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Back catalogue: All genres
Juno's full catalogue of All genres
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Cat: SER 0024. Rel: 10 Nov 21
Techno
Review: Fourth part of the compilation celebrating the tenth anniversary of the Milanese record shop. This collection is entirely composed of previously unreleased music, exclusively produced for the occasion by many artists of great relevance in the worldwide music scene, who supported the store over the last ten years.
This EP features Ellen Allien, Kreggo, Timeslip89, Itinerant Dubs and Heith.
… Read moreThis EP features Ellen Allien, Kreggo, Timeslip89, Itinerant Dubs and Heith.
Played by: Rave Energy
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Review: Amorphic and Tensal hook back in to the machine to dialyse their crafts once more, with 'Highland Frequencies' offering up four, machine-numbered atoning lambs to our mech overlords, following up the equally arrayed 'Distant Landscapes' EP (2024) on Blueprint. Now bringing their distinctive cataloguing system to the discographic vanitas Mord, four more 'AT' tracks make for an irresistibly well-layered, synthetically one-of-a-kind release. Only 'AT4' gets a subtitle, 'The Sleepwalker', where a sandman's slumbrous, lollygaggling beats somehow, at the same time, betray a subconscious, paradoxical restlessness.
… Read morePlayed by: Juno Recommends Techno
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Review: Sure Thing presents Well of Sand, its second compilation. Six tracks from the label's friends and favourites, each new to the roster, offer bold, untempered explorations of tempo and weight, a concise yet expansive collection recalling the deliberate cadence of rippling sand and the sheen of shimmering oases. From Command D's subtly groundswelling, but snappy 'Half Blue (Violet Mix)', to Foreign Material's alarmingly alien 'The Living Planet' and Third Space's supremely stereoized, lowercase opus 'Push (Part 2)', this is a release for that large intersection of audiophiles and techno-philes.
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Review: Soma sub-label Avoidant Records recently put out a fantastic collection fo electro cuts but it was a digital only release. Now some of the standouts from it get pulled together on this fresh new 12"that joins the dots between Europe and Detroit. DJ Godfather kicks off with some rapid fire 313 electro, squirrelling bass and slick claps then 'One Direct Line' from The Exaltics is more cosmic and blissed out with lush ambient synths. On the flip, Flug goes hard with mad digital patterns and Blaktony layers up jacking drums, corrugated bass and dark hits. Great stuff.
… Read morePlayed by: Juno Recommends Electro
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Review: DJ Hyperactive's now-defunct Contact was the label that first put out this cult cut from 1996. Some 25 years later it now gets a welcome reissue on Truncate's own self-titled label and features a remix from the techno titan himself. 'Reptilian Tank' gets a breath of new life and a refreshing new remix by label boss Truncate. First up is the original - a head-wrecking, panel-beating techno rave-up with wispy pads and pulsating bass that is full of pent-up energy. The remix is a speedy, stripped-back version that races ahead with all the urgency of a shooting star.
… Read morePlayed by: West Norwood Cassette Library
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Review: Mord has put together a bumper collection of 17 searing techno cuts as part of its Herdersmat compilation but is also seeing up four at a time on individual 12"s. There is no messing with Part 41 which opens with DJ Shufflemaster & Go Hiyama's ear-splitting, brain frazzling 'Salasa Geometric'. Bartig Move opts for a much more minimal and roomy sound on the rolling 'Asistencia' then Tensal picks up the pace once more with the rusty loops and broken beats of 'Esbar'. Aocram's 'Dreams In NYC' is a swamp, depraved closer for late night mischief.
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Review: Robert Drewek vs Tomie Nevada's 'Time 4 More' EP was originally released on Unleash Records in 2005. Nine years on and Rawax are reissuing it on black wax and the tunes sound as good as ever. 'While He's Away' is a slick blend of garage-infused house drums and warm synth pulses with catchy vocal samples that bring a hint of old school. On the flip is 'Down With the Bass' which flips the script with a stripped back and militant but silky groove, dubby pads and a head's down vibe that really hypnotises.
