Wave Function レコード& CD

Review: Coming to Sound Synthesis' very own imprint, Wave Function, producers Qeta and Inkipak go head-to-head on this incredible new six-tracker, in a rare contemporary example of a "versus" record. Qeta's approach to production makes more sense when we bear his prior explorations in jungle under the name The Jaffa Kid, in mind; helming up the first three tracks that make up the A-side's corpus, the likes of 'Idream' and 'Corpus' reveal a preference for precision, taken to increasingly bloopy, novel and spacious logical conclusions. Inkipak's rebuttal is to resort to cascading breaks blissouts, preferring a more euphoric arsenal made up of ethereal vocals and trilling arps, of which 'Schedule' is the highlight.

Review: ***B-STOCK: Torn sleeve, otherwise in excellent working condition***


Qeta and Inkipak show off their respective skills on this fine split EP on Sound Synthesis's Wave Function label. Qeta takes care of the a-side with a serene opener in the form of 'Idream' which pairs lush ambient designs with pristine breakbeats. 'Revved Orb' is a more dubbed-out and trippy post-jungle rhythm with 'Redawn' bringing soulful Detroit techno style to the floor. With his trio of tunes, Inkipak offers stripped-back breaks and celestial chords, heavenly moods on 'Schedule' and a cosmic comedown soundtrack with 'Wetlands.'

Review: Qeta and Inkipak show off their respective skills on this fine split EP on Sound Synthesis's Wave Function label. Qeta takes care of the a-side with a serene opener in the form of 'Idream' which pairs lush ambient designs with pristine breakbeats. 'Revved Orb' is a more dubbed-out and trippy post-jungle rhythm with 'Redawn' bringing soulful Detroit techno style to the floor. With his trio of tunes, Inkipak offers stripped-back breaks and celestial chords, heavenly moods on 'Schedule' and a cosmic comedown soundtrack with 'Wetlands.'

Review: Wave Function is the brand new label from Maltese producer Sound Synthesis. Like many artists, he hit a fine run of form during the lockdown and has once out the other side just as on it. He's put out more than 12 releases in the last year or so and now mints his own new concern with a superb double album of timeless, spaced-out electro. This is the sort of sci-fi tackle that takes you on smooth groove cruises through the planets, with tipsy synths and heavenly pads all soothing the trip. Electro as emotive as this will always tune a place in our racks.

Review: Zeta Reticula (Uros Umek) is among the wide cream of today's atmospheric breaks and electro producers, carrying on strong with a career that he's kept steady since 2000. Since the mid-2010s, the Slovene star has hopped from label to label, signifying a restlessness that matches the writhing weight of his music. 'The Beryllium' is yet another EP to capture Reticula's preference for unrelent, commanding a unique sense of space and weight that flaunts a true sense of art. Listened to in one way, 'Need To Orbit', sounds like a functional acid jam, but its pitch-perfect use of reverb and EQ renders it gestalt, nearly convincing us that the track was direct-outputted from the aux port of an interplanetary war machine and not a stack of analog synths. On the other hand, the closing remix from Sound Synthesis is nice and cascading - gushing, sheathing sounds abounding - contrasting to Reticula's opting for judderings and impacts.