Back catalogue: Techno (すべて)

Review: Furthur Electronix's first two Furthur Journeys Into compilations tune plenty of heads and shift plenty of copies. The third one keeps the quality levels high with more explorations around the periphery of underground electronics. Chris Coco opens with a soothing synth sound before Jake Slazenger brings crystalline synths and abstract modulations to the mid-tempo '168B.' There is more pace and twisted acid energy to Global Goon's untitled contribution and then old school jungle comes to the fore on the super stylish and atmospheric Gavin Masih cut. Monika Subrtova's 'Alata' is a serene and widescreen ambient synthscape that brings things to a suitably poignant close.

Review: Rhythm Section's latest favourite, (Oliver) Gallegos, evidences his mastery over the art of what we like to call the "speech tune" - a format almost as old as time. Think Rum & Black's 'Slaves' or Underground Resistance's 'Transition'; the formula is as such; a slow-built dance beat, at least over 110BPM by our estimation, over which a rousing historical speech plays out throughout the track. Though this form lends well to a 90s rave aesthetic, Gallegos finds himself at a post-comedown period of history, indeed in which "rave" is often bittersweetly thought to be anachronistic; and in which house music often reigns supremer. So, then, does he bring a record-breaking, body-moving homily vocal sample to an incredibly arranged set of house arpeggiations and medley-style sample cut-ups, working in a sort of auditory bricolage but nonetheless bringing them together under a seriously reflective memorial dance-dome.

Review: French electronic icon Laurent Garnier returns with the FABRICLG4 EP to celebrate the 25th anniversary of London's legendary club. This release showcases Garnier's signature range and opens with 'Playing with the Low-End,' a fierce 2-step track that nods to the heritage of UK club sounds. The journey then shifts to techno with 'Resonances from the D' barrelling along with great force and then on the flip side, 'Odyssee Maison' features deep house grooves with Dan Diamond and last but not least 'On the Way Home' rounds out the experience with ambient sounds. This one comes with "augmented reality artwork" by Atelier 14 and is another doozy from the already untouchable Garnier.

Review: GiGi FM's Virgo Space Acid is another mystical techno odyssey. Channelling "2025's energy," she fuses acid textures, reworked 909s and mantra-like vocals across four transformative tracks that range from the hypnotic opener 'Calibration' to the soaring tension of the title track and the emotional dubscape of 'Floresta.' Each cut explores healing, intuition and self-empowerment through sonic minimalism as GiGi refines her craft into a deeply expressive language that merges an urge to move with real moments of introspection. This is not just club music-it's ritual and release from the forefront of experimental techno.

Review: After the much loved Delano Smith remix of Gigi Galaxy's 'Interview With An Alien' turned so many heads, Det 313 label has secured three originals from the Detroit producer otherwise known to as Gary Martin. Each shows he has a unique approach to the art of groove making, with 'First Night In Lemuria (DET313 version)' slower and more restrained than many in the game - almost like a Sheffield bleep anthem pitched down and augmented with a delightful, prodding bassline. 'Spirit World' is the big room pleaser of the trio, with a bubbling acid arpeggio slowly degrading and re-building throughout and some lovely sci-fi synthery going on. 'Inevitable' is the cheekiest and cheeriest of the three, all sharpened hi-hats and swirling electro beats and breakdowns that reveal its simple but damn effective musical heart to all and sundry. Nice work all round.

Review: Gilbert's Astral Harmonics, released on the esteemed Distant Worlds label, is a standout addition to the techno landscape, showing the label's commitment to quality over quantity with only it's 13th release in the last 8 years. The EP opens with 'Lost Frequency,' a track defined by its tight bass and precise rhythm programming. The production is top-notch, with futuristic accents and expertly layered melodies that create a crisp, engaging sound. 'Quantum Echoes' follows on Side 1, offering a slower, electro groove that flirts with downtempo and ambient elements. The track's beautiful, almost magical melody gives it a serene, otherworldly quality, making it a perfect blend of genres that stands out in its subtlety. Side-2 kicks off with 'Earthscapes,' a unique fusion that combines the energy of broken drum and bass with melodic inspiration drawn from both Detroit and UK techno. The track's great bassline and rich atmosphere push the boundaries of techno, offering a refreshing sound that actually pushes the envelope of techno. The EP concludes with 'Particle Drift,' an ambient techno piece that feels like a nod to the greats of the genre. Reminiscent of artists like B12, Stasis, Future Beat Alliance, Derek Carr, John Shima, and As One, this track provides a soothing, contemplative end to the journey, wrapping up the record with a sense of calm and introspection. Astral Harmonics succeeds due to Gilbert's ability to craft intricate, boundary-pushing techno, and Distant Worlds' dedication to curating exceptional releases. One of the smoothest techno records out this year.

