Review: Sushitech's sub label Pariter has already released timeless records from the likes of Delano Smith, Steve O'Sullivan, Baby Ford and Norm Talley to name a few and this new release of the Romanian group Lisiere Collectif is no exception!
Unknown Credentials is a project of 5 tracks released on 2 single records. A sides on both parts are absolutely massive, acid lines and hypnotic chords peak time tracks that will shake any proper sound system with some serious bass extension! B sides are deeper and have more modern, fresh electroish vibe that we love!
Fans of Ricardo Villalobos & Craig Richards b2b sets are going to find it gold! Don't sleep!!
Review: UK dub techno maestro Steve O'Sullivan is back with another payload of deep immersion heaters under his Bluetrain guise, this time on the Future Primitive label. There's a deadly restraint at work on "Congo Shuffle", where the elements get reduced to needlepoint precision and the low end rhythm section stalks with purpose. "Invisible Guest" takes things in an explicitly dubwise direction, channelling serious Rhythm & Sound vibes for an immaculate head-nodder, before "Paralyzed Dub" slows down further into an end of the line skank for the weary to find solace in - masterful movements in the echo chamber from start to finish.
Review: By his usual prolific standards, Romanian producer Barac Nicolae has been rather quiet this year. "The Real You Is Not You", a double-pack of varied dancefloor cuts in his trademark minimal style, is only his second outing of the year. It's rather good, though, with sparse but groovy rhythm tracks providing the backing for all manner of ear-pleasing musical touches and mind-altering electronic effects. Our picks of the bunch are the funky, dreamy and sun-kissed hypnotism of "A Story Behind Everything" and the tipsy wonkiness of the title track, where trippy vocal samples and blissful synth riffs rise above an undulating, off-kilter groove.
Poisoned Words (Ricardo Villalobos remix 1) (6:35)
Poisoned Words (Ricardo Villalobos remix 2) (13:39)
Review: The Mandar dream team of Lazare Hoche, Malin Genie and S.A.M revisit "Poisoned Words" with a double dose of remixes from none other than Ricardo Villalobos. The minimal overlord lives up to expectations on both flips of the original track, needling into the tiniest sonic details and holding down an insistent groove that will sit beautifully in the mix. The A side features a simmering version that revels in wriggling sound design with ample space to flex and mutate, while the B side stretches out into a quintessential Villalobos wormhole of a remix. Unmissable sonics from one of the scene's true legends.
Review: Arapu is very much one of the key Romanian artists of the moment. Of course, like his revered countrymen, that means techno that is elegant, minimal, and delicately detailed. His own take on the style is often littered with curious little motifs and trippy loops that also characterise this new one on heavyweight vinyl for Liniar. "Over" is a brilliant opener with languid Balearic guitar riffs echoing over supple drum work which will hook you in and encourage your mind to wander, whereas "A Gain" is a more direct, driving minimal techno cut with warped synths peeling off an urgent groove. "I" closes out with a funky undercarriage and dub house overtones that will get any basement popping off.
Review: EYA Records presents a double 12" of plush techno and house spanning styles, giving four producers the chance to showcase the breadth of their sound with two tracks each. Innershades brings emotive 90s swoon and peppy acid to the A side, before Two Phase U slips in a little uptempo robo-disco sauce and a feisty jack track. Otis takes things in the direction of wiggy proto-trance and bleep techno, and then Zots finishes up with freaky synth work dripping with mischievous personality. This is a set of tracks that demands to be noticed - don't sleep.
Bongneck - "The Robber's Daughter" (Ghiz Retouch) (6:06)
Makebo - "Unknown Beauty" (9:09)
Review: Moscow's Shanti Radio imprint has been on fine form of late, offering up must-check 12s from DSF, Lost Desert, Volen Sentir and many more. Here they offer up their first multi-artist EP of 2019, an undeniably attractive and ear-pleasing affair that effortlessly joins the dots between deep house, tech-house and more percussive tribal flavours. Highlights are plentiful throughout, with our picks including the string-drenched, bittersweet brilliance of Makebo's "Unknown Beauty", the sub-heavy throb of Ghiz's tasty rework of Bongbeck's "The Robber's Daughter" - all rolling hand percussion, insanely weighty bass and picturesque melodic flourishes - and the sunset-ready dancefloor bliss of Cornucopia's impeccable "Nature Boy".
