Curtis Baker & The Bravehearts - "Fried Fish ’n’ Collard Greens" (2:40)
The Native Yinzer - "The Hip Strip" (2:33)
Review: The fourth edition in Original Gravity's Down In The Basement series, which gathers instrumental soul and swing cuts onto worthy 7" slabs, resounding the fervent 1960s decadal gap in which mod reigned supreme. With juleps flowing and kneecaps knocking, Abramo & Nestor bring newfangled electric pianistic swing with 'Dig It!', while a twinned "hit it!" injunction is heard from Floyd James & The GTs on the reissued 'Work That Thang'; James' voice is tubed and speed-delayed to terrific effect, achieving a sprung intonation. Curtis Baker brassifies the bonanza with the lively 'Fried Fish 'n' Collard Greens', while The Native Yinzer's exiting excitation 'The Hip Strip' quilts our ears with a mnemic, down-feathery Hammond-breaks bit.
Review: EPM20 Ep2 goes off on an electro tangent here. On this one, we have veteran producer Cisco Ferreira aka The Advent teaming up with his son Zein on the ferocious electro dystopia of "Strangeform" and as if that was not enough, another legend, the one and only Carl Finlow appears next with the abstract, cybernetic beats of "Optogenetic". Over on the flip, we have someone by the name of Detroit's Filthiest (quite an accolade!) who is in fact Motor City stalwart Julian Shamou (Motor City Electro Company) known for his work as 313 Bass Mechanics or Digitek, and longstanding hero of the Midwest Freddie Fresh should need no introduction; his contribution here under the Modulator alias is the deep mind IDM journey "Promars".
Review: BOOM! Our favourites, Cititrax, roll the third editions of Tracks out onto our shelves, and the results are unsurprisingly strong on this excellent various artists comp. It's a mixed bag of skills, as per usual, and the sounds are those of a new NYC, fuelled by a new sort of post-industrial sensibility. Amato Y Mariana open with the tight beats and groove of "Queires Bailar", followed closely by the ominous compositions of the EBM-flavoured "Montgat" from The Sixteen Steps. On the flip, His Dirty Secrets bleeps out some morphed acid on "Structures", and "Another Stranger" from Further Reductions churns out a slow, mild-mannered house experiment with its roots clearly planted in the coldest of waves. Sick.
Review: OHM is quickly becoming a quality imprint you can count on for techno and dub techno. The ninth addition in the series, it calls for an excellent blend of composers to balance this EP out. Veteran Jamie Anderson collabs with the brilliant Owain K on opener. The 'Aqua Dub' builds a euphoria for late night smiles. Smooth is an understatement on this linear gem. One artist on here that's been making strong appearances on many dub techno labels is the ever-talented Francisco Aguado. 'Balance' is a great tribal transition track for any DJ who can it creatively to build the means to an end. On the second side, Star Dub offers the very addictive and techy 'Forst'. Ending on a high note, the brisk and flighty 'Ever Growing' by Volpe completes the ninth edition in a rapturous mood. If you like deep techno, the OHM series is a must to collect.
Curtis Baker & The Bravehearts - "By Hook Or By Crook" (2:55)
Floyd James & The GTs - "The Switchback" (3:01)
Review: Original Gravity serve up yet two more contemporary soul tracks; sides A and B on this latest 7" are shared by Curtis Baker & The Bravehearts and Floyd James & The GTs respectively. The A's 'By Hook Or By Crook' recounts the all-to-relatable feeling of stopping at nothing to get what one wants, while 'The Switchback' ups the big beats and big halls for a roomy guit-funk come mod romp. Yet another delight to add to the OG Newtonians' pile.
Young Pulse & Fleur De Mur - "Smooth Sweet Talker" (6:53)
Review: Get yourself geared up for festival season with some fierce party starters certified with the Glitterbox stamp. Melvo Baptiste leads the charge with 'Sweat', a sizzling disco house stomper with Dames Brown giving the biggest diva energy on her show-stopping vocal. Lovebirds bring unbridled joy on the Philly string swoon and slinky b-line funk of 'Burn It Down', while Art Of Tones & Inaya Day keep it peak time on the sassy strutter 'Give My Love'. Young Pulse & Fleur De Mur complete the set with 'Smooth Sweet Talker', another bright and bold vocal cut par excellence.
