That's How It All Is (feat Kevin Mark Trail) (1:19)
Dumplings For Dinner (feat Omar) (6:42)
Long Road (3:37)
No Crime To Try (6:41)
Work It Out (feat Ange Williams) (6:48)
Clearer Skies (feat Kevin Mark Trail) (3:43)
Sherwood Ave (Kitchen Party) (5:32)
Everything I Have To Give (2:40)
That Love (feat Louis Baker) (5:32)
Some Kind Of Blockage (6:22)
Review: New Zealand's After 'Ours, helmed by Michal Martyniuk and Nick Williams, return with Long Road, a remarkable follow-up to their 2016 debut Odyssey. Known for blending elements of jazz, soul, and electronica, the duo has crafted an album that reflects their growth while maintaining the warmth and community spirit that defined their earlier work. Long Road builds on the smooth grooves and intricate rhythms that drew comparisons to the likes of Steely Dan, A Tribe Called Quest, and Robert Glasper. The album sees the duo reconnecting with previous collaborators like Kevin Mark Trail and Ange Williams, while also introducing fresh talent, including British soul legend Omar Lyefook and Jakarta-based saxophonist Kuba Skowronski. The ten tracks on Long Road weave through various genres, from UK broken beat to modern soul and blues rock, creating a rich tapestry of sound. Tracks like 'Looking Glass' and 'Morning Chorus' showcase the duo's ability to create deeply emotive music, while the inclusion of live instrumentation adds a vibrant, organic feel. Long Road is a sublime listening experience that is full of diverse influences that have shaped their sound over the years.
That's How It All Is (feat Kevin Mark Trail) (1:19)
Dumplings For Dinner (feat Omar) (6:42)
Long Road (3:37)
No Crime To Try (6:41)
Work It Out (feat Ange Williams) (6:48)
Clearer Skies (feat Kevin Mark Trail) (3:43)
Sherwood Ave (Kitchen Party) (5:32)
Everything I Have To Give (2:40)
That Love (feat Louis Baker) (5:32)
Some Kind Of Blockage (6:22)
Review: Over the past three decades, Auckland has nurtured many generations of musicians, DJs, and producers who have blended jazz, blues, soul, funk, Latin, hip-hop, house, boogie and broken beats into all-new sounds. After 'Ours, a group led by pianist Michal Martyniuk and drummer and guitarist Nick Williams, very much embodies this tradition. Nick, influenced by his DJ mother and musician father, led Auckland's Latin-dub-funk band Tangent while Michal, raised in Poland, immersed himself in Auckland's jazz scene and formed After 'Ours in 2011. Their new album Long Road merges machine funk with vibrant live instrumentation and bridges jazz, neo-soul, electronica, and dance with infectious charm.
Review: Excursions in Gwoka vol. 2 is another adventurous outing for the Beauty & the Beat label that takes them ever deeper into the gwoka scene of Guadeloupe. it is the celebrated carnival outfit Akiyo who are in focus here with two tracks taken from second and supremely hard-to-find long player, Mouvman, in 1993. 'Deboule' is a real heater with bustling drum funk and chatting tribal vocals all run through with synth wizardry from Marie-Galante Jacques-Marie Basses. 'Blo' is just as steamy and intern with percussion, whistles and big beats all making quite the impact. Breakplus adds a London twist to 'Deboule' while CW adds a cosmic air to 'Blo.'
Review: French illustrator, producer and owner of Astral Soda Records Albino offers up his second full-length album, Bamboo Night, following up his self-released 2016 album Santa Barbara. Returning to WRWTFWW for the second time now, Bamboo Night reflects something of a more dance-centric revolution in Albino's sound, but still brings his penchant for patented tape hues and ghostly exotics to the fore as ever. These tracks are just as suited for floor play as they are for home eso-chillaxing, fusing whispery dancehall flavours with dark jazz, Chicago deep house, and trembly international flavours.
Review: Rediscover a treasure from the Dade Records vault with the reissue of Arnold Albury & The Casuals' 'That's A Bet,' brought back to life by ReGrooved Records. This analogue-remastered 7" highlights a key track from 1970, recently featured in the popular series 'Sex Education.' The flip side, 'My Baby Don't Understand,' is equally stunning, showcasing the soulful essence of Miami's vibrant music scene. Arnold Hoss Albury, a brilliant keyboardist, played a pivotal role in shaping the Miami Sound, contributing to iconic records by artists like James Knight & The Butlers and Betty Wright. This re-release offers a rare opportunity to own a slice of musical history and experience the soulful brilliance of Albury & The Casuals.
