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Back catalogue: Techno (すべて)
Juno's full catalogue of Techno (すべて)
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Review: The ASHPPE series has been nothing if not unhurried. It started several years ago but always results in essential outings when they do come. The fourth transmission from the techno talent emerges from subterranean shadows with three tracks aimed squarely at the club. 'Judge' is tightly looped and edgy without letting you settle and 'Deeper' then brings muscular broken beat patterns, glitchy textures and raw hits into a futuristic techno soundscape. 'The Box' brings bright and shimmering synth smears to more contorted and twisted drum patterns that demand your more inventive moves.
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Like Porcelain EP (hand-numbered 12" limited to 100 copies)
Cat: MKNK 002V. Rel: 05 Oct 23
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Review: Atimpuri emerges from the Italian prog techno scene with Present Magnificus, a sublime new EP for the small but already well formed Spaziotempo (or 'space time') label. Giordano is already known amongst those who know as a fine DJ and producer, as the uninitiated will now discover with this top label debut. He explores fusing of an array of styles form techno to prog, trance to Italo, breakbeat to electro on an EP that is thoroughly of the moment. all the sounds are sci-fi in design and futuristic in mood with compelling grooves and plenty of great designs that work as well on head as they do heel.
… Read morePlayed by: Fabietto Delgado (Ankle Release)
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Review: One of the genre's funkiest groups, continuing where Cybotron, Model 500 and Drexciya left off and heading to a style all of their own, Aux 88 aka Tom Tom (Tommy Hamilton) and Keith Tucker (DJ name DJ K1) give two tracks from their classic 2009 album Mad Scientist an inaugural outing on vinyl, getting electro fans everywhere dribbling with instant Pavlovian desire in the process, no doubt. 'Voice Modulation' is slower, heavier and steadier, built around a shuddering b-line that anyone with a pulse will find hard to resist. 'Mad Scientist' the track, meanwhile, is faster and, with its vocoder-ed vocal delivery from Tucker, gives a good flavour of what makes the Michigan pair a vital live act as well as a legendary studio prospect.
… Read morePlayed by: DJ Mau Mau, Tripeo
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Drone Logic (Harvey McKay re-edit) (limited 1-sided vinyl 12")
Cat: PH 142. Rel: 21 May 25
Review: This new 12" from Glaswegian producer Harvey McKay sees him reworking Daniel Avery's 'Drone Logic' into a driving, big-room missile i and it absolutely slaps. Upping the tempo and leaning into a more percussive framework, McKay doesn't just touch up the original's swirling psychedelia, he rebuilds it for peak-time pressure. The acid line is still there, twisted and stretched, but now it rides atop galloping drums, shimmering hi-hats and the kind of pneumatic swing that's become McKay's signature. It's a brand new release on Phantasy, pressed in a limited run of 500 and already a fixture in the sets of Avery, McKay and Erol Alkan. The sound is somewhere between soulful techno and heads-down warehouse hypnosis i powerful without being punishing. What's clever is how it stays true to the hazy mood of the source, but flips it into something entirely more immediate. As a one-sided 12" it's a bold statement, but one that's easy to understand: it only needs one track when it hits this hard. Built for high ceilings, smoke machines and stretched-out moments mid-set, this is an edit that earns its hype. A slow-burn classic reborn as a proper dancefloor weapon.
… Read morePlayed by: Juno Recommends Minimal Tech
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Review: The always eminent Daniel Avery shares his latest two-track single through Fabric Originals, and describes it as his very own personal take on "broken euphoria... the other side of Room 1 that will crush your skull and fill your soul in equal measure." Following on from the 'Wonderland/Running' EP released back in March, 'Digital Rain' leads as the torrential breaks-sodder, palpitator, tear-conductor, you name it... the track dashes expected tempos for a middling 160, square between techno and jungle. 'I Miss You' on the B hears Avery push things far further, breaking the throttle and locking it into permanent top gear; perhaps Avery can help popularise this sound of angelic overdrive, more commonly heard on the net.
