Back catalogue: Funk Soul & Jazz

Review: The band 2000 Black, who include 4Hero icon Dego among their number, are masters of the broken beat scene, leaders amongst men who whether working alone or with others are always in top form. This two track outing kicks off with 'Soursop & Mango', a bristling, bustling mix of raw drums and bursts of cosmic synth energy that radiates soul, all with neat guitar riffs stitched into the mix. 'Straight Forward Side Steps' is a dusty jam with lovely scruffy claps and much more well defined synth lines adding colour and soul.

Review: RNT welcomes Brooklyn-based band 79.5 to the family with the first single from their forthcoming eponymous LP. Soulful and psychedelic, the haunting melodies of Club Level float above a steady strutting rhythm section, punctuated by moaning baritone saxophone and drenched in washy reverb.

NYC mainstay Eli Escobar crafts a masterful remix that leans into 80s nostalgia, with a soundscape and arrangement nothing short of perfection.

Review: A Skillz and Krafty Kuts are veteran names by now but at one option they were some of the hottest new DJs and producers in the game. They pioneered a breakbeat, cut-up and paste sounds 20 years ago that was high on energy and with plenty of character. Now they look to the roots of the sounds they used to draw from and serve up a new single on Jam City that is all about disco. 'Lit Up' has loose, jumbled drums and funk basslines with some great vocal flourishes up top from Gizelle Smith. A remix on the flip takes things into deeper new soul territory.

Review: There is very little info out there about the Milkcrate Mondays label but we do know that their only other release last year was well hyped and quickly sold out. This second one is likely to follow suit. It comes from Able and is a dusty house cut with an old school feel thanks to the gentle breaks that power it along as a signature smoky soul vocal from Amy Winehouse brings plenty of emotion to a-side cut 'Winehouse Magic'. On the flip is 'Drake Punk' which pairs Daft Punk filter house loops with auto-tuned vocals all sure to bring some fun to the 'floor.

Review: Addmoro were a lesser known Los Angeles-based disco outfit active throughout the late 70s and early 80s, and their sound was unique for its ahead-of-its-time weight and phonk, not to mention a difficult-to-match versatility, both traits evidenced by this Kalita reissue of the obscurity 'Rock & Roll Skate' here, first released on their very own Addmoro Records. The titular A-sider and 'Keep On Tryin' were released originally in 1985, with the former coming as a ploddy but groovy hard-hitter - which could've easily predicted the reams of modern-day producers who would the style on for size decades later (but not quite achieve it so well) - and the latter a surprise-taking curveball in a stumbly-funky, disco-electro mood.

Review: Admin's 'Mystical Circles 02' delivers two vibrant tracks that embody the essence of dancefloor-ready disco and funk. On Side-1, 'Three Eight Four' kicks off with infectious tribal drum fills and funky bass licks, accentuated by a commanding saxophone that invites listeners to groove. Its lively energy makes it a standout choice for any party. Flipping to Side 2, 'Ionosphere' continues the momentum with wicked bass notes and a stunning groove, complemented by powerful horn arrangements that elevate the track's dynamic feel. This release perfectly blends disco house with jazz funk elements, making it an essential addition to any DJ's set. Mystical Circles 02 is a celebration of sound that is sure to get everyone on their feet.

Review: African Dubplate delivers a thrilling selection of classic and rare Afro jams, reworked and pressed with a disco single flair. Though the mysterious artist behind the project remains anonymous, it's clear the source material hails from the rich well of African rhythms. Each track brings fresh energy to timeless sounds, crafted with the dancefloor in mind. Be sure not to miss out as this limited stock release is sure to fly off the shelves. Grab yours while you can!

Review: Cordial have partnered with Afrodisia to reissue their sought-after album, 1980's Elephant Sunrise, in 2018, with an album of previously unreleased recordings to follow. To whet our appetite, they've decided to release the never-before-heard "Malik", a brilliant chunk of jazz-funk fusion that would have got jazz dancers hot under the collar had it appeared when it was originally recorded way back in 1982. On the B-side you'll find the similarly minded "A Fool No Longer", a dancefloor-focused chunk of blue-eyed soul that has previously only been available on obscure 1981 compilation album Rock Aus Der Alten Schule. Brilliant stuff all told.

