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Falling (feat Random Factor, Fernando remixes)
Cat: VIS 444. Rel: 27 May 25
 
Deep House
Falling (Random Factor remix) (6:46)
Falling (Random Factor remix dub) (6:48)
Falling (Fernando remix) (6:50)
Falling (Fernando dub) (6:48)
Review: 20/20 Soundsystem were a four piece live band fronted by 20/20 Vision boss Ralph Lawson, leaving their stamp on events Sonar Barcelona, Glastonbury, Space Ibiza, EXIT, Love International, Creamfields Argentina, fabric London and Manchester WHP. They released two studio albums, the latter, 2008's Falling, lending its title track to a clutch of new mixes here courtesy of Random Factor and Fernando. The new versions bring a modern touch and fresh dancefloor-ready energy while never forgoing the spirit of the original. Random Factor's offering is a gritty and dubby electro version and Fernando offers a cosmic chugger with plenty of sci-fi sounds and wispy acid details. Sound.
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 in stock $14.69
Beyonders EP
Cat: PLO 005. Rel: 27 May 25
 
Deep House
A² - "Glider" (6:58)
A² - "Let's Get It Together" (8:02)
Stopouts - "Sin City" (8:46)
Stopouts - "Kartwheel" (5:22)
Review: Planet Orange Records' fifth release is a four-tracker from the legendary minds behind Alien Recordings, aka A2 and Stopouts, who take one side each. From the opening moments, the Beyonders EP weaves a thread between the halcyon days of tech and minimal from the 90s but with forward-thinking energy. A²'s 'Glider' is a happy, piano-laced celebration to start with ,then 'Let's Get It Together' cuts loose with lithe pads and more mid-tempo drums. Stopouts steep up for the flip and soon melts the mind with some tightly woven acid and cosmic tech on 'Sin City' and 'Kartwheel' then brings a more freewheeling and loopy groove with some neon colours dripping down its face.
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Played by: Nico Lahs
 in stock $16.12
Synchonised Swimming EP
Synchonised Swimming EP (12" limited to 100 copies)
Cat: OTW 01. Rel: 27 May 25
 
Techno
Component A (5:37)
Untitled B2 1 (3:17)
Entangled (5:32)
Are You? (5:54)
648 (3:55)
Carrier (5:24)
Review: Lempuyang is a label you will know and respect for its high quality stream of immersive dub techno and now the man behind it, Alastair Kelly, debuts a new label with none other than revered UK techno mainstay Ibrahim Alfa Jnr. He opens up with 'Component A' which is a moody melange of slow, broken dub beats and fizzing synths. There is further experimentation on 'Untitled B2 1' which pairs a churning dub rhythm with naive and innocent melodies and lots of li-fi static. 'Entangled' ups the ante with the suggestion of a fast paced rhythm through a skeletal groove and the flip brings broken beat dub weight, meaning and percussive bass with a 2-step swagger then deep introspection on the closer. A classy EP that suggests this label is one well worth watching.
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 in stock $19.21
Beyond Causality EP
Cat: KC 001. Rel: 23 May 25
 
Minimal/Tech House
Identity Virus (6:13)
Fourth Way (8:25)
DUMBAH (6:19)
Abacus (5:45)
 in stock $16.12
Sigma Detection
Cat: FOMO 001. Rel: 15 May 25
 
Techno
Calm Under Pressure (6:32)
Dark Arches (7:13)
Maelstrom (7:09)
Torsion (6:37)
Review: Polish label FOMO_ debuts with the first in its news Spectral series, and who better to kick off with than the ever innovative ASC. He is a master of musical tension and abstraction and shows that with four tracks that build up the pressure and never let it go. 'Calm Under Pressure' is soothing up top with its smeared, spectral pads, but there's pent-up tension in the low end that keeps you on edge. 'Dark Arches' soundtracks an underground cavern with haunting pads and icy, watery droplets and 'Maelstrom' gets more direct with jostling broken beats, hissing trails and unsettling deep space mystery. 'Torsion' is the most maximal of the lot - an in-your-face collage of loopy, snappy drums and sordid synth sludge.

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 in stock $16.39
Outernational Dance
Cat: MC 081. Rel: 28 May 25
 
Deep House
Esperanto (5:57)
Unua Libro (6:11)
El Heine (6:04)
Ho Mia Kor (4:09)
Mia Penso (1:55)
Review: Given his long-held love of fusing elements of different musical cultures from around the world, Auntie Flo (real name Brian D'Souza) is almost the perfect Multi-Culti artist. It's something of a surprise then to find that this is only his second outing on the label. He begins in confident mood with 'Esperanto', a delightfully melodious, bubbly and synth-heavy slab of chugging sonic joy, before wrapping waves of mind-altering electronics and sun-bright synths around a slipped Afro-tech beat on 'Unua Libro'. Over on side two, D'Souza takes us to a deeper and more immersive place on 'El Heine', explores hybrid cosmic/ambient soundscapes on 'Ho Mia Kor', and doffs a cap to the new age ambient pioneers of times gone by on blissful closing cut 'Mia Penso'.
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Played by: Alexis Le-Tan
 in stock $16.94
Drone Logic (Harvey McKay re-edit)
Drone Logic (Harvey McKay re-edit) (limited 1-sided vinyl 12")
Cat: PH 142. Rel: 21 May 25
 
Minimal/Tech House
Drone Logic (Harvey McKay re-edit) (4:30)
Review: This new 12" from Glaswegian producer Harvey McKay sees him reworking Daniel Avery's 'Drone Logic' into a driving, big-room missile i and it absolutely slaps. Upping the tempo and leaning into a more percussive framework, McKay doesn't just touch up the original's swirling psychedelia, he rebuilds it for peak-time pressure. The acid line is still there, twisted and stretched, but now it rides atop galloping drums, shimmering hi-hats and the kind of pneumatic swing that's become McKay's signature. It's a brand new release on Phantasy, pressed in a limited run of 500 and already a fixture in the sets of Avery, McKay and Erol Alkan. The sound is somewhere between soulful techno and heads-down warehouse hypnosis i powerful without being punishing. What's clever is how it stays true to the hazy mood of the source, but flips it into something entirely more immediate. As a one-sided 12" it's a bold statement, but one that's easy to understand: it only needs one track when it hits this hard. Built for high ceilings, smoke machines and stretched-out moments mid-set, this is an edit that earns its hype. A slow-burn classic reborn as a proper dancefloor weapon.

