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Cat: 253118 6. Rel: 23 Apr 25
Rock
Review: While not one of David Bowie's best-known achievements, masterminding the world's biggest-ever 'non-TV' satellite broadcast is undoubtedly an impressive one. It took place at London's Riverside Studios in 2003, with the Thin White Duke - accompanied by his regular backing band - performing then new album Reality in its entirety, live to 86 cinemas in 26 countries. This Record Store Day release presents the concert in its entirety (the encore was not broadcast at the time), delivering a superb document of a unique event. Of course, Bowie was in fine form, with the immersive sound mix by regular collaborator Tony Visconti capturing the legendary artist at the peak of his powers.
… Read morePlayed by: Juno Recommends Rock/Indie
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Announcements & Tuneups (9th National Jazz & Blues Festival, Plumpton Racecourse, Plumpton, Sussex, England 8th August 1969 - Audience Recording)
Interstellar Overdrive (Afan Lido Sports Centre, Port Talbot, Wales 6th December 1969 - Audeince Recording)
Review: A treat for Pink Floyd fans, as recordings of two legendary concerts from 1969 - sneakily captured by members of the audience - are bundled together on one must-check CD. The first seven tracks showcase a portion of the legendary band's distinctively psychedelic performance at Plumpton Racecourse, Sussex (then host to the 'National Jazz and Blues Festival'), offering up twisted, elongated takes on early material (including 'Set The Controls for the Heart of the Sun' and a fine medley known as 'The Journey'. The final four tracks were recorded in Port Talbot and include breathtakingly brilliant, jammed-out interpretations of 'Careful With That Axe Eugene' and the pinnacle of psychedelic-era Floyd, 'Interstellar Overdrive'.
… Read morePlayed by: Juno Recommends Rock/Indie
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Review: A nostalgia-packed journey through one of pop music's most exciting years, featuring an impressive lineup of extended and remixed tracks from the decade's biggest stars. This four disc collection brings together a mix of chart-topping anthems, cult classics and dancefloor staples, each in its extended 12" glory. Things start with Wham!'s infectious 'Freedom' (long mix) and keeps the energy high with Culture Club's politically charged 'The War Song' (Ultimate dance mix). New Order's 'Thieves Like Us' and Philip Oakey & Giorgio Moroder's 'Together In Electric Dreams' add a synth-laden sheen, while Eurythmics' haunting 'Sexcrime (Nineteen Eighty-Four)' is a bold statement piece. As the tracklist moves on, iconic tracks like Frankie Goes To Hollywood's 'Relax' (New York mix) and Duran Duran's 'The Reflex' (dance mix) capture the decade's indulgent soundscape. Meanwhile, softer gems like Talk Talk's 'It's My Life' (extended mix) and Echo & The Bunnymen's 'Silver (Tidal Wave)' provide balance. Closing with Paul McCartney's heartfelt 'No More Lonely Nights' (extended) and the ever-catchy 'Somebody's Watching Me' by Rockwell, this compilation offers a comprehensive snapshot of 1984's pop brilliance. Having these extended versions together in one set is more than a greatest hits package - it's like having all the maxi singles together like an experienced DJ ready to rock a party.
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Review: Hadley Roe is a UK-based artist whose debut album on peerless ambient label Past Inside The Present adds up to a healing sonic journey crafted with electric guitar, synths and software trickery. Themes are drawn from Roe's personal struggles with mental health, trauma and isolation so make for sounds that blend melancholy, bliss and moments of calm and comfort. Take the serene 'The First Day' or the evolving 'No One Ever Touched Me Before You' - both are hugely emotive and absorbing for the way they patiently unfurl. Roe's ability to express herself through intuitive, wordless music is truly standout.
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Review: It has been some five-plus years since the last full Bon Iver album but the wait has been well worth it. This one follows the introspective SABLE, a sparse, vulnerable EP born from isolation and inner turmoil. Where that was shadow, this is light-a lush, radiant celebration of love, connection and emotional rebirth. Written at April Base in Wisconsin with collaborators like Jim-E Stack and Danielle Haim, the album leans into clarity and intimacy and gets rid of the signature dense abstraction for more honest and heartfelt pop. The vocals are delivered with openness and purpose as they explore desire, hope and devotion. While still acknowledging lingering shadows, this full-length is a story of growth that isn't about fairytale endings, but about the lessons love teaches.
