Review: We shall never apologise for our love for the work of Steve O'Sullivan. His contributions to the world of dub techno are second to none. They are also mad consistent both in style and quality which means they never age. Here he steps up to Lempuyang with his Blue Channel alias alongside Jonas Schachner aka Another Channel for more silky smooth fusions of authentic dub culture and Maurizo-style techno deepness. Watery synths, hissing hi-hats with long trails and dub musings all colour these dynamic grooves. They're cavernous and immersive and frankly irresistible and the sort of tracks that need to be played loud in a dark space. In that context, you'll never want them to end.
Review: Ghost Dubs aka. Michael Fiedler returns to pile on the Pressure. Following recent acclaim-gatherer Damaged, this extension of the LP further serves to distend the dub, surveying and excavating fossil-rich terrains of soiled bass and coarse texture. Six reconstructed dub reformations, only two tracks, ';Chemical Version' and 'Wired Version', were previously available digitally; both introduce the record as warped yet unassuming undercuts, ripe for the meditating-to. 'Thin Dub' dissolves the mood into an echo-drenched texture; the track is marked by an up-down, contradistinct set of tuned impacts. 'Dub Craft', meanwhile, snatches the crown for most subby tune of the year.
Review: The connection between ZamZam and Feel Free Hi Fi was sparked by Bristolian Neek out in Portland and lead to an immediate bond forged over a shared sound and DIY ethos. Inspired by early digi-era dancehall and UK dub, the duo crafts a sound here that honours tradition while venturing into bold, idiosyncratic territory. It comes on their own Digital Sting label and opens with 'Voyageur' which is a mix of cinematic atmospherics with haunting synths that evoke wild and mythic landscapes. 'Underground' pays tribute to the spirit of DIY underground music and captures the struggle to preserve both nature and the essence of basement gigs in today's shifting cultural landscape.
Review: South Africa-born, United States-based Brendon Weller is one of dub techno's finest modern day practitioners. he has been endlessly exploring the form for years but never falls short of fresh ideas. Here he offers up his latest 12" on EchoLTD. It begins with 'Rescue Me' which is smoky, deep and atmospheric with rattling hits and chords submerging you way beneath the surface.A'YassQueen' then taps into an orignal dub ethos with rumbling bass and heady harmonica sounds floating amongst wispy pads. 'Scorching' stays fully horizontal and is a vast empty space with patient bass and drums and 'How Love Is Your Deep' ends with another heady exploration of empty space and slow motion rhythm.
Review: After a long a post-COVID quest to repurpose his music as a vessel for healing, Richard Norris (The Grid, Beyond The Wizards Sleeve) tops up the fourth edition of his oracular, thinking-man's-dub Oracle Sound series. Volume 4 describes its the nine dub versions as "outernational, widescreen versions", and if by widescreen Norris means the stereo field, then this is realised with abundant clarity on the outset that is 'Connected Dub', on which ample effects riffle across a club-readied plod, as a knowing gravel-voice suggests a paternal spirit guide keeping watch over the reels. 'Earthsea Dub' continues, nodding to Ursula Le Guin's fictive planet through sloshing water FX and ticklish 808s, while the three closing 'Ceefax' bits take teletext retro-nostalgia headspaces to the extreme. Jon Carter's Guest Mix is a special closing freakout, one that could convey itself well even over copper wire, never mind the now ubiquitous fibre-optic.
Everyone Has Got To Go (Super Bionic version!) (4:22)
Review: 'Everyone Has Got to Go' is a powerful 1976 roots stepper by Jamaican-Canadian singer Prince Robinson aka R. Man Prince. Born in Rockfort, Kingston, Robinson auditioned at Studio One in his teens but didn't record until a decade later. After moving to New York and Canada, he returned to Kingston in 1976 to record two iconic roots anthems at Joe Gibbs studio: this one and the rare 'Funny Dream.' Joined by The Soul Foundation and top session musicians like Sly Dunbar and Robbie Shakespeare, the track's mix by Ernest Hookim and Barnabas features a haunting dub version.
Review: Appearing here for the very first time on 7", this track from Vivian Jackson, aka Yabby You, was originally released as the title cut off the Jah Jah Way LP back in 1980. It was later pressed on a 12" by Yabby You some 20 years after its initial release and is one of those heavy, fat-bottomed dub cuts that demands to be played loud from a towering speaker stack while the sun is blazing. The bassline does most of the heavy lifting with dusty tambourines and passionate vocals adding the soul. The dub version on the flip gets some serious mixing desk treatment and tons of echo for even more mind-melting brilliance.
