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Back catalogue: All genres
Juno's full catalogue of All genres
シングル
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Review: Earwax's Tar 21 is a punishing but dynamic techno EP that showcases the artist's mastery of the genre and the five tracks explore a range of techno subgenres, from industrial to tech house, offering a diverse and captivating listening experience. 'Behind The Grid' sets the tone with its relentless warehouse techno, characterised by heavy industrial elements and a driving beat. 'Raw Shadow' transports the listener to a science fiction landscape with its stomping rhythm and percussive intensity. 'Fast Human' takes a more upbeat turn, galloping forward with an almost house feel. The EP reaches its peak with 'Again'. a menacing and alien-sounding heater that pulsates with an eerie and hypnotic energy. 'No Need More' closes the EP with a tribal and fast-paced beat, leaving the listener with a sense of exhilaration and fulfillment. With its exceptional production quality and diverse range of styles, Tar 21 is a workhorse of a record. The EP captivates the listener from start to finish, offering a thrilling release full of excellent techno.
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Played by: Joe Montana
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It's An ACID Thing EP (inc Outlander remix) (grey vinyl 12" limited to 100 copies)
Cat: FBI 003GREY. Rel: 18 Nov 24
Techno
Review: EBY is an acid house artist who has more than made his mark over the years. 40 years, to be exact, and to mark that rather notable occasion he is back with a special release on Foxbam Inc called ACID Thing and it comes in various different formats. This is a grey vinyl version that celebrates the classic acid sound while infusing it with a modern twist and plenty of big basslines, squelchy synths, and potent rhythms. The standout 'Acidanus' includes MC Soph who made her debut on Acid Indigestion Pt4 at just eight years old and now returns at 25. The EP also features a remix of 'Eggtrip' by renowned Belgian producer Outlander who you will likely remember from his iconic cut 'Vamp.'
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It's An ACID Thing EP (inc Outlander remix) (black & grey splattered vinyl 12" limited to 100 copies)
Cat: FBI 003GREYBLACK. Rel: 18 Nov 24
Techno
Review: To make it to 40 years in any job is a fine achievement, but to do it in the fast-paced world of electronic music is even more rare. But that is exactly what EBY has done - he has been turning out acid house jams for four full decades now and to celebrate the milestone has put together a special release on Foxbam Inc called "it's an ACID thing" and it comes in various different formats. This one is a black and grey splattered 12" limited to just 100 copies. It features the ragga vocals and crushing beats of 'Bun Da Acid', the brilliantly gurgling 303 lines and ice-cold drums of 'Acidanus" (feat Soap MC) and the darker and more moody vibes of 'Eggtrip'. An Outlander Eggs & Shells remix shuts down in style.
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Review: FOXBAM INC is back to build on the momentum of their first EP with a second one that packs a mighty punch. This one kicks off with EBY, who this year has been cooking up acid for 40 years and here offers the warped low ends and garage-techno power of 'Goldtooth'. Foxtrot vs Ma Bla then mashes up old school samples with earth-shattering bass on 'Deep Down Inside' and bRz vs Stije is a double-time hard techno stomper with warped synths and twisted bass that is inspired by and named after ISCO, a concept from Einstein's general theory of relativity that makes predictions about the dynamics of black holes.
… Read morePlayed by: Juno Recommends Techno
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Review: Andreas Gehm of Cologne returns with more lo-fi and nasty acid techno for brilliant Dutch imprint Panzerkreuz and it's everything that you'd expect from this eccentric fellow. They're all sure to please in their rusty and hissing glory but it's probably "Track 3" which is out favourite where Gehm proclaims through a helium induced voice "Im a freak, you're a freak.. we're all freaks!" and if you're still reading this, he's most probably right. Highly recommended!