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 in stock $14.69
In Oculis
In Oculis (12")
Cat: SDBANU 1209. Rel: 15 May 25
 
Broken Beat/Nu Jazz/Nu Soul
Night Plants Can Run (3:58)
Disassembling The Matrix (3:13)
Lizard's Dream (4:56)
Eyelights (4:13)
17th Tiger Print (6:14)
 in stock $22.33
Blue Or Red
Cat: VOSTRA 008. Rel: 12 May 25
 
Minimal/Tech House
Act5 (6:32)
Glance Back (6:26)
Blue Or Red (feat Diego Santana) (5:47)
Danse (feat David Agrella) (5:55)
Review: Emergent talent B Ai, hailing from China, contributes to Paris-based label and Chat Noir family member Cosa Vostra, following storm surging releases on Motivation, Altered Circuits and Picnic Records. Spanning post-EBM lasershot fires and SFX-ed spanners-in-works, 'Act5' kicks off 'Blue Or Red' with a tense introductory interstate hyperride, while 'Glance Back' offers us a contrasting chance to look back down the road on whose mac we've just blazed a thick, blackened tire tread trail. Diego Santana crops up on the B1 titler, guiding through a tight Italodance au-diorama, while another fellow producer, David Agrella, lets us down further on the synth tubular breather 'Danse'.
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 in stock $17.24
Nautilus
Cat: BCR 176. Rel: 29 May 25
 
Funk
Nautilus (3:15)
Maria Tambien (3:10)
Review: Germany's Bacao Rhythm & Steel Band's profile skyrocketed in 2024 when their hypnotic steel pan cover of 50 Cent's 'Pimp' became a surprise emotional core in the Oscar-winner Anatomy Of A Fall. So pivotal was the track that steel pans would here make their first ever Academy Awards orchestra debut. But for longtime heads, 'Pimp' first turned heads in 2008, where it was pressed on Bjorn Wagner's Mocambo label and was often mistaken afterwards for a 50s sample source. The 'Big Crown Vaults' series now swoops in to save and preserve the group's best contributions to the music world, in addition to and in excess of the 'Pimp' version. A true archive-delving if we've ever heard one, the tracks so preserved include Bob James' breakbeat classic 'Nautilus' and a thunderous take on Khruangbin's 'Maria Tambien'. Then there's the B's funked-up flips of the Jackson 5 and Billy Jones, plus one original, 'Kaiso Noir'.
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 in stock $9.33
Music Of The U
Cat: TUNESDWAX 003. Rel: 19 May 25
 
Funky/Club House
Music Of The U (5:24)
The Armenian Break (4:22)
City Of Love (4:53)
Abstractish P (7:25)
RoRyaRe (7:14)
Review: Scruniversal's sub label Tunes Delivery invites Moscow scene veteran Leonid Lipelis to don his Beard In Dust moniker for their third instalment, one which dips into various different eras of dance history for inspiration. There's a distinctly late 80s feel to opening tune 'Music of the U', complete with sampled bell stabs and the kind of beats that wouldn't be out of place on an S'Express or early Coldcut house affair. 'The Armenian Break' and 'City of Love' look back even further, back to the female-fronted disco efforts of the 70s, the latter adding a touch of Balearic flourishes. 'Abstractish P' circles around some serene arpeggios, with rave whistles and, as it progresses, twisting guitar notes, lending it an individual air, while closer 'RoRyaRe' nods to ExCel-era 808 State with some nice bleepery before settling into more progressive headnodding territory and some distinctive synth play.
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Played by: ROTCIV, Scruscru
 in stock $13.55
Can't Stop
Cat: BENE 002. Rel: 16 May 25
 
Deep House
Can't Stop (8:42)
Won't Stop (5:43)
Review: The first ever release by the elusive Benedict on 12". 'Can't Stop' is a lacrimal liquescence of red-lit dance music, one that does an impressive job of obscuring its vocal sample source, though they've not stumped us: the siftage in question is The Internet's 'Hold On' (2018). Syd Tha Kid's condensed vocals are made nymphlike in their buttery brush-up against warbled deep house prods, marking out a truly luxurious listen.
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 in stock $18.08
Party People
Cat: CS 011. Rel: 02 Jun 25
 
Disco/Nu-Disco
Party People (Night & Day) (9:08)
Every Night (Hold Me Tight) (7:18)
Review: Nick Bike has been at it again, crafting high-grade club cuts that always make an impact. These two have already been well road-tested with great effect. 'Party People (Night & Day)' is the first and is a brilliant collision of some funky, soulful disco classics into one new and strident sound with irresistible claps and vocal hooks. On the flip is the scorching 'Every Night (Hold Me Tight)' which is just timeless and super smooth disco-funk with a persuasive charm. Two no-brainers here that will bring next-level fun to any set.
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Played by: Ursula 1000, VRRS
タグ: Disco House
 in stock $13.00
A Time For Us
Cat: BLKG 7. Rel: 06 Jun 25
 