Review: Still peddling pure and fast jazz-funk disco, and coming straight from the source, Afrodisia are an ingeniously named German band whose stated intent was to transcend colour and creed through the mode of music. The band barely squeezed by with four EPs and an LP to their name; these two new cuts were recorded for a second album, which never saw the light of day. The A cut is the highlight, being the dreamiest and creamiest of the two.

Review: Many Hands is a fresh label helmed by Jona Jefferies and Kava that here kicks out an eclectic EP with four tracks from various members of its musical family. Dan Aikido opens with '0800 TXT4 Herb,' a smooth fusion piece that builds a laid-back groove, blending fretless bass, jazzy keys and soulful vocals all reminiscent of Rare Silk's 'Storm.' Ernie Ruso's 'Stroke It' offers slow, sensual r&b infused with P-funky wah-wah effects while DJ Nomad's 'African Boy' brings upbeat pop house next to funky organ and a female reggae MC.Jefferies' closer 'A Change Will Come' samples Dr. Martin Luther King Jr with a rave-inspired beat and soulful piano. Cracking stuff.

Review: AkizzBeatzz and Lego Edit join forces to mutually reinforce what they both do best: making disco edits and reworks of classic funk, soul and Afrobeat, and occassionally offering up the odd original track. The 12" 'African Groove' is a downtempo and weighty meditation on what it means to hail from the continent, with Akizz' A-side 'I'm An African' playfully laying down a diasporic big beat excursion, replete with regional instrumentation and defiant political vocal samples. Lego Edit's 'Sahara Adventures', meanwhile, works a chugging beat around a central algaita line.

Review: Back in 2017, Four Flies Records unearthed and released a previously unheard "Afro-cosmic funk" EP from Italian soundtrack and library music legend Alessandro Alessandroni. Three years on, they've decided to give the 1978 recording the remix treatment. Bolissa and guests Calibra 35 kick things off with a densely percussive, out-of-this-world take on "Afro-Voodoo", before Pad re-imagines "Afro Darkness" as a chugging chunk of beatdown-disco laden with colossal chords, arpeggio bass and intergalactic electronics. Over on side B the "Jolly Mare Lifting" version of "Afro Discoteca" is a veritable leftfield disco stomper notable for its low-slung bass and spacey Moog lines, while Luca's "Quirky Version" of "Afro Darkness" is the kind of hallucinogenic, Marimba-tinged number that you can imagine Daniele Baldelli playing at the Cosmic Club circa 1981.

Review: Lee Alfred's 1980 disco classic 'Rockin - Poppin Full Tilting' fetches incredibly high prices on second hand vinyl markets, if you can even find one at all. It is one of only a couple singles the artist put out between 1980 and 1981. Here it gets a special one-sided 45rpm pressing with an extended version rolling on for six sumptuous minutes. Underpinined by a tight rhythm section and bubbly bass, the dazzling synth leads are all pixelated and cosmic, the female backing vocals add heat and the main voice of Alfred is all buttery and soulful.

Review: Soul Jazz Records promise this is a one off and strictly limited pressing of Alien Starr's 'World Of Ecstasy.' It is a faithful reproduction of the original in terms of art and sound and has been restored from the label after they included it on their excellent recent Space Funk 2 - Afro-Futurist Electro Funk In Space 1976-84 compilation. tUSA in 1985 featuring big slap bass energy, hand claps, drum funk and electro boogie bass. .

Review: The Alpha One project is led by New York music industry veteran Nicky Kalliongis, a seasoned sound engineer, producer and songwriter with experience at Atlantic Records. Adding to its pedigree, Alpha One features musicians from the iconic band Change who ensure an authentic and electrifying boogie funk sound. And that is what we have here on new single 'Changes' which will get any ass-shaking and floor pumping with its irresistible synth lines and vocals. Flip it over for an instrumental that is more dialled back and direct.

Review: 'Dreamtime Trance' is a cult gem for those who like to dig deep, and Alston Koch is exactly that person. She is a Sri Lankan-born Australian musician and the mastermind behind the Kookaburra Connection project, a collaboration with Aboriginal musicians, and this track blends indigenous themes with a unique, game-changing beat and infectious groove. It's a pure dancefloor revelation and this reissue includes a new extended version with a longer intro buildup that adds depth to the track. On the B-side, the heartfelt ballad 'Midnight Lady' offers a contrasting mood that is perfect for after-hours relaxation with PiNa Coladas. Remastered and re-issued with the original artwork, this EP is a must.

