Review: A aka Mika Vainio's 'Fermionit' is a significant release from the late Finnish producer, who passed away in 2017. Originally featured in a Belgium Detuned 6x12 boxset just before his death, the track received critical acclaim from collectors and fans. Now, it returns to Mika's own Sahko label for a well-deserved 12" release. 'Fermionit' embodies the essence of Finnish techno with its minimalistic, cold and stark sound. The track's passive-aggressive edge showcases Vainio's signature style, blending raw, unfiltered textures with a profound sense of depth. This release not only honors Vainio's legacy but also offers a chance for new listeners to experience the pure DNA of Finnish techno. An essential listen for fans of minimalist and avant-garde electronic music.
Review: Welcome to the Slippery Yard, a new label out of Spain which is sure to turn heads with this fine first release - a psychedelic blend of techno from various artists. A Morgan's 'Air' is urgent and cosmic a la Jeff Mills, Dc11's 'It's All An Act' layers up deft synth details with sleek linear rhythms and Judy's 'Bide Luzea' is a hurried, pulsing, late-night mental techno trip. A further deep and heady trio of tunes features on the B-side with Bassywax's sub-aquatic sound world on 'Amona Left Us Overnight' taking the headlines for us.
Review: Heavyweight quattro-techno from A Paul, DJ Dextro, Red Rooms, Ramon Tapia and Arkvs for Planet Rhythm. Each track serving as merciless hoisters in the vein of 'Rough' techno, the A1 is deserving of the name, bringing scraping hi-hat blurs and gulping knocks to a mean mix. Deadened, unfeeling, callous calculation follows on the follower 'Binary Codes', while Tapia tabulates a 'Ratio' on the algo-rhythmic bleeper that ensues on the B1. Finally, 'Decoration Drugs' brings a prime movement, its facelessly numbered breakdowns and shuffles assuring us that there is indeed no end to off-planet production processes such as these.
Review: Knotweed welcomes back a label regular in A Thousand Details here and he once again delves deep into groovy machine funk. His high-impact sound is always intense but is never short on style. 'Hammersmith Conjunction' is up first and races out of the blocks on some surging, serene and Detroit-style techno. 'Ashbourne Grove' is a more heads-down affair for the dark of the night with paranoid synth patterns looping tightly over the cantering drums. 'Colorious' ups the ante with bristling percussive loops and 'Pimlico Astor' shuts down with some edginess that will keep you on your toes.
Review: A Trifle Too Far, the collaboration between Essex natives Simon Ward and Tony Grimley, crafted this forward-thinking duo of tracks, inspired by their explorations of the acid house scene and rave culture. Catch Your Ear and Meringueatang embody the innovative spirit of early 90s prog-house. Engineered by Evren Omer of Strategy Records and Matt Clayden of X-Gate Records, respectively, these tracks remain a rare and exhilarating find. Mint Condition is reviving the essence of classic house and techno with their latest reissue: the elusive 1992 EP 'Catch Your Ear/Meringueatang' from A Trifle Too Far. This release is a thrilling addition for collectors and DJs, rekindling the excitement of a bygone era.
Review: Oslo's A:G has been doing his thing successfully for some time, side-stepping expectations of music from his home city by delivering music that's frequently heavier and more mind-mangling. Here the Norwegian delivers the debut release of a new label, Nocturnal Expeditions, beginning with the restless acid lines, deep bass, vintage progressive house motifs and semi-bleeping lead lines of 'Beyond The Veil'. He opts for more stomping beats and LFO-inspired bass on the similarly psychedelic 'Patient Paradox', before reaching for rave piano stabs on the nostalgic excellence of 'First of 22'. Best of all, though, is closing cut 'Gone Full Circle', where ethereal melodiesm spacey pads and squelchy TB-303 tweaks ride a psychedelic house groove.
Review: Shlomi Aber & Kashpitzky join forces once again to make their Blueprint Records debut with four formidable techno tracks on the 'Sonic Underworld' EP. Sharing production duties on each side, Aber and Kashpitzky bring experience gleaned from prior releases on the likes of CLR, Drumcode, and BPitch Control - dropping clout like bombs - to this ultimate moment, on whose A-side we now hear 'Immersive' fusions of broken beat and far-flung techno atmospheres amount to a tittilating 'Saga'. The B-side's 'Rust' and 'Bazement' are equally as synthetic yet also hear the EP grow increasingly crazed, with the former indulging an entrained trance despite an equally adamant kick-drive, and the latter moving pure tweezy and swirly.