Review: Coeur De Glace on DKO Records (DKO 34) delivers four fantastic electro tracks, each with unique influences and directions. Side-1 kicks off with Binary Digit's 'U Want Dis,' an exuberant, high-energy track that pays homage to old-school rave with its lively vocal samples. Fasme's 'Morning' follows, blending smooth electro with soft keys and a whimsical AFX melody for a perfect combination. Side-2 features GGGG's 'La Cueillette,' a feel-good, fun and melodic electro tune. The EP concludes with Mud Deep & Sans-Qui's 'Mesonyx,' offering IDM goodness reminiscent of Rephlex, Squarepusher, and AFX. Coeur De Glaceis a vibrant and diverse collection, sure to delight fans of electro and techno.
BT (Brenda Taylor) - "You Can't Have Your Cake & Eat It Too" (Greg Wilson edit) (9:08)
Forrrce - "Keep On Dubbin'" (Greg Wilson edit) (5:17)
Raw Silk - "Do It To The Music" (Greg Wilson edit) (6:37)
Shirley Lites - "Heat You Up" (Melt Down mix - Greg Wilson edit) (7:19)
Review: West End's double-pack re-edit series continues, with long-standing UK electrofunk hero and scalpel rework specialist Greg Wilson sharing a quartet of revisions. There are airings for two of Wilson's most sought-after scalpel works from the "Credit To The Edit" series - superb versions of Brenda Taylor's "You Can't Have Your Cake and Eat It Too" and Raw Silk's "Do It To The Music" - as well as a couple of previously heard rearrangements that are on-point as per usual. Wilson first adds even more mind-altering delays and low-slung dub disco flavour to Forrrce's "Keep On Dubbin'", before superbly stretching out the mostly instrumental "Melt Down Mix" of Shirley Lites' synth-laden peak-time classic "Heat You Up".
Review: Red Laser Records continue their stellar form with another knockout release, blending Manctalo fire from old hands and fresh faces alike. Frank Butters opens the EP with The Call Of The Wild, a dazzling blast of crystalline synths, thunderous bass, and cosmic effects that showcase his forward-thinking production skills. Bob Swans delivers 'Bodyform4U', a dreamy arpeggiated groove that builds an uplifting, futuristic atmosphere, perfect for igniting the dancefloor. Lone Saxon switches things up with 'Hypersleep' a breakbeat-infused piano gem that oozes nostalgic charm, before Franz Scala and Il Bosco finish strong with Webo, a late-night, tension-filled Manctalo banger.
Review: The wonderful Er + Er imprint has a knack for getting some of the biggest names in electronic music together and jamming the hell out! Some of the works by Ricardo Villalobos for the label have been simply sublime. This time, we got legend Carl Craig going head-to-head with the supremely talented Francesco Tristano in a sort of classical techno vibe. "Luder Pre" combines a mid-tempo percussive beat with some seriously twisted piano work, twisting and contorting into a right old spin. It's a one-sided gem, it's 300 copies limited, so you better get yourself one quick!
Review: Does drum and bass get any better than this? Two of the finest names in the genre club together for "Run Away", met in the middle by the man like Fox who puts his vocal stylings into the mix. Rolling out smooth, it's that lulling bassline and softly-spoken chorus that takes the edge off punchy drums and signature Intalex-style strings from the pad section. Fans have been waiting for a release on this for some time now - finally, it's ownable. Showing that they can still deliver tastier goods for the dancefloor, "Something Heavy" is a funk-fuelled hips-mover with Fox sending out his raggamuffin sounds over down and dirty bass. You've heard it in the dance, now get it on repeat.
Review: Two more rare grooves purloined from Cultures Of Soul's Brasileiro Treasure Box Of Funk & Soul and delivered on a sweet 45: Celia's "A Hora E Essa" is a steamy Latin funk workout from 72; all horns, cuicas and soft, honeyed vocals. Franco's "Ei, Voce, Psiu!" takes a more US funk idea with Franco's spoken vocals giving off a strong air of bandleader as the band lock down a tight groove beneath. Watch out for samba flip towards the end. Blink and you'll miss it.