Jazz
A Time For Us (3:13)
Enchanted Lady (edit) (3:09)
Cross Country (3:18)
Review: The latest deep dive into Galaxy Sound Co.'s Black Hole series is another carefully dug out delight featuring three essential jazz-funk-psych cuts. Joe Pass' 'A Time For Us' opens with beautiful cinematic strings, sparse drums and ghostly guitar that has been famously sampled by J Dilla and the Slum Village crew, and sounds powerful in situ here. Milt Jackson & Ray Brown's 'Enchanted Lady' follows with hypnotic modal swing, again famously flipped, this time by Pete Rock, De La Soul and Knxwledge. Closing out is Archie Whitewater's 'Cross Country', which is a funky, soulful groove with brass and keys that have been immortalised by Kanye and Common, but remains a burner here in its original form.
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 in stock $12.72
So In Love (remixes)
So In Love (remixes) (limited translacent red vinyl 7")
Cat: POL 0047. Rel: 29 May 25
 
Deep House
So In Love (Joe Claussell Rough mix 1) (4:29)
So In Love (Joe Claussell Rough mix 2) (4:30)
So In Love (Joe Claussell Drums) (2:08)
Review: New York's Joe Claussell offers three blistering takes on 'So In Love' by Black Rascals, the early 90s project from Blaze. This red-label 7" is a pricey one, but the contents justify it: deep house from the source, reworked by one of its most spiritual selectors. 'Rough Mix 1' leans into swirling vocal loops and expansive FX, full of Claussell's signature dynamics, while 'Rough Mix 2' dials back the drama slightly for something more floor-focused. Flip it for 'Drums', a stripped-down tool that reimagines the track as raw percussive hypnosis. Essential NY house lineage, revived in style and pressed loud-just don't expect it to hang around.
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 in stock $30.81
Don't Stop
Cat: PETE 004HBR. Rel: 04 Jun 25
 
Disco/Nu-Disco
Pete Blaker - "Don't Stop" (13:15)
Pete Blaker & Dionisos - "Ice Cold" (6:54)
Review: Even if it's a point worth making, sometimes it needs to be made several times over before it lodges itself in the brain. Whoever was behind this original cosmic disco cut, it hammers home the principle of not stopping the music with such repetitive intent that we have to wonder whether we truly would want to stop the music had we not been inculcated as such. And though we're unsure of its origin, 'Don't Stop The Music' and its loving rerub from Leeuwarden, Netherlands DJ and producer Pete Blaker hears the artist dare not forsake the Northern English interest in such sounds by leasing his wares again to Newcastle label Hot Biscuit. Backed by a suspensory glaciation on the B, 'Ice Cold' with fellow producer Dionisos, you can be sure yet some other aspect of disco gold has also been reliably preserved here.
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 in stock $20.63
Synthetic Substitution (reissue)
Cat: RR 00021. Rel: 15 May 25
 
Funk
Synthetic Substitution (3:31)
Synthetic Substitution (Just Blaze take 6 Master mix) (3:49)
Review: Originally released in 1973 by New York-born soul singer Melvin Bliss, 'Synthetic Substitution' was never meant to change music. A B-side to his single 'Reward', it quietly slipped out on Sunburst Records i and then, years later, exploded. With 'Funky Drummer' sticksman Bernard Purdie's drums at its core, it became one of the most sampled tracks in hip-hop history, forming the rhythmic backbone of cuts by De La Soul, Mobb Deep, LL Cool J, Justin Bieber and hundreds more. This new release gives the track its due, with a sharp remaster and a respectful rework from Just Blaze. The original still hits hard i a slinky, minimal soul groove with impeccable swing and eerie vocal calm. On the flip, the 'Just Blaze Take 6 Master Mix' lifts that legendary break into widescreen, looping and layering it with warmth and flair. It's not flashy, just smart i honouring the DNA while letting it breathe. It's a fresh pressing of a foundational beat, and a timely reminder of how deep hip-hop's roots run. Whether you're crate-digging or just craving drums with history, this is as vital as it gets.
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Played by: Marc Hype
 in stock $11.03
Young Gifted & Black
Cat: SAG 013. Rel: 20 May 25
 
Classics/Ska
Bob & Marcia - "Young Gifted & Black" (3:14)
Marcia Griffiths - "Working To The Top" (2:42)
Review: Bob & Marcia's Young Gifted & Black album on Trojan came back in 1970 and was produced by Harry J. It included the title track, which was a UK top five hit that has remained a favourite. The cool and breezy groove carries a potent socio-political message and lo-fi drums that lodge deep. It is reissued here on anew 45rpm that is featured alongside Marcia Griffiths' soulful 'Working To The Top' which mixes authentic reggae and slightly more swaggering ska vibes and heartfelt, steady groove. Together, these tracks take it back to a golden age of reggae and are perfect for loud plays on sound systems this summer.
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 in stock $14.98
Strictly Dann Stealy
Cat: SWR 032. Rel: 23 May 25
 
Hip Hop/R&B
Strictly Dan Stealy (4:12)
Uncle Grain O's (3:34)
Review: As you probably know if you're reading this, Jorun Bombay is one of the most consistently on for edit maestros in the game. Here he steps up with a new outing that sticks right at the heart of the dancefloor once more. 'Strictly Dann Stealy' is a clever mash-up of De La Soul's 'Eye Know (Know It All Remix)' featuring the original source vocals over a faithfully recreated instrumental. It channels the signature energy of early 90s hip-hop clubs with a fresh twist you've never heard before. On the flip, 'Whole Grain O's' offers a reimagined instrumental take on 'Oodles of O's' which is packed with reggae chants, added turntablism and signature 'Oh's'. It's a playful, party-ready version that balances just the right amount of nostalgia and brand new style.
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 in stock $16.39
Biscuit Four
Cat: LNS 08. Rel: 23 May 25
 
