night boogie down vibe of the extended mix.
James Curd & Jonasclean - "Mullen It Over" (Fred P Reinterpretation) (8:43)
James Curd & Jonasclean - "Mullen It Over" (Marcel Vogal remix) (7:08)
James Curd - "Mullen It Over" (3:38)
James Curd - "Tried For Love" (feat Robert Owens) (3:39)
Review: The Pronto (house) label races onward and upwards with a sixth release that is here to get the floor bumping. It's a collaborative affair from James Curd & Jonasclean who race out of the blocks with the fat and heavy stomper 'Mullen It Over' which has snaking leads and rushy-feels. Would it surprise you to learn that the Fred P Reinterpretation is deep, heady and spiritual? Marcel Vogal remixes too, though with a more upbeat feel and lush summery chords. Curd also provides a solo prison of the same track that piles up the chords and a 'Tried For Love' (feat Robert Owens) is classic vocal Chicago house.
Jack Swift - "Highrise" (Devstar Feel The Vibe remix) (6:15)
Review: SPIL Records follows up its impressive vinyl debut here with a second 12" release featuring fresh tracks from label head Jack Swift and Scott Diaz. Diaz kicks off with 'Like Dis' which is all classic US house drums and bouncy bass, then Timmy P & Lunoize's 'Ouch' is a swirling, vocal-laced party starter. Swift then offers 'Burning' which is a lively garage house cut with throwback diva vocals. Devstar's Feel The Vibe remix shuts down with some more naughty, dark and dirty bassline sounds perfect for pumping up the floor.
Review: Three sumptuous offerings of quality grooves from the Aesthetic series, as Paris club scene fave Djebali and Argentinian DJ and producer Jorge Savorett join forces once again. This choice trio definitely veers on the side of the under rather than over stated, preferring to rely on warm rhythmic flourishes and enticing, inviting instrumentation rather than thumping firepower or gimmickry. The beats are tight and hypnotic, with perhaps just the slightest hint of a nod to the shuffling drum machine funk of early Derrick May productions like 'Nude Photo' here and the more head nodding repetition of Chicago jack house there. Aesthetically pleasing for sure.
Review: Inhale Exhale will have you doing just that at a fair pace once you've dropped the needle on their latest record. It's a sweet trip into the depths of house and disco with seasoned artist Eddie C igniting the dance floor with a disco-infused anthem sure to set your hips swaying. Tilman crafts a delectable nu-groove track evoking the essence of the 90s with 'Forevermore' and then debuting on vinyl, Julius Renner embarks on a soulful journey to the heart of the dancefloor. Fresh talent Toomy Disco offers a funky, introspective bomb, Ron Brown serves up a deep, Latin-infused organ piece brimming with melancholy and optimism. Last of all, Meeshoo delivers a soul-stirring fusion of strings and disco brilliance.
Review: Akka & BeepBeep is a new label from the US that is dropping its first two EPs simultaneously on Valentine's Day. Joradesilver is behind one, and also feature sin collaborative mode on this other 12". It opens with 'King David', a hi-tek house sound with soul drenched pads and tightly programmed drums and bass. 'Mango Strut' slows right down to dubbed out house with clattering percussion and the sound of spacecraft, then 'June Buggy' gets funky with more twitchy cosmic synths and a nice organic house groove. 'Callin' Dybbs' is a deep and smoky closer for the backroom with a sublime sax line drifting throughout.
Review: This collaboration between Jimi Tenor and Tomasz Guiddo shines brightly and features a heartwarming hook that really lodges deep in the brain as 'Where The Wild Roam' pairs ancient-sounding lo-fi drums with a Western-style whistle and plenty of earthy, twanging guitars. Next up the legendary Louie Austen lends his vocals to 'Smile' for a steamy and tropical house sound lit up with Latin melodies over a shuffling, samba-adjacent rhythm. Erobique, known for chart hits in Europe and his work with DJ Koze, contributes his magic, while Freestyle Man, aka Sasse from Moodmusic, delivers his trademark deep house style. Ale Castro adds a DJ-friendly house version, enhancing the EP's overall allure.