Review: Favorite Recordings has previously championed revered and little-known Francophile disco and boogie gems, mostly on dedicated compilations curated by dusty-fingered digger Charles Maurice. This '45' marks the launch of a new series along similar lines, with each release boasting two hard-to-find tracks accompanied by their original cover art (one on the front, the other on the back). On side A you'll find 'Give It Up' by Belgian band Charms, a warming and loved-up chunk of boogie/mid-80s soul brilliance stacked with luscious synth sounds, rubbery bass guitar and eyes-closed male lead vocals. Over on the reverse is France-Lise's 'Pour-moi ca ma', a simply superb slab of French language disco blessed with a killer bassline, funky guitar licks and some suitably heady horns. Tres bon!
Happy707 - "Where Does That Noise Come From" (4:28)
Review: Menacing EBM and dark synth billows from a Netherlands hinterland; our heralds speak of an esoteric encampment by the name of Espectro Oculto, said to be the remote incantators of an unstoppable curse in sound. Six shadowy emissaries have been sent to spread the pestilence; Trenton Chase, Martial Canterel, DJ Nephil, Exhausted Modern, Fragedis and Happy707. Clearly, the faction have recruited only the best, trusted and yet most nefarious of spies from as far-flung regions as Czechia and Argentina in the administering of such a sordid sonic plague. We're left most quivery at the centrifugal doom drones of Exhausted Modern's 'Fear Of Focus', across whose breakdown banshees are heard wailing and snarling, and Fragedis' 'Landing In Reality', a lo-fi techno freakout and sonochemical anomaly, channeling militant two-way radio samples and hellish FM synthesis.
Coflo, Steve Howerton & Niya Wells - "Ecru" (9:51)
Review: A San Francisco house producer who is taking jazz influenced house music to another level is Coflo aka Cody Ferreira 'Syncopatience' is a stunning deep house release that highlights his signature blend of soulful rhythms, intricate grooves, and rich musicality. Each track brims with personality, that blend clever and creative vocals and lyrics to a deeper level than just for the dancefloor. Side-1 starts off with 'Get Down, Show Love', a collaboration with Fenyan that exudes a hip, jazzy charm. Playful yet refined, it features catchy vocal work and a high-level jazz flair, effortlessly blending house with improvisational energy. Next, Coflo's remix of 'Cee.Side's Elektrify' brings atmospheric depth, wrapping Latin influences around a funky, sultry groove that's as hypnotic as it is danceable. Side-2 delivers Ecru, where Coflo, Steve Howerton, and Niya Wells craft a deeper, tech-tinged house cut with sharp, clever lyricism. Its polished production and layered instrumentation elevate it to a higher plane of jazzy house, demonstrating Coflo's versatility and artistry. 'Syncopatience' has the solution on how merge soulful textures with dancefloor energy in a unique way.
Review: Sure Thing presents Well of Sand, its second compilation. Six tracks from the label's friends and favourites, each new to the roster, offer bold, untempered explorations of tempo and weight, a concise yet expansive collection recalling the deliberate cadence of rippling sand and the sheen of shimmering oases. From Command D's subtly groundswelling, but snappy 'Half Blue (Violet Mix)', to Foreign Material's alarmingly alien 'The Living Planet' and Third Space's supremely stereoized, lowercase opus 'Push (Part 2)', this is a release for that large intersection of audiophiles and techno-philes.
Manuel De Lorenzi & Freddie Wall - "Sun-Rise" (6:15)
Fichs - "Find Yourself" (6:35)
Manuel De Lorenzi - "You Already Know It" (7:08)
Manuel De Lorenzi & Giacomo Silvestri - "The Big Apple Community" (7:09)
Review: Monday Morning is back to roll out some more lush house depths with a second EP, this one featuring founder Manuel De Lorenzi in the company of his pals Giacomo Silvestri, Freddie Wall and Fichs. 'Sun-Rise' is a nice gritty but vibey opener with percussive skip and dry hits. Fichs's solo cut is a loopy workout with nice bulbous synths and a pared-back rhythm that gets ever more inescapable while De Lorenzi then offers up the radiant synth warmth and dubby undercurrents of minimal house shuffler 'You Already Know It.' With Giacomo Silvestri he then closes on the more percussive loops of soft house soother 'The Big Apple Community.'
