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Review: On Club Tounsi, Tunisian producer Sofyann Ben Youssef, aka AMMAR 808, brings the raw rhythmic power of Mezoued-the folk music of Tunisia's working class-into a bold electronic future. Fusing pulsating synths, distorted textures and TR-808 beats with traditional instruments like goatskin bagpipes, hand drums, and the ney, he reimagines iconic Mezoued tunes for a new generation. Vocalists from classical, Sufi and Mezoued backgrounds also feature to add human soul and mean the album captures the genre's emotional depth while transforming it into something cinematic and club-ready. This LP is a bridge between past and future, tradition and innovation and one that makes you want to move.

Review: Italian techno heavyweight Claudio PRC's fifth album, Self Surrender, is a meditative dive into self-acceptance that comes on Amsterdam's long-running and always top-notch Delsin Records. Claudio delivers a fluid narrative across an exploration of tasteful ambient, dub, minimal house and deep techno here, and it opens with some absorbing introspection before gradually shifting into more kinetic territory. It is driven by pulsing kicks, dreamy textures, acid flourishes and ghostly strings as a refined blend of techno and house sounds all coalesce with the signature depth Claudio has honed over years of his craft. Self Surrender closes on an ethereal note, which encapsulates its core message of letting go.

Review: Before they became ambient titans with a penchant for doing gigs from their studio via ISDN line, the Future Sound of London had already established themselves as a well-regarded house and techno act - albeit one whose love of wavy chords, drifting vocal samples and hallucinatory acid lines put them at the psychedelic end of the rave spectrum. The album that established their reputation, Accelerator, is now 30 years old, which is as good an excuse as any for this reissue. Now stretched across two slabs of wax rather than one for a louder cut, the set still sparkles, thanks in part to the duo's ability to mix and match elements of turbn-of-the-90s ambient house, breakbeat hardcore, bleep techno, deep house and what would then have been called "jungle techno".

Review: There is a great selection of reissues of Future Sound of London's back catalogue going on right now. It goes all the way back to 1988 when they first started chaining the game with their forward facing electronics and mix of rave, breaks, hardcore and ambient into something utterly fresh. It still resonates today, hence these reissues, and this one is a 25th Anniversary edition of Accelerator. This one was, at the time, seen as the group's most "commercially-minded" album but that takes nothing way from its visionary sonics and immersive sonic landscapes.

Review: In celebration of the tenth anniversary of Grimes' 4AD debut, this album was reissued in 2022, and now it gets reissued once more as a great reminder of the flourishing of electronic and experimental pop music in the late naughties and early tens. Claire Boucher's third album remains a standout lauded for its innovative blend of ethereal, futuristic sounds. At the time, Visions was named one of the Best Albums of the 2010s by Pitchfork, who described it as "human-generated cyborg pop" and it still very much feels enigmatic and exciting even years later.

Review: As well as being a dance music figurehead. Paul Oakenfold is a devoted film buff who brought cinematic flair to his soundtrack for Dominic Sena's action-thriller Swordfish. Crafting a moody, high-tech sonic landscape and blending the tense energy of Dope Smugglaz's 'The Word (PMT Remix)' with the chill sunrise vibes of Lemon Jelly's 'Kneel Before Your God' and his own electro rework of 'Planet Rock' with Afrika Bambaataa, Oakenfold paints a vivid picture of early 2000s Los Angeles nightlife. Tracks like 'Stanley's Tune' and 'Password' evoke neon-lit scenes of decadence and danger. Subtle yet imaginative, this record rewards headphone listening for max impact.

Review: Sleepdial's debut for West Mineral is a mesmerising dive into ambient dub that blurs the lines between vaporous texture and low-end weight. Across nine tracks, the producer crafts smudged soundscapes rich with submerged rhythms and fractal echoes while evoking the spirit of early Pole or Vladislav Delay. Tracks like 'Icarus Rising' and 'Blue August' balance sensual warmth with dubwise grit and maintain a steady pulse through dreamy abstraction. This vinyl-first release feels both aquatic and etheric, with dub used as a method of spatial exploration. It is seriously hypnotic and emotionally nuanced, so is a strong statement from a promising new voice in ambient electronics.