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Review: Short Attention Records makes a welcome return here with a new drop of wax that fits the label head into its roots in deep techno sound worlds. This one takes the form of a various artists' EP crafted with an intake feel for cosy floors and who better to kick off in that vibe than the revered Lawrence whose 'Hawser' is a groovy and melodious track. Next, New Jersey don Joey Anderson sets a slow and deep tone with 'Human Kind' which has moody vocals and Japanese artist Takuya Matsumoto follows with 'Three Flowers', a more potent and driving cut with a fine acid bassline. Rounding off the EP is 'Desired Spring' by R/K, a loop-driven deep house gem designed for both listening and dancing.
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Review: Faut Section's Perception Series is back with a second sizzling installment of freshly made techno. Lewis Fautzi & Norbak pair off to open up with 'Code Of Deception', a barreling cut with icy hi hats and taught bass twangs full of dusty factory floor menace. Oscar Mulero offers one of his signature loop-techno rollers in 'Zw System' Temudo then rattles walls with the mysterious bass rumbles of 'Niiv'. Completing what is an EP that is as varied as it is vital is Kessell with the dubby broken techno beats of 'Time Domain' which has fizzing synths cracking like static on a 90s TV screen.
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Peder Mannerfeldt - "Cut My Step"
Adam X - "Raw Experience"
Alessandro Adriani - "Kybernetes"
TV OUT - "The Force"
3.14 - "Muck Tolerance"
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Cat: MAXMIN 065. Rel: 06 Feb 25
Techno
Review: Chris Liberator's experimental techno label Maximum/Minimum forms part of the Stay Up Forever Collective umbrella, which has been going for a heck of a long time (since 1995-ish), charting untouched terrains of teratological UK hardcore techno. An offshoot imprint dedicated to the "creative corruptions" of the Stay Up Forever crew, Liberator and co. would originally release these ones without catalogue numbers, that is until the market beseeched them to behave more conventionally. Now, well past their 65th V/A release, comes their latest, a decapitatory pummeller fronted by Sonico's 'Did You Say Acid?' and Zyco Seon's 'Citric Frequencies'.
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Review: AcidLab is back with a fourth dose of medicine and this one comes on translucent red vinyl with various different artists behind the beats. Musikaddikt's 'Acid War' is a straight-up techno banger with oversized hi-hats. Tassid & Eski offer up the best named tack of the year with 'Ok You Cunts' which is raved-up hard techno, Acidrats & Skandal get even more wild and unhinged with their barrage of wind-up melodies and hard-edge and flat-footed beats on 'Massive Murder' and last of all comes Crime with 'Knife Blast which is a big distorted wall of white knuckle rave-techno, not for the faint-hearted.
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Review: Mental health charity label Serenity keeps it sophisticated with its sixth outing and once again donates all proceeds to charity this time Young Minds. It is underground house mainstay and DiY Discs legend Nail who steps up first with a much more breezy and balmy sound than you would expect but it sure is lush. 'Pad On' slips into his more usual and driving house sound but with swirling pads up top for summery refinement. Trixie, Connor Male & Thoma Bulwer then get deep and late night with their punchy 'Impromptune' while Trixie's solo cut 'restless sculptures' is a jacked-up and percussive number that leans into techno.
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Review: Iceland's Thule offshoot label 66 Degrees was a vital label back in the day. After a 20-year hiatus, it came back strong in August and now follows up quickly with a second superb EP. This one is a carefully curated various artists collection that pulls together some local house anthems new and old. Ozy's 'Sequential Dub' is a super smooth deep house number with lush chord work. Sanasol brings heavier, more raw house drums and grinding bass that will get floors in a sweat. Oz Artists mixes up a raw, mechanical groove with balmy, dreamy pads up top to make for something utterly compelling on 'Atomox; while last of all Terry Cummingz pays homage to dusty Windy City house on his perfectly lo-fi 'Cherry Bon Bon. Classy business for sure.