King Tubby & Sciientist - "Chalice A Fe" (Dyb) (3:23)
Roots Radios - "Opposition" (dub) (3:45)
Sly & The Revolutionairies & Jah Thomas - "Cocaine" (3:48)
Joe Gibbs & The Professionals - "Ghetto Slum" (3:39)
Roots Radios - "Storming The Death Star" (3:00)
Dennis Brown, King Tubby & The Soul Syndicate - "No Conscience" (2:53)
Scientist & Roots Radios - "Gunshot" (3:19)
Ossie & The Revolutionaies - "War Of The Stars (Mr Know It AlL)" (7" mix) (2:40)
Dennis Boveell & The 4th Street Orchestra - "Go Deh" (3:09)
The Revolutionaies - "Thompson Sound Incorporated" (3:32)
Joe Gibbs & The Professionals - "Pope Phyias" (The Selassie I Cup version) (3:02)
Sly & The Revolutionairies & Jah Thomas - "Marijuana" (2:43)
Review: Ras Jammy from Suns of Dub has curated a special release for Trojan Records that celebrates the deep cultural and historical ties between dub music and cannabis, all rooted in Jamaican music and Rastafarianism. This album, which arrives just in time for the stoners' best day of the year, 420, features iconic tracks from pioneering dub dons King Tubby, Scientist, Dennis Bovell and Roots Radics. These are the legends that helped shape the genre and this compilation highlights how they did it and what influence they had on the development of dub music. So, when the day comes, light up a fat one and turn this one up loud.
Johnny Lover & The Towerchanters - "Who You Gonna Run To"
Lee & The Blue Bell - "Tighten Up"
Val Bennett & The Upsetters - "A Serious Joke"
Brad Osborne & The Towerchanters - "Little Flute Chant"
Devion Iron - "When Jah Come" (extended version)
The Upstetters - "Strach Walking"
Lee Perry & The Black Arks - "Come Along"
Ricky & Bunny - "Bush Weed Corn Trash"
The Upsetters - "Curley Dub"
Review: Originally released in 1981 on the Clocktower label, this killer compilation does a fine job of harnessing the raw magic of Lee "Scratch" Perry's legendary Black Ark era. Although the sounds are mostly drawn from mid-70s sessions, it also features two standout early cuts from the late 60s, namely Perry's gritty versions of 'Tighten Up' and 'Serious Joke'. Elsewhere, highlights include Johnny Lover's deep DJ take over Devon Irons' 'When Jah Come' and the rootsy energy of Ricky and Bunny's 'Bush Weed Corn Trash.' This reissue is a crucial document of Perry's genre-defining production, masterful take on vintage dub, toasting and spiritual reggae heat.
Review: Escape the grid to Elias Garcia's subterranean world of mutant techno and oozing sci-fi dub, forever lost in the drip with IDS Recordings. Big Tip!
Review: Originally released in 1985 on Jo & Neville Carnegie's Brixton-based Dove Records, the wonderful 'Flying' returns on 12" and has been cut from the original master tape so could not sound better. Jo wrote the track while imagining the world from above and in an attempt to escape the tensions of war and political unrest. Amid Britain's lovers rock explosion, the song offered a breath of fresh air and truth be told, with so much raw still raging across the world, it still does. "Back in the day, sound systems would string up giant speakers, and that's when the dances were the best," Jo once recalled. This tune revives the spirit of an era when music provided solace and freedom and will help you soar high above the negativity of the times.
Joseph Cotton & Earl Heptones - "Misty Morning" (4:00)
Room In The Sky All Stars - "Smoking Horn" (feat Eddie "Tan Tan" Thornton) (4:21)
Review: The latest from the Joe Gibbs label features a powerful roots rockers reinterpretation of The Sensations' classic rocksteady tune 'Everyday Is Like a Holiday.' The new version from Ruddy Thomas brings a different kind of energy while honouring the soulful essence of the original. It's packed with plenty of mad mixing desk effects and endless echo while warm vocals and deep basslines lock in a steady, hypnotic rhythm. On the B-side, Joe Gibbs & The Professionals deliver 'Holiday Style' which has happy horns and melodies that sparkle in the hot summer sun. Real roots authenticity and dub mastery make this another vital 7".