Review: Italian disco DJ and producer Corrado Alunni shares his latest nu-disco soul nostrum, 'Make It Feel More', which, owing to the title, is an EP whose aim is to enliven the largely electronic and mechanistic bent of nu-disco with a good bit of live-recorded pizzazz. Such is heard on the title track, which moves naturally through both augmented and diminished electric piano cadences, not to mention slap basses, to be poised against the beats. Then 'Perfect Direction' brings the boughed basses and disco hits to a new layer of chill; with this, and the ensuing 'Keep Moving', it feels as if we've kept finding new rooms, in which new room contains a new type of hors d'oeuvre to try. 'The Beat Goes On' closes on a snappier and vinyl-driven vexation, perfect for the snakier kind of dancer.

Review: This is a full artwork version of the same release that dropped recently as a pre-release white label, so will look as good on the shelves as it sounds on the decks. DJ Dez Andres has been particularly productive of late after releasing a series of" records that showcase his signature edits. The collection includes 'Boogie,' a broken beat banger featuring a catchy whistle, followed by 'Maxin',' a sensuous, downtempo track with smooth pads and laid-back beats. The final track, 'Talking,' wraps things up with soulful vocals and a romantic, late-night vibe.

Review: Chicago label Future Rootz is a collective of mix media DJs who all play and rework global roots, tropical bass, world electronic and Latin house. Who better to do that than Detroit's Dez Andres, a deep-diving DJ, house head and producer with Cuban roots. He goes first here with 'El Trombone', which has a signature low-end thump with sunny Latin vocals, joyous horns and florid melodies. He then slows things down with one of his trademark remixes of AfroQbano's 'El Bucanero', which has noodling bass and poolside charm.

Review: Montreal producer and keyboard maestro Anomalie offers a full-MOT servicing of funk-jazz on 'Velours', a choice track that presaged his 2018 EP 'Metropole'. Born of a chilled bedroom jam, the first iteration of this track was uploaded to YouTube in 2017, and utilised stacks of Yamaha pianos as well as sleek, sexily designed sample pads. Anomalie provides a rich, honeyed set of chordophonal can-cans over nothing but a swung backbeat, bringing seemingly boundless phonic fruition from little nutrient. Now the song hears a full reproduction and repackaging in vinyl form via Devins 7s.

Review: 'Anything Goes Vol. 7' the latest vinyl release EP from Rollover Edit Service, a subsidiary of Anything Goes, is back. Delve into the Italian music scene of the 70s and early 80s with four meticulously edited gems; all four versions here are billed as originals, credited to contemporary producers' hands (Black Pomade, Pablot, etc.) yet are heavily built around each respective sample. Our highlight is the hard-won, twangy B4, 'Prima O Poi Ti Prendero'.

Review: After the roaring success of his last outing here, the '3 Woman EP,' Art Of Tones is back on GAMM with a 12" that brings male ovals to the fore. They are all very different in style but all highly effective. 'International Truth' opens with strident and funky disco drums and noodling guitar lines with soulful tones lighting up the beats. 'Don's Expensive Afro' is a rework of a rare Afro-disco track with more expressive vocals instructing the floor to move. Last of all is a stunning reimagining of an overlooked Stevie Wonder gem, 'Stevland's Run', which is off-balance and unusual funk madness laden with psyched-out guitar work.

Review: Both of these funk gems are taken from a cult compilation Trans Groove Express, which explored the sounds of Express Records and was assembled by MURO. Fourth Wave now serve them up on a superb 7", starting with Maki Asakawa. 'Hohi Hitotsu' is a delightfully gentle and subtle dub with funky guitars adding movement while the sultry vocal soars. Yasuhiro Abe's 'Night Fish' is a brighter and more retro 80s soul and boogie sound with glowing chords and snappy hits. The Japanese language vocal is emotive enough to mean plenty without understanding the meaning of the words.

Review: Hamburg's always had a vibrant music scene - and is in fact home to one of deep house's finest crews in Smallville - but if you like your beats more on a boogie and funky tip then this one is for you. Automart's new 7" on Born To Shine Records features two such electrifying tracks that are going to appeal to anyone who enjoys the work of labels like PPU or Star Creature. Automart's fresh take on classic boogie and modern funk comes with a contemporary twist that's perfect for any setting and is one of many releases this year which promise to make this label vital.