Review: The Alex Santos Orchestra is a self-described "orchestra" orchestrated for the express purpose of sanctifying one Alex Santos' lifelong love for jazz and Latin music. Following the much loved 'Alex Santos Y Su Orquesta', 2021's next step in Latinizing said quasi-conceptual ensemble, we've now landed in the project's live ambit. 'The Alex Santos Orchestra On Tour' captures just two live highlights from a much more recent outing (given the mystification surrounding the project, this may or may not have happened). Whatever the case, these recordings span both potentialities, retaining something of a highly-strung Hammond organ come upfront-drumkit drama on the B-side, 'Mr Clean', and an equally stirring version of the main theme from 'The Godfather' on the A.
Review: Fantasia by Juan Almeida is the next album in My Bongo's faultless Cuban Classics series and is a true outlier that you (we) find hard to put into any specific existing category. Almeida is a key figure in the Cuban revolution who also composed over 300 songs. This album, produced by Rafael Somavilla, is an eclectic instrumental journey that draws on Latin jazz-funk, trippy electronics and classical orchestration to at times feel like a grand, ghostly film score with repeating passages evoking spectral images while at others it explodes into exotic funk, psychedelic tones, and Afro-Cuban percussion. This one is a deep listen that is much sought-after by collectors so makes for another great reissue.
Review: As reliable as rain on a British summer day, Original Gravity is back with more brilliance from the world of funk here in the form of a pair of different versions of the same original tune, 'Burning Spear', on one heavily limited edition 7".Nestor Alvarez kicks things off with a sunny, Latin-tinged sound that is high on fluttery flute energy with some nice raw drums and dancing keys below. La Machine D'Argent smooths things out just a touch and layers in some more spaced-out sounds to make it a header excursion into funk.
Review: Amadou & Mariam, the legendary Malian duo, celebrate their nearly 50-year career with La Vie Est Belle, a new album that blends their greatest hits since 1998 with fresh tracks. The album showcases the duo's profound impact on the global music scene, highlighting their pioneering role in Afro-pop. Among the album's highlights is the brand-new single 'Beaux Dimanches' (Ever Mihigo Rework), which sounds like their vintage work. The album also includes 'Mogolu,' a Manu Chao-composed track that effortlessly fuses Afro-beat rhythms with modern electronic elements, a reflection of Amadou & Mariam's enduring ability to innovate. Amadou & Mariam's influence spans far beyond their roots, having collaborated with major artists like U2, Coldplay, and Stevie Wonder. Their musical journey began at the Bamako Institute for Young Blind People in the 1970s, and they quickly won over audiences across West Africa before gaining international recognition in the late 90s. La Vie Est Belle revisits iconic tracks like 'Je Pense A Toi,' 'Sabali,' and 'Bofou Safou,' along with collaborations from Dimanche a Bamako and Welcome to Mali, featuring artists like Damon Albarn and K'Naan. The album also explores their more recent works, including tracks from La Confusion and collaborations with contemporary artists like BLOND. With La Vie Est Belle, Amadou & Mariam reaffirm their status as global music icons, continuing to blend traditional Malian sounds with modern influences, all while spreading messages of peace, love and unity through their music.
Review: Ballads provide comfort and can elevate us when filled with genuine emotion and lead us into romance or reverie if we allow them. This second orchestral collaboration between renowned Swiss trumpeter Franco Ambrosetti and Grammy-winning arranger Alan Broadbent achieves this beautifully. The album's title reflects Franco's heartfelt approach on flugelhorn. Supported by an all-star lineup including pianist Broadbent, guitarist John Scofield, bassist Scott Colley, drummer Peter Erskine, and a 29-piece orchestra arranged and conducted by Broadbent, Ambrosetti masterfully tugs at heartstrings with a selection of four original compositions and four carefully chosen covers.
Review: This is a full artwork version of the same release that dropped recently as a pre-release white label, so will look as good on the shelves as it sounds on the decks. DJ Dez Andres has been particularly productive of late after releasing a series of" records that showcase his signature edits. The collection includes 'Boogie,' a broken beat banger featuring a catchy whistle, followed by 'Maxin',' a sensuous, downtempo track with smooth pads and laid-back beats. The final track, 'Talking,' wraps things up with soulful vocals and a romantic, late-night vibe.