Review: Stephen Laubner never fails to deliver the goods, whether on his own label Something or elsewhere. Having recently popped up on The Untold Stories, this time around he's dropping his uniquely crusty compositions on Synthetic Gold. After a quietly disconcerting ambient opening, the leftfield grind of "The Taphead" pushes an uncompromising agenda of ragged bass and an unrelenting groove. "October Sunrise" by way of contrast is a more intimate, sweet natured affair. "Syntax Error" too taps into the softer side of Laubner's craft in a most mesmerizing of ways, but for the die hard fans fear not, there's also plenty of locked groove loops included to keep you tripping into infinity.
Review: The high grade, leftfield approach to house music Lyssna have set out as their MO continues in fine style on this new Colours series, starting with the Yellow EP and a strong cast of characters from the outer reaches. Riciar Ghir opens up proceedings with the tumbling deep house of "Cargo", making the keys dance with distinction and injection a subby rumble where it counts. Minimal Afrika follow that up with a percussive tryst entitled "Drakma Queen" that blossoms into a sumptuous ambient excursion. Robotalco takes a very different approach with some classically pumping sample-powered house music to shake feel-good fists to, and then Klubbhuset finishes up with an impassioned romp through peak time disco licks for the peak of the night.
Review: Edanticonf has been a mainstay of Silent Season for many years now, first delivering an album and EP to the Canadian label back in 2012. Since then he's travelled to labels such as M_REC, Wolfskuil, Phorma and Linear Movement, but he's back home to roost with this gorgeous four-tracker that plays on his trademark sound. Rich with melancholic synth work and moving with a purposeful but thoughtful pace, this is exactly the kind of evocative techno that makes Silent Season a buy on sight label. Every track tells its own story, but the starry twinkle of "The Metamorphosis Of Plants" is especially captivating.
Jamie Jones & Darius Syrossian - "Rushing" (extended mix) (5:43)
Jamie Jones & Darius Syrossian - "Rushing" (Afterparty Basement mix) (5:36)
Darius Syrossian - "Come On Come On" (extended mix) (6:33)
Darius Syrossian - "Kouka" (Warehouse Basement mix) (6:17)
Review: Jamie Jones and Darius Syrossian are both house heavyweights, but with very different vibes. It's fascinating that they have come together on this EP then, with their collaborative "Rushing" opening the EP in steamy fashion. It features a well worn vocal repackaged on bulky, bass driven house drums that are designed to get the crowd pumping their fists. The "Afterparty Basement Mix" is even harder hitting with some chords layered in for extra fun, then Darius goes solo on the flip for "Come On Come On", which fits in with his rolling, well sampled house style and is a sure fire crowd pleaser. The more stripped back and hypotonic "Kouka" is perfect for big spaces and bringing crowds together to march to a beat.
Pimping People In High Places (Woodword Ave alternative mix) (6:50)
The Medusa Touch (6:52)
Review: Gary Martin is well known for his unique productions and his label Teknotika is surely a classic coming out of the famous motor city. This special 10" holds two sought after tracks that were found on a lost DAT tape by Yossi Amoyal and Gary Martin himself. On the A side we have a long time secret weapon, it's a hypnotic groove that was heard on many classic sets, Zip and Ben Klock to name a few. An extremely insane, hard to find Gigi Galaxy track that was changing hands for silly prices is on the B side, for those who know... massive release!