Review: It's worth noting this is a pretty impressive 125th EP from the Bristol label Shall Not Fade. The shine has not come off this always eclectic label in that time and next up to move things on is the dream team pairing of Lawrence J and J Peacock. 'Too Far To Come Back' opens up with some celebratory Daft Punk-style, hands-in-the-air and festival-sized house. 'Everything I've Got' keeps it a little deeper but filter synths still take centre stage with a balmy twist and 'Brother John' slows to heavy beatdown house with rapturous chords and vocals all swirling around to great and uplifting effect.
Turned Your Back (Atjazz extended remix instrumental) (5:03)
Review: J Axel and Eva Essa find magical harmony on this new collaboration on the Do It Now Recordings Vinylized label. 'Turned Your Back' is a perfectly heart-melting, life-affirming bit of soul-drenched and intimate deep house with gorgeous vocals and super smooth drums all healing you to your core as the gentle rhythms wash over you time and time again. It's a faultless original but one that is also ripe for remixing and who better than Atjazz who slightly ups the tempo but keeps the deep, wavy rhythmic vibes and adds a little cosmic magic in the synths. A sublime package indeed.
Little Orphan Boy (Two Soul Fusion Downtempo remix) (10:25)
Little Orphan Boy (Two Soul Fusion instrumental) (14:00)
Review: Josh Milan and Louie Vega are real heavyweights and as Soul Fusion they step up here to remix the legendary 'Little Orphan Boy' which is the second single taken from album 'This Is Brian Jackson', the veteran artist's first true solo LP in over 20 years. They do so across four different versions and give it a vintage treatment. The extended 'Two Soul Fusion' mix brings back golden era of Masters at Work with a Latin-infused percussion groove while the 'Downtempo' remix lets Brian Jackson's vocals ride over a stripped back but just as soulful arrangement.
Review: Gideon Jackson and Eddie Richards are bona fide tech house titans who have more than helped to shape the genre since day dot and the All Rise EP sees three of their finer past glories gathered together and remastered and pressed on lovely red wax. The excellent 'Biscuit Barrel Blues' opens with exactly the sort of compelling drum work you would expect and it is imbued with some prying synths and sultry vocals. There is an irresistible glitch and dryness to 'Pull Tab 2 Open' and its smeared pads that make it perfect body music then 'Crying' (Gideon Jackson remix) brings a more heavy tech house sound with extra dub weight. Perfection.
Off The Wall: Live Yokohama Japan 78 (Paso Dobleextended) (7:56)
Off The Wall: Live Yokohama Japan 78 (Paso Doble radio Edot) (4:29)
Off The Wall: Live Yokohama Japan 78 (Paso Doble instrumental) (3:09)
Review: Michael Jackson's Off The Wall tour is legendary. It came in the late 1980s and saw the King of Pop at the very height of his powers, mesmerising crowds with his iconic dance moves and impressing them just as much with his vocal performances. In 1987 he headed to Japan and played live in Yokohama one magical night which was recorded on tape forever. One of the tracks he played was the title cut from his Off The Wall album and now it's pressed up to blue 12" as three different Paso Doble mixes.
Jamaimoi - "Ici C'est Toujours Les Vacances" (edit) (5:09)
Unison Apollo - "Belgian Mambo" (Ediit) (6:07)
Black Pomade - "Sea Urchin" (edit) (4:54)
Digei De Bairro - "Ferramenta N20" (edit) (4:10)
Review: The Manzo Edits label continues to do good work early in its life with a fourth volume of edits from various fine studio craftsmen. Jamaimoi's 'Ici C'est Toujours Les Vacances' opens up with some big disco loops, smart filters and feelgood drums then it's down into dry, sleazy dubbed-out territory with Unison Apollo's 'Belgian Mambo'. Black Pomade's 'Sea Urchin' pumps the party once more with old school drums and cowbell business, and Digei De Bairro's 'Ferramenta N20' then glides on spaced out pads and ascending grooves.
