Fabric レコード& CD

Review: Sama' Abdulhadi is a DJ who very proudly represents her Palestinian roots and is the first artist from her homeland to break out onto the international stage. She has a passion for sound design and has famously been arrested and jailed for eight days for desecrating a religious site when she played a set, with permission, at Nabi Musa. Her entry into the legendary fabric series is a doozy with emotive techno and cavernous deep house from the likes of Michael Klein, Carbon & Peter Groskreutz and Acid Arab as well as her own cut 'Well Fee' (feat Walaa Sbait).

Review: Shadowy techno talent Daniel Avery has been associated with playing killer sets at fabric for more than a decade now. He was entrusted with warm up duties at a very early stage in his career and now carries on his relationship with a second release via fabric Originals which is part of the iconic clubs's ongoing 25 year anniversary celebrations. Says the man himself about this new two-tracker, "as with every club record I ever make, [this one] has Room 1 coursing through its veins. I know that room like the back of my hand and this is how the room sounds in my skull."

Review: The fully mixed version of Confidence Man's debut Fabric mix record is here on CD. In contrast to the selectors' LP version - also sold by us - this full version is a seamless, singular slab of optical laser-read musical licence, espousing the central vibe-theme of Confidence Man's message: have confidence. Well, except for want of a receiving ear, we find ourselves tentatively able to confide in Confidence Man's Fabric mix ("better than therapy" joke happily dodged) as a substitution in the meantime; for it too shows us that real, authentic, and boundless confidence can, believably, indeed, be found in bouncy dance exclusives available on CD only. Among these are Patrick Prins' kitsch chipmunk banger 'Fiesta Conga' and Cygnus X's steezy-cheesy trance stutterer 'Positron'03'. With both many a throwback and a present promo in tow, Confidence Man dice up and dole out a small slice of their huge stash of their patented auricular confidence dust.

Review: Here is Confidence Man debut for Fabric's acclaimed Fabric Presents mix series, flaunting the lesser-heard DJing chops of this contemporary pop-dance duo. "Have confidence, man" is the central motto of the collaborative pair made up of Janet Planet and Sugar Bones, who first came up in Brisbane, Australia band found rapid acclaim for their easily assimilable blend of electro pop, dance and indie. Their debut mix for Fabric flexes an adroit ear for the vim-affirming ends of life, scouring the hidden depths of their well-threshed record crate of 90s rave and trance, with tunes by the likes of Joe Goddard, Jex Opolis, Wallace and Sweely all implying an innate, strutting, blue-steel-over-the-shoulder confidence, innate to all yet realised by few.

Review: The ongoing Fabric presents series looks to Nicola Cruz for this fresh new instalment. It is one that has a focus on artists from South America and as such is rich in stringy house minimalism, booty-shaking drum patterns and Latin flair. Nicola Cruz's own 'System Mass' is a particularly fresh fusion of electro rhythms and final techno sound designs over lurching bass, and the experimentalism continues through innovative techno cuts from Anderson, Machina and Baseck & Pilo. This is one of the freshest Fabric offerings in a while.

Review: In alignment with London clubbing institution Fabric's 25th year, the huge figural techno head Laurent Garnier joins on for the former's Fabric Presents mix series, which selects artists to record different stylistic kinds of DJ mixes - separate to the longtime, peaktime, and often drum & bass-oriented Fabriclive series. Among the shortlist of artists drawn up, Garnier's name stuck out like a sore thumb, not least since those who are inevitably chosen had to have risen to fame in roughly the same timeframe as the Farringdon nightclub did. Fabric make the following promise: Laurent's mix, released here in the form of a deluxe CD compendium, will not only pay homage to the club, but also showcase his own mastery of genres and the diversity of his genius. The release will drop physical-only as a deluxe vinyl collectable and on CD and it'll also feature a new original four-track EP from Laurent.

Review: Fabric Presents Laurent Garnier is a remarkable 4xCD compilation that captures the legendary French DJs unmatched knack for selecting the finest in deep techno and house. With over 35 years in the industry, Garnier's sets have become synonymous with dancefloor transcendence and this collection is no exception. Here, Garnier focuses exclusively on fresh releases, reflecting his continued pulse on contemporary techno. Notable tracks include Deon Cole's infectious 'Where The Freaks At', the haunting atmospheres of Culoe De Song's 'Aftermath' and Anane's bold reinterpretation of 'Walking On Thin Ice'. Each vinyl side flows seamlessly, packed with standout moments, from the vibrant collaboration 'Shella Verse' by Sammy Virji & Flowdan to Equiknoxx's dynamic 'Urban Snare Cypher'. While Laurent's sets are known for bridging the genre's past and present, this collection highlights only new music, showcasing Garnier's enduring influence and impeccable taste. Fabric Presents Laurent Garnier is an essential snapshot of the genre's current sound, proving that Laurent's curatorial skills remain as sharp and relevant as ever. This compilation is a must for anyone invested in quality techno and house music.

