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New releases last two weeks: Experimental/Electronic
Experimental/Electronic vinyl released in the last two weeks
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in stock $27.76
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in stock $30.26
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in stock $20.17
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Lofoten (limited hand-numbered pink vinyl LP + MP3 download code)
Cat: PIPE 042LP. Rel: 18 Jun 25
Review: Cate Brooks continues her elegant exploration of imagined geographies with a suite of glacial, slow-blooming compositions that feel suspended between reality and dream. Built by the British musician primarily on Synclavier, Prophet and 808, these pieces evoke the hush and expanse of a far northern landscape with uncanny clarity-despite Brooks never having visited the region that inspired it. Tracks like 'Like Breathing Statues' and 'Aspect from the Window' suggest weather systems forming in slow motion, their textures layered and precise but never clinical. 'In the Blue Hour' moves with a quiet internal rhythm, almost ecclesiastical in tone, while 'Polar Night' closes the journey in dusk-lit stillness. There's something deeply solitary about the whole record-each sound shaped and weighted, but never forced. Brooks's background in synthesis lends a tactile, handmade feel to every element, creating something less like a travelogue and more like a lucid dream of place.
… Read more in stock $24.94
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in stock $13.44
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Review: Robert Smith has always treated remixing less like revision, more like ritual i a habit that's followed him since his days in Crawley, West Sussex and then surfacing officially on the first Cure remix album, 1990's Mixed Up. This triple-disc release of reworkings from the band's latest LP Songs of a Lost World feels assembled with obsessive care, mapping out every possible mood lurking beneath the surface. There are club-ready flips, yes i Sally C, Danny Briottet and Gregor Tresher all push the rhythm forward i but they sit beside glacial pieces that feel more like haunted sketches than reworks. Mura Masa's take on 'All I Ever Am' is disintegrated almost beyond recognition, its vocal a flickering memory. Mogwai's 'Endsong' feels like the end of the world in slow motion. Even Chino Moreno turns in something striking i 'WarSong' morphs into a sludgy howl with heat-warped edges. But it's the sequencing that surprises: these aren't bolted together, but grouped in arcs, as though Smith were arranging the bones of an old idea into something still alive. Four Tet's version of 'Alone' is a high point i deeply textured but featherlight. Like all The Cure's output, what really matters is the feeling of being drawn somewhere, and Smith's hand never letting go.
… Read more in stock $17.10
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Review: More than four decades after he first appeared in smudged eyeliner and a mop of jet-black hair, Robert Smith is still finding new ways to pull his music apart and stitch it back together. This new remix collection i assembled and curated by Smith himself i feels less like a victory lap and more like a restless dissection of a legacy he's still actively shaping. The collaborators here are hardly incidental: Four Tet, Orbital, Ame, Chino Moreno, Mura Masa, Trentemoller, Mogwai. It reads like a list built by someone still hungrily tuned into the present, not stuck in the past. And true to form, the results are all over the place i a feature, not a flaw. Some tracks lean into grandeur: Paul Oakenfold's take on 'I Can Never Say Goodbye' opens with all the sweeping melodrama you'd expect, while Daybreakers stretch 'WarSong' into widescreen synthwork. Elsewhere, Shanti Celeste and Ex-Easter Island Head bring a strange intimacy to 'Alone', teasing out its ache with a different kind of spaciousness. At times, you wonder if Smith enjoys seeing how far his work can be bent before it breaks. But it never does i even filtered through others' hands, his sense of tension, drama and deep emotional unease holds everything together.
… Read more in stock $15.14
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Basho/Still Forms (LP + MP3 download code)
Cat: SPGRM 012LP. Rel: 12 Jun 25
Review: Portraits GRM offer a split release between Beatrice Dillon and Hideki Umezawa, riffing on 'basho' and Baschet respectively. Dillon's 'Basho' is shaped on the mortar of a Japanese philosophical concept: conceived by Japanese philosopher Kitaro Nishida, basho describes a post-physical plane in which experiences and thoughts interconnect, dissolving subject-object distinctions. Dillon and Umezawa's music both resist fixity, reactivating the listener's attention by way electronic sounds stripped of origin. Umezawa's 'Still Forms', however, contrasts Dillon's firm-footed techno curtails with an entirely beatless piece, exploring the sonic potential of Baschet sound structures: experimental instruments developed in the 1950s by Bernard and Francois Baschet. Electroacoustic cognitions branch out like newly grown synapses on this fresh 12".
… Read more in stock $23.53
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Shark Brain (luminous vinyl 7" in lenticular sleeve)
Cat: CMLX 217. Rel: 06 Jun 25
in stock $26.89
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Laini Tani (translucent yellow vinyl LP)
Cat: TPLP 1964LTD. Rel: 05 Jun 25
Review: Nadah El Shazly returns with her second album and first on One Little Independent and Backward Music. The Egyptian-born, Montreal-based artist blends experimental sonics with Arabic roots and improvisation on Laini Tani, and crafts music that slips between worlds and takes you with it. The whole record pulses like a hot night stretching into morning. It's sweaty, surreal, and endlessly alive and each track is a vivid fragment: defiant, euphoric or quietly raw. El Shazly's lush vocals and layered metaphors weave a dreamstate of meaning and mystery that bold and chaotic yet controlled so is a record to get lost in, then hit repeat as you try to decode its hidden truths.