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Review: Paul Weller is perhaps one of the best non-soul musicians to ask to compile a rare soul compilation. Rather than documenting soul music as it proliferated in the 1960s, Ace Records' soul aim was to capture a genre, fashion and style as one man saw it in retrospect, in light of his involvement in the mod revival of the mid 1970s. Weller would later go onto form and front The Jam, but in late 1974, shortly before his involvement in the punk movement, he was about none of that business at all. Punk partly grew on febrile tissues of mod, which was in turn an offshoot of 60s soul; and it is true that we may hear a foetal form of the sound in the brasher cuts on this record, be it Billy Stewart's 'Summertime' or James Carr's 'Pouring Water'. Also clock Brother To Brother's 'In The Bottle', a super-early drum machine blues gem perfect for the house heads.
… Read morePlayed by: Craig Charles Funk And Soul, Pete Haigh
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Cat: RT 0542CD. Rel: 18 Apr 25
Post Rock/Experimental
That's The Very Reason (CD2: Open vocal Phrases, Where songs Come In & Out - Recorded live At El December 20, 1985)
Tower Of Meaning/Rabbit's Ear/Home Away From Home
Happy Ending
All-Boy All-Girl/Tiger Stripes/You Can't Hold Me Down
Introductions
Hiding Your Present From You/School Bell
Too Early To Tell
Review: These archival recordings of two extraordinary live performances takes you back to when New York City was a bohemian magnet, with low rent and spaces where artists could thrive. Recorded in Downtown in December 1985 and June 1984, the late, great Arthur Russell is captured performing at an intimate loft space known as Experimental Intermedia Foundation, which was run by Phil Niblock. Since the recordings are unedited, it does a really great job of simulating the experience and so if you close your eyes, it's easy to imagine Russell in the room right there in front of you. Of the numbers played, Russell's gifted avant-garde approach to cello is brilliantly done on 'Too Early To Tell'. And the spine-tingling, raw and deeply emotional 'That's The Very Reason' is arthouse folk at its finest. It epitomises the raw, spell-binding talent that Russell had to captivate a room. Hats off to those who have immortalized these very special shows.
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Dennis BOVELL / VARIOUS
Different: The Singles Collection 1977-1981 (unmixed 2xCD)
Cat: DB2CD 155. Rel: 13 Mar 25
Roots/Lovers Rock
Review: This 2xCD set celebrates Dennis Bovell's exceptional talent during the golden years of reggae, from 1977 to 1981, a time when he was also playing a pivotal role linking punk and post-punk to reggae via collaborating with Orange Juice and producing key records such as The Slits' debut Cut. Featuring a mix of major hits and rare tracks, this collection highlights his brilliance as a producer, arranger and pioneer of roots, dub and lovers rock. Not only was he one of the first to blend disco with reggae but he was also important for fusing the disco standard 12" and using for Lovers Rock artists. His use of the format to create dynamic dub edits is a standout element, cementing his legacy in reggae production. Disc 1 includes Errol Dunkley's title track, Marie Pierre's soulful gems and Janet Kay's classic 'Silly Games', which brought lovers rock to mainstream audiences. Tracks like Errol Campbell's 'African Queen', Angelique's 'Cry' and Africa Stone's 'Choose Me' capture the era's emotional depth and Bovell's masterful touch. Disc 2 delves into 12" extended mixes, showing Bovell's innovative fusion of reggae and disco. A lifetime of great music within just two discs.
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Review: Pharoah Sanders' Izipho Zam (My Gifts) was first recorded in 1969 but wasn't released until 1973; a monumental yet, despite the name, little-received jazz work, we can still hear the legendary jazz-musical theocrat push the boat ever further out psychically and sonically here. Produced by Stanley Cowell and Charles Tolliver's Strata-East label, the album was recorded at Town Sound Studios, two years after Sanders' mentor John Coltrane's death. Coltrane's passing marked a significant turning point for Sanders, who saw in the saxophonist the unopened buds of a spiritual path for music, expressible in jazz. The Zulu phrase used in the title is regularly heard in Mozambique, Eswatini and Zimbabwe, reflecting the cultural emphasising of gifting in East Africa.