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Review: They don't call him Bay Boy for nothing - Bad Boy Pete is indeed that and shows it here with four fierce cuts of blazing techno for grotty, strobe-lit warehouses. Kicking off this wild and in your face ride of anarchistic bangers is the unrelenting 'Is That All You Got?' with its manic saw tooth synths spraying about over hard, edgy drums. 'What Shall We Say' is another one that fires out of the speakers with some menacing leeds and kinetic drum funk, 'Filthy Dark Bass Techno' then hammers it home with more hundred mile an hour drums and 'Morning Warehouse Techno' is pure sleaze and filth. Brilliant.
… Read morePlayed by: Dj Hellraiser
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Split 1.0 (hand-stamped 12")
Cat: BAL 007. Rel: 18 May 23
Review: Two sides of mega-minimal, textural minimal and a dash of drone here, shared equally between friends Bastian Balders and Anton Kubikov. The producers bring a sophistication to the tech, reflecting the huge variation in the emotions they indulge. Something between ecstasy and horror is heard on Balders' 'Machinery', while Kubikov's 'Introland' is comparatively hopeful and tearjerking, with its delayed piano refractions and filtery-in-and-out strings.
… Read morePlayed by: Replika | Common Mode, Philippe Petit
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CC Atom 606 (smokey vinyl 12")
Cat: CCATOMSERIES 606. Rel: 05 Apr 23
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Cat: RMCE 017. Rel: 08 Oct 21
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Review: What can be said about this timeless banger that hasn't been said before? From the iconic throbs of acid to the delirious string hook, the menacing intonation of "ecstasy" to the eerie plastic strings, this is as seminal as a rave track can get. While many out there will no doubt have this jam tucked away on any number of techno compilations or cramped up on one of the original single issues, "Energy Flash" is a track more than worthy of its own luxuriant single-sided release, and in doing such a release so many years on R&S are making a powerful statement.
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Review: John Beltran's label debut sees the maestro flexing and showcasing the full spectrum of his composing and production skills over four diverse tracks.
… Read morePlayed by: Andrea passenger, Sanderson Dear
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Review: Dutch label Brew returns with more moody techno that is both deep yet impactful. It's Robert Bergman at the helm and '3 AM' is his opening gambit. It has ghostly voices shimmering across the beats with a menacing low end, rugged bassline and scaring percussive sounds. '#5' is another fresh sound with great sound designs and alluring rhythms and last of all is 'Drum Trax' which is a third and final blend of nostalgic and futuristic house tropes for heady basements.
… Read morePlayed by: ISOUL8 (Volcov), Ney Faustini
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Review: Interplugreaction is a track from Beroshima's 2007 album Real To Reel, but it's wasn't until 2023 that we (now get to) hear the cream of its reinterpretations. If only every track in the world could hear a remix from the likes of Marcel Dettman and Rodhad! Perhaps this calls for an entirely new industry - in fact, let's lock the artists in a room just so they can churn out the music and nothing else. Actually, a whopping four techno heavyweights (also including Frank Muller and Henning Baer) to reinterpret the classic track, with the new mixes ranging from stuffy and oppressive to airy and stark. Certainly not one to miss.
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Review: Bezier's Negative Velocity EP marks the launch of their new German-based label Korperspannung. Formerly a Californian artist and now a Berlin resident, Bezier has a career spanning nearly two decades, from illuminating the Honey Soundsystem collective to releasing on Dark Entries records. Known for weaving diverse cultural influences, lifelong music enthusiast Robert Yang collaborates with Bay Area drummer Dave Easlick here as live drum recordings morph into curves and ellipses to shape a multi-dimensional landscape. Tracks like 'Diabolical Embroidery' and 'Deep Sea State' showcase Easlick's drumming prowess and infused with Bezier's melodic craftsmanship, reflect a meticulous working collaboration.
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Review: Given that legendary London DJ Steve Bicknell was one of the earliest champions of "proper techno" in the UK, it's been heartening to see his recent renaissance. Renewed interest in his 1990 productions has allowed him to issue a string of previously unheard gems from the vaults. Awakening The Past takes this approach, too, serving up a trio of previously unreleased gems from 1998 - the wonderfully trippy, late night techno loop jam "Physical Life", ragged acid workout "Natural Vibrations" and even more psychedelic "Fearing The Mind's Fears" - and a cut recorded earlier this year in Berlin. Interestingly, the latter - an intense, bleeping, modular-sounding slammer entitled "Conscious Awakening" - sounds like it could have been recovered from the same dusty DAT as the other tracks, despite being 100% new.
