Review: The Innate label made a sizable impact with its first release - a killer various artists 12" with Mark Hand, Lerosa and others. Now it returns with another balanced mix of established and emergent artists, leading in with a stunning A side cut from A Sagittariun delivering what might be his most beautiful production to date - a swooning, snaking slice of melodious techno that brims with emotion and canny programming. After turning heads on the first Innate release, Gilbert returns with "Polynoid," a punchy, Lately bass-powered workout with lashings of Motor City soul heaped on top. Sean Dixon completes the package with "Our Love For Music," a pointed machine mantra that maintains the classic techno tone Innate is shaping up as its MO.
Review: Drumcode head honcho Adam Beyer and Chicagoan legend Curtis Jones (aka Green Velvet) had discussed writing music together for a long time. Also, Beyer's protege Layton Giordani had admired the mohawked Jones' work for as long as he could remember. When he got to DJ alongside him at Belfast's Shine - the spark and subsequent friendship was immediate. The outcome of this respected trio's musical journey comes in the form of "Space Date" which will be familiar to many who've followed their sets over recent months. Featuring a relentless main room stomp with steely hats and droney synth leads, all accompanied by Green Velvet's trademark vocal delivery. The thunderous peak time energy of "Rome Future" is likewise guaranteed to rock the house - that killer Reese bassline particularly is sure to blow the doors off!
Review: FXHE bloodline member Big Strick continues to excel on his own 7 Days Ent. label, dropping his first 12" of 2012 which has a nice community feel to proceedings. Alpha & Omega introduces us to Generation Next, a rising 16 year old talent from the streets of Detroit who contributes alongside Mr Strickland to all three tracks here. Stylistically, the three tracks here seem equally indebted to Juan Atkins pure techno endeavours as Infiniti and the sub aqueous grooves of Drexciya, not least the restrained title track which shimmers from the murky depths into a finely crafted liquid groove imbued with bubbling elatory Utopian textures. On the flip "Origin" ripples with pressure, its rhythmic elements grappling for your attention as the space between them decreases with Strick and Gen Next expertly layering texture upon texture. A masterful 12" shaped exercise in modern day Detroit sounds is completed with the devious electrofied snap of "Bloodline".
Review: Leonard "Big Strick" Strickland is perhaps best known for his family ties with Omar-S (they're cousins), though his productions are well worthy of praise in their own right. Here, he offers up a sampler 12" featuring cuts from his recent (and excellent) Reservoir Dogs LP. Perhaps the most noteworthy cut is "Family Affair", a lovingly constructed chunk of hypnotic, melodic deepness written with Omar-S. That said, Strick's solo effort "Armed & Dangerous" - a winding chunk of voodoo techno - is arguably better. The mazy techno-funk of Reckless Ron Cook's "Night Moves" is also outstanding.
Review: Not On Earth's first release sold out in quick time - unsurprising given the reputation of Frankfurt based founders Bodin & Jacob. Their second is a various artists affair that shows off some of the talents they have unearthed, while Bodin also reappears with "A Walk In The Park." It's a brilliantly militant cut with clipped, marching beats and rasping bass squelches, and elsewhere Philipp Boss opens the EP with the slippery electro rhythms of "Lava". Griezman's "Decheterie" is an uptempo bit of proper first wave tech house a la Terry Francis. Closing out this more than handy EP is the hard edged electro-tech of "Zoober" from Martyne.
Review: Ron Wilson's 777 serves up more raw and rusty house jams on a new various artists sampler entitled Internal Affairs: this is serious! On the A side is newcomer Brighton with "Tesla" (Leaves Remix), while Frankfurt's Orson Wells gives us "Ratio" where Saarbruckens finest: Roger 23 gets on the remix and delivers a lush deep acid rendition this side of Tin Man. On the flip, Leaves returns with the impressive "Third Floor" getting an awesome remix by Pablo Mateo; working those drum computers to impressive effect as always. Finally, Orson Wells stays on too; working the nightshift on his remix for Glyn's "Kevin Lomax" and giving it a lo-fi, neon lit makeover that will appeal to retroverts dancing well into the morning at Robert Johnson next Sunday morning.