Review: Stefano De Santis kicks off Ten Lovers' new 'Best Of Various' release with 'Murk'; as the name suggests, this is indeed a dark workout from Rome's finest. The tone is set thereout for a thoroughly varied V/A, blending every curious hallmark from jazzdance, G-funk, Chicago house and progressive. The opener is a muted but no less expansive start, establishing the broken, one-beat-eliding, live-drummy mood that is then heard throughout. Batavia Collective's 'Rearview' thematically harks after an unconscious joy, considering what can only be implied, not stated, by way of a gorgeous, what sounds to be largely live, modal synth squeezer on which the slowdown is the real highlight. Future Jazz Ensemble's 'Over The Rainbow' is by far the most challenging, blurring any woulda-been established lines popularly splitting 'live' and 'electronic' with a reverb-drenched generative fill workout, while closer 'Outer Heaven' from Takahiro Fuchigami, hailing from Fukuoka, rounds things off on a note of Hancockian jive.
Review: On a mission to "make d&b great again", Finland's Straight Up Breakbeat pass through once more with the second of three EPs formed to showcase modern junglism. Kicking off, 'Mystery Machines' sees Glastonbury's Dead Mans Chest slam down some deadly amen choppage reinforced by haunting vocal FX and paranoid drones. Aeon Four & FFF's 'Look Inside' is a jungle-tekno roller, served with chunky hardcore style amens and a side of warm old-skool pads. Keeping the mid-90s vibe alive, the tripped out 'Green Fields Forever ' from Fanu - which drops hot on the heels of his greatly received remaster of Source Direct's 'Stars' - delivers airtight amen trickery, weaving synth washes and blissful dubby basslines. Esc & Mineral round things off with 'Photosynthesis', a pensive stepper highlighting cut-up breaks waltzing with cheeky synth nudges and a wide, rugged bassline. If the pioneers had buried some beefed-up tracks in a time-capsule to inspire future generations, they would probably sound a lot like 'States of Art II'.
Music Saved My Life (The extended Discomix) (8:21)
Music Saved My Life (The Full take) (6:11)
Music Saved My Life (The club dub) (7:47)
Music Saved My Life (The acappella) (5:21)
Review: Disco don Dimitri From Paris and the always glossy Glitterbox label is a perfect coming together as this new single proves. It has a cliched title but the music excuses that - it's pure timeless joy, with feel good vocals, big shiny strings and a knotted, funky bassline that cannot fail but ignore the floor. The musicianship is second to none on the extended disco mix and that areas on through all versions. There's the big full take, the more paired back club dub and a cappella, and all are dynamite.
David Dingess - "Hyper Love" (Toni Rossano edit) (4:17)
Jaegerossa - "The Buzz" (6:07)
Cruisic - "Inspector Norse" (Slowly remix) (4:47)
FSQ - "This Is Carribean Disco" (A Tom Moulton mix) (6:28)
Review: Midnight Riot help the listener carve out their own personal Balearic headspaces with their new compilation Balearic Headspace, likening the "experience" of Balearic not just to a sound, but an affect, one that cannot be experienced without specific records or specific times and places. Do we believe it to be true? We may or may not, but that doesn't distract from the whopping curation job here, with most tunes on offer consisting of both total newness and reworks/revisions by the Midnight Riot crew; this 12" is a four-track selection of a wider 19-track digital comp. Our highlight has to be the ultra-smeary Tom Moulton mix of 'This Is Caribbean Disco' by Fsq, which floats atop a serious floe of stretched-out axe bubble and echoing crosstick, as its lyrics deal in word-painted themes of being held underwater. As mindfully, cognitively Balearic as it gets!
Flesh & Blood Posse - "Rebel Muzik" (version) (3:35)
Review: The Flesh & Blood label kicks on here with a nice blood-red vinyl 7" featuring a hard-hitting new tune from Dixie Peach. 'Rebel Muzik' hits plenty of key dancehall hallmarks - the shiny, metallic digital chords, the stepping rhythms, the swaggering bass down low and some fine bars up top. On the flip, you can find a more heady and stripped-back version with some melon-twisting effects and dangling piano chords courtesy of the in-house Flesh & Blood Posse's own version. Plenty of damage will done with either of these providing they are played loud and at the right time.
Review: Soma sub-label Avoidant Records recently put out a fantastic collection fo electro cuts but it was a digital only release. Now some of the standouts from it get pulled together on this fresh new 12"that joins the dots between Europe and Detroit. DJ Godfather kicks off with some rapid fire 313 electro, squirrelling bass and slick claps then 'One Direct Line' from The Exaltics is more cosmic and blissed out with lush ambient synths. On the flip, Flug goes hard with mad digital patterns and Blaktony layers up jacking drums, corrugated bass and dark hits. Great stuff.
