The Group - "I Don't Like To Lose" (feat Cecil Washington) (3:02)
Review: Here's a treat for Northern Soul enthusiasts, as two sought-after classics that once made the Wigan Casino move are brought together on one must-have "45". On the A-side you'll find Mel Britt's 1969 gem "She'll Come Running Back", a heavy Detroit soul stomper (think bittersweet vocals, sweet orchestration and bold bass) that's long been unaffordable to all but the richest Northern Soul collectors. Over on side B you'll find The Group and Cecil Washington's "I Don't Like To Lose", a 1966 Motor City soul jewel that has been a "holy grail" for many soul collectors since leading scene DJ Richard Searling introduced it to the UK in 1979.
Candy & The Kisses - "Are You Trying To Get Rid Of Me Baby" (2:39)
Val Simpson - "Mr Creator" (2:11)
Review: Candy & The Kisses burst onto the Northern Soul scene with their first single and all-time classic "The 81" co-written and produced by the late Jerry Ross. "Are You Trying To Get Rid Of Me Baby" is a storming soul number that went under the radar for the most part, but is good as any of other hits of theirs like "Chains Of Love" and many others. Flipside "Mr Creator" co-written by Valerie Simpson of Ashford & Simpson was taken up by The Apollas in 1967 on Warner Bros. and went on to become an all-time classic.
Review: While most remember Melba Moore for her string of disco and boogie-era classics, she actually started her career at the tail end of the 1960s recording soul stompers in Nashville. "The Magic Touch", which here gets the reissue treatment, is a typical Northern Soul style four-to-the-floor slammer that was recorded in 1967 when she was 22 years old and has previously only been issued on a hard-to-find 1986 single. This time round it comes backed with Maxine Brown's similarly popular Northern Soul scene staple "It's Torture", which remarkably went unissued until Kent Records discovered it in the Ace Records vault back in 1985.
Review: One of the few records Atlanta legend Lee Moses ever pressed, the highly sought after "Bad Girl" enjoys its first official reissue since 1967. So good it stretches over two sides, Moses' powerful bluesy delivery hits hard while the band keep a tight grip of his emotions from start to finish. Gutsy, grainy and still just as powerful as it was 52 years ago; there's a reason the original has consistently fetched triple figures among collectors for all this time.