Review: DJ Python burst onto the scene with an all new type of go-slow, dubbed-out take on reggaeton that mesmerised dancers all over the world. He has since evolved his sound into all sorts of different niches and for this outing on XL the US innovator looks to ambient and downtempo worlds. 'Marry Me Maia' is a soundtrack to a middle-of-the-night meditation, gazing up at the stars, 'Dai Buki' has spoken word musings adding depth and 'Coquine' has a little more tension in the synergic sounds, pop, crackle and fizzes with pepper the cavernous dub rhythm. 'Besos Robados' and 'Elio's Lived Behind My House Forever' bring more propulsive rhythms but are still defined by the deftness of their sound designs.
Review: 21st Century steppers Dub Pistols present their nextmost radical step forward, in the form of a biohazardous 7" re-rubbing 'I Predict A Riot' by English indie rock Kaiser Chiefs. With the dub foursome alleging that they used to play the song during soundchecks "for a bit of fun", the group have now come together, finally, for a shocking dub rendition after it especially popped off pre-show at the Mucky Weekender festival. The gang also welcome neo-dub producer Nick Manasseh for a wickedly weighty version on the B.
What You Won't Do For Love (Mato Mellow Reggae mix) (4:03)
What You Won't Do For Love (Mato dub version) (4:03)
Review: Thomas Blanchot has been casting a spell with his sun-soaked reggae renditions as Mato for a long time now. He's back on his regular stomping ground of Stix with a beautiful version of Roy Ayers' evergreen 'What You Won't Do For Love', with Ethel Lindsey taking on the role as singer to complement Blanchot's sweet and easy riddim. It's a tune primed to greet the warmer weather, staying faithful to the original while giving it a fresh spin. As well as the full vocal version on the A-side, we know full well you're going to love flipping it over for the consummate dub version on the B-side.
Review: Coyote drop a special 7 inch single. Inspired by recent events over the last 2 years and their continuing love affair with all things dub and reggae sound system.related. They have been playing lots of this type of stuff at their monthly night at The Bodega in Notts. Apparently causing some heat at recent ALFOS parties too. Bubble Up!
Review: The Mysticisms label welcomes Coral D aka Duncan Stump for a debut outing here that marks the first new music to be part of the ongoing and most excellent Dubplate series. This artist has a long history of crafting "deep dub electronic swing" in his roles in Mock & Toof, FX Mchm and his 6000 Degrees project. This one finds him bringing some dub reggae influences as 'Dissolves' is built on a chugging rhythm with smeared chords. 'DR 55' is then a masterfully laidback digi-dub groove that warps space and time and so leaves you utterly hypnotised.
Review: For those familiar with manchester sax player Birchall's previous forays into dub, this album offers a deep dive into the analogue 70s Jamaican dubbing techniques that have defined the genre, paying homage to the trailblazers like King Tubby and Errol Thompson. The source material is heavily percussive, resulting in a collection of dynamic, dubby drum workouts that seamlessly blend live drumming in the Count Ossie style with drum machines that recall Lee Perry's experimental approach. A highly anticipated dub companion to Nat Birchall's acclaimed Dimension of the Drums LP, this continues in a similar spirit of the previous. Drawing inspiration from classic dub albums like Keith Hudson's Pick A Dub and Winston Edwards' King Tubby Meets The Upsetter at the Grass Roots of Dub, Birchall reimagines the tracks with roots dub precision, incorporating fresh horn lines and hand drums to enhance the album's authentic, organic vibe. The LP includes two distinct mixes of a new rhythm track that wasn't part of the original album, adding an extra layer of excitement for listeners. Birchall once again handles all aspects of the albumiplaying instruments, recording, mixing and masteringiensuring a deeply personal touch in every track. All in total, eight tracks of instrumental dub bliss that transport you back to the golden era of reggae's most inventive sound.
Review: Andy Rantzen is an academic psychologist and former University of Sydney lecturer who has been a fixture in Sydney's underground music scene since his early work with Pelican Daughters when he was producing industrial-ambient soundscapes and experimental tape recordings. Recently, his music has gained renewed attention through labels like Kashual Plastik and Efficient Space. Now he joins Paesaggi Records for a special Halloween release on 7". This unique two-tracker includes custom screen-printed cover art by Fieldink Studio, while Rantzen's continued impact on experimental and ambient music shines through in the sounds.