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Review: Fashion Flesh aka John Talaga debuts on ESP Institute with two mind-bending tracks crafted from homemade electronics, circuit-bent gear and tape manipulations. Side A's 'Atoms Revolt' explores the secret lives of machines while channelling chaotic energy into controlled sonic accidents, layered distortion and surreal textures. Side B's 'New Freedom' evokes a dystopian adventure into Detroit's decaying industrial sprawl while fusing Geiger-like pulses and eerie oscillations with fragmented voices into a dark rhythmic storm. Talaga's ability to extract soul from machines is remarkable here in what is a visceral and cerebral EP.
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Review: Backdrops of engineered silence and societal distraction inform on this from Fatboi Sharif and Driveby, twin rap verbalisers from the hinterzones of New Jersey. Let Me Out confronts the fractured psyche of a world numbed by noise: a raw, unfiltered dispatch from the underbelly, where six-figure illusions swing pendularly over mirrored truths, and suppressed rage simmers beneath manufactured calm. Tracked at 2ndststudios and shaped by the precision of Steel Tipped Dove, the record is sharpened further by the eerie co-production of DJ Boogaveli on 'We Fought for this Country!?' and haunting backing vocals from Paul Keim on 'Krossroads'. From milk-and-oil confusion to the cracked prayers of trauma survivors, each track on this grittily sculpted noise rap record erodes our psychic Achilles' heels, through emotional debris and soul static.
… Read more in stock $35.60
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Cat: SR 561. Rel: 19 Jun 25
Review: Composed in New York by the Baltimore-born minimalist Philip Glass and released in 1971, Music With Changing Parts was the album that put his vivid, colour-rich sound on the map, marking a shift away from the ultra minimal 600 Lines (1967) and Two Pages (1968). Performed with free instrumentation, the piece allows musicians to switch between eight staves at specified cues, generating abrupt shifts in texture and timbre. Though its melodic material remains tightly looped and minimal, changes in orchestration continuously refresh the sonic landscape. Most striking is the psychoacoustic illusion Glass observed during rehearsals: when multiple players repeated the same short patterns, sustained tones seemed to emerge on their own. He eventually formalised this in the score, permitting long notes to enhance the effect. What results is a hallucinated resonance that pulses and flickersian early indication of the harmonic depth he would later bring to works like the miestone Einstein On The Beach.
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in stock $33.62
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Acrobatizm/Prepared Wave (translcuent pink vinyl 2xLP)
Cat: DATAK. Rel: 10 Jun 25
Review: Legendary video game soundtrack-er Motorhiro Kawashima is best known for his efforts on the iconic Streets of Rage 2 and 3 titles. The latter is remembered as one of the hardest to define scores of all time, certainly in terms of a playable titles, and even 30 years on still amazes and baffles anyone who encounters it. Less well known are the artist's solo and standalone efforts, which came much later. Acrobatizm and Prepared Wave were the first two of those records, and emerged in the pre-pandemic late-noughties. Both draw heavily on the glitch and leftfield experimental techno worlds, which were in rude health at the time, doubling down on staccato rhythms and mind-blowing arpeggiation, with the punchiness and jerky vibes more than nod to the glory days of 8-bit gaming.
… Read more in stock $36.72
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Brace For Impact (LP + MP3 download code)
Cat: SOMA 062LP. Rel: 19 Jun 25
Brace For Impact
Swerve
A Bruit Secret
AFK
Piping
in stock $26.89
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Cat: BF 074LP. Rel: 05 Jun 25
in stock $27.76
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in stock $28.59
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Review: Built as a continuous 55-minute suite split into nine movements, Marconi Union's The Fear Of Never Landing hears the duo recapture a state of exhilarating levity. Their 12th studio album, it finds them in refreshed head and soundspace, having come a heck of a long way since their 2003 debut Under Wires And Searchlights. The record emerged slowly over two years, during which the Manchester duo (Jamie Crossley, Duncan Meadows) grappled with creative uncertainty, reconnecting with their foundations through live experimentation. The catalyst came while scoring the cult 1975 film Downhill Motion, an experience that rekindled their affinity for cinematic composition and set the tone for this surefire introspection aid. From 'Eight Miles High Alone', a hypnotism which finds its inducer in sequencer-driven pulses, evoking isolation, weightlessness and quiet tension.