Minimal/Tech House
BOOH - "Hidden Between Ferns" (6:26)
Micro. Tron - "Microclima Robot" (5:22)
JJ Fortune - "Then I Dropped It" (5:35)
Vloon - "Instintos Teijdos" (6:52)
Review: This Biscuit release is a fierce four-track punch built dancefloor disruptors. Opening the A-side, France's BOOH (aka BOOOoo! Records co-founder) delivers 'Hidden Between Two Ferns,' a punishing blend of EBM and electro that morphs with dark energy. A2 sees Argentina's Micro.Tron bring pure electro muscle with 'Microclima Robot,' a rhythm-heavy cut that hits with precision. On the flip, JJ Fortune drops the epic and destructive 'Then I Dropped It' while Vloon closes with a snarling, high-voltage electro weapon. Raw, trippy and relentless, this one's built to shake basements and bend minds.
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タグ: EBM | Electro Techno
! low stock $16.12
Make Me
Make Me (limited pink vinyl 12" in die-cut sleeve)
Cat: R 212001P. Rel: 13 May 25
 
Breakbeat
Make Me (extended mix) (5:01)
Make Me (Big Ang Rave To The Grave remix) (3:23)
Make Me (Mani Festo remix) (4:13)
Make Me (Paul Sirrell remix) (3:59)
Review: Bristol producer Borai (Boris English) and London's Denham Audio (Peri Ashwood) pulled off a remarkable feat with 'Make Me/No Good', an unequivocal release put out on Higher Level Records in 2019. Repurposing the unmistakable hookline from Donna Allen's g-funk jacker 'Serious' from 1986 into a fully re-recorded sample all their own, 'Make Me' set alight the feet of the breaksy raver, striking serious gold in the classic formula of easily-recognised old-school-soul vocals and sculpted tearout heft. As anthemic as its original B-side, 'No Good', the original latter half of the record now comes substituted by Big Ang's Rave To The Grave mix, whose blooping trooper sound design and mains-hum Reeses provide an ecstatic alter. A can't-go-wrong reissue by the Room Two camp.
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 in stock $18.08
Where Did I Go Wrong?
Cat: COK 45001. Rel: 15 May 25
 
Indie/Alternative
Where Did I Go Wrong? (3:48)
Family (4:15)
Review: Brenda is the soul-infused solo project of prolific Melbourne drummer and multi-instrumentalist Hudson Whitlock who now makes a stunning debut on College Of Knowledge Records with two tender ballads. He is already known for his work with Surprise Chef and Karate Boogaloo and here steps into the spotlight as a vocalist delivering introspective lyrics in a fragile falsetto. Drawing from sweet soul traditions of the 60s and Melbourne's cinematic soul movement, both 'Where Did I Go Wrong?' and 'Family' show off Brenda's emotive, indie-soul sound with lush arrangements and heartfelt deliveries marking a poignant and promising new chapter for Whitlock.
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 in stock $14.42
Bombin'
Bombin' (7")
Cat: USR45 002. Rel: 15 May 25
 
Hip Hop/R&B
Bombin' (7" vocal edit) (3:18)
Bombin' (7" Guitar dub mix edit) (3:04)
Review: Remastered from a lost cassette in composer David Toop's archive, Unsettled Scores Records has secured the rights to a first-ever release of the legendary title track from Dick Fontaine's iconic 1988 graffiti documentary. Originally airing on Channel 4, the film followed Brim's 1985 journey from the Bronx to the UK, where he linked up with future icons like Goldie and 3D of Massive Attack. A formative piece for graffiti writers and hip-hop heads alike, Brim's 'Bombin'' became a cult classic and remained so. This long-awaited 7" includes the full version and unreleased mixes.
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 in stock $16.39
My Kind
My Kind (7")
Cat: RF 436. Rel: 12 May 25
 
Roots/Lovers Rock
Dennis Brown - "My Kind" (3:07)
Joe Gibbs & The Professionals - "Ghetto Skank" (3:00)
Review: In the mid-70s, reggae great Dennis Brown was on a creative high with producer Niney propelling him to stardom. However, around this time, he was transitioning back to working with Joe Gibbs, another masterful studio hand who would later cement Brown's superstar status. Gibbs had previously worked with him on the acclaimed Visions album, and this particular track was likely recorded during that era or slightly earlier. Despite its quality, the tune didn't reach the audience it deserved, largely due to Gibbs' lack of UK distribution at the time. For much of the seventies, Joe Gibbs remained sidelined in England, limiting the global impact of his exceptional productions, but reissues like this do a fine job of underlining his importance.

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 in stock $14.98
Self Definition EP
Cat: ERV 002. Rel: 13 May 25
 
Minimal/Tech House
Slippery (7:38)
Self Definition (7:41)
Eternal Sheevy (7:39)
She's Infinite Bliss (7:42)
Review: Esente Records' young journey continues with a second offering that builds on the good work of the first. This one comes from Bucharest's BRYZ and is a masterclass in refined electronic minimalism. Opening up the trip is 'Slippery,' a fluid blend of supple rhythm and texture with plenty of characterful sound designs and details peeling off the beats. 'Self Definition' follows with introspective tones that invite personal exploration and on the B-side, 'She's Infinite Bliss' delivers an ethereal, almost otherworldly atmosphere while 'Eternal Sheevy' closes the journey with a timeless, lingering resonance. Each track reflects the deep, minimal aesthetic Esente is known for-subtle but not lacking power, and introspective yet dancefloor-ready.
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タグ: Minimal | Minimal Techno
 in stock $16.12
Jamajama
Cat: SC 7086. Rel: 06 Jun 25
 