Review: Burnski's Constant Black keeps on serving up the heat with a new one from Michael James, who is something of a label regular by now. He kicks off here with 'Remember' featuring a rather iconic vocal sample that cannot fail to get crowds going. It's well worked over an infectious house beat with warming bass. 'Tequila' is another kinetic cut, this time with skewed synth lines and prickly percussion that is raw and tech-edged. Closing out this classy but party-starting EP is 'Remember Me' (version 2) which is a real pumper with twisted acid lines and a killer groove that is catchy as Covid. Another vital drop from this label, as always.
Review: Funk, soul and house music courses through the veins of Jamie 3:26 and he always manages to convey that into his irresistible grooves. The best of them come on his own label 326 which is where he arrives now with this new 12" Dancefloor Damage Vol 1. It's a tight affair with just one cut on each side of the wax, starting with 'Maqnifique' which is a steamy, intense disco house stomper with wiry lines and unrelenting grooves. On the flip is a very different vibe - a sunny, flute-led led and jazzy soulful house number with heart-melting chords.
Review: There's much to admire on this first collaborative EP from Rotterdam dwellers Jamie 3:26 and Danou P, not least epic A-side workout 'Roy Layers', a warming, drowsy and musically expansive deep house tribute to Roy Ayers. A genuine epic that stretches out for 13 magical minutes, the track boasts a variety of spacey, jazz-funk style synth solos and expressive vibraphone workouts rising above an organic, laidback deep house groove. Over on the reverse, 'Bushman B' sees them pepper a tougher, locked-in and fiendishly sub-heavy house beat with excitement and energy-packed Hammond riffs, while 'Rug Burn' is a sweat-soaked, disco-sampling beast packed to the rafters with gospel organs and thumping kick-drums.
Review: Swiss minimal techno imprint Relikt is back with its first release for 2023 and another various artists sampler that once again showcases a fine curation of all things minimal and deep. On the A-side, you've got Jan Dro with the swing-fuelled tech house groove of 'Through The Tunnel', followed by Alexander Matchak's late night mood music on 'My Favorite Game'. Over on the flip, Mathii similarly nails that classic Cabinet Records sound of old on the sensual 'Motions' followed by Dajku Twins with the feelgood boompty vibes of 'Blue Light'.
Luther Vandross - "Until You Come Back To Me" (7:52)
Review: Chicago DJ and producer JayCee Indamix is back to take care of the second instalment of the Ginzu Edits series. Up first is legendary New York street poet and soul innovator Gil Scott-Heron whose lovely 'Grandma's Hands' gets a funky rework with some busy broken beats and layers of extra instrumentation. On the flip is another classic, this time from the great Luther Vandross. His 'Until You Come Back To Me' becomes a deep and funky house cut with soaring vocals framed in a soulful groove with lots of special effects adding a contemporary twist.
Review: Was there a more influential dance record released in 1992 than Jaydee's 'Plastic Dreams'? The work of a hitherto unknown Belgian producer called Robin Albers, 'Plastic Dreams' is an epic in every sense of the word: a near 11-minute workout built around sustained, suspenseful bass tones, increasingly intense house-tempo breakbeats and an instantly identifiable organ riff that morphs into wild, freewheeling soloing midway through. It's been remixed countless times over the years, but it's the sweaty, breathless, constantly building original mix that remains the timeless, peerless version. If you don't own a copy, we'd advise you to snap up one of these single-sided reissues, which come pressed on to eye-catching 'splatter' patterned vinyl.