Review: Having been spotted splurging out guttural techno mischief on Super Rhythm Trax and No Logo, G-23 gets invited to Torn Hawk's Valcron Video label with more of that deviant sonic behaviour to share with the world. There is sludgy bass, strangled acid and clattering percussion aplenty on lead track "Access Code", while "Bleep Shots" throws down hard and raw with an utterly sick mix of grotty drums and gnarled synth blots. There's a Mr Husk "unmix" of "Access Code" which adds some extra melodic strains into the melee, and then "ARS Trip" finishes the EP off with some end of days tone damage for anyone left standing.
Review: KM Editions and Pleasure Unit are proud to anounce the launch of Pleasure Wave. A new imprint to release special projects.Our first release "Tarnished Idol comes from the multi faceted g-Marie a friend of ours for over 20 years. This mini LP was concieved over the first few months of 2015 after various travels around Europe and Asia and then recorded at his home studio in South London.
Review: One Records move into 2016 with what is set to be one of the biggest records of the year coming from elusive producer Gabriels. This one sided, one track bomb comes in the form of 'Amethyst' and sits in a whole league of its own.
Originally from England but currently based in the midst of the L.A hills, masked by mysterious identity, Gabriels has been quietly forging a comprehensive studio set up and is finally ready to unveil his debut release. Setting his own standards sky high, 'Amethyst' grabs you from the off with it's floor shaking bass, immersive vocals and hypnotic energy that builds with subtle intensity and texture for a dramatic breakdown. This is the track you'll remember when you leave the club, an undeniable beast that is certain to do the rounds in 2016.
Review: Following fine releases on Shipwrec, Natural Sciences and Return To Disorder, masked electro/techno misfit Galaxian (real name Mark Kastner) makes his first appearance on Ilian Tape. The Glasgow-based producer starts in suitably big fashion via "External Observer", where what sounds like an orchestra of synthesizers gets to work over a skittish, bass-heavy electro beat, before exploring more dystopian dancefloor pastures on the moody, alien-sounding and otherworldly "Fuzzy Clouds Of Potential Existence". On side B he gives his out-there interpretation of early jungle ("Coming Up For Air"), batters a broken computer into submission and makes electro gold out of it (the slightly melancholic "Mechanistic Control Fantasies") and soundtracks the end of days (or possibly Brexit) on weirdo closing cut "Terminal Phase".
Review: Although largely unknown outside of underground electro circles, Mark Kastner AKA Galaxian consistently serves up some of the most on-point experimental and club-focused electronic music around. It's a bold claim, for sure, but one that's backed up by the high quality tracks showcased on the Scottish producer's first EP for Natural Sciences. A-track "Golden Armageddon", for example, is a thrilling, nine-minute electro ride that brilliantly alternates between sweeping, cinematic style melodic movements and fizzing, acid-fired sections that are more intense than a late night beating from a far-right thug. Elsewhere, "Ride The Spiral" joins the dots between Drexciya, early UK bleep and weirdo IDM, while dystopian closing cut "Psychic Purification" is a Rephlex style "braindance" monster.
Review: House and techno contortionist Gilmer Galibard's debut on wax comes via London's prolific Lobster Theremin outlet, and we always keep a hawkish eye on new signings from the label. Galibard serves up four deep yet punishing cuts, with "Bell Blocker" dishing out the dubby techno, and "Brain Poacher" going for a more 90's techno swing complete with wailing bells and menacing beats. On the flip, "TTT" - possible ode to Will Bankhead's charismatic imprint? - is deadly and cold with its fuzzy swarms of sonics and 909 percussion, whereas "Unknown Touch" goes for a hypnotic approach, swinging its subtle distortion to and fro amid watery beats and grizzly low-ends.
Review: Aubrey's Don Gardon alias was a one-shot decoy deployed in 1997 with the now highly sought-after "Textures" 12" on Aubrey's own Textures label. While the provenance of these new tracks is a little foggy at this stage, what you can be sure of is the grade of techno we're dealing with here. Aubrey's illustrious career speaks for itself, and so do these tracks in the first Textures release since 2001. "The Phase" is an effervescent, funk laced race to the stars, while "Vari Tube" takes a more intimate route through dusty house that wouldn't sound out of place in the Workshop stratosphere. "Slam Dunk" is a cheeky, jazzy affair while "Dons Slide" gets a little more freaky and far out in the finest tradition of B2 tracks.