Disco/Nu-Disco
Byron The Aquarius - "Jamajama" (4:26)
Byron The Aquarius & Steven Klavier - "Higher" (3:44)
Review: Key playing master Byron The Aquarius returns to Star Creature with 'Jamajama', a slick 7" dripping in synth-heavy funk and future-facing deep house of the sort that has made him a real standout in recent years. On the A-side, Byron delivers a left-field jazz-funk burner that's packed with squelchy, bass-rich, and weirdly elegant vibes that perfectly straddle the line between two-step and house grooves. Flip it over and you get a lush nu-boogie banger featuring Steven Klavier on vocals, and his disco-laced touch has lit up tracks from Soul Clap to Eli Escobar so you may well be familiar. It's a tight, genre-blurring gem from one for heads, dancers, and divas alike.
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Played by: Per Bojsen-Moller
タグ: Nu Disco | Detroit House
! low stock $15.82
Look At Me Now
Cat: SEV 018. Rel: 27 May 25
 
Soul
Look At Me Now (2:41)
Look At Me Now (alternative take) (2:54)
Review: After a wild shelf-clearer came by way of a reissue of 'Ordinary Joe' earlier this year, we've now a second Outta Sight reissue of yet another gladly intoned Terry Callier deep cut on our hands. Born and raised in Chicago's Cabrini-Green, Callier came up alongside a generation of soul and jazz innovators but always stood apart. After his debut LP The New Folk Sound fell into obscurity, and his 1968 Cadet single 'Look At Me Now' slipped past unnoticed, he was brought into his mentor Jerry Butler's Songwriters Workshop, a game-changing move. This stirring early statement works in much inner commentary on manhood, stage fright and vital moment seizure - "now my people think I just fake it / I know I do things they don't understand / so I've got to show them I can take it / I've got to show 'em I can be a man" - aches with the strain of double consciousness in a performance society.
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 in stock $15.82
Lost Tracks EP
Lost Tracks EP (12" + insert)
Cat: MP 003. Rel: 20 May 25
 
Electro
The Red Room (5:10)
Anger (4:37)
Heartbeat (5:44)
150 BPM (3:57)
Review: French label Cairo Xpress debuts with a first-ever vinyl outing and a fine one it is too, with six stylish house outings from an array of fresh talents. Wilt's 'Beoyon' has lovely gloppy drums and bass looping under harmonic chords - it's simple but effective. Hermit gets more full-bodied with his textured 'Who Dunnit' and DOTT strips it back to bumping drum track workouts on 'Twitching Softly.' There is more irresistible bounce to Lucho's 'Mesh', Artphorm layers in some old school pianos to 'Daown' and HATT D shuts down with maybe the best of the lot, 'Contrasts In Life,' which is a broken beat, analogue sound with celestial energy.
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 in stock $24.31
Free Meal Ticket
Cat: CGI 7061. Rel: 12 May 25
 
Roots/Lovers Rock
Cornell Campbell - "Free Meal Ticket" (2:22)
Prince Hammer - "Bible" (2:47)
 in stock $16.12
Caged Bird
Caged Bird (white pink & green splattered vinyl 12")
Cat: KT 039V2. Rel: 13 May 25
 
Deep House
Caged Bird (Full vocal mix) (8:04)
Caged Bird (main instrumental mix) (8:05)
Caged Bird (Kerri Chandler remix) (8:05)
Caged Bird (Kerri Chandler instrumental remix) (8:03)
Review: Remarkable future deep house from an artist whose reputation speaks for itself, nonetheless through the wing-flapped wings and freedom trills of the past. As he came of age in New Jersey in the mid 1980s, Kerri Chandler's groove-driven productions and rapt DJ sets could easily be said to have "evangelised" the dancefloor, with the deep and soul-bearing tilt of his sound seeming to promise salvation. Undoing and atonement come to those who shrive not in speech, but by moving their feet. 'Caged Bird' first came in 2020 - well past Chandler's 90s purple patch - but nonetheless contained as ever the slickly sophisticated jazz and vocal reflections likely inherited from Chandler's father, the late great jazzer DJ Joseph Chandler. Nae sings on the track, and her lyrics name-check Maya Angelou, who adapted the infamous poem 'Sympathy' by Paul Laurence Dunbar under the name 'Caged Bird'.
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Played by: Jemaho
 in stock $18.08
Topography EP
Cat: MOTE 071. Rel: 21 May 25
 
Techno
Altitude (5:01)
Serac (5:13)
Lamin (5:42)
Phantom Grid (5:28)
Review: The Swiss producer and mastering engineer, now rooted in Lisbon, Chlar returns with an evocative slab of techno that feels both ancient and forward facing. With over a dozen EPs under their belt, this latest four-tracker solidifies his mastery of atmospheric, rhythm-heavy sound design. Side-A opens with 'Altitude', a primal and hedonistic tribal techno cut that recalls the spirit of Blueprint Records or early James Ruskin. It's a raw, driving rhythm that feels carved out of stone, a cavernous groove echoing through the walls of a rhythm cave. 'Serac' follows with a deep bassline and a futuristic, yet organic pulse that balances modern machine funk with a ceremonial, ritualistic undertone. There's a timeless quality to the way it moves. Side-B begins with 'Lamin', perhaps the EP's most cinematic piece. It's clean and spacious, yet cloaked in tension, like an alien landscape where mystery simmers beneath the surface. 'Phantom Grid' closes the record with a no-nonsense percussive workout, all warehouse minimalism and skeletal intensity, perfect for peak-hour darkness. It's atmospheric, confident and comes with a big dose of sonic storytelling. What more could you want from your techno?!
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 in stock $14.69
Get Up EP
Get Up EP (12")
Cat: HEIST 092. Rel: 13 May 25
 