Review: 'Adzagli (Jungle Funk)' and 'A Song For You (Ayawa)' have never before been released on vinyl. Kalita has acquired the rights to do so though so we are now treated to two next-level slices of West African disco from Amsterdam's Kofi Ayivor. They have been taken from his 1981 classic and much sought-after album 'Kofi' and have been cut nice and loud for extra impact. As well as the lively and vibrant, instrument-rich originals, DJ and producer Mendel has cooked up his own remixes of each recording using the original multitrack session tapes. Pure fire.

Review: B+'s B-Beat Classic is originally from 1983. It is an early hip-hop and electronic fusion with some great talk-box vocals and a loose-limbed mix of percussion and drums. It moves slowly and purposefully, with scratches over the top and unhinged funk soon permeating your body. Leftover tape was used to create the effects and original copies have a note that the tune was dedicated to a first generation Boston disco DJ named Jim Stuard whose career was cut short by the Everard Baths fire in New York City in 1977.

Review: If you go to the sort of quality dances where you might hear old sound disco then there is a good chance you will have lost your shit to this one at some point the past. It is a disco gospel 12" curated and edited by Chicago pair Sadar Bahar and Marc Davis. First, they up the energy levels on the joyous Fountain Of Life Joy Choir Under The Direction Of Kevin Yancy tune 'I'm So Happy' which is high speed, high spirit and life-affirming goodness. Then they tweak Rev Charles H Nicks Presents The Baptist Assembly Of Free Spirit Mass Choir's 'Optical Illusion' with swirling big band energy and magnificent organ chords.

Review: Some high-grade re-edit action here, as dusty-fingered Chicagoan crate diggers Sadar Bahar and Marc Davis join forces with pal (and credited mixer) Rahaan on two fine tweaks of suitably obscure tracks. A-side 'Disco' is a groovy, funky, horn-heavy affair; a sumptuously string-laden, orchestrated blend of righteous gospel-soul, Philadelphia International style proto-disco and grooves reminiscent of those frequently employed on Steely Dan's most up-beat moments. 'Beat Down' meanwhile is a jaunty, percussive and sun-soaked slab of dancefloor-ready Latin jazz that speeds up as it goes along. The jazz dancers will love it!

Review: Kalita Records are proud and honoured to announce the first ever official reissue of the four choice tracks from Randolph Baker's privately pressed sought-after 1982 disco album 'Reaching For The Stars', plus an unreleased instrumental take of 'Party Life' sourced from the original 24-track analogue master tapes.

Originally recorded at Jim Morris and Rick Miller's Tampa-based Morrisound Studios, 'Getting Next To You' features both a mixture of both local Florida talent plus jazz superstar Nat Adderley and bassist John Lamb at their finest. Originally pressed in a limited run of just one-thousand copies, with no distribution and most copies being sold in the local city and on Randolph's own merchandise table at the back of live gigs, original copies have long been sought-after by both collectors and DJs alike, acknowledged as a true grail and masterpiece in the disco scene and deservedly demanding extortionate figures to those lucky enough to find their own.

Here, in collaboration with Randolph, Kalita Records have chosen to re-release the four choice tracks from the album: 'Getting Next To You', 'Jazzman', 'Callin' Me' and 'Party Life'. The former is an in-demand horn and chant-filled disco masterpiece, which, as Randolph explains, concerns unity and "everyone on the same level in other words, everyone just loving life". It is arguably the song that Randolph is most well-known for in the disco and funk scene and perfect for the modern discerning dance floor. 'Jazzman' is an instrumental track with prominent trumpet and saxophone solos working with funky basslines to produce a truly great jazz-funk groove. It was "a tribute to Nat Adderley and Duke Ellington's bass player, John Lamb, for being so generous and saying yes to the project". 'Callin' Me' is a soulful disco number featuring the lead vocals of Laurie Erickson and is "about being on the road and ensuring loved ones that you will always come back home no matter what. It was like a promise to ensure loved ones they didn't have to worry". Lastly, 'Party Life' is a joyous disco track with a strong funk bassline and horns. As Randolph recalls, it "was the joy like after an actor finishes a movie. There was nothing but joy. It's finished; let's celebrate big time. Where everyone in the studio yelled at the top of their lungs - The End!" Here, with access to the 24-track master tapes we have been able to include the original version plus an unreleased instrumental take, allowing us to focus on the infectious bassline and make it even more ready for the modern dance floor.

Accompanied by extensive interview-based liner notes and never-before-seen photos.

