Back catalogue: Techno (すべて)

Review: Granada's Cosmic Tribe know the definition of "electro" in its broadest sense; their new Xtrictly Electro comp keeps the dystopian sound endemic to the genre's most present incarnation, but refuses to restrict itself to one tempo: the standard 130-ish that has sadly infected the otherwise genius genre as a necessity. An international splinter cell of spec-ops and mercenaries are recalled from retirement here, as we hear Calagad 13, Nachtwald, EC13 and many more mechanoid ilk lay down all manner of slick utilities, making up a morbid multi-tool. 5zyl brings further lasery Lithuanian steeze on 'Vilnius Bass', whilst Spectrums Data Forces betrays the existence of a sinister corporate entity, whose business model works towards the object of instilling 'Darkness In My Head' through giant, killer mozzy basses.

Review: Techno tachyons Midi Mode, based in Ireland, provide a home for "warped and twisted" sounds and those who create them. After five vaporwave-tinged, reality-bending debut EPs from the likes of Ikeaboy and Power, they now present their very first selectors V/A EP on a gooey green wax edition. It's quite the assembly of Eireann techno royalty, with a host of seasoned players lead by probably the country's most esteemed DJ, Sunil Sharpe, as well as Kerrie and Wexford's Lee Holman. Quality is, naturally, at a consistently high label - with closer 'Phase-One' proving an especially computational, objectivist, mad, pitiless track.

Review: The Clergy Ten Year anniversary celebrations continue with a fourth special instalment of their various artists series. It's packed again with the sort of high-functioning techno that DJs always need to construct powerful sets, and that dancers will respond well to thanks to its detailing. Norbak opens with the moody minimalism of 'Sinto', Sciahri explore a more uptempo sound with grainy, gritty loops on 'Antartide' and Phara's 'Faint' gets more twisted with hellish effects and caustic textures all getting you on edge while the pummelling drums bounce out their muscular rhythm. These are evocative cuts for techno storytelling.

Review: Shadow Child mints his new label TBC with a rave-ready release that taps into playful jungle influences with driving club rhythms that are likely to go down a storm over summer and beyond. Early support from heavyweights like Scuba, Horse Meat Disco and Gerd Janson mean you may have already heard some of these jams and also hint at the EP's broad appeal. Standout tracks are, well, all of them. 'The Street' is a nimble stepper with pruning basslines, 'In My Dreams' is a percussive fenny with another brilliantly old school low end, and an untitled gem brings rave-ready pianos and old school energy. 'Bubble' flips the script with a rugged bass-driven house workout.

Review: It's the return of 'Phunk'! Nearly twenty years after its original release on her own Intacto Records, Shinedoe brings back the track under her Innersphere alias, this time remastering, revitalising, and reissuing it on her own label, MTM (Music That Moves). Shinedoe has done a lot since, having gone mostly independent after an electrocuting Bpitch Control release in 2013. Yet this throwback dropped earlier in 2005 and came bolstered by rustproof remixes from Steve Angello, Ricardo Villalobos, and Mark Broom; 'Phunk' quickly gained cult status for its fluttery, stimulant stab lead, reminiscent of janky direct current. The 2025 edition retains its infectious, hard-edged drive but lands with even greater clarity and punch, a hypnotic, groove-led recut subliminally sculpted for maximal ear-brain-body hijacking.

Review: The debut album from Ukrainian collective Noneside unites musicians and visual artists under the inspiring words of poet Taras Shevchenko, who said 'Make love, o dark-browed ones.' Framed by a painting from contemporary artist Iryna Maksymova, the music explores the trance and tech house that is destined to bring souls together on the dancefloor this summer and beyond. Shjva opens with fresh and mashed bass and sleek trance pads that are subtle but effective. Lostlojic layer sup deep, bubbly techno drums and bass with an angelic vocal tone and Saturated Color's 'Trancia' is a speedy, scuffed-up tech groove for late-night cruising. Peshka and Yevhenii Loi offer two more future-facing trance-techno fusions packed with feels.

Review: There's a real sense of purpose running through these three tracks, like they were made for a distant world's warehouse party lit by strobe lights and swirling dust. With over ten years releasing music and up to more than 15 EP's, this producer is collecting an impressive catalogue of quality techno music. Here, the A-side opens with 'Undisclosed', a tightly wound piece of sci-fi techno that gleams with a polished edge. It flirts with trance without fully giving in, layering crisp percussion and sleek synth work. 'Serotonin Level' dives deeper into that interplanetary mood. Rooted in techno but smeared with a touch of psychedelic color, the track floats like a spacecraft sliding through static. On the 2nd side, 'Find Yourself' brings the most physical energy. The low-end rolls forward with serious weight while the top end keeps things agile. It's a catchy conclusion to this futuristic, slick and exciting EP.