Review: Jazzanova remains one of the most musically astute and adventurous acts in the electric scene. Their sounds never seem to age and fuse everything from jazz to funk to soul. That makes them perfect for remixing by more dance floor-orientated producers and that is what we get here. Alongside an original tune 'Creative Musicians' Detroit talent Waajeed brings his warm machine soul and deep grooves, Henrick Schwarz's signature melodic majesty and serene sounds are on display and further dubs and instrumentals are also included. This one really packs a punch for fans of broken beat.
Review: French producer Jehan is next up on Blur Records with a new EP, TV Screen, that shows that he has a sophisticated approach when it comes to bending free jazz with electronic music and a love of hip-hop. The latter of those is evident in the title of the opener, '92 Till Infinity', which pairs lazy keys with lazier beats and soul drenched vocals. 'Montre Suisse' (feat Donnie Moustaki) has dusty beats that sound like they might fall over themselves topped with warm organ chords and 'You Win' (feat Scruscru & Meowsn) then brings a sweet and swaggering deep house vibe. The flip keeps the slow burning and late night feelings alive with a trio of loved up, well sampled, blissed out beats.
Review: Londoner Jeigo has always had a knack for intricate and melancholic production. His emotive sounds span breaks, garage and dub and gave rise to a superb album Cerulean back in 2022. This new outing on Air Miles is another sophisticated one that shows some different sides. 'Fig' is a dusty and lo-fi mix of knocking, woody broken beat patterns and pitched-up vocal snippets that bring a sense of pain. 'Act Like You're Strong' is heads down, lip-curling UKG with shuffling and weighty drums and naughty bass. '3-5 Working Days' is somewhere in between - both club-ready but also with post-Burial vocals that tug at the heartstrings. There is a blissed-out feel to the optimistic melodic bubbles and angelic vocals of 'Found Me' that means the EP closes in lush fashion.
Review: From Flowvinyl to John Digweed's Bedrock, Jemmy lands most vertically on Japan's Mule Musiq with "Hierotrip", a nutty off-the-wall cut. Clicking percussion shots and a minimalistic melodies make this a serious lil' head bruiser in the club, and let's not forget that none other than Mark E and Wareika come through correct with their remixes - the former adds a much needed injection of bass to the picture, while the latter opts for the bumpy approach. Three DJ tools for professional usage.
Your Ghost In Me (feat Hard Ton, Noteless & Ruf Dug - Lipelis remix) (8:20)
A King Of Comets (feat New Composers - Samo DJ remix) (5:35)
Time Traveller (feat Cefric Gasaida, Lipelis & Mujuice - Cable Toy remix) (8:04)
Untitled Ritual (feat Noteless - Linja remix) (7:48)
Review: With such a collaboration heavy project in the "Yet Another Kito Jempere Album" announced it is no surprise that this following remixes pack comes laden with familiar friends'n'family, plus additional support.
Taking the ambient meets acappella paene Your Ghost In Me and creating one of his on-point dance floor dramas, Lipelis (Animals Dancing / LIES), utilising Hard Ton's classic 'US House' vocal delivery to create a perfect "big room" anthem.
Next up Born Free boss, Samo DJ (Public Possession / Trilogy Tapes) pumps A King Of Comets with Mood II Swing punch meets Ballistic Brothers riddim'n'culture for some hip-breaks-dancehall swing.
Cable Toy (Low Budget Family) presents the label favourite with his bouncing, yearning remix of album stand out, Time Traveller. Countered with a perfect touch of summer vibrations and melancholia this up and coming St Petersburg resident has to be watched.
Finally, Linja (Avidiya / Malka Tuti) offers a deep, shuffling version of Untitled Ritual. Arpeggios throb, percussion snaps, tempos shift, planets realign, vocals by Noteless call...wait believing, just we have seen it, God is waiting, nothing can bleeding.
Only friends. Only family. This is Kito's emotional response.