Come Baby Ride My Vibe (Outta Attercliffe remix) (5:36)
Come Baby Ride My Vibe (Underground dub mix) (6:25)
Review: I9M is back with a new old release - what we mean by that is that this tune was actually first recorded back in 2002 by Ability II (aka David Duncan), but you wouldn't know it from listening. They are still future-sounding cuts from the producer who had forgotten about them for many years but who says that lyrically they are even more relevant now than two decades ago. The drums are dubby, the FX are cosmic and the synths bring sleek ambient flow to the energetic low ends. Outta Attercliffe aka the talented Luca Lozano, alongside associate DJ Steve remixes and ups the dub quotient while slowing the groove a touch. Last of all is a tripped-out Underground Dub Mix full of glistening FX and melon-twisting reverb.
Review: Valerie Ace solidifies her rising status in techno with her third vinyl EP, 'Givers & Takers', on her Hardwon imprint. The title track sets an ominous tone with a slow breakbeat and interlocking percussion, building tension before a heavy bass climax. 'Eat Dirt' lives up to its name, switching between breaks and straight sections to pound the floor with relentless intensity. 'A Moment Lost' wastes no time, charging out of the gates with rapidly evolving snares and filtered bass punches driving the track over atmospheric background sounds. The afternoon or afterhours vibe of '3PM' is enhanced by seasick synth layers contrasting against malignant drums, creating a sense of uncertainty. Each of the four tracks offers a hard-hitting techno experience, showcasing Valerie Ace's skill in crafting intense workouts. Givers & Takers confirms her premier place in contemporary techno and this EP is a great example to her ability to push boundaries and keep the energy high on the dancefloor.
Review: An electrifying journey through relentless acid and high-energy techno as Acid Asian goes in hard. The title track, 'Deep Soul', sets the pace with a fierce acid trance vibe, pulling listeners into its hypnotic rhythm. 'Space Colors' escalates the energy with epic, pounding euphoric trance, creating a sweeping sense of exhilaration. Side-2 kicks off with 'Ain't Nobody Like Us', a hardcore techno banger that's percussive, catchy and impossible to ignore. Closing with 'Humans', the EP dives into heavy, intense techno, wrapping up with a powerful and gritty finish. From start to finish, a high-octane, genre-blending ride that masterfully mixes acid, trance and techno, creating a standout release for those who like their beats pulsating and energetic.
Review: A new acid/psychedelic dance duo from Italy, Acid For The Grandma follow up their two initial EPs 'Dynamic Fluo' and 'Humans' for a third contribution to their homegrown label of the same name. With this one, the story goes that "Grandma has concentrated all her miraculous hyaluronic rhythmic elixir" - (into what, we're not sure) - "delivering an intense joy of flavours with a distinctly mineral taste. A strong gluten mesh for your neurons oscillates sinuously, swelling with the ethereal sound of your dancing bodies. Stay stimulated." Evidently, all we need to sustain such nervous stimulus is this music, which themes itself thoroughly after the acid experience while also indulging classic motifs from acid techno; closer 'Pitchadj' has to be our fave.
Review: For their latest trick, the Rawax crew has taken a deep dive into the back catalogue of Roman Flugel and Jorn Elling Wuttke's work as Acid Jesus - the project with which they made their name before morphing into Alter Ego. Lead cut 'Radium' dates from 1995 and wraps alien electro sonics, proto-minimal techno motifs and pots and pans percussion around a deep bassline and hypnotic machine drums. The pair's passion for heads-down hypnotism and metallic noises is further explored on the superb 'Uranium Smuggle' (which originally appeared on the flip-side of 'Radium'), while 'Hibernation Drive' is a punchy and evocative electro number first released in 1997.
Review: This release presents a dynamic exploration of electro and techno, blending fast-paced, acid-driven energy with atmospheric depth. Side-1 opens with 'Destruction Industries', a heavy, dramatic track that pulses with acid electro, creating an intense, alien vibe. 'My Vision Of Space' follows with a futuristic, Carl Finlow-esque feel, offering a sleek, forward-thinking electro sound. The Belaria Remix of the track slows things down, providing a lower BPM version that retains the original's spacey atmosphere but with a more subdued, deeper groove. Side-2 shifts gears with 'Ammoniax', diving into otherworldly techno with a hypnotic, immersive quality and 'We Come For Acid', a darker, trancey track that builds tension with heady, layered acid sounds, perfect for late-night listening. Overall, this release offers a varied, yet cohesive mix of high-energy electro and atmospheric techno.
