Back in stock: Balearic/Downtempo

Review: Be.Lanuit is bringing Ibiza back to its roots as a bohemian nexus in everything he does. As a DJ, artist and fashion designer, he's been projecting good vibes absolutely drenched in Balearic wholesomeness and so it's no surprise to see him linking up with that most chill of Danish labels, Music For Dreams. Lanuit's debut album is a gorgeous sunburst of the softest grooves accentuated by tender fingerpicked guitar playing. It's got just the right amount of thump in the low end to keep your head nodding even as the melodies intertwine with your mind and carry you far away. If you need a dose of Ibiza magic in your day, this album is a fast track ticket to the White Isle.

Review: Amsterdam label Music from Memory are steadily becoming the most interesting archivally minded operation out there, with this retrospective of Mallorcan guitarist Joan Bibiloni following essential issues of work by Gigi Masin and Leon Lowman. On El Sur, MFM founders Tako Reyenga, Abel Nagenast and Jamie Tiller cast their gaze over Bibiloni's work from the more experimental era of his long career (he first released a single in 1967) selecting tracks from a six album run which commenced with the album Una Vida Llarga I Tranquila, originally released in 1984. It was during this time that Bibiloni began to compose with the assistance of tape loops, drum computers and synthesisers and these primitive experiments make for compelling listening across the ten tracks on El Sur.

Review: What can you say about this amazing album that has not been said before?! Originally released in 1996 and quickly becoming one of the most important pieces in the history of sampled music, its legacy continues to grow while Shadow remains the archetypal example of a crate digging producer. Everything from jazz, spoken word, hip-hop and more was sampled into this cornucopia of sound - in many ways the zenith of the impressive output of James Lavelle's revered Mo''Wax label - and you wouldn't be surprised if it ended up in the Smithsonian for what it has accomplished and meant to the scene.

Review: Critically acclaimed British jazz pianist, composer and arranger, Greg Foat has been making quite a bit of waves in the jazz scene as well as his groundbreaking albums that feature artists in other genres. His latest album 'Live At Can Rudayla Ibiza ', is an homage to the magical sound of the Mediterranean. Ibiza has long been known for its night life but perhaps not known as well outside the chill out scene sound, that the area has a sound all to itself. Inspired by his highly regarded and recent album with Gigi Masin, Greg Foat explores the themes further. Pool Side parts 1 and 2 shimmer with beautiful soundscapes that set the mood wonderfully. 'Dining Table Grooves' gives a hint at the late-night sounds to come in Ibiza while the sunset tracks close the album out with an almost chill wave sound that we absolutely adore. If you are looking for an album to put on as guests arrive to your beach home, this is the album you want to play. Greg Foat is a beacon of light for the future of jazz fusion.

Review: There are not too many house and techno labels in the United States that can boast quite the discography and international success that the Brooklyn based Scissor & Thread label can. For over a decade now, the busy label has kept the quality up to the high standards the label set when starting. A big part of that quality is having Frank & Tony on board through the label's history. Ethos is their new full-length album that, spread across a double pack of wax, with tracks mostly kept under close guard, except the opener 'Olympia'. Make no mistake though, from the rumours and whispers we've heard already, it looks like being a big hit.

Review: Following a run of superb collaborative releases - including sets created with Ana Stamp, Suzanne Kraft and his old pal Gigi Masin - Jonny Nash has finally got round to recording a new solo album. It's his first lone LP for four years and draws as much from his love of folk and acoustic music as the immersive sound worlds of ambience. As a result, his usual lilting, effects-laden guitar textures, stretched-out synthesiser chords and immersive electronic textures rub shoulders with finger-picked acoustic guitars, pedal steel-inspired motifs, strummed chords and echo and reverb-laden snippets of his own voice (a sonic ingredient he has not used for some time). The results are as magical and mesmerising as you'd expect, with Point of Entry crashing straight in to the list of Nash's strongest releases to date.

Review: After a little trip away to European label Growing Bin, Santilli is back on home label Mad Habitat with a fine new four track EP. The Eora-based multi-instrumentalist is maybe best known as half of Angophora but when working alone he taps into the heritage of electro-acoustic greats like Steve Tibbetts. He always novels with each new release and finds and ever better balance of his own well-defined personal sound and new horizons. Guitar and synth are the backbone of this record with great embellishments from an array of idiophones and membranophones.