Review: Chicago born, Detroit-raised Delano Smith is one of the foundational artists of the contemporary house scenes. In 2023, he revealed he was suffering with a rare form of cancer but as this new EP title suggests, he is still here and still crafting high-grade sounds. 'When I Was Young' kicks off with his signature smoky drum loops and train travel sense of hypnosis. 'The Rush' is another heads down jam, this time marbled with eerie pads and wet clicks and claps that oil the groove while 'Rewired' shuts down with real late night delicacy and evocative minimalism.

Review: The Space Drum Meditation duo marks their first release outside their own label with an EP that pushes their sonic vision outward into something that resonates equally on physical and spiritual levels. There's a wide sphere of influence on show here with tribal percussion, hypnotic techno and esoteric instrumentation all making for an EP that bridges ancient and modern worlds. Each of these body-moving soundscapes balances meditative textures and rhythmic drive with the swampy scuzz of 'Banyan' a standout. Also featured is Blue Hour's fierce remix-a faster, harder techno take that remains true to the original's entrancing essence.

Review: "Emergency protocol activated. Evacuate your homes and immediately go to the bunker for your safety. The invasion has begun!" Spectrum Data Forces makes a blistering return to New Flesh, fifteen years after first touching down on the label with Exodus and Reencarnacion. 'Trinity' hears Jose Maria Moreno Vega reshuffle his arsenal, securing salted-earth electro and mecha-funk fallows across four tracks and one remix. 'form900' launches the A in full arpeggiated mode, its high-velocity synth lines and crunching drums lensed through SDF's retrofuturist sound-and-vision. Umwelt tears into the remix with typical ferocity, twerking analogue gnarls into a thumping, break-laced payload. On the flip, Moreno dons his C-System alias for 'Mind Restore', a pummelling techno cut streaked with eerie pads and flecks of IDM. '7H3 F4M1LY', finally, under the 7053M4R14 moniker, hears the whole crew round things off in wiry, off-grid style.

Review: Lisbon's Hubble Recordings present their sixth release so far, keeping firm to their artist-specific EPs approach following brilliant releases from Kaesar, Costin RP, Miroloja, Octave and Alex Pervukhin. The latest is from tech house hurler Sublee aka Stefan Nicu, whose flight-booking impulse is as strong as ever, here having stopped over from far-flung Romania. After a string of both digital and vinyl stopovers, 'Personal Universal' appears as the pendular follow-up to 2024's Rawax debut 'Simple Two', bringing hugely doubled vocal cantata to a fervent acid build on the title track, while ensuers 'Simple One' and 'Laculesdesample' bring fidgety synth double bass and unorthodox percussions. A personal universe we'd never want to leave!

Review: As pioneers of underground techno and co-founders of Soma Records, the Scottish duo continue to redefine the soundscape with Dark Channel, their eighth full-length album. In a world fractured by division, Slam offer a raw, uncompromising tribute to the dancefloor as a space of unity and release. Opening with the tribal pulse of 'Use It, Lose It', the album wastes no time setting a fierce, driving tone. The title track, 'Dark Channel', leans into dissonance and texture, hinting at the relentless energy that permeates the record. Tracks like 'Parametric Factor' and 'Glide' are synth-fueled voyages, the latter embracing a classic Slam percussive intensity. 'Morganatic' plunges into shadowy territory, while 'Infinit Spaces' weaves in trippy FX and lively synth hooks. 'Kuture Version provides a moment of introspection before the pounding rhythms return. 'Ghost Dancer' rides on deep sub tones and eerie modulations, creating a dense, brooding atmosphere. As the album approaches its finale, 'Beat On The Drum' delivers a full-force rhythmic assault and 'Irregular Object' closes with a hypnotic, contorted energy. Dark Channel is both a reflection of turbulent times and a powerful celebration of techno's enduring spirit, proving Slam's contribution is as vital as ever.

Review: Since at least 2024, by our estimation, shells have been enjoying something of an "it moment" in electronic music. Don't ask us why. Perhaps the icky palps of nautiluses, or the helical segmentation of various fossils, would seem to predict the naturalisation of mechanical reproductions expressed in techno. Birmingham keystone Surgeon (Anthony Child) swoops in on the fervour, repurposing larked sonic opercula into filter-fed 4x4 Borg-anisms. But despite the implied theme, Child uses limited equipment - "For me, it's an interesting experience returning to old techniques again after 30 years" - and refashions a classic live-show-style approach here. All eight tracks were done in a single take, and only 'Dying' upends beats, delivering a moribund, mantric sound piece.