Review: Stockholm-based multi-instrumentalist and composer Art Longo impresses here with Echowah Island, a new album sure to wind its way into your affections. It was crafted over years in his home studio and is "psychotropical pop" drawing deep inspiration from late 80s music and dub. The album's lush soundscape evokes orange sunsets and ocean breezes and is layered with spring reverb, space echo and wah-wah effects that smooth out the edges as the steady pulse of vintage drum machines moves things on down low. A standout feature is Claudio Jonas, whose ethereal vocals recall classic French femme fatale singers of the 60s. Her poetic, kaleidoscopic lyrics add to a nostalgic dream world that gently bends reality and makes his both escapist and thought-provoking.
Review: Jamaican rhythm section legends Sly & Robbie have an unparalleled ability to craft immersive dub soundscapes. This timeless duo of delights on Tabou shows that once more. 'Ogun Dub' kicks off with deep, resonant basslines and intricate drum patterns and is designed to pay homage to the Yoruba deity Ogun, is blends mystic and spiritual themes with hypnotic grooves. Layers of reverb, echo, and stripped-down instrumentation ankle add to the trip while 'Rise Of Shango' on the flip is another journey deep into the heart of dub that is utterly cathartic.
Review: Dr. Afrodub by Ghanaian artist Ekowmania, aka Ekow Alabi Savage, is a standout in Afro-centric dub concoctions. He is a drummer, percussionist and singer with over two decades of experience alongside Jimi Tenor & Kabukabu and here he explores classic roots reggae, Afrobeat and dub along with some more modernist African rhythms. The whole record was produced by the great Jimi Tenor and started after a tribute song to Kwame Nkrumah which was recorded at guitarist Lauri Kallio's studio in Finland. The nine tracks bring great intensity of rhythm and include standout songs like 'Twerk Your Mind,' 'Dub Souljah,' and 'Me Know' while also featuring a remix from the one and only DJ Sotofett.
Review: A slept-on roots gem from the mid-70s gets a timely reissue, perfect for warming up those cold winter days. Originally produced by Hector Wright at Lee "Scratch" Perry's legendary Black Ark Studios, this timeless piece showcases the vocal harmonies of The Blue Bells. A-side 'Come Along' features a captivating blend of soulful vocals and uplifting melodies, while the flipside offers a dubwise reimagining, stripping back the arrangement to reveal its hypnotic depths. Originally released in 1976, this repress makes a rare gem accessible once more.
Queen Omega, Chezidek & U-Brown - "Three The Hard Way" (4:13)
Lone Ark - "Inity Riddim" (4:11)
Review: Next up for the Irie Ites label, which is a real favourite for reggae heads, is this dynamic collaboration featuring Queen Omega, Chezidek and U Brown with production by Irie Ites. This original A-side track 'Three The Hard Way' brings together powerful reggae and dancehall vibes while blending each artist's unique style into a compelling anthem. Queen Omega's soulful voice, Chezidek's conscious lyrics, and U Brown's classic dancehall delivery create great synergy and the production means the track pulses with heavy rhythms. The flipside is Lone Ark's dubbed-out and nicely horizontal 'Inity Riddim.'
Review: DJ TRON's latest release offers a vibrant fusion of funk, hip-hop and dub influences. The A-side, 'Jamaican Champ,' delivers a dancefloor-ready groove with expertly crafted sampling that maintains high energy throughout. The B-side, 'Spice Girl,' features a fantastic horn section and an irresistible rhythm, making it a strong party anthem that captures the essence of classic ska while adding a fresh twist. This 7" is a must for fans of reggae classics and ska, offering a perfect blend of nostalgic vibes and contemporary flair.
Review: The always excellently go slow and tropical sounds of Big Crown now look to Bacao Rhythm and Steel Band for covers of two classics. Up first is Grace Jones' nightclub classic "My Jamaican Guy" while on the flip is Erykah Badu's tribute to the legendary J Dilla, "The Healer". Both retain the essence of the original but come with loose hand claps, shimmering steel drums that bring coastal breezes, sand and sun into the equation and leave you laying horizontal. These are fine interpretations of top notch source material.