Deep House
Deep Inside Love (6:08)
Higher (5:10)
Get Up (6:20)
Higher (Demi Riquisimo remix) (6:54)
Review: Cinthie returns to Heist with another stormer of an EP, packed with peak-time tackle and knowing nods to her rave roots. Following the titanic success of 2023's 'Piano Heaven' i also on Heist i the Berlin-based maverick had plenty to live up to on 'Get Up', and she certainly doesn't disappoint. 'Deep Inside Love' is a euphoric house pumper with uplifting keys and big room swagger, while 'Higher' leans into the rave nostalgia that typifies much of today's underground club milieu i all stabs, vocals and hands-in-the-air intention. 'Get Up' drops the tempo just a touch, offering a warm, dubby breather laced with classic house moods. Rounding it off is a slick remix from Demi Riquisimo, who gives 'Higher' a semi-retro twist. As ever with Cinthie, this is club music with heart, soul and a large dose of fun.
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 in stock $15.55
Don't You Care
Don't You Care (limited 7" 再プレス)
Cat: BGPS 046. Rel: 29 May 25
 
Soul
Don't You Care (2:47)
Never Did I Stop Loving You (2:32)
Review: Two powerful soul sessions from Alice Clark's eponymous debut 1972 album. "Don't You Care" is a hard-hitting soul standard (that became very popular in acid jazz scene in the early 90s) where Alice opens her heart for all to see while her incredible band ebb and flow with Clark's emotions. "Never Did I Stop Loving You", meanwhile, languishes in sentiment at a slightly lower tempo that allows her to really dig deep for those low notes. The real fun happens as we reach momentum towards the end and every band member brings out their A-game and bounces off each other - backing up Alice every step of the way. You will care about this.
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 in stock $12.15
Coflo Edits Vol 1
Cat: GAMM 190. Rel: 22 May 25
 
Deep House
Canto De Alright (Caflo vs Deeper Roots edit) (6:28)
Made You Do It, Look (3:45)
Fly Like The Payback (3:38)
Review: Next up on the brilliantly revitalised Gamm label is Coflo, who delivers a trio of dynamic reworks that show why he's one of house music's most exciting new producers. There are no lazy edits here-just bold, club-ready blends packed with flair. 'Canto De Alright' is a versatile transition tool that slides seamlessly between house and hip-hop. On 'Fly Like The Payback,' Coflo fuses Steve Miller Band and James Brown into a rare groove gem and closing the package, Nas gets a funky boogie rework that hits hard and grooves effortlessly. These tracks are hot, inventive, and destined to become weapons for DJs who like their sounds sharp and soulful.
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Played by: Rafa Santos
タグ: Disco House
 in stock $18.65
Roaring
Roaring (12")
Cat: LAXC 17. Rel: 05 Jun 25
 
Progressive House
Roaring (7:41)
We Desert (6:54)
Roaring (Floorfillers Acid remix) (6:55)
Roaring (Maltitz Balearic remix) (5:13)
Review: Renato Cohen has been kicking out jams of all shapes and sizes for many years, but this new outing on French house classicists Skylax amounts to some of his best work in ages. 'Roaring' is a disco-tech cut with dazzling arps loping in sugar, pixelated circles over the striking beats. 'We Desert' then gets more loose with synths spraying about with a mind of their own and plenty of cosmic colour. On the flip, the open gets reworked twice, first into a more heads down and bendy acid workout for the afters and also as a hands-in-the-air piano Balearic classic.
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Played by: Fog
 in stock $16.39
Thesis EP
Thesis EP (180 gram vinyl 12")
Cat: CLASSICWAX 03. Rel: 27 May 25
 
Deep House
Defense (4:49)
TPA (4:52)
BIC (4:35)
And Now What? (5:06)
OPA (4:49)
Review: After a seven-year hiatus, Concept e25 is back which will, quite literally, be music to the ears of deep house heads. This is the alias of French producer Frederic Boeuf who has been crafting his own grooves since 2012 on labels like Skylax, Copie Blanche and Swedish Brandy. The 'Thesis' EP shows what he is all about with deep, cuddly drums, infectious kick patterns and subtle, painterly synths that help smooth the grooves and get your mind wandering.
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 in stock $15.26
Take It To The Limit
Cat: SP 100. Rel: 15 May 25
 
Disco/Nu-Disco
Take It To The Limit (4:17)
Take It To The Limit (Joaquin Joe Claussell extended version) (7:17)
Review: New York disco don Joe Claussell takes a scalpel to Norman Connors' 1980 uncut 'Take It To The Limit', turning a smooth Philly disco-soul burner into a swirling, peak-time epic. Originally voiced by Adaritha and buried on Connors' overlooked tenth LP for Arista, the track is flaymorphosed: pulled inside out, looped, stretched and whipped into chaos with Claussell's trademark floor-focused touch. If you've caught him lately at Body & Soul, you've likely heard this one spiralling into the rafters.
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タグ: Disco Funk | Soul Disco
 in stock $24.59
Once I've Been There (reissue)
Cat: EXPAND 108RE. Rel: 30 May 25
 
Disco/Nu-Disco
Once I've Been There
Captain Connors
Review: Released in 1977 on Buddha Records, Norman Connors' heartfelt number 'Once I've Been There' is a lush piece of honest-to-goodness soul music that's long been held in high regard by diggers. It features a powerful vocal performance from Prince Phillip Mitchell, warm orchestral instrumentation, and a gentle groove arranged by Jerry Peters. Blending elements of classic r&b with jazz sophistication, the track has a timeless, cinematic feel. It's a standout in US drummer Connors' catalogue. Released in the same year, 'Captain Connors' is a loose and limber soul-jazz workout, with energetic horns and deinty keys riding over a sprawling arrangement. Well worth adding to the collection.
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Played by: Pete Haigh
 in stock $20.33
I Heard A Sigh
Cat: TV 022. Rel: 16 May 25
 