Review: Andres Klein is Ackerman, and My Dub is his fresh new platter on Syncrophone. It's a classy fusion of minimal, house and tech with, as the title suggests, dubby undercurrents. 'My House' is first up and comes with some gospel inspired vocal stabs over slamming drums. The title cut is more techno leaning, with tough percussion and chords smeared all over the beats. 'No Vacancy' then brings some grit and menace with its coarse surfaces and prickly hits. Last of all, 'No Vacancy' gets a remix from Swedish techno stylist Skudge who smooths things out into pristine loops that roll with great dynamics.
Every Pleasure, Every Sin (Ivan Iacobucci's remix) (6:02)
Review: Acoustic Vision crafts an exceptional EP bursting with rich techno personality. The opening track, 'Peyote Country Club' grabs attention immediately with its infectious rhythm, sharp percussion, and irresistible flow. A light yet captivating melody hovers over deep, bouncing basslines, building into a perfect storm of dancefloor energy. It's a standout cut that seamlessly blends a cool vibe with driving momentum. 'Human Endeavour' ventures into darker territory, offering a tribal groove layered with eerie, hypnotic elements. The haunting melodies create a sense of being swept into a deep, mystical rave, where the rhythm pulls you in. Subtle house influences sneak in as the track progresses, with distant keys adding a sophisticated touch that leaves an impression on you.
'Every Pleasure, Every Sin' shifts gears, delivering a refreshing blend of ambient house that feels like a breezy summer afternoon. The track is pure elegance that harkens back to the vintage early 90s. The remix of the same track turns things on their head, adding a wicked bassline, playful breakbeat, and a more ominous vibe. The inclusion of an acid line gives it a nostalgic, classic feel, ensuring this version stands out with its playful edge.
Definitely an artist to watch in the future."
Review: This new solo outing from Aussie talent Ad Nauseaum has it all - acid, rave, techno, hardcore and more. 'Omega System' sets a pretty brutal tone to get things underway with filtered synths and blazing acid lines searing about the mix over raw, hard, flat drums. 'Alpha System' is even quicker and brings serrated synth madness to video game motifs and slamming kicks. Last of all is 'Always Acid,' a track that was made back in 2004 but doesn't sound in any way out of date. It's another one to blow the roof off any party.
Review: Utter wildness ensues, and the dancefloor is left tarnished. After the success of their last release together, 'Mirazh', Thomas Schumacher and A.D.H.S. reunite for a potent follow-up, both bottling and jarring the essence of Berlin techno. Simplicity abounds on 'Ex Machina' - perhaps alluding to the portentous Alex Garland film of the same name whose artificially intelligent omens will never leave us - as repetitious carnival drums blend madly with a semaphoric, high-octave melody. 'Umbra' and 'Morbida' are of course wicked techno accompaniments to boot, but in our view, it's really the A that risks most for the biscuit; we're sure you'll love it.
Review: Clut deliver a specialised clout-glut with a fresh split EP from rising artist Alric Aerial, who here teams up with yet another artist who's so far flown under the label's radar - Electrodynamique. Here the pair deliver four electro-dancefloor tracks primed for every situation: sleazy bar, backlit festival stage, ironic doomsday scenario, you name it. This EP's cascading sixteenths flow like metallic droplets, their acid lines and FM blurps splurging forth with increasing restlessness and impertinence, and decreasing self-control. Particularly squelchy is Aerial's 'Tough Cuts', which moves trigger-happy on the cutoff filter whilst dungeon-bound sine tones splay across the top edges of the track, like ectoplasms left behind after a string of Zeno's paradoxes have been solved. 'We Are The City' by Electrodynamique indulges a final emery note, abrading its curveball electro mix to a grinding, apocalyptic oblivion.