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Review: There's a good reason that the Viagra Boys' latest album is self-titled. Unlike their previous album, 2022's satirical, politically-charged Cave World, the Swedish post-punkers' latest set is lyrically far more introspective, with frontman Sebastian Murphy offering (in the band's own words), a "self-deprecating exploration of his own absurdity" (or, in the case of opener 'Made of Meat', "your mom's Only Fans"). Musically sitting between energetic, horn-heavy early 80s post-punk and grunge-fired US alt-rock - with occasional nods to more tropical and melody-driven flavours - the album is heaps of fun with strong songs aplenty, not least the jaunty 'Pyramid of Health', the low-slung, synth-sporting 'Waterboy' and the surprisingly pastoral 'River King'.
… Read morePlayed by: Juno Recommends Rock/Indie
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Review: Kali Malone's The Sacrificial Code stands tall, meditating on the perception of time through the pipe organ. Originally released in 2019, the album was shaped by Malone's engagement with tuning systems, electroacoustic composition, and Sweden's experimental music scene. Following her apprenticeship with organ tuner Jan Borjeson, she embraced historical temperaments and archaic compositional forms, stripping them down to their starkest essence. Now reissued by Ideologic Organ, this 2025 edition features a newly recorded 'Sacrificial Code III,' captured on the 16th-century meantone organ at Malmo Konstmuseum. Malone's meticulous recording process, from close-micing techniques to the spatial placement of sound, enhances the organ's physical presence, creating an immersive, time-dilating effect. Each chord resounds with the breath of the instrument, as the record's restrained grandeur invites listeners into an amorphous, time-bending experience.
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Review: Soul legend Isaac Hayes' enduring legacy as a soul visionary echoes through this second volume of his singles, which picks up from where the first left off. The collection spans 1972 to 1976, a time when Hayes transitioned from Stax to his own Hot Buttered Soul label. Tracks like 'Hung Up On My Baby' and the relentlessly funky 'Chocolate Chip' showcase his blend of lush orchestration with raw, gritty grooves, a style deeply rooted in the soul-rich streets of Memphis, where Hayes' early musical foundations were laid. As he moved away from Stax's structure, Hayes embraced a new sense of creative freedom, merging cinematic soul with the emerging sounds of disco, perfectly captured in 'Disco Connection'. The production, unpolished and alive, channels the intensity of Hayes' sound from the early 70s, pushing boundaries while remaining deeply personal. This release is a reflection of the man's profound influence on soul music, one that continues to reverberate through generations.
… Read morePlayed by: Juno Recommends Soul
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Cat: QCD2BRED 921. Rel: 17 Apr 25
Balearic/Downtempo
Review: The recent, untimely death of David Lynch from emphysema possibly inspired this new Cherry Red compilation, mapping the career of the equally late musician Julee Cruise, who died in 2022. This new 2xCD set compiles the first phase of the unique and enigmatic chanteuse's recording career, which really begun not long after the infamous Twin Peaks songster penned the theme tune 'Falling', which finally put dream pop on the map after many years of general incubation. Of course, said Angelo Badalamenti benchmark production features centrally, but many more rapid-eyed reveries - such as 'This Is Our Night', 'Floating', 'Into The Night' and 'Summer Kisses, Winter Tears' - also document the washout pop passions of Cruise outside of the Lynchian paradigm, with Wim Wenders soundtrack cuts to original lounge-classical dirges all following in tow. Stylishly presented, and complete with an insightful sleevenote essay, 'Fall_Float_Love' demands a long overdue rediscovery
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Review: A poignant and triumphant new chapter for the legendary Brum techno icons, hot on the heels of the reissue of their seminal 2010 album Feed Forward and a year of live shows and archival releases. Its creation is rooted in the tragic passing of Juan Mendez, aka Silent Servant, in early 2024. A founding member and visual artist for the group, Mendez's influence resonates throughout the record, with the title End Beginnings serving as a tribute to his enduring legacy. The eight-track album, crafted by Regis and Function alongside collaborators like Rrose, Rivet, Simon Shreeve and Sarah Wreath, embodies a balance of cinematic depth and dancefloor impact. Tracks like 'Dreaming' weave layered rhythms with atmospheric melodies and elastic vocals, while organic elements peek through Sandwell's signature grit. Rrose's contribution to 'Self-Initiate' amplifies this intensity, with low sirens and urgent percussion creating a bubbling, hypnotic effect. 'Hidden,' is a warehouse anthem, drenched in acid-drenched lines and crisp, menacing percussion. Its dark energy and meticulously fine-tuned production signal the collective's evolved direction while honoring the spirit of innovation and rebellion central to their ethos. End Beginnings is more than an album; it's a moving tribute to Mendez and a new start to Sandwell District's enduring commitment to techno as both an art form and a source of joy.