Review: Kito Jempere delivers a fiery four-track package that will electrify dance floors with his first outing of 2025. A bold departure from today's mainstream dance sounds, his New Life EP blends adventurous beats with a rebellious spirit and the lead track channels New Order's Technique era but is infused with early hip-hop breaks and a mix of acid, happy hardcore and ghetto tech. 'LoveFilter' takes a dreamy, chilled trip across electronic landscapes while 'Killer Line De-Part' combines trance, grunge and '80s analogue vibes for a thrilling climax. Closing with 'Put Love Into Your Heart (Club Mix),' Jempere leaves us with uplifting, feel-good energy.
Review: Today Not Yesterday Records kicks on with a third vinyl outing that once again blends the roots of house with fresh production and plenty of attitude. 'Is It OK' has sensationally taught kick drums and raw claps with a big camp spoken word that brings great sass. The Less Sweet version is more paired back and physical, and 'Treat Me Good' then brings soulful vocal hooks and detailed percussive drums that ride on a bumpy and sweaty groove. 'Don't Go' closes out with a balmy and summery feel thanks t the humid chords and upbeat house drums. A stylish EP full of flavour.
Jerrald James feat Genevieve Marantette - "I Only Have Eyes For You"
Jerrald James - "Vanished"
Review: New from Sound Signature is "I Only Have Eyes For You", from the multi talented percussionist Jerrald James (aka Jerry The Cat). Jerry aptly demonstrates his own production prowess in covering the Flamingos' "I only Have Eyes For You". He smartly chose Genevieve Marantette to provide vocals on this piece, and she gives her best recorded performance to date.
Review: Italian trio Jestofunk released the acid-jazz-electronica anthem 'Can We Live' back in the mid '90s, featuring the unmistakable vocals of the legendary American vocalist Cece Rogers. Features the low slung groove of the Club Mix, which was the most commonly known version, as well as the Mandrilapella. On the B side of this repress you have the Soul Chemistry version which actually appeared on a remix EP that came out the year after and it's really good - life affirming and spiritual deep house in the vein of Prescription Records.
Review: Bad Timin's next drop is a sort of greatest hits collection that brings plenty of its previous releases by Jex Opolis to vinyl for the first time. It kicks off with the perma-fan-favourite 'Music' which is high on unbridled piano joy and hard house beats that bang. 'Lizard (feat Precious Okome)' is another one with surges of big chord magic, 'If You Wanna' has silky liquid synths and cosmic arps ensuring maximum take-off while 'Wide Awake (dub)' brings a kaleidoscopic intergalactic trip. This serves as both a perfect introduction for anyone who hasn't been paying close enough attention, or a fine collection of greats from the always on form Mr. Opolis.
Review: Mole Music branches out for the first time to vinyl here and shows it has a great wealth of talent to call on with a various artists' EP that is presumably the start of a new series. Holy Guacamole Vol 1 kicks off with JHNS keeping it deep and lively with 'Nevermind' while Steve End and Colau hook up for 'Back Spin' and lay down some magnificent drum loops that are silky and infectious. El Funkador's 'Shame' brings some 90s New York vibes with lovely snare sounds and warm bursts of chords. On the flipside, Alben & Laje & Errat, Hot DLVRY and Craftsmanship all cook up more fresh fusions of old and new school house.
Review: JKriv returns to Razor-N-Tape after two years away and in that time it is clear to say he has further fine tuned his sound. This latest offering kicks off with 'Blueprint' which is a nice loose sound with elastic acid lines and bright chord stabs. 'Intuition' (feat Megatronic) slows down to sun-kissed and lazy swagger with soulful spoken words and cuddly pads and soft shakers all soothing you to your core. 'Zone 1' then kicks on with a nice bright blend of nu-disco colours and soft acid undulations and 'Paula's Dance' (feat Pauha) closes with some steamy and timeless house that is perfect for sunset sessions.