Review: The likes of Steve O'Sullivan, Baby Ford and Norm Talley have appeared on the somewhat overlooked Sushitech sub-label Pariter since 2006. Its latest release comes from Romanian trio Lisiere Collectif, who bring the techno sound of Bucharest to you on the first installment of Unknown Credentials. Member Andu Simion is well known for his rolling and glacial grooves, and in conjunction with Bogdan Ardeleanu and Dan Gheorghe they serve up two emotive and soulful excursions. The untitled A side offering is a driving, hypnotic and overall evocative journey with an undeniable nod to the Motor City sound that you could imagine Delano Smith pumping out in the AM hours. On the B side it is a more parochial affair, yet well worthy - a bumping and funky groove that's right in line with their hometown's renowned sound.
Review: The singles accompanying Mr C's celebrated return to the album format keep on coming, this time drafting in some noted names to deliver remixes of "Ripple Effect". First up is Marc Houle who employs some of his trademark creepy bass tones to underpin a purposeful, driving slice of darkside party music. Noel Jackson is equally on edge with his version, although it's a more stripped down and sped up affair that borders on electro in its sense of tightly wound urgency. Chloe gets the run of the B-side to lay down a more varied remix that uses some punchy disco elements to create a more light hearted outlook on Mr C's original jam.
Review: REPRESS ALERT: After years of staggering second hand prices, London's Silverlining is addressing the demand for some of his early work by issuing a series of 12"s with some of the finest tracks from his mid '90s era. This time around the tracks come from releases on Wiggle and Wrong, and they sound like they haven't aged one bit. "Pleasures & Treasures" is an upfront burner steeped in 909 drums and hubby synth tones, while "Ni-Cd Deluxe" works up a nagging line in emotive electro. "Spannered In Dub" may well be the track that gets the most airings with its minimal disposition, strong rhythm section and utterly addictive groove.
Review: Swiss producer Alci, also known as Shaolin Fantastic, landed with lauded releases on Robsoul before skipping to other labels like Apollonia and Meander. Following last year's excellent "Diversity" double pack, he lands on his own label Seeingsounds with this pitch perfect slice of dreamy minimal house. "Acid Drip" may be a misleading title - it's more of an unending groove draped in gorgeous, shimmering melodic finery. "Hiragana" takes things in a more twitchy direction, while "Apachi" brings another slant on reduced, oddball funk to get the up all night crowd loose and freaky in all the right ways.
Review: Long-serving Italian deep house producer Enrico Mantini has been in the game for a long time, first dropping bombs back in the early 90s, but his career has enjoyed a powerful second wind in the past few years with appearances on Half Baked, 4 Lux and more besides. Having released the Inner Heights EP on PURISM earlier in 2017, Mantini returns with an album of immersive, tripped out grooves supposedly recorded live at Tresor in Berlin. The vibe is consistently deep, refined and just a little bit trippy for the minimal house crowd to go head first into.
Review: We were really impressed by "Invisibility Theory", the Sushitech released debut album from Christi Cons and Vlad Caia's Sideways Invisibility Theory project. This speedy follow-up for Half Baked Records (under the truncated SIT pseudonym) is rather good, too. Check first A-side "Spectral", a typically epic excursion where warm ambient chords, deep space electronics and glistening electric guitar motifs bob and weave around a chunky analogue bassline and locked-in tech-house drums. B-side opener "Owl Farm" is notably wonkier and weirder, with druggy drums, mind-altering electronics and the trademark glitch-laden shuffle we've come to expect from Romanian electronic music. That vibe is explored further on twisted closing cut "Animation", a particularly alien example of skewed tech-house funk.
Review: It's always a treat to spot Edward donning his Desert Sky guise for another trip into the hinterland of minimal techno, where expression reigns free and all kinds of sound sources tumble into a truly exotic mix. On this album for PAL SL, all bets are off as we get whisked down a mysterious and meandering path where organic and electronic matter merge in the shadows, all strapped to subliminal but pronounced grooves that make this some of the most potent, intriguing club material in circulation right now. Buy the ticket, take the ride and dance out under that Desert Sky.