Review: Arpanet is a new imprint focused on reissuing far-sighted club cuts and electronic curiosities from the dim and distant past, helmed by French veteran DJ Speep. Fittingly, the label's first release is a reissue of Speep's 2001 collaboration with friend Fab, Sensitive. The title track, which resides on side A, is a classic example of moody, turn-of-the-century tech-house, where metallic electronic motifs, foreboding chords and layered percussion rides a dark bassline and swinging, non-stop drums. 'Space Road' offers a more intergalactic, acid-flecked take on early morning, early noughties tech-house, while 'Ladiescope' is warm, tactile, rolling and quietly postive: dreamy tech-house for wannabe astronauts and sun worshippers of all ages.
Doni & Leo Young - "Rebelion In The City Of Gangia" (6:03)
Pastaboys - "On & On" (Panna mix) (6:32)
Hiver - "Magic Crusade" (5:51)
GPM, Steve Mantovani, Dan-E-MC, Daniele Mad - "House In Full Effect" (9:21)
Feel Fly - "Armaduk" (6:08)
Review: Rebirth is thrilled to announce the release of three bonus parts of the 'Ciao Italia. Generazioni Underground' album in 2023, available on limited edition vinyl. 'Ciao Italia' Bonus Quattro, Cinque and Sei continue to connect two generations - the trailblazers of the early 90s and those continuing the legacy today, with a futuristic perspective and renewed energy. Bonus Sei includes classic tracks from legends like Doni & Leo Young, Pastaboys, G.P.M., Steve Mantovani, Dan-E-Mc, Daniele Mad, along with unreleased material from newer Italian artists such as Hiver and Feel Fly.
Review: The newly formed Dreadlionsmusic label out of Austria debuts here with a fresh EP featuring the eponymous producer Dreadlionsmusic. They take charge of two tunes - the first features the mic work of Fitta Warri on 'Full Control' which has fleshy drums wobbling backwards and forwards and natty dub vocals with some fresh and futuristic synth work next to classic chords. Dreadlionsmusic then offers up a dub take, as they also do of the second tune 'Heart & Soul'. The original is another bit of well-made dub steeped in tradition but with fresh production bringing it right up to date.
Review: Detroit mainstays Drivetrain and Blaktony are next up on Soiree with some high-octane but soul-infused machine music, while Funtom and Hughes Giboulay appear on the flip side. Drivetrain gets to work with the jerking loops and turbocharged chords of 'Hyperlock' while Blaktony's 'Butt Naked' sinks into a deeper late-night and more dubbed-out house vibe. Funtom's 'Wisdom' brings a great lightness of touch in the wispy pads and scuffed-up drum patterns, then 'Kickin That Feelin' has a more exuberant but still deep feel with subtle chord joy and deft acid.
Soundboy Killa (feat Natty Campbell - The Allergies remix)
Jump On It (feat Top Cat - Guadi & Don Letts dub remix)
Review: The proverbial 'Soundboy Killa' is an enduring trope in soundsystem culture at large, referring to the apparently inherent enmity and villainy of the turntablist. Said to have originated in the days of system clashes, the assassin in question presumably refers to the opposing MC, whose barraging verbiage may pack enough semiotic punch to K.O. the opposition through mere utterances alone. Here Natty Campbell and the Freestylers pay tribute to the theme as progeny of the 90s big beat scene; having come up in the age of Fatboy Slim and Chemical Brothers, the supergroup first faced off in a whirl of tricky dub and armour-plated cold cuttage, dispatching two honorary tracks in the style of each artists' respective greatest scene-hitters: Dub Pistols' 'Cyclone' and Freestylers' 'Roughneck'. Now 'Soundboy Killa' and 'Jump On It' in turn hear a remix from Allergies and Guadi & Don Letts, the latter of which is especially experimental in its use of a peaky, 2-step shuffle.
Review: FOXBAM INC is back to build on the momentum of their first EP with a second one that packs a mighty punch. This one kicks off with EBY, who this year has been cooking up acid for 40 years and here offers the warped low ends and garage-techno power of 'Goldtooth'. Foxtrot vs Ma Bla then mashes up old school samples with earth-shattering bass on 'Deep Down Inside' and bRz vs Stije is a double-time hard techno stomper with warped synths and twisted bass that is inspired by and named after ISCO, a concept from Einstein's general theory of relativity that makes predictions about the dynamics of black holes.