Review: Shout out to Greek powerhouse Kinesthetik Recordings for making it all the way to a half a century of releases there. They celebrate in the best way they know - with more tranced-out sounds from artists in their orbit. Giorgio & Andreas open things up with 'Nice One' and its thudding tech drums and cosmic synth lines. Diskinesia gets much more raw and moody with the edgy drums of 'Back & Forth' and Interphase then drops a pair of industrial tech thumpers. Giorgio & Andreas reappear with a raw, roughshod and deep groove and Marcelino Sanchez's 'Motive One' offers dub techno to close.

Review: Following the success of last year's Walks, Group Listening returns with a new 12" for PRAH Recordings. The title and artwork both explore themes of decay, expiration and musical renewal and the music was in part inspired by a small DIY festival in Bristol. Paul Jones explains the title represents a radical, open call for change while 'Tell Everyone Everything' is a layered, intense synth soundscape with destined pads and nimble chords that lock you in the here and now. The release also features remixes by Ancient Plastix and Loggsplitter who bring sub-aquatic dub and mind-melting rhythmic intricacies.

Review: Gunjack indents a lasting impression with the 'Detroit Tango' EP for Planet Rhythm, taking after the distinct Motor Citied techno style whilst also bringing a supremely balanced and original slant. The producer shows off a clinical, precise, nigh surgical approach to texture, gain staging and mixing, building on a genre that otherwise prides itself on 'rawness' (i.e. gritty street-realist unpolish) and moving further into a direction of serenity and clarity. Take the low end movements of 'Rocket Surgery', on which the track's coltish hook and subnautical kick do not sound separate, but rather one sounds to 'emerge' from the other; and 'The Drumz', which evidently takes after Millsart's 'The Bells' for a more enlivened jamboree, albeit one that still somehow fits in with the softer subtleties of the EP's obverse trax.

Review: Percussive, frantic techno from Brian Gibbs aka. Gunjack, in celebration of 25 years of the artist project so named. Somewhere between an EP and LP, this six-track 12" is packed to the brim with pressurised prangouts on the harder side, and includes a ream of reinterpretations of Gunjack classics, as well as a version of Ritual48 by Japanese techno icon DJ Shufflemaster. Our favourite here has to be the hangar-scouring toller 'Warehouse Ghost', with its heavy use of pan effects on the lead barrage.

Review: Gzardin has a pretty singular sound palette when it comes to his take on tech house. His medleys are bright, his drums dusty, and his chords bring colour and radiance. All that is on show on the opener of this new EP with 'Hentroduction' being a mix of laidback vibes and trippy sequences that occupy the mind. 'Rainy Pain' is more twisted and tense in its make-up and 'Part Time Shed' ramps things up again with techno-leaning low ends and warped synth synths taking centre stage. 'Desserted' shuts down with some new school jack.

Review: A record that explores deep, hypnotic rhythms with a strong tribal and mystical undercurrent, the latest Siamese Twins records pushes the boundaries of what is possibly in eastern influences underground techno. Side-1 opens with 'The Golden Triangle', an atmospheric introduction that feels cinematic, setting the stage with ambient textures before giving way to movement. 'Lens of Time' follows, locking into a deep, primal groove where rolling percussion and rich low-end create an entrancing effect. On Side-2 'Mekong' leans into tribal mysticism, blending ancient rhythmic patterns with a modern pulse. The production is detailed yet raw, drawing from rich percussive layers. 'Ruak' closes the EP with pulsating bass and deep, rolling rhythms, channeling Eastern influences into a hypnotic techno flow. A powerful release from Siamese Twins Records, driven by Sunju Hargun's distinct vision.

Review: The Fourier Transform label outlay an arresting sonic journey on their debut release, bringing together breakbeat, ambient IDM, ambient techno, and prog house under a single banner. Opening with Inkipak's 'Betwixt', we're met with sonorous low-mid square waves and machine-gun-fire breaks, recalling the breathtaking, verging on apocalyptic expanse of a warehouse rave turned laser light show turned warzone. We break from this warring weir with 'Omnicron Acid' and 'City Of Tomorrow' by Gimmik and Brian Kage respectively, which lowers the intensity and sonic flow via spacious atmospheres and dudding percussive pops. Finally, the perfect fusion of the former two moods is achieved on 'Corrosive Tongue', the lead synth on which sounds like just that.

