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Back catalogue: All genres
Juno's full catalogue of All genres
アルバム
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Love You
In The Sky (feat Fat Ron)
You Ain't Ready (feat D Smoke)
The Real
Right By You
Jay Z
NBN
Liberation (feat Anderson Paak)
Falling
Can We Still
The Perfect Remedy
Crashing Down
The Bullet & The Gun
He Deserver Your Love
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The Lookerer (B-STOCK) (green vinyl LP + inserts)
Cat: LOBE 008LP (B-STOCK). Rel: 01 Jan 90
Psych/Garage Rock
B-STOCK: Sleeve damaged, record slightly warped
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Review: 11 years into their career, Wakefield's Skinny Living feel like they're on the verge of a breakthrough. Their trademark sound has always been joyous and celebratory, with a nostalgic and accessible sound that relies more on classic soul and expansive 1960s Mod more than moody indie-rock or rough lo-fi posturing. Now signed to a major label, they've pushed that sound to the max - think heady horns and strings - on debut album Day By Day, a set recorded in Muscle Shoals, Alabama (where many classic soul sets were laid to tape). The resulting songs, which were written and demoed over the course of a decade, simply soar, suggesting that the Yorkshire outfit could genuinely be 'the next big thing'.
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Cat: 100CDX 163. Rel: 05 Dec 24
Indie/Alternative
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Cat: RT 0484CD. Rel: 25 Jul 24
Indie/Alternative
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Cat: 501314 5905722. Rel: 03 Oct 24
Punk/Hardcore
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Review: Sony Records has decided to reissue a slew of early albums from British shoegaze and dream pop sorts Slowdive, a band that has enjoyed a successful comeback since reforming late last decade. Here they take us back to the formative years of the Reading-born band and 1991 full-length debut Just For a Day. Recorded in leafy Oxfordshire (Abington specifically), the set is as lush, densely layered, effects-laden and gently psychedelic as you'd expect from a set that's (rightly) still regarded as one of the strongest shoegaze albums of all time. For proof, check the hypnotic, slow-motion pulse of opener 'Spanish Air', the low slung bass and hallucinatory textures of 'Catch The Breeze', the near-ambient immersion of 'Erik's Song', and the jangly sparkle of 'Brightness'.
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Review: While now - rightly - hailed as one of the greatest shoegaze albums of all time, Slowdive's sophomore full-length Souvlaki was initially panned by critics - a fate that also befell the Reading combo's debut Just For a Day. Now remastered and reissued on CD for the first time in years, the 1993 set remains a pleasingly saucer-eyed, heavily layered and decidedly dreamy affair. Musically, it's generally brighter and more jangling than its predecessor, leaning more heavily into the dream-pop end of their sound whilst still retaining the reverb-heavy, suitably psychedelic guitar textures of shoegaze. Highlights include the funky, late 60s nostalgia of '40 Days', the dubby and spaced-out headiness of 'Sing' and the stretched-out heaviness of 'Souvlaki Space Station'.
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Cat: JRCD 006. Rel: 14 Oct 24
Dub
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Cat: 198028 86182. Rel: 09 May 25
Soundtracks
Everyday People (J PERIOD edit)
Hot Fun In The Summertime (Interlude)
Hot Fun In The Summertime (mono single Master)
Everybody Is A Star (mono single Master)
Thank You (Falettinme Be Mice Elf Agin)
Thank You For Talkin’ To Me, Africa (alternate mix)
Family Affair (Questlove Rhythm King edit)
Runnin’ Away (alternate mix)
Just Like A Baby
Babies Makin’ Babies (Interlude)
If You Want Me To Stay (Alternate Version)
Thankful N’ Thoughtful (Alternate Version)
Family Affair (Wedding Band Interlude)
Can’t Strain My Brain
Stand! (Take 1)
Que Sera, Sera (Whatever Will Be, Will Be)
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Cat: TPTDD 022. Rel: 25 Oct 24
Indie/Alternative
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Review: Cutouts continues the three strong supergroup's exploration of diverse sonic landscapes, the new ten-track project reaffirming The Smile's commitment to pushing musical boundaries. The trioicomprised of Radiohead's Thom Yorke and Jonny Greenwood alongside drummer Tom Skinnericrafted Cutouts in Oxford and Abbey Road Studios, with production by Sam Petts-Davies. Preceded by the singles 'Foreign Spies' and 'Zero Sum,' the album promises a blend of styles, from jazz and Krautrock to progressive rock, all while maintaining a raw, experimental edge distinct from their work with Radiohead. The Smile have already captivated audiences with these tracks during their recent UK and European tours and as with their previous releases, Cutouts merges complex musical influences into a cohesive and intriguing sonic experience.