Review: When Danilo 'MCDE' Plessow and Bobby van Putten established their Space Grapes label last year, it was their stated intention to present 'the best in contemporary live dance music'. What they meant, we suspect, was releases like this debut album from van Putten's Another Taste combo - a four-piece whose colourful and sonically authentic sound rooted in boogie, 80s electrofunk and obscure, private press disco. The results are undeniably impressive, sounding something like a long-lost album from 1983 - complete with kaleidoscopic synths, soulful vocals and killer basslines - of the kind that dusty-fingered crate diggers consider a 'holy grail'. Highlights include the Plessow co-produced boogie brilliance of 'Anything You Want' and the funky bassline driven mid-tempo disco-soul of 'Time Is On My Side'.
Review: Ant's Collection of Sounds Vol. 1 offers a profound exploration of his vast musical expertise. As a cornerstone of Atmosphere and Rhymesayers Entertainment, Ant's latest project delves into his deep archive of unreleased material, presenting a sonic journey that's both intimate and expansive. The album masterfully balances moods, from the eerie closeness of 'Bar One' to the wide-open, atmospheric '4-Track Beyond Beat 1996.' Ant's ability to craft beats that invite exploration is evident throughout, with tracks practically begging for lyrical accompaniment. Yet, he resists the urge to overcomplicate, keeping the focus on the purity of the instrumentals. Collection of Sounds isn't just a showcase of technical skill; it's a reflection of Ant's artistic evolution, blending past influences with fresh ideas. The vinyl's packaging adds a tactile dimension to the experience, featuring a custom green record housed in a beautifully designed jacket with artwork by ZooDeville and Saber. This first volume has Ant's enduring creativity on full display with top notch hip-hop production.
Review: A fantastic dub disco, funk and electro record straight from the heart of North London. First released in 1986, 'Soul Of Haringey' emerged as the sole release on the ultra-rare Advance Level Enterprise imprint, information on which is, even now, extremely difficult to track down and source. Among the featuring artists on the release are Pip Archer, Andrea Lynn, Jennifer Viban, The Curruthers Brothers, and Boss, all of whom are almost equally obscure, and only a few of whom ever went on to release anything else. It's these kinds of records, seemingly unassailed by the material urgencies of working life or careerism, that beguile us the most. 'Time To Boogie' is as raw and uncut as can be, its trilling synth bells and double-claps revealing some early stirrings of UK grime in the track's latter half. Then there's the downtempo soul of 'Hold On To Your Heart' by Lynn, as smooth as smooth can be, while Viban's 'Miracles' is an equally blissful prayer to the electro-disco-funk tutelary god, with its numinous snare bursts and adhesively soft pad divans swearing fealty to the belief in miracles. Boss' and The Curruthers Brothers' contributions are just as creamy, offering two further authentic, homespun falsetto'ers for assuaging heartbreak and redemption.
Review: This album transports listeners to 1950s and 60s Colombia, where the tropical sounds of the Caribbean and Pacific coasts dominated the mainland music scene. Edmundo Arias, alongside Lucho Bermudez and Pacho Galan, was one of the pivotal figures of this era, yet his introverted nature kept him out of the spotlight, making his contributions less celebrated than his peers. Born in Tulua in 1925, Arias came from a musical family and mastered several instruments. After his father's death in 1948, he and his brother moved to Medellin, the epicenter of Colombia's music industry. Arias quickly established himself as a talented musician, composer, arranger, and band leader for leading labels like Zeida, Ondina, Silver, and Sonolux. Despite his preference for working behind the scenes, Arias' impact was profound, collaborating with numerous musicians and mentoring young artists. His prolific output included hundreds of compositions and numerous albums. This compilation, Guepa Je!, shows the finest of Arias' work from the 50s and 60s, a period often regarded as the pinnacle of his career. Enjoy the vibrant, joyous sounds of Colombia's tropical music heritage.
Dream A Little Dream Of Me (feat Ella Fitzgerald) (3:08)
La Vie En Rose (3:25)
On The Sunny Side Of The Street (5:52)
When You're Smiling (The Whole World Smiles With You) (4:05)
Cheek To Cheek (feat Ella Fitzgerald) (5:48)
Cabaret (2:46)
It's Been A Long, Long Time (2:21)
They Can't Take That Away From Me (feat Ella Fitzgerald) (4:34)
Moon River (2:59)
Blueberry Hill (3:19)
What A Wonderful World (2:18)
Review: Louis Armstrong had an unparalleled impact on American popular music. Verve Records now celebrates his legacy with an all-new collection featuring his greatest hits and most timeless recordings. This release complements Louis In London, which highlights the influence on jazz of a man known for his joyful presence and who once said he was on a mission to spread happiness - this collection underscores that purpose. His contributions shaped the course of music history and that can be heard here in these gloriously catchy and indelible jazz sounds, many of which are well loved by even those without a passion for jazz.