Review: Om Unit's Acid Dub Studies album, an inspired fusion of outer-space ambient sounds, deeply psychedelic TB-303 tweakery and outer-space digi-dub riddims, was for our money one of the standout electronic albums of 2021. This surprise sequel more than lives up to the high bar set by its predecessor, with the Bristol-based producer subtly expanding the project's boundaries (see the borderline Balearic brilliance of 'Camo') while delivering more fusions of ambient techno, acid and digi-dub. Highlights are plentiful, with our picks including the slow-motion strut of 'Strange Brew', the intergalactic squelch of 'Pursuit', the warming loveliness of 'To The River' and the borderline tropical melodiousness of 'Liberation'.
Review: Disco Dub Band's "For The Love of Money", a one-off collaboration between producer Davitt Sigerson and reggae musician Mike Dorane, has long been considered something of a classic by those who like their disco to come with a big dose of dub-wise flavour. Here the instrumental O'Jays cover, which originally appeared on the Movers label in 1976, is given the remix treatment by long-time fans Mr Bongo. The superb A-side, in which Dorane's instrumental talents take centre stage, naturally comes accompanied by the frequently played Dub interpretation, a typically wild and bass-heavy affair that sounds like it was mixed "live" in one take in true Lee Perry/King Tubby style. If it's not already in your collection, it should be.
Review: Froid Dub's new album Deep Blue Bass on French label Delodio is as deep as the Mariana Trench. The bubbling bass and gurgling synth lines bring a new aesthetic to digi-dub that places you at the centre of the cavernous and aqueous sound worlds. Mystic synth leads take the mind away up top as those bottom ends rumble on in an atmospheric fashion. Tunes are subtle marbled with acid lines and echoes, digi-dub bleeps and icy hi-hats that all help oil the rhythms and accent the basslines. A superb work.
Ancient Atoll (feat Reinhilde Gamper, Martin Mallaun & Flip Philipp)
Latemar (feat Reinhilde Gamper & Martin Mallaun - bonus tracks)
Brennerautobahn (feat Taka Noda)
Echoes (part I)
Echoes (part II)
Tranist Tribe (feat Didi Kern)
Latemar (reprise)
Review: Ulrich Troyer's Transit Tribe is a stunning nine-track ambient dub album that showcases his two-decade-long journey through diverse soundscapes. The album elegantly blends avant-garde, techno and field recordings, all underpinned by the warm, atmospheric aesthetics of futurist dub. Featuring a stellar lineup of collaborators from around the globe, including Mamadou Diabate, Reinhilde Gamper and British poet Roger Robinson, the album infuses a rich tapestry of soundsiranging from electric sax and zither to cello and flute. Each track is an exploration of rhythm and texture, with organic drums and deep basslines creating a fluid listening experience that transports the listener. Troyer'S ability to manipulate sound, crafting immersive layers of delay, reverb and echo that invite listeners to lose themselves in the music. From the melodic bounce of 'Latzfonser Kreuz' to the emotive vibes of 'Lago di Garda', Transit Tribe stands as a testament to Troyer's artistry and the collaborative spirit of modern music, evoking the essence of African Head Charge and other pioneering dub influences.
Review: Lempuyang's third offering is an outstanding split release between Steve O'Sullivan & Hydergine, label bosses for Mosaic/Bluetrain & Ranges. In 'Binary Riddim' Steve delivers a two-part dub track spanning >13 minutes, seriously heavy in the low end; melancholy strings in the first half, progressing to outright menacing chord stabs in the latter. A versatile track offering something for both warm-up and the dancefloor. Complimenting on the flip are 'Mystic Light' and 'Lunar Eclipse' from Hydergine. Deep, dubby atmospherics meander over a weighty 909 kick on B1. Subtle minimalism a la Terrence Dixon, pitched down on B2. Essential release!
Review: There are seemingly no limits to the music Emotional Rescue will put out. This time they look back to the post punk scene of Bristol in the early 80s. Mouth was a short-lived outfit that put out just a couple of releases, but each one blazed a trail though leftfield percussive sounds, wave, weird jazz and electronics. Andy Guy and Rob Merrill were the main members with the likes of Nellie Hooper also in the band's orbit. This record is packed with tribal drumming and floating horns, broken dubs and avant-jazz but all with a proudly DIY attitude. It's packed with heady moments and wild steppers that havent aged a bit and still sound future.