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Phantoms & Monsters
A Witch & A Devil
Truth Is For Losers
Schmutzig
My Friend The Monster
The Madness Of The Summer
Morn
Noon
Night
Break
Flight
Dark
Moon
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Cat: LFMCD 710. Rel: 14 Apr 25
Rock
in stock $13.09
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VARIOUS
Cat: CDTOP 1659. Rel: 25 Apr 25
Folk/Americana
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Cat: WKM 2CD078. Rel: 14 Apr 25
Rock
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Review: One of the most important bands to come out of the punk era, Blondie changed pop music forever and this live performance at the Paradise Ballroom in Boston on May 27, 1978, sees the band just before mainstream success hit. Broadcast live on WBCN-FM, the show highlights their raw energy and the tight synergy between the band members. Debbie Harry, with her unique blend of punk swagger and glam allure, commands the stage as Blondie delivers a high-energy set that mixes their punk roots with emerging new wave influences. Songs like 'X Offender', 'Denis' and 'Rip Her to Shreds' are packed with punchy rhythms and catchy hooks, while deeper tracks like 'Youth Nabbed As Sniper' and 'Man Overboard' hint at the band's growing sonic complexity. This live recording not only demonstrates Blondie's ability to command a crowd but also marks the beginning of their ascent to global stardom with Parallel Lines. A perfect snapshot of Blondie during a transformative period with an energetic performance, when their influence on the evolution of punk and new wave music was just beginning.
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Review: In the seven years that have passed since the release of his last solo album, DJ Koze has become one of electronic music's most celebrated and sought-after producers. For that reason, the release of Music Can Hear Us is a genuinely big deal - as the impressive roll call of guest vocalists and collaborators (Damon Albarn, Sophia Kennedy, Ada, Notwist and Marley Waters included) attests. Typically, alongside a handful of genuine dancefloor workouts in his skewed deep house style ('Buschcutter', 'Bush Taxi'), Koze serves up far more fine material that is less easy to categorize - think Indian-influenced downtempo exotica ('The Universe In a Nutshell'), off-kilter outsider electronica ('The Talented Mr Tripley'), jangly psych-Balearic excursions ('Arunda') and heady ambient soundscapes ('A Donde Vas?'). Spots in end of year 'best of' lists await.
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Review: Saint Etienne's latest release envelops listeners in a serene, ambient soundscape that gently guides the mind into a state of calm. The track 'Half Light' exemplifies this approach, with its ethereal melodies and soothing rhythms creating a tranquil atmosphere and the album - the their 11th since 1991's debut Fox Base Alpha - continues this theme, offering a cohesive journey through layered tranquillity. A testament to the band's ability to craft immersive experiences that resonate deeply with the listener.
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Review: This is ex-Teardrop Explodes frontman and cult hero Julian Cope's third record in as many years - he's operating at the speed that a lot of 60s/70s psychedelia artists that he was inspired by were and, in turn, making everyone else look a bit lazy. As a songwriter his satirical and absurdist sense of humour shines through; he makes you laugh as often as he makes you want to tap your foot and sing-a-long. And the uniqueness of his personality shines through with countless witty lines. A case in point is the brilliant "They ruined my Subbuteo and made their escape / Four Jehovah's in a Volvo estate", which is talk/sung over a motorik beat replete with mind-bending mellotron. Elsewhere, the bedroom-glam rock album opener 'Too Freud To Rock'n'Roll/Too Jung To Die' is a brilliant takedown of someone who's seemingly wound him up on the internet. With tunes this good, long may the rebirth of Cope continue.
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Review: Journey Through Life witnesses Afrobeat pioneer, pallbearer and powerhouse Femi Kuti's very latest transformation in sound, as we witness the artist turn vividly, self-reflectively inward. The LP proposes a rare self-produced window into Femi's personal evolution, spanning childhood memories to fatherhood and, of course, the unshakable presence of family. As he puts it: "At the end of the day for me family is all that matters. The essence is to manage such events and let love prevail." Long celebrated for his uncompromising political voice, Femi leans evermore into an already evident vulnerability, revisiting earlier material through several, pylonic stylistic anchors: his signature horn-laced grooves, not to mention themes of personal legacy and posterity.