Review: This collection compiles Louis Armstrong's entire collaboration with the Dukes of Dixieland, featuring their pioneering stereo recordings that captured Armstrong's iconic sound. Known for his brilliant trumpet and vocal performances, Armstrong tackled classic tunes like 'Dixie,' 'New Orleans,' and 'Sweet Georgia Brown'. Formed in the late 1940s, the Dukes of Dixieland stood out among Dixie bands of the era, benefiting greatly from early stereo recording technology. Armstrong joined forces with them in 1959, resulting in sessions that produced two albums but left additional tracks unreleased. This definitive edition compiles all recordings from these sessions and makes for a great listen that captures a vital time in jazz's evolution.
Review: Ethio Jazz is a landmark album by contemporary Ethiopian music pioneer Mulatu Astatke from back in 1974 on Ethiopia's Amha Records. It features melancholic wind melodies and a polyrhythmic rhythm section that soon draws you in while sultry vibraphone and smoky organ tones blend the essence of American jazz with Ethiopian musical traditions. This unique fusion creates a sound that remains a high point in Astatke's career and the Ethio Jazz genre overall. It's a faultless demonstration of Mulatu's ambitious creativity and one that masterfully balances diverse musical elements. For that reason, this timeless album continues to resonate in the jazz world and beyond.
I Can't See Your Love (For The Tears In My Eyes) (part 1 - bonus track) (2:33)
The Gift Of Love (2:40)
I'm Nothing Without Your Love (2:26)
My Baby Know How To Love Her Man (3:08)
Weakspot (3:01)
Hey Diddle Diddle (2:39)
Goodnight My Love (2:45)
I Love You, Yeah (alternate take - bonus track) (3:01)
Review: The Ballads, an Oakland-based group featuring Nathanial Ramerson, Lesley Palmer, Rico Thompson, and John Palmer, made a notable mark with their single 'God Bless Our Love,' which climbed to #8 on the R&B charts and #65 on the Billboard Pop Hot 100 in 1968. Despite their success with this track on Venture Recordsia label established by MGM and helmed by former Motown A&R director William "Mickey" Stevensonitheir time with the label was brief. The Gift Of Love features a blend of soulful tracks including 'You're The One,' 'I Love You, Yeah,' and 'Goodnight My Love,' showing the group's vocal charm and heartfelt lyrics. Although their commercial success was limited, the compilation offers a glimpse into their potential and includes all eight Venture releases along with some previously unreleased material. For collectors and soul enthusiasts, this vinyl is a monumental collection of 1960s r&b.
Review: The Ballistic Brothers are back with another reissued nine-track dose of bare but big breaks belligerents. This cult '90s supergroup emerged from the steaming manhole covers of the London hip-hop underground - as the saying goes, "if you were part of any clubbing tribe in the early/mid 90s, you will have danced to the Ballistic Brothers". Made up of Darren Rock, Darren House, Ashley Beadle, David Hill and Uschi Classen, the bulk of their fame wafted forth from a swathe of surreptitious vinyl releases that took the record-digging community by storm at the time, yet which also invited much speculation as to their original membership (the wonders of the internet weren't so readily available back then). A variegated selection of tracks culled from many a different EP, we're compelled to recall a golden time when breakbeats weren't so brash, and in fact served as rhythmic accompaniments to a set of otherwise beauteous atmospheres. Cases in point include 'Save The Children', which combine trippy pan-pipes and funky organ with a theme of charitable concern, and 'Blacker 94 EQ', which impresses us yet more with its acid jazz breakouts and electric piano solo and which makes stark use of the suspenseful string line endemic to the sound.
Review: Mike Bandoni returns with Crate Breaks Vol 6, the latest installment in his renowned series. This record is a great tool for adventurous DJs, featuring eight drum fills perfect for slicing into mixes. Each side of the album offers a rich array of segments to elevate any set. Side-1 includes the breaks named 'Diggin In The Pit,' 'Dream State,' 'Hold Fire,' and 'Swing By,' while Side-2 boasts 'Love Scheme,' 'Space Kool Moon Dance,' 'Party,' and 'It's Still Good.' As you can see from the names, these are sure to get the party going. True to its Funk genre roots, this release from Drumstream is ideal for DJs seeking fresh, phat drum segments.