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Review: The twelfth studio release from Manchester duo Marconi Union reaffirms why they remain such a quietly vital force in ambient music. Formed in 2003, the pair's latest work arrives after a two-year process of reorientation i one that saw them scrap old habits, test new material live, and ultimately return to the atmospheric instinct that first defined them. The result is a seamless 55-minute composition split into nine movements: fluid, immersive, and full of emotional nuance. It's a brand new release that spans sequencer-driven passages, low-lit drone work and impressionistic electronics, all stitched together with an elegant sense of pacing. 'Eight Miles High Alone', the first piece completed and shared publicly, sets the tone with a solitary pulse and slow-building tension i its clarity and weightlessness shaping much of what follows. The music unfolds without force, evoking both disquiet and release. Though wordless, the journey speaks volumes. A sense of modern anxiety hovers throughout, yet it's counterbalanced by warmth, space and stillness. After years of refining their sound across acclaimed releases and multimedia collaborations, Marconi Union deliver some of their most affecting work to date i not by reinventing themselves, but by rediscovering the beauty of doing less, slowly, and with purpose.
… Read more in stock $13.44
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Dans Le Camion De Marguerite Dumas (LP + poster)
Cat: ZORN 109LP. Rel: 16 Jun 25
in stock $29.14
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Review: Madrid duo Pablo Miron and Juan Vacas return with their second album, En Perpetua, which delves deeper into their signature decayed collage and psycho-acoustic soundscape while building on their debut Of No Fixed Abode. This time out they also embrace new creative confidence and the possibilities offered by a fresh Madrid studio and use violin, harmonica, voices, guitars, a looper, FM radio and diverse array of field recordings-from the Spanish countryside to exhibition sounds-to bring it to life. They craft eight re-pitched meditations that explore fractured music and rhythmic patterns which unfold through their distinctive, open-ended and immersive tonal journeys.
… Read more in stock $25.51
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Review: Bill Orcutt's approach to the guitar feels less like playing and more like detonating: a flurry of stabbing phrases, mangled blues motifs and broken time signatures that teeter constantly on the edge of collapse. It's a sound he's refined over decades, from his early days in Miami's punk and noise scenes to his present-day experiments in live-coded digital abstraction. This new album, which features two versions of 'Anxiety of Symmetry', finds him at his most feral and funny in years i a twisted tribute to the clunky MIDI guitar presets of the 90s, rendered via his cracked-software experiments with two fifteen-minute compositions built from a single concept: six sung numbers, each mapped precisely to pitches in a major scale. These micro-phrases ('1-2', '1-2-3', and so on) repeat and multiply, creating swirling polymetric harmonies that flicker between gentle hypnosis and algorithmic overload. Female voices loop in cycles of uneven length, forming structures reminiscent of Glass's Einstein on the Beach, but without its theatricalityithis is music of obsession, not spectacle. The emotional register is unusually soft for Orcutt, but behind the surface calm lies a meticulous compulsion. In an essay of the same name, he aligns this method with "Just Right" OCD, proposing a feedback loop between mental fixation and machine logic. What emerges isn't ambient in any passive sense, but a kind of orderly unravelingicomposition as therapeutic ritual, echoing the recursive spirals of Hanne Darboven or the trance-state potential of counting itself.
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Cosmically A Shambles ('shambolic' yellow vinyl LP + insert + MP3 download code)
Cat: CANKLP 027. Rel: 12 Jun 25
Review: Preston's Polypores looks asperse at the universe with Cosmically A Shambles. Known for his immersive modular synth compositions, Buckley now submits a bold step into rhythmically harder-driving territory, blending hypnotic polyrhythms and fuzz-dinked drum machines, all while retaining the hands-on, improvisational ethos that cornerstones his work; eschewing samples and presets in favour of tactile synth play. Preceded by his debut 7" lathe cut single 'Whorl', Cosmically A Shambles marks a thrilling evolution in the Polypores sound, still cosmic, but with a heavier pulse.
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Necessary Discomforts (reissue) (LP + insert limited to 100 copies)
Cat: CLO 5536. Rel: 06 Jun 25
in stock $40.08
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Tall Tales (Japanese Edition) (UHQ-CD with obi-strip)
Cat: BETE 32153762. Rel: 04 Jun 25
in stock $48.21
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Cat: DEATH 108. Rel: 12 Jun 25
in stock $14.85
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Cat: SPS 2597. Rel: 16 Jun 25
in stock $16.25
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Review: Words and terms such as benchmark, revolutionary and paradigm shift are thrown around far too casually and liberally when writing about music. But if there's one electronic album that really does live up to those tags it's Ultravisitor. Still sounding like it's from another planet to this day, from the moment eponymous opener headbutts us with an ice breakbeat shatter to those very last guitar plucks on 'Everyday I Love', this is concentrated Squarepusher in every possible geometrical permutation. So many breakcore and IDM parameters were set on this exceptional body of work. From the metal militancy of 'Steinbolt' to the fantastical drive (and wild slap bass) of 'Tetra-Sync', this remains a wholly unique LP that's both wonderful challenging and definitely not of this earth.
… Read more in stock $31.12
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Asuma (remastered) (limited LP + MP3 download code with obi-strip)
Cat: EMEGO 037V. Rel: 02 Jun 25
in stock $32.80