Review: Omar S' Detroit proud FXHE now has a staunch reputation as one of those buy on sight labels for a reason. This new release by rising star John FM follows up the well-received Alone and Where My Roots Lie EPs. Starting with the soulful machine funk of "Jehks" truly capturing the sounds of the city of industry in its heyday. There's then the fine R&B jam of "Motion" somewhat reminiscent of Theo Parrish & Andrew Ashong, but it's his smooth vocal delivery which undoubtedly makes it his own! On the flip, the mysterious and melancholic Omar-S remix of "Alone" is absolutely sublime, but just wait for the tough acid fuelled groove of "Gump" which truly takes it home in right fashion.
Review: Stimulator Jones, you might know, is a Stones Throw artist, but here he lands on the house-leaning Star Creature with a new and exquisite outing that finds him tapping into a different side of his skills. He has dropped several fantastic albums before now that go from hip-hop to jazz-funk but here he taps into the magic of Chicago house greats like Fingers Inc and Larry Heard. 'Night Walk' is pure mid-tempo deep house perfection, 'Precious' layers in some tender vocals and a melodic bassline and 'Strive To Survive' brings more manic acid lines. 'Moon' shuts down with some irresistible swing and cosmic synth work.
Review: After a headturning debut release which soon sold out back in May, Detroit Basics is back with more magnificent machine music. And once again it is JR Disc who is serving up the sounds. 'Beautiful Blue Pillow' kicks off and sounds like Kraftwerk making funk electro complete with vocoder vocals and silky grooves. 'Mean Mugg' is a more rough and ready deep house sounds with frazzled synths growing ever more prominent and last of all, 'Under The Ground' shuts down with some stomping drums and glistening melodic pixels that rain down the face for a futuristic feel.
Review: It might be November but June is Jazzin with this new EP to close out another faultless year for Kai Alce's NDATL. The South African producer starts off with 'Funky Monkey' which is a deep and sumptuous house groove embellished with subtle but real melodies from Oliver Portal. 'Gogo's Stove Smoke' rolls just as deep, with balmy pads drenching the groove in soul and on the B-Side 'Valerie' layers up shuffling beats and heady pad work with a fantastic bassline. It's meditative stuff for cosy basements then 'Harming Man' brings a little more bounce as it closes the EP with sweet synth stabs, steamy vocal coos and warm rolls from the Rhodes.
Review: 24 Carrot is the collaboration of two notable Dutch producers from Nijmengen: Daniel Leseman and Hans Peeman, both co-founders of deep house label Outplay. Leseman looks after the A side here on 24C02, with the sleazy, loungey and low slung groove of "Winner Winner" and we think you know what's coming next. Indeed "Chicken Dinner" proves humor is at the heart of what he does. Where he goes for that dusty, looped up and sampled-based aesthetic in the new Dutch tradition of Dam Swindle and Nachtbreaker et al. On the flip, Peeman dons the Junktion alias for the infectious funk attack of "Mustard", followed by some slo-mo mood music for night people on "Smokes".
Review: Marquis Hawkes is back in Juxta Position mode. After two killer releases on DVS1's Mistress imprint, he now appears on Rhythm Nation (following up great releases by Tallmen 785 and Kessel Vale) with more fierce and energetic hardware house jams dripping with soul and emotion. "Soon" on the A side is a raw and jacking effort, with dramatic strings and sampled vocals harmonies powered by thunderous tom workouts. On the flip is "Neubau Signal" a darker and deeper excursion with sombre but sexy piano pads, delayed claps and those rich strings making for another awesome appearance.
Memory By Flyway (Justin Spiritual Navigation mix) (8:55)
Review: This one was already getting plenty of support and many plays before it even came out. And it's easy to see why, because both tunes are brilliantly atmospheric house cuts that offer more than just a nice groove. 'Memory By Flyway' (original Tribute mix) has a grainy, lived-in feel, with warm chords smeared over the bumping beats and a spoken word vocal adding extra depth. The Justin Spiritual Navigation mix reworks the drums into a more funky, skipping framework but keeps the vocal musings and adds some spiritual keys for a proper heady trip.