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Review: Anthony Georges Patrice's Ausblick label has trod a fine path over the course of its first five releases and the good work continues on its sixth outing which is a new various artists affair. It is Berlin based Ephem who kicks off with 'Dizzy' and all its bumpy beast and raw perc, then Koln's Hidden Sequence follows with 'Optical Drive' that is more stripped back and powered by warming sub bass. Anthony Georges Patrice himself then completes the hat trick with 'Easy To Love' (Tunnel Vision Mix) which over ten sublime minutes brings some more airy, double doit flavoured and has already been getting plays from Mosaic boss Steve O'Sullivan.
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Review: Big up to the Equalized label for making it to #010 without ever putting a foot wrong. The label's eponymous production outfit takes care of this move into double figures with another direct to dance floor and hand-stamped 12" with two forceful bangers. 'Track 1' brings the heat with cantering drums and lashing percussion all run through with caustic synth textures. 'Track 2' is another high octane and chunky techno rocker with pent up energy and subtle hints of warehouse funk.
… Read morePlayed by: West Norwood Cassette Library, Carlos Nilmmns
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Review: It never rains but it pours for fans of Etch at the moment, with not only an extensive long player set to drop on Sneaker Social Club in November 2024, but also this four tracker on that other much loved and consistently wonderful label Ilian Tape. His work is stepped in the textures of jungle, drum & bass, grime, dubstep and bass but rarely enslaved by their limitations. Admittedly, the final of the four tracks here, 'Clockwork Romance', vaguely resembles a late 90s techstep workout, with a hint of junglist roughneck-ness, but the other offerings are very much their own beasts, from the clattering turntablist-constructed beat of 'Jack's Design' to the gnarly, scratchy groove of 'Asami' - imagine Basic Channel and Burial jamming - and the breezy, sunny-sounding opener 'Liz's Track'. Eclectic, individual and bursting with rich flavours.
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Review: Klasse Wrecks welcomes Robbert Heynan who is best known as one-half of the Psychick Warriors Ov Gaia, an act that very much set the temple for tribal techno in the early 90s. Their vast and vital body of work stands the test of time but they went their separate ways in 1992 to explore other projects. One of them was Excor, which saw Heynan put out some lesser-known tunes. The Chief EP is a hard-to-find outing from 1996 that has been remastered here and features the two original tunes next to two new and unheard versions.
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Review: Berlin techno stalwart Fiedel serves up some more reissues of effective DJ tools on Fiedeltwo. This time around we have a 2021 Remaster of 'Doors To Manual' which was featured originally on Berghain (where he's resident) compilation Funf back in 2010. It's a typically wonky and off-kilter cut by him that showcases a truly singular approach to techno. Over on the flip, Kyiv's Espen Lauritzen contributed 'F/T/S' to Fiedel's very own mix for the esteemed Berlin club's mix series, the eighth to be precise, and it too gets a 2021 remaster. A pounding warehouse techno workout in the vein of classic Djax Up Beats, this one's serious.
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Review: Greyscale unveils its latest endeavour, the Spectrum Series, as a way to continue to evolve its offerings and this time it is with something that makes a vibrant departure from its traditional black-and-white aesthetic. The inaugural release features the iconic Lithuanian dub track 'Kasdienybes Sventykla' by grad_u & Eazystyle MC as a way of commemorating its 15th anniversary. It came as a double CD in 2011 but now gets a first vinyl pressing on a nice 10" slab of wax. The track itself taps into the earliest roots of dub in the 70s and traces a line through the 80s with its heavyweight drums and endlessly echoing bass topped by great mic work. A pared-back instrumental features on the flip of this latest crucial drop from the dub dons at Greyscale
… Read morePlayed by: Juno Recommends Reggae, Juno Recommends Dub
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Review: AcidLab is back with a fourth dose of medicine and this one comes on translucent red vinyl with various different artists behind the beats. Musikaddikt's 'Acid War' is a straight-up techno banger with oversized hi-hats. Tassid & Eski offer up the best named tack of the year with 'Ok You Cunts' which is raved-up hard techno, Acidrats & Skandal get even more wild and unhinged with their barrage of wind-up melodies and hard-edge and flat-footed beats on 'Massive Murder' and last of all comes Crime with 'Knife Blast which is a big distorted wall of white knuckle rave-techno, not for the faint-hearted.