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Cat: 6226 5. Rel: 13 Mar 25
Psych/Garage Rock
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Review: Doechii drops a vivid, genre-blurring mixtape, riffing on her Floridian roots and personal battles, relaying them over an arresting artistic statement. Raised in Tampa, she first gained attention with the viral hit 'Yucky Blucky Fruitcake' before signing with Top Dawg Entertainment in 2022. The mixtape's title and cover, with Doechii holding an albino alligator, nod to her "Swamp Princess" nickname and symbolize resilience" as she explained, "This mixtape is my riposte. I am no one's prey; I was born to be the predator." Doechii confronts industry pressures, sobriety, and self-worth with sharp lyricism and stylistic versatility, over standouts like 'Denial Is A River' and 'Boom Bap'.
… Read morePlayed by: Juno Records Staff Picks
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Cat: LVIC2CD 4013. Rel: 17 Apr 25
Rock
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VARIOUS
NOW That's What I Call Jukebox Classics: True Love Ways (unmixed 4xCD)
Cat: CDNNNOW 156. Rel: 10 Apr 25
Pop
in stock $13.93
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in stock $13.35
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Who's To Blame (CD3: Jimmy Page - Westwood One Superstar Series FM Broadcast Public Auditorium Cleveland Ohio 19th October 1988)
Tales Of Bron (CD4: Page & Plant - Westwood One 1995 part I FM Broadcast San Jose Arena San Jose CA 20th May 1995)
Introduction (CD 5: Page & Plant - Westwood One 1995 part II FM Broadcast San Jose Arena San Jose CA 20th May 1995)
Kashmir (The Black Crowes featuring Jimmy Page - Westwood 1 FM Broadcast Star Lake Amphitheater Pittsburg PA 28th June 2000)
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VARIOUS
Feel Good All Over: The Sunshot Singles 1972-1973 (unmixed 2xCD)
Cat: DB 2CD160. Rel: 10 Apr 25
Classics/Ska
Review: .This essential album from Doctor Bird highlights the great Phil Pratt's remarkable work during a pivotal era in Jamaican music. Feel Good All Over: The Sunshot Singles 1972-1973 digs into his work during that golden time and turns out both many well-known hits and some rarer gems, a total of 30 of which appear on CD for the first time. This collection captures the energy of a time when Pratt, alongside a new wave of equally bold and ambitious producers, pushed against the established norms of the island's music scene and brought in new influences. The result is a treasure trove of some of the finest and most influential reggae recordings from the pre-roots period including deep-cut gems like Delroy Wilson's aching 'Heart Made Of Stone', the romantic harmonies of The Soul Syndicate and swagger of 'Phil Pratt Thing'.
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Cat: 12K 1103. Rel: 15 Apr 25
Ambient/Drone
Review: Ezekiel Honig is a New York City-based artist who founded two vital labels, Anticipate Recordings and Microcosm, and now he is back with a new album on 12K. Unmapping The Distance Keeps Getting Closer is a tender and honest work of art that wears its heart on its sleeve with piano, horns and broken rhythms all characterising the palette. Field recordings are also worked into the arrangements to add a real narrative and to really evoke a sense of place. Add in plenty of textural and tactile motives and you have a journeying album full of melancholy but also a sense of hope.
… Read morePlayed by: Juno Recommends Ambient/Drone
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Cat: 194398 43152. Rel: 14 May 21
Soundtracks
in stock $11.13
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Review: Wherever You Are is the sonic result, expressed through solo piano, of a bright burst of introspection experienced at home by John Foxx of Ultravox fame. Made up of compositions he created in the quiet hours following a rare performance at Kings Place, London, during the BBC Radio 3 Night Tracks event in October 2023, the majority of Wherever You Are was recorded at home, with Foxx noting that the matutinal hours are the best for minimising self-criticism, and letting creative freedom flow. Morning, on Foxx's watch, is the ideal time to play: and in stark contrast to his oblique solo LP Metamatic, Foxx's latest is a mono-instrumental monument to personal tranquility and contentment. It reiterates the importance of quietude and temperance as crucial start-points for navigating the complex world we face today.
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