Review: This officially licensed 12" sees prolific British disco producer Ben Gomori take a scalpel to two cuts from veteran African musician Amadou Balake's 2015 album, In Conclusion. On side A you'll find a fantastic, eight-minute extension of the breezy shuffler "Bar Konon Mousso (Musicien C'est Pas Quelqu'un)", where snaking saxophone solos and sun-kissed, juju style guitars rise above a hot-stepping, bass-heavy groove. Turn to the flipside for a thrillingly epic take on "Massa Kamba", a deeper and slightly more musically intricate cut blessed with a blissful; Pat Metheny style jazz guitar breakdown, memorable chorus vocals and evocative horn lines.

Review: Fresh from inspiring the global disco community with a tasty debut 7", Portuguese duo the Bam Jam band (AKA Pedro Teneiro and Sergio Alves) return with a similarly impressive sequel. A-side 'Keepin' On' is a genuinely killer workout - a low-slung bass guitar-propelled chunk of revivalist dancefloor disco-jazz rich in sustained organ chords, funky Clavinet licks and restless, Latin-influenced piano riffs and solos. The duo's love of memorable basslines comes to the fore once more on 'Something About Love', a more languid, picturesque and bittersweet affair in which slow, eyes-closed piano patterns and squelchy synths stretch out across a relaxed mid-tempo groove. An artist to watch in 2025 for sure.

Review: In 2011, Banda Achilifunk & OJO served up Gitano Real, one of the year's most essential albums. It was caned far and wide by funk lovers, in particular Craig Charles on his 6 Music show. Now, two cover versions taken from the essential album have been pressed to limited edition translucent yellow vinyl. First up, 'I Believe in Miracles' is an overwhelming take on the Jackson Sisters classic with plenty of happy Latin vibes and rumba funk rhythms. Flip it over for a more abstract version of McFadden and Whitehead's seminal 'Ain't No Stoping Us Now' which is a soulful disco number packed with sunshine.

Review: Banda Male was a collective that formed in a home studio in Salerno, one of the historic districts in the South Italy. It was the initiative of composer and keys man Peppe Maiellano and rapper, DJ and producer Tonico Settanta. The rest of the cast is ever rotating and the music they make is a lively mix of disco, funk and soul with signature Italo melodies. This new single is taken from their June 2021 album UFO Bar and is a low slung number with a steamy vocal and a somewhat sleazy bassline. 'Living Disco Club' (Tonico 70 Reloved) then slows it down further with even more twirling melodies.

Review: Get yourself geared up for festival season with some fierce party starters certified with the Glitterbox stamp. Melvo Baptiste leads the charge with 'Sweat', a sizzling disco house stomper with Dames Brown giving the biggest diva energy on her show-stopping vocal. Lovebirds bring unbridled joy on the Philly string swoon and slinky b-line funk of 'Burn It Down', while Art Of Tones & Inaya Day keep it peak time on the sassy strutter 'Give My Love'. Young Pulse & Fleur De Mur complete the set with 'Smooth Sweet Talker', another bright and bold vocal cut par excellence.

Review: Barbatuques, a well known Brazilian group of body percussionists, originally recorded "Baiana" back in 2005 - which became a staple of their concerts. It is now issued on vinyl for the first time, marking the second volume of Brasingles: a new series on Selva Discos dedicated to releasing 'loud' 12" singles. On the first side, the original is a modern folk song from Bahia composed by Maria do Carmo Barbosa, and featuring a wild mouth harp sound with a stomping Barbatuques' arrangement that imprinted its trademark sound. German producer Jan Schulte (aka Wolf Mueller/Bufiman) heard the song and decided remix it to use in his DJ sets - adding more drums to brilliant effect.

Review: Bongo Joe and Sofa Records' third instalment of the Maghreb K7 Club Disco Single series dives deep into Algeria's vibrant 1980s scene, offering four tracks that shine a light on the region's overlooked gems. The A-side is led by two irresistible pop-boogie-funk tracks from Khaled Barkat: 'Galouli Enshara' and 'Zourini'. Self-taught and self-produced in 1983, Barkat's music was a hit at the time but got overshadowed by the rising tide of rai. His dynamic collaboration with Yazid Fentazi, Redouane Ayoub, and Mhenni Benlala resulted in a sound that blends infectious grooves with local flair. Now, for the first time, these tracks are on vinyl, offering fresh ears the chance to rediscover a key player in Algeria's pop history. Cheb Tati takes over on the B-side with 'Dub El Hammam', a heavyweight dub number that showcases his range as a rai vocalist. Tati was flown to London in 1989 to work with dub pioneer Denis Bovell, and this track is a standout from their sessions, merging the pulsating rhythms of reggae with a distinctly North African flavour. Closing out the release is the Kabyle band Asif, whose only known recording, 'Tafsut', serves as a fitting finale. Formed by three brothers in Lille during the late 70s, this beautifully crafted pop-boogie track captures the band's unique sound, bringing a sense of nostalgia and triumph to the collection.