Review: The Aesthetic label is steadily growing as yet another strong side to the Constant Sound empire, and they're sounding fit as a fiddle with this latest drop from Niko Maxen. "Aesthetic 04" leads in with "Calibans Dance", a swirling, dubbed out affair with intriguing percussive tones to add an intriguing edge to the stripped back house groove. "Lessons" has a heads down, twitchy demeanour it's impossible to resist, and then "Twelvty" summons up some elegant synth strokes that hover in between the shuffling beats. The latter provides more than enough inspiration for Kepler to deliver an astounding remix that plays around with bouncy arps and pointed house rhythms in his inimitable style.
Review: Asad Rizvi's bountiful archive of names and tunes continues to yield more fruit, this time in the shape of his Asadinho alias on regular haunt RvS. The bleeps cut through the shuffling drums on the Silverlining Mix of "When We Come To It" in a flurry of late night tech house finery. The original mix of the track is a tougher, slower twist with a straight-ahead groove but plenty of funk drizzled in between the joints. "Koppaitch" spreads itself across the B-side with a sizzling disco groove and more of those mean-tempered synths that project a dark and seedy side to Rizvi's many-sided musical dice.
Catch Me If You Can (Jorge Savoretti Ethereal dub) (7:08)
Review: Michael James' "Winds Of Change" EP was a big look for Constant Black, and now the eminent minimal house label draws on a hit list of sharp shooters to deliver some deadly remixes. Huerta is up first with an angular but rolling dub twist on "Catch Me If You Can", before Nick Beringer pings things in a wonderfully hazy direction with his "7am Dub" of "Stormy Skies". Pascal Benjamin gets into a tight, focused funk on his version of "Reservoir", and then Jorge Savoretti flies in an "Ethereal Dub" of "Catch Me If You Can".
Review: Active for the past couple of years, Burnski's Instinct alter ego has been a revealing window into the ruder side of this seasoned producer's repertoire, and so it continues on round seven of this self-titled label series. The A-side jam "Operation" finds the Leeds stalwart in UK Garage mode, riding a mean bassline flex and amping up the 2-Step shuffle. Jack Michael takes up the B-side mission with a razor-sharp electro workout that matches bleepy electronica with badass breaks and nasty bass to get bodies freaking all over the joint. This is a record precision primed for basement sessions - if you're looking for some sounds to do real damage in the dance, look no further.
Review: The fifth instalment of the Hoxton Records story turns to Alan Castro, who has already had a busy year appearing on the likes of For Club, STAMP and Soundterasse. The vibe is stripped down and unhinged on this record, with lead track "El Avion De La Mentira" unfurling in a strange tapestry of samples, found sounds and off kilter synth rubs strapped to a crafty set of drums. Modebaku delivers a more streamlined version of the track that keeps things freaky, but much more linear than the wayward original. "Sequela" on the flip is no slouch in the adventurous department either, with swathes of modulating tones and wild sonic matter flinging around a funky shuffle, which Ted Amber then dutifully bolsters with a rubbery b-line on his more functional but still daring version.
Review: Building on the momentum of the strong reissue programme undertaken at Thule Records HQ, Thor returns to the fray with some new productions that add a new chapter to the story of Icelandic techno. This limited run of Decay appropriately comes on marbled grey vinyl. Of course, the unique atmosphere the label carved out in the 90s has been left intact - the dubby processing and icy melodies abound throughout, creating utterly immersive techno and house variations in the process. "Insanity Dub" has a live feel to its drum set which injects a curious disco energy into the mix, while "Rusty Flashback" takes things in a subtle tech house direction. "Garden Of Corrosion" stands apart with its slender sound palette, placing the emphasis on groove and swing, while "Pepper Jones" ramps the dub techno exploration up to 11. If you love the sound of Thule, you're going to love this.
Review: Having built up his self titled label alongside his sterling work as part of Oscillat, Lazare Hoche and Will & Ink, the one and only Malin Genie delivers his debut solo album. Moving beyond the pure club focus of his singles and EPs, the Genie has seized this opportunity to present a widescreen panorama of his sound, leading in with the subliminal ambience of "You" as a springboard to explore breaks, electro, techno, and especially IDM. There are so many ideas swirling round Anthropomorphic Sympathy, it's hard to know where to begin describing it. A true headphone commute for the deep listener to burrow into.