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Review: The Rotterdam label Mort's long-running Herdersmat series was first released in digital compilation form; only now has this round table turned its swords towards a sequential vinyl series, not the first of which you hear here. This 12" marks parts 16 in the series, clocking contributions from producers Rumenige, TAKA, Jokasti, Nek, and NX1. The heads-down producoes so named have delivered a creative, blazing irradiation of broken techno heat here, charting a rumbly and grounded, yet no less interoceptively arresting haul; our fave 'Eka' throws our sense of balance of course with quick, hard autopans and roughly ingrained, kick trods; then the silver medalist 'MRD1' bucks the proceedings off to unploughed courses, frightening the listener with garbled, found-footage EVP voices between horror-techno kicks.
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Review: Paling Trax 5 is a new record by TAFKAMP and Vromo, two techno artists from Rotterdam and Amsterdam respectively1. Paling Trax, meanwhile, comes as a new sublabel of renowned club pushers Self Reflektion, focusing on the comparatively rawer and groovier. Four tracks appear: 'Trakpad #1' and 'Ghett-hoes', courtesy of TAFKAMP, establish dub-tecchy and retro, MPC-style NRG respectively. Vromo's 'Clarity' and 'Pump The Rhythm' , meanwhile, both puslate in different ways, one locking in a serious respiratory mood, and the other sounding like a Bop-It jailbroken for the club.
… Read morePlayed by: Gareth Wild (EarToGround Records)
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Review: Blackmarket is a New York party that has always led from the front and been a rare underground haven for threads. The label reflects that similar mindset and here label boss Taimur and long-time Costa Rican friend Artro link up for a four-track techno trip. 'Know Your Friends (Vox)' is a percussive workout with sinewy synths reaching into the cosmos. There is more low-end heft to 'Machina' which is weighty and dubby. A second version of 'Know Your Friends' is surging and metallic and last of all 'Elements' brings a touch of high-speed funk to a techno framework.
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Review: Rotterdam techno label TH Tar Hallow is all about providing peak-time techno nourishment. Next to cook up the goods is Augusto Taito who kicks off with the caustic intensity of 'Kanji' which has unsettling bleeps and big rusty drum loops. 'Paradox Of Choice' captures, in techno form, the unresolved anxiety of being lost with infinite options on your Netflix home page then 'O1.2' is a more wispy and roomy blend of dubby low ends and intricate sound designs that trigger your synapses. It's all heavy drums and unrelenting synth loops on closer 'A Sip Of Blood '.
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Review: Taken, in case you didn't know, is the duo of former Skudge man Elias Landberg and Nihad Tule. This latest slab of techno follows their previous work in that it is functional but stylish. The drums are analogue, muscular, and perfect to hook on to, and the synths and hi-hats that peel off a rusty, glitchy and slight, but make enough of an impact to cut through. 'Hybrid' is a sleek opener, 'Drumcode' is more dubby and raw and 'Ice Truck' has a more mysterious sense of intergalactic exploration thanks to the sonar-like synths. 'Standard Truck' shuts down with mind-melting and warped synth lines all twisted around one another.
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Cat: UAR 002. Rel: 26 Apr 21
Deep House
Review: You'll struggle to find any deeper or more alluring tracks in Norm Talley's catalogue than 'Powder', the wonderfully hypnotic, locked in and subtly spacey opener from the Motor City producer's 2011 EP on Mixmode, Tracks From The Asylum. It's a good thing, then, that Talley has decided to reissue the sought-after EP on his own label. The Detroiter doesn't put a foot wrong throughout, with the chugging, beatdown-inspired brilliance of 'Lost', which boasts some sublime piano solos, and the up-beat hustle of 'Private Party' being equally as essential as 'Powder'. Speaking of that track, Delano Smith's 'More Powder' version is also worth a listen, featuring as it does slightly bolder synth riffs and a tougher, techno-influenced groove.