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Review: The Smile's Wall of Eyes is a triumph in atmospheric experimentation, bridging the delicate intensity of Radiohead's later works with a more abstract, avant-garde edge. The album is filled with a sense of mystery, its drifting, formless compositions creating a pervasive feeling of unease. Opener 'Wall of Eyes' beckons with eerie folk textures and art-pop flourishes, setting the tone for the record's dark beauty. Bending Hectic' stands as the album's crowning achievement, its near-ambient build-up exploding into a cathartic, thunderous conclusion, balancing beauty and chaos. Elsewhere, 'Read the Room' and 'I Quit' bring rhythmic complexity, adding layers of groove and intricacy. Thom Yorke's vocals, as always, are haunting, tying the record together with familiar yet fresh emotional depth. Wall of Eyes confidently charts its own path, a significant step forward from A Light for Attracting Attention, cementing The Smile as more than a side project, but a vital voice in today's alt-rock landscape.
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Cat: 602465 250893. Rel: 26 Sep 24
Jazz
Review: Following years of notable collaborations with some of jazz's leading voices, saxophonist and band leader Walter Smith III finally broke through in 2023 via a first headlining album for Blue Note. On his return to the label, Three of Us Are From Houston and Reuben is Not, Smith pays tribute to the Texan city of his birth in the company of Jason Moran (piano), Eric Harland (drums) and Reuben Smith (bass). It's a pleasingly breezy, positive and expertly crafted affair, with the quartet running through a series of ear-catching Smith compositions and a radical (and rather good) interpretation of an old Sam Rivers number. A wholehearted tribute to the rarely discussed cultural richness and diversity of Smith's home city.
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The Queen Is Dead
Panic
Vicar In A Tutu
Ask
His Latest Flame/Rushmorre Ruffians (medley)
The Boy With The Thorn In His Side
Rubber Ring/What She Said
Is It Really So Strange?
Cemetery Gates
London
I Know It's Over
The Draize Train
Still Ill
Bigmouth Strikes Again
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Cat: 502173 2374394. Rel: 02 Jan 25
Indie/Alternative
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Cat: 502173 2374370. Rel: 06 Feb 25
Indie/Alternative
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Review: SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Together they present their debut album Small Medium Large, a collection of long-form improvisations recorded during two separate two-night stands at the beloved Los Angeles venue ETA. Forming the perfect locale in which to boost their initial rise, ETA is perhaps no longer a fitting name - with SML, we're no longer pondering this band's estimated time of arrival. Small Medium Large is a sublime assemblage of circulatory grooves and textural anomalies, at different moments recalling the synth-laced improvisations of Herbie Hancock's Sextant, the jagged dance punk of Essential Logic, the rhythmic revelry of Fela Kuti, the low-end elasticity of Parliament/Funkadelic, or the glitchy dub techno of Pole.
… Read morePlayed by: Juno Recommends Broken Beat Nu Jazz
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Cat: BAY 134CD. Rel: 25 Mar 25
Indie/Alternative
Review: There are many ways to deal with upheaval and crises but sometimes the best approach is to answer harsh realities with an antidote. Speaking on their new album, tree-loving masked electro-punks Snapped Ankles say: "We can still hold the line of beauty, form, and beat. No small accomplishment in a world as challenging as this one... hard times require furious dancing. Each of us is proof." And to their credit the album lives up to the manifesto: 'Raoul' is exactly what you'd want to hear at 3am in Glastonbury festival; whilst 'Pay The Rent' sounds like a homage to big beat, spiced with krautrock. Snapped Ankles clearly have the tools and the talent to send people's minds to space. A noble entry deserving of glory.
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Review: Snoop Dogg's highly anticipated Missionary reunites the iconic duo of Snoop and Dr. Dre, delivering a nostalgic yet forward-looking album. Marking their first full collaboration since Doggystyle in 1993, the project promises the timeless synergy that defined West Coast hip-hop, featuring Dre's signature g-funk production infused with fresh, modern twists. The 15-track album boasts an impressive roster of guest artists, including Jhene Aiko on the lead single 'Gorgeous', Eminem, 50 Cent, Method Man, BJ the Chicago Kid and a posthumous contribution from Tom Petty on a reimagined version of 'Last Dance with Mary Jane' featuring Jelly Roll. Dre himself steps out from behind the boards, appearing as a guest on three tracks. Notable samples from Sly & The Family Stone's 'Thank You' and The Police's 'Message in a Bottle' enhance the album's funk-rich, melodic soundscapes. Missionary reaffirms Snoop and Dre's legacy as hip-hop pioneers.
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Cat: 758343 9. Rel: 13 Mar 25
Indie/Alternative
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Cat: 425079 5609049. Rel: 30 Jan 25
Indie/Alternative
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Review: Canterbury scene stalwarts Soft Machine were well established by the time they headed out on a European tour in 1970 to promote their third album. Their performances in Paris and Rotterdam were recorded for radio broadcast and it's those live recordings that make up this two-disc set. It shows the jazz-rock fusionists at their mercurial best, with disc one featuring a performance of the Third LP in full, alongside fan favourites from its two predecessors. Disc two, meanwhile, features a handful of extended takes on tracks from all three albums they'd released up to that point, as well as a fine version of 'Teeth' - a track that would eventually surface in studio form on 1971 LP Fourth.
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