Jazz
I Heard A Sigh (3:27)
Where Do You Come From (4:25)
Review: Never before released in this particular form, two inscriptions by the French jazz fusion band Cortex make for a fidgeting classic each, perfect for the tube-amped dancefloor. Made up of many a cover and original, the full-length 'Inedit '79' EP first came to Underdog Records in 2006, though it was composed almost entirely of recordings laid down in 1979, proving the band's asynchronic staying power across decades. This new 7", however, recuts the lead track from the album, and a never-before-heard session floorcut respectively. The B-side in question, 'Where Do You Come From', did not appear on the 2006 release, and was also recorded later in 1981, though it is considered a part of the same inspo-flush.
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 in stock $18.94
Hot Stuff EP
Cat: CEC 066. Rel: 23 May 25
 
Deep House
El House (feat Alejandro Paz) (5:15)
Cami's House (5:16)
Hot Stuff (5:08)
Red Velvet (5:22)
Review: Hector Couto steps up on Cecille with Hot Stuff, a burning four-tracker roping in Chile's Alejandro Paz for a rework of his cult vocal cut 'El House', originally out on Comeme over a decade ago. Couto, a mainstay of modern European house with credits on Hot Creations, BPitch and Defected, revives his trademark low-slung swing, seasoning Paz's voice with sparse drums and deeper club intents. 'Camis House' rolls out woozy chords, sub-heavy basslines and apparitional voxes, before the flip 'Hot Stuff' ludicrizes the mood by way of looped soul chops and loose-lipped percussion. 'Red Velvet' rounds things off with slap bass, twitchy synth work and warm analogue textures; Couto sounds fully at home on Curly and Scholl's enduring Frankfurt imprint.
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 in stock $21.47
Love Letters
Cat: IIB 089. Rel: 27 May 25
 
Balearic/Downtempo
Love Letters
So Far Away
So Far Away (Coyote dub mix)
Review: Coyote and Peaking Lights form a perfect pairing on this latest drop of bliss from Is It Balearic? They are artists who are drenched in dub influences and that comes to the fore on this direct collaboration which marries swirling dub with dreamy vocals and ghostly acid arpeggios to bring to mind a serene sunset after a long, hot and lazy day. 'Love Letters' is pure horizontal bliss, 'So Far Away' gets even slower and will drown you in synth succulence and Coyote's dub mix is laden with soothing delays and warm bass that transports you to an exotic world of weed-laced wonderment.
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 in stock $15.82
Mi Espiritu EP
Cat: NUTRIA 002. Rel: 22 May 25
 
Deep House
Mi Espiritu (feat Jaidene Veda) (8:20)
Ceremonia (feat Carlito Brigante) (8:39)
Deeper Dreams (6:14)
Review: Nutria Sounds is a new sub-label of Kai Alce's rightly revered deep house stable, NDATL Muzik, and it's back with 002 here with an EP by rising Toronto producer Marcelo Cruz, who delivers spiritually rich, dancefloor-ready grooves. 'Mi Espiritu (feat Jaidene Veda)' opens with haunting vocals layered over emotive percussion and bubbly drums, then 'Ceremonia' follows with Carlito Brigante's expressive piano dancing atop hypnotic rhythms that bring to mind sacred rituals. Closing track 'Deeper Dreams' dives into raw, underground territory with cuddly bass and stripped-back drums. It's a tasteful one from Nutria Sounds, which seems set to become a crucial new outlet for organic, soulful dance gems.
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 in stock $14.98
The 4 Lights
The 4 Lights (limited clear & black marbled vinyl double 12")
Cat: ASGDE 052LTD. Rel: 15 May 25
 
Techno
Midwest Intervention
Moral Imagination
What Of Lazarus
Radiant Flow
Triple Xposure
Trust Blind
Lie Of Ceres
Transformations
Review: Dan Curtin has been serving up genuinely far-sighted techno productions since 1992. While he's nowhere near as high-profile as he once was, Curtin is still capable of delivering dancefloor magic - as The 4 Lights, his first album in 15 years, emphatically proves. Those familiar with Curtin's spacey, futuristic and frequently funky take on techno and electro will know what to expect: think infectious, classic-sounding Motor City rhythms overlaid with funky basslines, warming chords, intergalactic-sounding lead lines and a healthy dose of electronic futurism. Curtin predictably hits the spot throughout, with highlights including future techno anthem 'What of Lazarus', the melodic and jazzy headiness of 'Trust Blind' and the sub-heavy downtempo shuffle of 'Transformations'. If that's not enough to seal the deal, this limited-edition version comes pressed to striking clear and black marbled vinyl.
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 in stock $27.41
CV313 Plays Mike Huckaby: Our Life With The Wave
CV313 Plays Mike Huckaby: Our Life With The Wave (translucent red marbled vinyl 12")
Cat: ECHOSPACE 313LE3. Rel: 20 May 25
 
Techno
Our Life With The Wave (7:16)
Our Life With The Wave (Federsen live dub) (7:12)
Our Life With The Wave (Cv313 + Federsen dub) (7:07)
Our Life With The Wave (Intrusion dub) (6:49)
Review: Originally released in 2007, 'Our Life With The Wave' stands as a prime example of the late great Detroit producer's deep, soulful approach to electronic music. Crafted entirely with the Waldorf Wave i a synth Huckaby often called one of his favourites i the track captures his distinctive blend of warmth and precision. This reissue, featuring the original alongside new remixes, is both a tribute and a celebration of his legacy. The original version remains as hypnotic as ever, its rich textures and subtle groove sounding timeless. On the Federsen live dub, the track takes on a more fluid, organic character, with shimmering layers unfolding over a sturdy, pulsating rhythm. Side-B opens with the Cv313 + Federsen dub, a deep, aquatic reimagining where ambient chords ripple over a taut, rolling bassline i a perfect dive into weightless, dubbed-out techno. Finally, the Intrusion dub stretches the track into a more expansive, airy space, full of atmospheric drift and slow-building, epic emotion. Together, these versions honor Huckaby's spirit while expanding his vision. Each dub feels reverent but also full of life, ensuring that 'Our Life With The Wave' continues to ripple forward through the evolution of deep electronic music.
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 in stock $16.94
Spanish Joint
Spanish Joint (7" 再プレス)
Cat: PIBE 003. Rel: 27 May 25
 