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Review: Netherlands techno titan Planet Rhythm goes full percussive gas giant on their latest V/A, 'Friction', a motorsport motivator full of accelerometric elan - one of several V/As to grace their revving catalogue in recent times. Ramon Tapia leads the motorcade with 'Friction', a stabbing aerator full of overtop claps and rims, while Louis Lp's 'Radioactivity' unsettles with its seething high ringing and affectively isolated chord-stab-melody. Deas' 'Hard Dreams' nods to the real, unshakeably material core of dreams, with its rancorous full-tone acids, while Ramon Topia closes with 'Fear', a restless, chord-throttling, hard trancey, speed demonic rally racer.
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Review: Anonymous label Tartan kicks off with two tracks that should pique the interest of anyone who seeks out unusual swerves to spice up their DJ sets. On the A side, 'Took My Heart Away' fuses uncanny sounds from rolling thunder to South Asian vocals, strapped to a brooding beat that should be compatible with the chugging crowd. On the flip, 'Sun' nudges up the tempo a touch and spaces things out considerably, creating a swirling deepest techno mood which might well herald the odd sunrise given half a chance.
… Read morePlayed by: Juno Recommends Minimal Tech
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Review: Eindhoven underground acidcore distributor and label Flatlife generate yet another mind-melter for the nitty masses, supercolliding tracks by four of the foremost DJs come sound-summoners on the subterranean scene. Flatlife have dispatched rapid-response rave Apaches since 2009, and A-siders 'Septic' and 'Lord Of Darkness' bring a fittingly mid-noughts feel to things, during which time the roughage of hard dance fused with the encroaching gloss and finesse that came with digital sound tech that defined the decade. The mood is horrific, with 'Saure' climaxing to apocalyptic, territorial levels through waspish yamps and kick crushings, while the aggro is not lost on the ensuing 'Out Of Order', somehow the most relaxed of the four.
… Read morePlayed by: Dj Hellraiser
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Review: French producer Alizee Chelal aka Tauceti's latest offering distills her signature fusion of dense, percussive momentum and textural finesse into four meticulously sculpted tracks. Across this four track release, she refines the balance between propulsion and atmosphere, drawing from the shadowy edges of techno while leaving space for shimmering, almost cinematic detail. 'Aquamarine' opens with rolling low-end and flickering metallic accents, setting the stage for the layered tension of 'Emeraude', where rhythms shift beneath fog-like synths. 'Tanzanite' tightens the focus, its kinetic pulse threaded with ghostly harmonics, while 'Jade' expands outward, its submerged melodies stretching into the depths. As both a DJ and producer, Tauceti has honed a distinct sonic languageione where intricate rhythms meet a deep, almost tactile sense of space. Her work moves fluidly between intensity and restraint, dissolving the lines between the physical and the ethereal.
… Read morePlayed by: Tom Drew
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Review: Dark, hard techno producer Tensal brings a heathen, cultic mood to the arc of techno orthodoxy with his latest record 'Perpetual Survivor'. With its ominous heraldic symbol on the 12" inner label, and a four-track sonic palette portraying the seedy underbellies of religiosity, this is a record that recalls the Brum-school solemnity of Downwards Records or the post-Catholic heresies of Vatican Shadow. Opener 'Sonic Particle Rain' claps back with a status-quo-shattering barrage of sonic madness by way of 16th-note stutters and squelching lows, while 'Ethos' breaks from the horde with a personal, textural reflection on what it means to follow one's own ethical code. Meanwhile, 'Perpetual Survivor' and 'Nemesis' strip things down to barer bones, amounting to something of a puritan Reformation in sound; the gilded ornamented of their clerical predecessors are contrasted starkly here by the B-side's electric, merciless and sparse sound.
… Read morePlayed by: Gareth Wild (EarToGround Records)
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Review: The rather enigmatic Tonearm is back with a new transmission that is clearly inspired by the ambient innovations of AFX. Innocent synth modulations, naive keys and thinking patterns all bring futuristic AI visions of peaceful utopia to life on 'Minerva', which is a beatless delight. 'Luminance' has a deeply buried rhythm and sustained chords that hum up top, then 'Isko' has cascading melodic rain and hurried rhythm suggestions way off in the distance. 'Ilthat' allows a moment of hope and joy with its brighter synth colours deftly looped and ever shape shifting. A quiet, impressive future sound full of nostalgia.
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