Review: This 2024 edition marks the return of Joe Bataan, via the same track that made his name in 2004. Vampi Soul first welcomed the Latin Soul king to the label two decades back, facilitating the release of his 2005 album Call My Name. The pre-release singles for the album were 'Chick-A-Boom' and 'Cycles Of You', packed onto a single 7"; these quickly became DJs' favourites and have thus since remained long out of print. As it was twenty years ago, 'Chick-A-Boom' is a simultaneously upbeat but ghostly track, with Bataan's vocals quadrupling up in a wall of sound while providing the vibe equivalent of a Jackie Chan flick. 'Call My Name', meanwhile, goes heavy on the clavichord and synth whistle, as Bataan revels in a funereal theme, dancing, thundersticking into the great beyond.

Review: High Fashion Music has dipped into the back catalogue of '80s electrofunk stars BB&Q Band before, asking long-serving Essex house producer Michael Gray to remix their much-loved scene anthem 'Dreamer'. This time round, they've asked Aussie star Dr Packer - a man famous for his popular updates of disco and boogie jams - to sprinkle some magic over 1986 single 'Main Attraction'. As you'd expect, his full vocal A-side 'remix' makes use of a lot of the band's original instrumentation - synths, synth-bass, sparkling guitar riffs etc - while adding a touch of easy-to-mix house swing. The flip-side 'Dubstramental', which cannily updates the 1980s boogie dub mix sound for 21st century dancefloors, is arguably even stronger.

Review: On the second volume in the GATT edits series, Swedish scalpel fiend Beatconductor once again pairs a previously unheard rework with something sought-after from his catalogue. In the latter category you'll find flipside 'Crazy in Kingston', an early noughties mash-up that adds Beyonce's superb lead vocals (and Jay-Z's on-point rap verse) from the peerless 'Crazy in Love' with a dusty old reggae riddim. It's a simple idea, beautifully executed. The brand-new (or at least previously unheard) cut this time around is 'Finger on the Trigger', a lolloping, life-affirming tweak of a 1970s dancefloor soul number that sits somewhere between the stomping heaviness of Detroit Soul and the proto-disco deliciousness of Philly Soul.

Review: Some hand-stamped 7" white-gold here with Beactconducter serving up a couple of brilliant disco dazzlers for late night sessions. 'The Drag Stop' pairs some aching soft-rock vocals with tumbling congas and chunky disco drums that march on wards and upwards as the synths bring some cosmic drama. On the flip is a more retro sousing disco gem with 'Something Better' (edit). It has funky drums and piano chords dancing next to hip swinging finger clicks and some big vocals. All in all a vital pick up that offers two some dance-y disco delights.

Review: Long-serving scalpel fiend Beatconductor is in old-school mash-up mode on this tidy seven-inch single, which serves as the third release on his freshly minted GATT imprint. On 'Human Emotions' he cannily combines two classic cuts: the instrumental of Human League synth-pop classic 'Don't You Want Me' and the full female acapella from a loved-up, glassy-eyed soul/R&B gem that should be familiar to most. He does something for more revolutionary on the surprisingly brilliant 'I Can FIXX A Hole', where the acapella from a Pepper-time era Fab Four favourite rises above a tweaked, slightly dubbed-out version of a vintage, Rhodes-sporting Hall & Oates groove. It shouldn't work, but it genuinely does!

Review: Sweden's mash-up maestro Beatconductor returns with six tracks of masterfully cross-pollinated bangers on this hand-stamped white label. On tap we have edits of the likes of Curtis Mayfield, Stevie Wonder, Elvis et al., indicating a worthy breadth of knowledge of both classics and non-classics - but all classily recontextualized in ways only the Beatconductor himself can manage. Set to heavyweight 12" wax on two sides, we're certain this one'll serve you well for drunken Saturday dancefloors and upmarket, warmly-lit Sundays alike.