Review: Moscow's Shanti Radio crew have really honed in on their own little music niche: deep, laced with trance tones, and emotive house. Tunes from this hotly anticipated EP by Volen Sentir has been doing the rounds in certain DJs sets for as much as six months. Highlights are plentiful throughout but the title track is arguably the standout. Languid piano chords dropped over soft, succulent, dubbed out drum rolls while tribal vocal chat bleeds in and out of focus to add to the hypnotic effect, and some sensitive xylophone sounds supporting an all-important melody line.
Review: It's hard to believe that Enzo Siragusa's Fuse label has now been carving out its own niche in the tech house world for a full decade. To mark the occasion, the label boss has pulled together more key tracks for his second volume of "A Decade of Rave". This compilation is another treasure trove of club cuts that feature the main man alongside some of his key associates, Rich NxT, Rossko, Archie Hamilton and Seb Zito. The tracks are unwaveringly dubbed out and driving, with weighted bottom ends that will get any moody dancer moving. From warms up to peak time to afterparties, these are hugely versatile tracks.
Review: Priku's new diffusion series Atipic Lab has brought us some killer material of late, by some right heroes of the Rominimal scene such as Arapu, Vlad Arapasu and Cosmijn. The latest edition comes from the ever reliable Vincentiulian, who first appeared on the label back in 2016 with the brilliant Atipic 002 - which we consider a modern classic. Expectations are high, then, for ATIPICLAB 006 and he certainly didn't let us down. From the obtuse yet mesmerising bounce of A side cut "Agera", to the more straight ahead B side cuts such as "I Don't Wonder" which shows off Vincent's knack for crafty and infectious rhythm programming, and the funky afterhours groove of "Ultrak" with its smooth rolling bass.
Review: Reade Truth has been dropping plenty of heat lately on Cartulis and Warm Fiction, but now he's back on his own label Path. There's a lysergic, freaky twist to the strain of electro-techno he's exploring, where the synths bubble and trickle with playful energy while staying rooted in a nocturnal underworld of basement-ready business. "Without A Doubt" is especially captivating on this tip, while the slight move towards melody on "Brain Damaged" is just as welcoming. Watch out for "A Secret Heaven" though - a consummately punchy New York groove garnished with plenty of off-kilter sonic debris.
Review: When Cristi Cons and Vlad Caia launched the Amphia label way back in 2011, they talked about creating "a world with no boundaries" and "an infinite ocean of musical shapes and ideas". It's the sort of wide-ranging, open-ended remit that seems tailor made for Amorf, an "experimental live techno" trio whose fluid and otherworldly tracks are deliciously hard to pigeonhole. For proof, check "Recall", the A-side to their second Amphia outing. Built on loose and languid tech-house drums and a similarly undulating bassline, the cut bobs and weaves through waves of restless piano motifs, deep space chords and out-there electronics. Further evidence of the threesome's hybrid style arrives via "Momentum", where poignant electric piano motifs and melancholic deep house chords envelop a crunchy, minimalist rhythm track.
Review: Through a series of must-check releases on Nous'klaer Audio, Ruben Uvez AKA Konduku has proved to be one of the more thoughtful and inventive producers to emerge in recent times. While some of his previous releases have strayed away from the dancefloor, his first outing on Idle Hands is a wonderfully basement-bothering affair full of tracks tailor made for hazy, early morning sets. It boasts two suitably dark, dubby and clandestine cuts - the echoing dub techno pulse of "Lila" and the sub-heavy, Livity Sound style flex of "Bolu" - plus two more melodic outings. Of these, we're particularly enjoying "Caduata Di Massi", where deliciously dreamy chords ebb and flow around stabbing analogue bass and crunchy drums.
Review: Jamie Jones has been busy in the studio after another busy summer lighting up Ibiza, because this is one of two new offerings this month. It finds the agenda-setting Welshman on his own Hot Creations and in collaboration with The Martinez Brothers. Between them this celebrated collective lay down "Bappi", all drilling bass and razor sharp hi hats that are deep but driving. Flip over for a "Warehouse Mix" which recalls old school Windy City basslines and pixelated chords lighting up the bare bones grooves.