… Read morePlayed by: [email protected], Kessell
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Review: Bigeneric was the alias of veteran Swiss producer Marco Repetto, under which he released the now legendary Venydia EP back in 1995 on The Spacefrogs label. Diamonds & Pearls Music now reissues this seminal classic, which features the evocative title track - a true zeitgeist which treaded similar sonic territory as Laurent Garnier at the time, while on the B side 'Styrax' is a more minimalistic and rhythm-based cut similar to what another contemporary, Plastikman, was doing. Finally, a previously unreleased, beatless version of the Detroit hi-tech soul influenced 'Electrophoria' is featured as an exclusive.
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Review: Billus is a new name to be emerging from the Melbourne scene and here he shows his mastery of groove and percussion. There is a real lightness of touch to the breakbeats of the opener 'Cubic'. They mean you instantly take flight and drift through the skies next to pillow melodic clouds that cast your mind adrift. It's deliciously deep and colourful stuff. 'Shifting Sands' is another mix of suspensory chords that pan all around and bubbling, percussive drums that are hard to define. 'Splay' sinks into a watery world of dubby chords and skeletal but compelling beats and 'Under The Canopy is melodic minimalism of the highest order.
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Review: Billy Nightmare, aka "Mystic Bill" Torres, grew up in Miami and spent much of his life involved in various parts of the music industry, but he's hardly seen good recognition for his work until now. Following its re-cropping-up online in late 2018 (the album was thrown up on the net by the artist himself) Sounds Records have ridden the wave of revived interest in the 'Reality Check' EP with a new vinyl reissue. Dreamy and industrial, we're nicely jostled by this one's cold sonic waves.
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Review: With an extensive legacy and a list of alter egos longer than your arm, Martin Damm aka Biochip C achieves a delicate balancing act on this 11 year old record, a handful of extras copies of which were recently unearthed in what can only be described as a highly fortunate 'warehouse find'. He pulls off a delicate balancing act here, letting the abrasive, industrial punk rock side of his music off the leash to frolic unhindered, while never losing sight of the needs of dancefloor and its needs across the six tracks. Highlights? Well, the title track's speedy electrofunk is highly addictive, 'Eraser' has a driving, chunky techno edge that fans of Force Inc will love, while the double dub speed grooves of 'Knobgine' and 'Liquid Silence' are forces of nature in themselves.
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Review: The Birgan project is all about melding diverse musical words - ambient, techno and Afro-inspired polyrhythms - into something that is utterly unique. Many artists set out with this intention but few achieve it as successfully as this one, as this sensational EP shows. It is an immersive and escapist five-track work of stunning sound designs and inventive rhythm that feels both organic and natural yet synthetic and futuristic. The tracks explore deep, mysterious sonic landscapes that are both tranquil yet complex and make for an immersive, thought-provoking listen from the dubscapes of 'Beats Of The Congo Cosmos' to the more psychedelic realms of 'Subaquatic Sonic Voyage'.
… Read morePlayed by: Juno Recommends Techno
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Demons & The Ghost EP (blue marbled vinyl 12")
Cat: VNR 051. Rel: 17 Aug 23
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Review: Blue Hour shows a different look with this new outing on Arsenik as he delves into some deep and driving dub techno realms. 'Trekia' opens up and is a kinetic melange of prickly percussion and slamming drums with plenty of smeared and smudged chords and refuel synth leads. 'Osirus' has a sense of menace and unease in the grinding chord work and unsettled hi-hats which are off-grid and edgy. 'Atoll' strips things back with some smooth drums driving onward beneath melodic chords that bring a celestial feel. 'Triton' shuts down with a classic Detroit techno sound that keeps you on your toes.
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Review: German artist Stephan Bodzin has done a fine job of keeping himself at the forefront of the melodic techno world, not least with his always boundary-pushing live shows. He takes that energy into the studio when cooking up his scintillating club tracks, too, and always has. This reissue on his own Herzblut label revisits one of his many stand cuts. 'Valentine' is a wonky one with creepy bass and mysterious melodies over crunchy tech beats. 'Papillon' takes flight like its butterfly namesake, with elegant leads and rubbery bass all doused in glorious melodic rain that has a sci-fi edge.
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