Hip Hop/R&B
Spanish Joint (Kero Uno remix) (3:14)
Feel Like Makin' Love (Kero Uno remix) (2:15)
Review: American neo-soul pin-up D'Angelo has released a couple of the smoothest records of the last 30 years. He even made a welcome comeback in the mid 2010s and added some more magic to his cannon. Here Kero Uno remixes a couple of his tunes and ups their funky quotient to make them more suitable to dancefloors. First, he flips 'Spanish Joint' into a key-laced and funky workout with low-slung, hip-swinging grooves sure to seduce next to the zippy synth leads. On the flip is his hot take on 'Feel Like Makin' Love', another bona-fide gem full of heart and soul.
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 in stock $22.60
The School Of Night Remixes EP
Cat: BCR 075. Rel: 16 May 25
 
Deep House
Money, Honey, Monday? (Darren Roach remix) (7:40)
Nu Bass (Sweely remix) (6:10)
Nu Bass (DJ Deep remix) (6:16)
Money, Honey, Monday? (Hostom remix) (5:24)
Review: The Paris-based producer pulls in a tight circle of remixers, each putting a distinct spin on a few of his recent tracks for his own Bass Culture label. Darren Roach's remix of 'Money, Honey, Monday' stretches the original into a spacey, progressive journey. The atmosphere is thick with delay and synth haze, but it still hits with the steady pulse of a house record built for peak time. Sweely steps in on 'Nu Bass' with a funkier approach. It's playful and full of bounce, guided by a deep bassline and flecks of disco that make it hard not to move. Melodic without getting sugary, it's a proper mood lifter. Side-B leans into the deeper end. DJ Deep's version of 'Nu Bass' goes darker and more hypnotic. It's tracky, minimal and slick, perfect for long, late-night times where you want to lose yourself. Hostom wraps it up with another take on 'Money, Honey, Monday'. This one built around a rolling bassline and polished production that gives it a bit of a restrained punch. A solid pack with plenty of replay value.
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Played by: ALEQS NOTAL
 in stock $17.53
Bluesurf89
Cat: PERMVAC 3361. Rel: 05 Jun 25
 
Deep House
Sunshine Coast (7:59)
Soft Energy (6:11)
Global Business (6:23)
Fantacity (6:16)
Forza (6:17)
Review: Auckland-born, London-based duo Manuel Darquart draw from the silkier ends of Italo, house and Balearic breaks on their latest five-tracker for Munich label Permanent Vacation. The opener, 'Sunshine Coast', cruises through airy pads and FM piano with the warmth of a lost VHS holiday clip, while 'Soft Energy' folds ambient textures into a weightless groove built for sunrise slots. Things get tougher on 'Global Business', which hits a sweet spot between acid and electro-funk, and 'Fantacity' continues in a similar mode - dense but clean, with a breaksy snap underlining the chords. 'Forza' wraps it all up with a slow-builder that sits somewhere between high-definition trance and plush downtempo. The palette feels nostalgically late 80s, but there's no pastiche here - just a well-gauged, detail-rich record that knows exactly when to lean in and when to hold back.
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! low stock $17.53
WORKSHOP 33
WORKSHOP 33 (hand-stamped vinyl 10")
Cat: WORKSHOP 33. Rel: 12 May 25
 
Deep House
Track 1 (4:11)
Track 2 (5:31)
Track 3 (7:16)
Track 4 (2:19)
Review: Marvin Dash and Lowtec combine to serve up some house grooves here that perfectly embody the Workshop sound. They are lovably loose-limbed, dusty and ramshackle, and almost feel as if they may fall apart at any given moment, but that is the joy of them. Instead, they keep you locked amongst rickety drums, frayed pads and imperfect little vocal hooks that bring the soul. 'Track 1' does that with a hazy feel, 'Track 2' is more one out with a dubby undercurrent and sustained keys and 'Track 3' brings little more prickle and drive, like a super raw Omar-S track. 'Track 4' is all about the prying, bulbous bassline that unfurls with a mind of its own beneath DIY percussive sounds.
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 in stock $18.08
Dfuse All Tha Tension
Cat: FOUL 002. Rel: 12 May 25
 
Minimal/Tech House
dfuse all the tension (7:45)
da nastiest (7:54)
Review: Dashiell has been road testing these two tunes in his sets for a while, and they have always done a job. They finally arrive on wax courtesy of Foul Play and are sure to get dropped all over the place this summer. 'dfuse all the tension' is the right mix of driving tech but wonky minimal. The bassline is drunk and all over the place while the lead synth has a retro video game feel, and some crisp melodies and refracted vocals finish it well. On the flip, 'da nastiest' is faster and more direct with some turbocharged and bass-driven tech house characterised by another sleazy vocal and phased synth lines that bring a playful twist.
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 in stock $16.12
Landscapes
Cat: WF 07. Rel: 14 May 25
 
Electro
Hyperborea (6:41)
Dawnlights (5:36)
Drifting (6:32)
Aquila (5:35)
Landscapes (4:22)
Review: New heat from Datawave is always going to be worth tuning into, and so it proves with this new one on Wave Function. His signature fusion of dreamy synthscapes and kinetic rhythms shines bright from the off with 'Hyperborea' soothing mind and soul while the body shifts its behind. 'Dawnlights' has lazy acid modulations drifting between the slower beats, then 'Drifting' is as hopeful as the dawn of a new day with it arching chords and celestial synth twinkles. 'Aquila' has a more pronounced broken beat pattern and prying bass, but still plenty of deft melodies, and 'Landscapes' is a dubbed-out thinker.
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 in stock $16.39
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