Boris Dlugosch, Marc Romboy & CAR - "Survivor" (6:19)
Boris Dlugosch, Marc Romboy & CAR - "Survivor" (Johannes Albert remix) (6:02)
Review: Germany's always club-ready label Frank Music is back with another beefy 12" that finds mainstays and newcomers unite in fine fashion. Johannes Albert and Lauer open up with a trio of collaborations that go from full throttle, chord led house on 'Based on Boss' to the deeper grooves of 'Four 44' and far sighted, soul drenched tech of 'Posh-O-Rama'. Boris Dlugosch, Marc Romboy & CAR step up on the B-side with the woozy and hypnotic 'Survivor' which also gets remixed by Johannes Albert into something more raw. Useful grooves for sure.
Mistura - "Want Me Back" (feat Jemini - Jimpster Jazz'd Right Up remix) (6:26)
Joey Montenegro - "Do What You Feel" (Birdee remix) (7:27)
Lakeshore Commission - "In 2 The Light" (feat Bluey - Dave Lee Mind Travel mix) (7:40)
Destiny II - "Play To Win" (feat Angela Johnson - Dave Lee Destination Boogie mix) (7:11)
Review: Z Records' ongoing 'Attack The Dancefloor 'series of compilation style vinyl EPs has long been a reliable source of disco-fired excellence, and this 21st edition is another high-quality affair. We're first treated to a superb Jimpster revision of recent Mistura single 'Want Me Back', where Jemini's spoken word vocal, jazzy keys and spacey synth sounds rise above loose-limbed deep house beats and wiggly TB-303 lines, before Birdee drops a genuinely joyous, organic-sounding disco-house take on 1991 classic 'Do What You Feel' (now credited to Joey Montenegro, rather than his now retired Joey Negro alias). Elsewhere, Lee's own rework of Lakeshore Commission's Bluey collaboration 'In The Light' is a smooth, soulful, string-drenched delight and the veteran producer's 'Destination Boogie' tweak of Destiny II's 'Play To Win' is a revivalist '80s electrofunk delight.
Jamma D - "Don't Wanna Leave The Couch Today" (4:20)
Roche - "House Shuffle Boogie" (6:13)
Darone Sassounian - "Arms" (6:18)
Review: This deep, jazzy and lo-fi house 12" is perfect for escaping at this time of year as the hustle and bustle of the holiday season and the general weight of modern life can get all too much. It comes from an array of standout producers from around the world including Darone Sassounian, Jamma D and Jarren from Los Angeles, Roche from Portland and Morris Mobley from Nancy, France. Between them, they offer the cuddly, cloudy depths of 'Drippin'' (Sauce dub), humid and jazzy heat of the sumptuous 'Don't Wanna Leave The Couch Today', playful rhythms of 'House Shuffle Boogie' and more besides.
Review: REPRESS ALERT!: Monsieur Van Pratt is well known to anyone who likes their disco on the hot side. He heads up the Super Spicy Records label and is now back with a new entry into the Super Spicy Recipe series alongside plenty of other top names. He opens up the EP with a groovy masterpiece featuring a powerful bassline and captivating vocals. Hotmood's 'Like That' showcases the energetic prowess of the Mexican then Julps, from Mexico City's Departamento, debuts with a hypnotic deep cut. On the flipside, Groovy Kds keep the party alive with 'Get Down,' while The Magic Track delivers pure dancefloor magic. Closing out the 12", The Velvet Stripes serve up a super funky and potent finale.
Review: It's another family affair over at New York City's Razor N Tape label. For this edition, they have tapped the ever reliable Israeli indie-dance heroes Red Axes for a euphoric rendition of Nenor's 'Do You Remember' (feat Jenny Penkin) making for proper Balearic vibes, while the one-and-only Boo Williams delivers another ultra-deep house journey in the form of 'Besty Smith'. Over on the flip, we see the return of New Zealand-based producer Frank Booker who hands in the late night mood music of 'Time Won't Tell' followed by Peter Matson with a slinky and neon-lit rework of label chief JKriv's 'Something Else'.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.