Review: French electronic icon Laurent Garnier returns with the FABRICLG4 EP to celebrate the 25th anniversary of London's legendary club. This release showcases Garnier's signature range and opens with 'Playing with the Low-End,' a fierce 2-step track that nods to the heritage of UK club sounds. The journey then shifts to techno with 'Resonances from the D' barrelling along with great force and then on the flip side, 'Odyssee Maison' features deep house grooves with Dan Diamond and last but not least 'On the Way Home' rounds out the experience with ambient sounds. This one comes with "augmented reality artwork" by Atelier 14 and is another doozy from the already untouchable Garnier.

Review: In the post-minimal years, and after the deep house revival, dark techno and electro became the most fertile ground for new producers. Hamburg-born Helena Hauff was one of those who brought through such sounds and she has since become a global tastemaker who has perfected the art of dark and hard-hitting soundscapes. She shows that off once more here with her selections for the mighty Fabric presents series. It is raw, fierce and rough yet seamlessly moves through breakbeat, electro and the still magical charms of Autechre's remix of D-Breeze's 'Crazy For Love' from 1999 which closes the mix in style.

Review: Heavyweight heroes Kode9 and Burial are no stranger to working together having done so to great success on FABRICLIVE 100 back in 2018. They don't actually collaborate on this one, though, instead serving up one side each of a new 12" for Fabric. As experimental artists with a penchant for drawn from the UK hardcore continuum you roughly know what to expect - fresh rhythms, emotive sounds designs, compelling rhythms. The 140g 12" comes in both limited edition and standard black vinyl versions, and both have bespoke 3D design with the fabric logo printed on reverse board heavyweight card.

Review: It almost seems redundant, writing something about the latest fabric Originals release. If you could think of a more enticing double-header for fans of bass, Leftfield techno, and UK-hued alternative electronic music then we want to hear it, with both producers here moving well beyond cult status and into the world of households names in homes well beyond their original audiences. And yet, remarkably, neither have strayed too far from where they initially set stalls. Hyperdub boss Kode 9 proves this first, with the sightly dizzying 'Infirmary'. Born from a combination of loose, open, galloping UKF and organic techno, with its foundations rooted in footwork, it's a bounding high-energy body mover that refuses to quit. Flip it and find Burial edging closer to 'dance music' than many might be used to, although it's a deep, moody interpretation packed with the spellbinding vocal flourishes of a mutant garage and suppressed, fidgety drums so subtle they're close to background noise.

Review: Globe-trotting Kompakt regular Kolsch has taken time out of his schedule to deliver a non-stop mix of previously unheard material for Fabric. The album was inspired by the German producer's hectic touring schedule, with each of the tracks named after a particular flight taken to or from a gig. Musically, it's a fluid and evocative journey, with Kolsch moving from spacious and dubbed-out electronica to more hypnotic, forthright club fare via a variety of off-kilter techno and dancefloor IDM cuts rich in tuneful motifs, sun-kissed electronic melodies, spacey sounds, soft-touch beats and heady aural textures. It's beautifully paced, with each track sounding just as good at home as it would in the club.

Review: The fabric originals label goes from strength to strength here with a new EP from Bristol-born, London-based LCY, which the artist has said "is a songbook written in relation to organised religion, its relations to my continued unpacking of gender and sexuality and how a lot of these forced conformities have subconsciously affected my musical expression and often conflict my existence and ability to move forward." The EP opens with dark synth waterfalls and chopped-up vocals and goes into dense percussive territory, glitchy sound design and abstract composition that sounds like little else.

Review: Their famous mix series might be gone but fabric continue to offer fantastic physical products in the form of their own Presents serve. It is Maribou State who take care of this one and are a fine fit having plated the club many times in their early years. They use it as a chance to serve up a sweaty, peak time mix that draws on sounds you might not necessarily hear in the club itself. It features some of their own new music in the form of "Mother", "Strange Habits" and a rework of Radiohead's "Reckoner".

Review: Overmono is a real techno-making machine that rarely makes a misstep. He's landed on Poly Kicks and XL already this year and now his entry into the long-running and legendary fabric series is another doozy. Here we have the double 12" selection featuring key tracks from it such as his own 'If U Ever' and a fantastic cut 'I Have A Dream' (feat Benjamin Zephaniah) for an LB Dub Corp album of a few years ago. Blawan's typically supersized 'Fourth Dimensional' is another big moment in an album that is jam-packed with them.

Review: Leon Vynhell has made some of the most interesting albums of the last few years. He's a prolific producer with a very different take on things, and a DJ who reaches just as far into the unknown. He proves that here with a super mix for the Fabric Present's series. His own 'Sugar Slip' opens with a hunched, stripped back but killer garage house rhythm then tunes from Or:la get percussive,
Skee Mask's 'Untitled 279' layer up the breakbeats and Piero Umiliani's 'Produzione' is a wild and wonderful Latin tinged rhythm that never lets up.