Review: Ohm Series #10 continues to be a shining example of the remarkable work being done in the dub techno genre, consistently featuring top-tier producers who excel in their craft. On Side-1, Monomood kicks things off with 'Spring In Space,' a track that boasts deep sub-bass hits and long, blending chords. Its strong kick and clean production make it a powerful example of dub techno at its finest. Following this, Octal Industries delivers 'Rewind Repeat,' a piece that layers epic strings and a soaring melody over an abstract broken beat. Powerful and evocative! Side-2 opens with G-Prod and Taho's'"Light Forest,' an uptempo dub techno track with a techy edge. Its smooth production and dancefloor-ready vibe make it a seamless fusion of technical prowess and groove. Closing out the release is Gradient's 'Track 4,' which offers classic dub techno sounds. Gradient's exceptional craftsmanship is evident in this track, which epitomizes the lush textures and hypnotic rhythms that define the genre. Overall, Ohm Series #10 upholds its reputation by delivering high-quality dub techno that resonates with both purists and new listeners alike. This release is an ideal example to the innovative spirit of the genre.

Review: Thomas Schumacher's latest project brings together a vibrant mix of artists, channeling the raw energy of contemporary techno. The first track strikes with unrelenting force, its driving rhythms and layered atmospherics creating a powerful opening statement. Franco Smith and TimiR take a slightly different approach, crafting a hypnotic blend of pulsing basslines and tight, percussive details that hit with surgical precision. On the flip, Mark Porter's contribution strips things back to their bare essentials, letting subtle, looping melodies glide over crisp, metronomic beats. Gonzalo Cavalli rounds off the collection with something more emotive, layering shimmering synths over a steady, groove-laden foundation. This release is as much about showcasing individual artistry as it is about exploring techno's evolving formsia versatile and deeply considered collection.

Review: We're always happy to be in the orbit of Planet Rhythm and this time Stipp and Genex lure us in for a dancefloor collision with their macho techno tools. 'Last To Act' is a big old wall of drums and percussive loops with a funky rhythm and 'Overcall' is pure mind music with its twisted, silken synths and ever-present drum pressure. 'Places' keeps things upright and punchy with cantering kicks and whirring machine sounds and 'All In; shuts down with a jacked-up mix of analogue drums and deep-sonar pulses. It makes for quite the thrill.

Review: Wolfgang Voigt's groundbreaking project Gas returns with a definitive reissue of its self-titled debut album, originally released in 1996 on Mille Plateaux and now reintroduced by Kompakt on CD format. This release marks a long-awaited return to the foundational essence of Gas, as initially envisioned by Voigt. Gas unfolds across six expansive, untitled tracks that drift seamlessly, each a captivating journey of ethereal loops and rhythmic undercurrents. Distant echoes of classical motifs add to the album's enigmatic allure. This debut stands out for its airy, evocative atmosphere and its exploratory nature. Gas not only revisits a pivotal moment in electronic music history but also underscores Voigt's enduring influence and avant-garde spirit, setting the stage for the techno and ambient genres to unfold from his influence. There is quite nothing like the first four Gas albums.

Review: Wolfgang Voigt's seminal project Gas returns with a definitive reissue of its eponymous debut album, originally released in 1996 on Mille Plateaux and now presented anew by Kompakt on a lavish 3x12 vinyl set. This release marks a long-awaited return to the pure essence of Gas, as initially envisioned by Voigt. Before this full-length debut, hints of Gas's distinctive sound surfaced through early EPs and compilation tracks, showcasing Voigt's knack for ambient electronic landscapes. Gas unfolds across six expansive, untitled tracks that drift seamlessly, each a mesmerising journey of ethereal loops and rhythmic undercurrents. Voices from distant classical motifs echo faintly, adding to the album's enigmatic allure. While later albums like Zauberberg and Konigsforst would refine and deepen the Gas aesthetic, this debut stands out for its airy, evocative mood and its more fluid, exploratory nature. It captures Gas at a moment of artistic genesis, where Voigt's sonic vision begins to crystallise amidst dreamlike textures and subtle rhythmic structures. Gas, in its reissued form, not only revisits a pivotal moment in electronic music history but also serves as a testament to Voigt's enduring influence and avant-garde spirit, setting the stage for its legendary successors.

Review: To celebrate 15 years in the game and coming via Lithuania's Greyscale label, Gradient delivers Dub Stories, a two-CD masterpiece that focuses on his evolution. CD1 opens with 'Dub Story 1,' setting a vibrant tone that flows into the airy 'Dub Story 2.' Tracks like 'Dub Story 3' and 'Dub Story 6' pay homage to classic dub roots, while 'Dub Story 4' and 'Dub Story 8' push creative boundaries with dynamic melodies. CD2 continues the journey with the deep, evocative 'Dub Story 11' and the celestial 'Dub Story 13.' Tracks like 'Dub Story 16' offer serene, minimalistic breaks, while 'Dub Story 19' delves into deep, contemplative layers. The album closes with 'Dub Story 20,' a grand finale that leaves a lasting impression. Dub Stories is a fitting tribute to Gradient's legacy and a shining example of quality in the dub techno realm.