Albert Luxus - "In Den Arm Bitte!" (Julian Stetter mix)
Tom Demac - "Serenade"
Jurgen Paape - "Abstrusia"
Reinhard Voigt - "Der Amnn, Der Nie Nach Deutz Kam"
Rex The Dog - "Vortex"
Justus Kohncke - "Mindless Sex Track"
Voigt & Voigt - "Der Schwarm"
Anii - "Ride The Tiger"
Clarian - "Early Life"
Extrawelt - "Pink Panzer"
DJ Balduin - "EWBA"
Anna - "Remembrance" (main mix)
Fahrland - "Yesterday" (Night version)
Patrice Baumel - "Grace"
La Fleur - "Tears"
John Monkman & James Monro - "Pesto Punk"
Blackrachas - "Rotary"
Raxon - "Dark Light"
Yotam Avni - "Track For Agoria"
Jonathan Kaspar - "Renard"
Gui Boratto - "618" (Kolsch mix)
Review: Cologne powerhouse Kompakt may not be talked about as much as it once was, but the label continues to put out high quality electronic music with its own distinctive vibe. For proof, check the 19th annual edition of their now legendary compilation series, "Total". There's much to set the pulse racing amongst the 25 tracks scattered across two CDs, from the shoegaze-influenced haziness of Weval's "Are You Even Real" and the picturesque, piano-sporting dancefloor deepness of Tom Demac's "Serenade", to the neo-trance throb of Rex The Dog, the twisted techno intensity of Voigt & Voigt, and the intergalactic electro/rave fusion of Raxon's strobe lit "Raxon".
Review: REPRESS ALERT: Mandar are back on Oscillat Music following their stunning five-disc LP from last year, and the deep house super group are sounding as vital as ever. "String Theory" holds court over the A side and promises to be the soundtrack to many a heart-stirring moment under starry skies this summer. The titular strings are a powerful force in this track, bringing a classy brand of emotion to the slinky dancefloor tones Mandar are best known for. "Poisoned Worlds" is a deeper club cut that places the emphasis on crafty drum science for after hours crew, providing a neat balance to the show-stopping tones of the A side.
Review: The latest Hands Off joint features three artists making waves in intriguing corners of the deep house firmament. Desos opens up the A side with the dreamy groove of "Dubs", before Space Age lays down the classic, Mr Fingers-flavoured haze of "Sunday Rain". Desos returns on the flip with another subtle yet punchy cut, keeping the melodies submerged and sublime on "Jaaa" before Common Mode takes things in a distinctly dubby direction with "Beauty Queens".
Review: Mark Ambrose brings his years of expertise in the deeper end of the techno spectrum to bear on this latest joint for Crayon, the label he founded way back in the mid 90s. "Destiny Angel" is a stomping, expansive cut with a cinematic lilt to its sound design and melodic progression - one for people to truly travel on. "Bleeps & Bits" is a more rugged workout that digs deep into intricate rhythm programming and FX processing to create a unique future-tribal flavour. "Just Tonight" keeps the beats dynamic and broken, but with a much hookier punch and some choice vocal snippets that should find favour with all kinds of DJs.
Review: Following releases from Huerta, Mandar and Makcim & Levi last year, Oscillat kicks off 2019 with an assured, brooding club 12" from long-serving producer Matthew Dekay.
Since surfacing in 2001, Dutch producer Dekay has put out a formidable body of work under a variety of aliases and in collaboration with producers including Lee Burridge and Maher Daniel. His sultry tech house approach has graced labels as highly regarded as Innervisions, Cecille, Aras and Maeve, and now he comes to Oscillat with "Spellbound," a track that finds him diving deeper than ever before into hypnotic, swinging rhythms loaded with atmosphere and longing.