Review: Mushroom Pillow is on a proud and so far successful mission to bring back Latin American music from the 60s-80s via its Relatin project. it's all about mixing up the traditional and the modern and putting fresh spins on what went before. Many of the originals they look to have gone unnoticed the first time round and that's the case here as Franc Moody adds his own twist to Elia & Elizabeth's 'Alegria.' His remix is a sympathetic one that gets the hips swinging over fat and funky disco bass and beneath the sunny Latin vocals. He strips them away on the instrumental version on the flip.
Review: German beat maker Fabe has emerged over recent years as one of tech house's most skilled groove smiths. His drums and bass are always seductive no matter their style. Here he links up with Burnski aka Instinct's Constant Sound label for four more irresistible nuggets. 'The Greater Good' is super quick as it glides over rippling bass with silky chords, then 'Newbie Bounce' has a more weighty groove. There is elastic funk and US swing in the shuffling goodness of 'Flow Groover' then 'On Edge' closes out with bulky deep house beats and late-night synth work of the highest order.
Review: Nicola Facchineri's Prog EP on Twig is a masterclass in hypnotic, groove-centric electronic music, demonstrating the label's knack for crafting compelling club tracks. Each cut on this EP reinforces Twig's reputation for pushing boundaries while keeping it grounded in dancefloor practicality. The opener, 'Lighter Cubes', immediately sets the tone with its spacey atmosphere and mesmerizing bleeps. The track's subtle melodic elements weave through a tapestry of electro sounds, creating a suspenseful build that's perfect for those crucial moments in a set when you need to heighten the tension. 'Juggle' shifts gears with a deeper groove, featuring a blend of bass and acidic synths. Its understated yet infectious rhythm makes it a standout, effortlessly blending subtlety with impact. On the flip side, 'Climbing' lives up to its name with a relentless build-up that turns the dancefloor into a dynamic playground. The track's chuggy bass and intricate drum patterns keep the energy high, demonstrating Facchineri's skill in maintaining momentum. The final track, 'Right Way', wraps things up with a touch of acid and a cool, spacey melody. Its bleepy, synth-driven vibe ensures it fits comfortably into any set, bringing a satisfying conclusion to the EP. Prog EP affirms Twig's status as a go-to label for quality deep club tracks, adding yet another gem to their impressive roster.
Review: Wisdom Tooth co-founder Facta has always brought plenty of colour to his blends of house, bass and club music. Both rhythmically inventive and dancefloor-ready, his work is also always full of playfulness and emotion. So is the Sun is another EP that follows in that fine tradition with opener 'A X I S' laying down bumping drums and warming sub-bass under crisp hits and whimsical neon pads. 'Innsbruck' is another sugary sweet blend of thudding, rubbery drums and naive melodies that truly captivate. Add in two more charming club cuts and you have a superb return from this ever-green talent.
Review: The latest Pampa twelve sees label boss DJ Koze share the vinyl with Border Community don Nathan Fake and as you'd expect from two such esteemed knob twiddlers it's a very good look. Fake takes the A Side with the festive sounds of "Xmas Rush" which is perhaps the first Christmas themed descent into brilliantly twisted techno freakout in history. Inherently psychedelic and filled with plenty of acid reflux mind f*ck potential, there's also a warmth to the track that makes it quite special. On the flip DJ Koze presents an equally twisted but totally different dedication to Jamaican left anarchist dub poet Michael Smith, tragically beaten to death by political opponents in 1983. Covering Smith's signature track "Mi Cyaan Believe It" Koze drops a highly pressurized rough minimalist techno beat with added throb potential via the droney melody which presents itself as the perfect backdrop to Smith's distinctive tones (check the track at 33RPM for added freakout potential).
Review: Reissued by Before I Die after being singled out as a choice cut from a recent Swedish library music compilation, 'UFO' is a cosmic funk jam by one lesser-cited duo known as Falk & Klou. This being their only collaboration, the fused efforts of Carl Johan Fogelklou and Fredrik Segerfalk make for an otherworldly experience, with lasery sound FX and a strange narration complementing this toothy electro-funk oddball. The remix by Andi Henley (Ruf Kutz) on the A-side cements the track's importance.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.