Review: The brilliant Room In The Sky All Stars presents a heavyweight roots reggae slab here with some serious steppers from guests Joseph Cotton, Laylah Arruda, Ashanti Selah and Rivah Jordan. This essential 12" includes two new tracks, each with four mixes that take the original into all new sonic realms. Rico from the renowned OBF Sound System and Dubquake Records does a fine job with his versions which spin out 'ever bless' into worlds of reverb and lyrical worship. 'Mother Nature' is another impassioned sound with swirling Latin vocals and florid melodies.
Review: Ajit & Kate's mutations continue! Having hit us hard, deep and powerfully over the years - especially on their incredible Grassroots album a few years back - the longstanding Belgium-based couple go back to the very roots and essence of soundsystem culture: dub. Fusing aesthetics of the longstanding sound and drawing on its eternal influence that has always been there in every Untouchables record, each track highlights a different characteristic of dub. 'Onward Forward' flexes that infectious halftime swagger and groove, 'Living In Sacrifice' celebrates the more meditative, time-transcending elements of dub, 'Dubbing Siren' is all about that hypnotic immersion while 'Dread Box' is pure dub. A beautiful homage; this sounds exactly as you'd want a new Untouchables record to sound and adds a whole new twist. High recommended.
Review: This third volume of instrumentals continues the faultless Isle of Jura label's deep dive into dub versions and beyond. Side one takes in references from UK street soul and reggae and features two late-'80s tracks by Howard Hill with machine-led rhythms, rudeboy reggae skank and soulful pads. Protek's 'I Love to Dance With You' is a proto-house gem featured in a Jura Soundsystem mix and here it gets a loving re-edit by The Nightlark. Side B includes an instrumental-driven track with spacey FX from The Cool Notes' and Ilija Rudman's 'Dub 4 Love' which is a knowing nod to acid house's golden era.
Review: Initially released back in 2007 and now repressed for new audiences as well as enduring fans, Pitch Black's fourth album was possibly their best yet. Rude Mechanicals blends dance music and electronica with their signature mix of echoes, delays and deep basslines to brilliantly alluring effect. Kicking off with the lush 'South of the Line,' it progresses into tracks like the dub-heavy '1000 Mile Drift' and the high-energy 'Sonic Colonic.' 'Bird Soul' nods to Salmonella Dub's influence while 'Harmonia' delivers exquisite electronica. The title track features rapper KP addressing environmental destruction and things close with 'Please Leave Quietly'. Complex rhythms, warm bass and haunting melodies with sharp social commentary all make this a genre-busting bit of work.
Review: Jennifer Lara delivered a rather oblique reggae record in the form of 'We Can Make It Work' in 1980 for Uptempo Records, who've today repressed and redelivered it to fresh ears. The Studio One maverick was a mammoth 7" releaser, but few of her records fell happily afoul of the flukily muted vocals heard on this one, which sound to serve Lara's voice in the manner of a wooing, gothic castle-haunting ghost. The subject matter of resuscitating a lost romantic cause helps in this regard: with offbeat bass bubbles and pitch-warped chords, the whole track feels haunted but still jocular, as if the singer-subject remains fixated on something largely dead, but still, on the off chance, revivable.
Lee Scratch Perry - "I Am A Madman" (12" mix) (6:02)
Lee Scratch Perry & Mad Professor - "Madman Dubwise" (6:25)
Review: This limited edition release from the Trojan Records vaults is a true gem for collectors. Featuring Lee 'Scratch' Perry with Mad Professor on the mix, it brings the monumental Madman Dubwise on the B-sideian 80s dub classic that's hard to find. The original Trojan label reproduction adds even more to the allure, making this pressing a must-have for reggae and dub fans. I Am A Madman on the A-side is a perfect showcase of Perry's genius, while the dub version on the flip cements this as a top-tier collector's item.
Review: Producer, selector and mixing engineer Kai Dub heads up Dub Forward and formerly was in Maasai Warrior but is now busy co-running Concrete Lion Soundsystem with Dubtronics. He is back on his own label with some more devastating dub here, first in collab with Galas on 'Rasta Come From Zion' then in solo mode on 'Dub To Zion' which has earth-shattering kicks and reverb-heavy low ends. Kai Dub Meets Aba Arigina' on 'Majestic' which is a warrior anthem with a zippy melodic lead and a final dub closes out a meaty package on nice yellow wax.
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