On the B side, Oscillat bosses Mandar (Lazare Hoche, Malin Genie and Samuel Andre Madsen) take Dekay's original and inject it with an infectious peak time energy, creating a straight-up, acid-flecked workout that sits in neat contrast with the immersive shuffle of the original.
Review: The latest drop on Mr KS & Friends comes from Sylan 101, an artist making a truly accomplished debut brimming with musicality and fresh beat constructions compatible with, but not beholden to a deep house vibe. "Nostalgia (Healing Of Time)" is a smoky broken beat groove with gentle piano chords and muted trumpet, while "Brief Encounters" draws on subtle guitar licks and harmonious pads for decoration over snaking drums. "Been There Once" heads in a more mysterious direction, throwing some spoken word refrains into the mix and keeping the instrumentation more subtle and atmospheric.
Review: Originally prolific in the late 90s and back with a renewed sense of vigour in the past few years, Dan Piu's classic, widescreen vision of hardware techno captures the verve of the original Detroit blueprint while bringing a fresh, welcome energy to the genre. This drop on Common Dreams brims with the same head-swirling magic, especially on vividly rendered lead track "Halo City". "Falling Framework" has a more mellow veneer, but there's still so much playful detail bringing the track to life. "Akira 2171" has an old-skool sci fi quality balanced out by its linear sense of progression, and "Ilipsyon" takes things deeper into a wistful jack reminiscent of the spookiest Trax output.
Review: It's been a long time between drinks for Chris Korda, a transgender artist and activist whose last releases of note came on famed electroclash label International Deejay Gigolo way back in 2004. New album "Akoko Ajeji" is very much a surprise return to action, though its melodious, ear-pleasing and accessible blend of house and techno drums, digital synthesizer sounds and cheery post synth-pop refrains is both striking and hugely addictive. Korda's compositions offer subtle nods towards various vintage house and techno styles - particularly turn-of-the-90s deep house and early Chicago jack - but never sound anything less than thrillingly DIY productions giddily made in back rooms and bedrooms over the last decade and a half.
Review: Pascal Benjamin is next up on Constant Black, following strong prior bouts from Michael James and Daniel Akbar. The Dutch producer has been dropping bombs on SlapFunk, Botanic Minds and many more in recent years, and he's sounding taut and toned on this slab of after-hours goodness. "Rascale" is one of those snaking tech house joints where the devil is in the details, crying out for a crisp soundsystem to bring the subtleties of sound design to life. "5th Snooze" is a more tightly wound affair with a subtle jazziness rubbed into its joints, while "Full Colour" brings the kind of funky bump and trippy mood you used to find on the Trapez label. "Liez" completes the set with a sharp approach that wriggles its way under the skin.
Review: The lads behind Albion Records know a thing or two about where to look for fresh steps forwards in the minimal, house and techno scenes. After last year's Gab Jr release, they're finally back to hit number 10 with a double pack compilation that sets in stone what the label is all about. There's a lot to dig into here, but some of the standouts include the sharp and sneaky "Forgot Your Name" by Henry Hyde, the Boogizm-goes-electro freakery of Christian Jay's "Restive" and the swinging jazz surrealism of Phil Evans' "Hazard". With more than a little garage shuffle hovering over this release, it's set to be another huge one in all corners of the minimal tech house scene.
Review: REPRESS ALERT: Thule are back on the Icelandic techno reissue trip, this time returning to a serious classic from Sanasol (Yagya & Thor) that originally came out in 1997. This particular, highly sought after, gem leads in with the majorly heady house throb of "Seveneleven (Original Mix)" which piles the dubby processing and lush melodics on heavy while still retaining a sense of airiness to uplift the soul. By contrast, the "Closedonsundays Mix" focuses on a tough but crooked beat and that undulating bassline for a completely different flavour. On the flip, the "Sanaramalonger Mix" returns to the mellower flow of the original but with a more submerged finish and some pronounced dub stabs. Then the "Ozzy Mix" finishes the package with a minimal take that prefigures the upsurge of dubby clicks n' cuts laptop beats that would explode in the years to come. Essential tackle for all deep techno explorers.