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Review: Over the past couple of years the Ohm Series of 12"s has quietly become one of the best in the field of dub techno, always carrying a respectable range of artists pushing the sound forwards, and now carrying the kind of weight which tells you you're getting the best these artists have to offer. On the seventh entry we can hear Ohm himself, aka Bjarnar Jonsson and Octal Industries teaming up for the deeply submerged creeper 'System (vs Federson)', while Lee Holman brings something brighter, more Motor City-inspired to the table on 'Absorbed By The Elements'. Andrea Cichecki slinks into a mellow, swung house mood on 'Universe Blue' and El Choop leans in on the sound design around his chord sounds to create the rhythmic heat in his outstanding 'FORPOD'. As ever, the bar remains high with the Ohm Series offerings.
… Read morePlayed by: Tom Drew
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Review: Woody McBride's Sounds label continues to dive back in the archives and revive some absolute gold standard techno for modern diggers. This collab effort between McBride (in his DJ ESP guise) and DJ Skull originally came out in 1995, and it still sounds fierce to this day. 'The Drive' is a stripped down tool with all the right chops to tweak out a locked-in raver, but 'G-Rated' is the real gem on the record. In a blistering hailstorm of 303 squelch you get a definitive example of acid techno at its finest. 'The Power' might well find relevance in the present day trance-techno scene thanks to its unsettling leads and relentless forwards thrust.
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Review: Eindhoven underground acidcore distributor and label Flatlife generate yet another mind-melter for the nitty masses, supercolliding tracks by four of the foremost DJs come sound-summoners on the subterranean scene. Flatlife have dispatched rapid-response rave Apaches since 2009, and A-siders 'Septic' and 'Lord Of Darkness' bring a fittingly mid-noughts feel to things, during which time the roughage of hard dance fused with the encroaching gloss and finesse that came with digital sound tech that defined the decade. The mood is horrific, with 'Saure' climaxing to apocalyptic, territorial levels through waspish yamps and kick crushings, while the aggro is not lost on the ensuing 'Out Of Order', somehow the most relaxed of the four.
… Read morePlayed by: Dj Hellraiser
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アルバム
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Gamma Tag (B-STOCK) (CD limited to 150 copies)
Cat: NE 103 (B-STOCK). Rel: 01 Jan 90
Experimental/Electronic
B-STOCK: CD case damaged but otherwise in excellent condition
Review: ***B-STOCK: CD case damaged but otherwise in excellent condition***
Seven arresting, original new exercises from E-Saggila aka Canadian producer Rita Mikhael. She wears her love of dub on her sleeve - see the slow motion skank of 'Amnesiac' aming others - but not in the usual reassuring, bubbling echoes of dub techno, aiming for something much more angular and alarming. "Breaks remain staccato hammers," says the blurb, with maximum accuracy, "and kicks are cast to negate cardiac systems," while the rhythms veer from off kilter to nailed down and the sonics vary from the lush to the caustic. This territory to the left(field) of electronica is over saturated with identikit productions, but Mikhael does it like you've never quite heard before.
… Read moreSeven arresting, original new exercises from E-Saggila aka Canadian producer Rita Mikhael. She wears her love of dub on her sleeve - see the slow motion skank of 'Amnesiac' aming others - but not in the usual reassuring, bubbling echoes of dub techno, aiming for something much more angular and alarming. "Breaks remain staccato hammers," says the blurb, with maximum accuracy, "and kicks are cast to negate cardiac systems," while the rhythms veer from off kilter to nailed down and the sonics vary from the lush to the caustic. This territory to the left(field) of electronica is over saturated with identikit productions, but Mikhael does it like you've never quite heard before.
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