Review: Acid jazz pioneer - and "acid jazz" coiner (!) - Chris Bangs returns with a brand new album for 2024, 'Dream World', which follows on from his early 2023 release 'Firebird'. Corralling his friends - Argentine keyboardist Luciano De La Rosa, Italian Massimo Morganti on trombone, Chile's Juan Pi Salvo on trumpet, and Fabio Tiralongo on sax - together for a supergrouped set of nine Bangers, Dream World hears the artist transcend borders in a mondialised fashion, in doing so paying homage to many of his inspirational greats such as the Mizell Brothers, Wayne Henderson and George Duke, whom together produced the joint groundwork for the latter-day genre.
Review: Edwin Birdsong's self-titled album was originally released in 1978 on Philadelphia International Records and very much captured the spirit of the great disco era. By then, Birdsong was already a significant figure at the cult label having proven himself as both a songwriter and producer. The album features several tracks that became dance floor staples such as 'Cola Bottle Baby,' 'Kunta Dance' and 'Goldmine,' each packed with infectious funk grooves perfect for partying. Famously, 'Cola Bottle Baby' was later sampled by Daft Punk in their smash hit 'Harder, Better, Faster, Stronger'. Although the album didn't chart, it remains a prized find for disco and soul heads.
Review: For Peace and Liberty captures a remarkable and long-lost performance by the Black Artist Group (BAG), finally seeing the light of day after being hidden for over 50 years. Recorded live in Paris in December 1972, this album caotures BAG's explosive fusion of free improvisation, spiritual jazz, and funk grooves. The group, freshly arrived from St. Louis, deliver an electrifying 35-minute set at Maison de l'ORTF, showing their unmatched creativity and energy. Wewantsounds has partnered with BAG and INA to bring this rare recording to the world, marking the group's first official release since their iconic In Paris, Aries 1973, which for many years was their only album. Remastered from the original tapes, the sound quality is exceptional, allowing listeners to fully appreciate the intensity and passion of BAG's performance. Featuring six parts of the titular track, For Peace and Liberty is more than just a rediscovered gemiit's a vital piece of jazz history.
Review: With a Yamaha organ and a vision, South African artist Pops Mohamed embarked on his musical journey in the mid-1970s as the bandleader and composer of Black Disco. He crafted an enthralling blend of chill-out jazz infused with futuristic drum machine sounds and spiritual nuances. His celestial organ melodies were complemented by two of the most esteemed session musicians on the South African scene: saxophone and flute virtuoso Basil Coetzee, renowned since 1974 for his solo on the hit 'Mannenberg,' and Sipho Gumede, the prodigious bassist already making waves among the veterans of the industry. Initially backed by polyphonic beats from Mohamed's electric organ and later incorporating a live drummer, Black Disco forged a distinctive sound, producing a trilogy of pioneering albums in a creative surge between 1975 and 1976. This first full reissue of their debut album, sourced from the original masters, captures the essence of their innovative spirit and showcases their groundbreaking contributions to the musical landscape. This release embodies the group's vibrant creativity and timeless artistry.
Review: From the opening notes of the iconic 'Alamode,' this album bursts with beauty. It features the first sextet lineup of Art Blakey's Jazz Messengers and showcases a young Wayne Shorter on tenor saxophone, Lee Morgan on trumpet, Curtis Fuller on trombone, Bobby Timmons on piano, and Jymie Merritt on bass. The band relentlessly drives the pace with each track, making a powerful impact throughout and for that rowans it became one of many Art Blakey classics. This Verve By Request release is pressed on 180-gram vinyl at Third Man in Detroit, which as you will know means it sounds second to none.
Review: 'Imprevisto' by Bossa Tres and Ana Rosely's 'Skim Dum Dum Dum' receive well-deserved attention in their remastered reissue by Mr Bongo. Bossa Tres's track, featured as the final piece on their 1965 'Em Forma!' LP, stands out as an unmistakable Brazilian jazz classic. Opening with a dramatic intro and a hypnotic piano line, the song evolves with panned percussion and upright bass, showing the band's refined musicality honed from their early days touring jazz clubs in the USA. This 7" release marks a significant reissue of Bossa Tres's sophisticated sound in a concise format. On Side-2, Ana Rosely's 'Skim Dum Dum Dum' from 1984, originally released by RGE Discos, adds a different flavor with its infectious groove and enigmatic charm. Despite limited information about Rosely, her releases have become sought after for their rarity and musical quality. With 'Skim Dum Dum Dum,' her talent shines brightly within the unique style of Brazilian music. This remastered edition with refreshed artwork offers collectors and enthusiasts a chance to rediscover these gems of Brazilian jazz and music history.
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