Review: AgainstMe makes a powerful debut on 47 with four tracks of deep, spiralling techno rooted in Berlin's famous underground energy. The Greek producer showcases his signature multi-dimensional sound design well here as he fuses dynamic rhythms and immersive atmospheres with great precision. Each track builds on a foundation of undulating basslines and intricate textures, which takes you on a trip through shifting sonic terrain. From hypnotic momentum to cavernous depth, there is a balance between raw propulsion and detailed production that makes for a bold, immersive statement that positions AgainstMe as a key rising voice in forward-thinking techno.
Review: AgainstMe makes a powerful debut on Renegade Methodz with 'Diagonal Prism', a four-track EP that offers up his refined minimalist approach to techno. Known for meticulous sound design, AgainstMe brings a fresh yet distinctive style to this Greek label and is sure to pick up plenty of new fans as a result. The EP opener 'Drama' introduces dense grooves and subtle yet impactful drum patterns that build tension, while a throbbing synth weaves in and out. The title track relies on hypnotic repetition and driving rhythms, while '4PM' brings peak-time energy with crisp, dynamic beats. Closing with 'Spasmoi' AgainstMe delivers a compelling club groove that masterfully balances intensity and rhythm.
Review: Agonis' debut album Neutropia receives a well-earned remix treatment here. Originally released in 2021, the album showcased Agonis' evolution beyond deep, hypnotic techno by incorporating half-paced drum & bass, rolling amen breaks, trip-hop and futuristic techno. Neutropia Remixed broadens this palette further with four distinctive reworks. Carrier slows 'Thermo' into a half-time rhythmic masterpiece, Christina Vantzou crafts a mesmerising drone trip, upsammy injects shimmering dynamics into 'Algoflash' and Felix K transforms 'Pyrchid' into an intricate drum workout.
Review: Basel-based experimental labels Amenthia Recordings and A Walking Contradiction join forces for their first collaborative release here in the form of the Flash Crash/Hack Crash EP. Both labels are known for pushing boundaries within their close-knit creative circles and this one features Agonis' heavy stepper and Konduku's whirlpool of low frequencies on the Amenthia side, while Lemont continues the low-end, tripped-out vibe. Varuna represents A Walking Contradiction and delivers swampy, slow-motion sounds in their signature style. This release embodies both labels' commitment to daring, unconventional electronic sounds.
Review: David Agrella has dropped some great work in recent times on the Seven Hills label as well as his own R.F.X.N. and now is charged with kicking off a new imprint Path. It opens with 'Yes I Am Available' which is a silky blend of minimal tech and balmy cosmic pads. 'At The Tone' is a more percussive number that is stripped back to some dry tech beats, and 'Contented Regrets' then shuts down with a dark, more menacing edge for those freak after-party moments. All three are well designed and sure to do a job.
Kidz (Elena Colombi's Are The Kids Alright remix) (6:14)
Review: This is the debut EP from DJ, producer and multidisciplinary artist Sol Leon under the moniker aka-Sol. It marks years of creative evolution and finds him blending vibrant energy with raw emotion across three tracks. aka-Sol channels a psychedelic edge into the punk roots of electronic music here by using modular synths and analogue textures to challenge modern club norms and genre boundaries. It results in a fearless offering that is equal parts love letter and provocation and invites headbanging and liberation on the dancefloor. A remix by Osare! Editions' Elena Colombi completes the EP, with experimental, post-punk and club intersections.
Review: Four distinct late-night techno tracks, each packing a punch. Side-1 opens with 'Guilt', a tight, dark, and brooding techno banger, designed to keep the dancefloor moving with its relentless energy. Following that is 'Troia', a primal, alien-like track that mesmerises with snappy rhythms and hypnotic soundscapes. On Side-2, 'Crea' delivers a stomping, sci-fi-infused beat that feels like a journey through futuristic landscapes, perfect for intense moments in a set. Closing out the EP is 'Vowels', an eerie, dark cut with unsettling atmospheres that create a sense of mystery and tension. The 'Crea EP' is a showcase of Alarico's range in techno, blending brooding moods with driving rhythms, making it an ideal pick for late-night sessions.
Review: Aleqs Notal shares a machinic new EP of counfounding delights for the Industrial Light label, also run by the artist and based out of Paris. Named after the artist's debut release which shared equal sides with fellow producer Modern House Quintet, here Notal changes the game, occupying a full four sides of wax. The A-siders 'City Smile' and 'True I Am' bring atmospheres of motoric rigidity, functioning as premier schema for the human navigation of comparatively less human urban environments. 'Let Me In' and 'Confused Reaction' offer similar blueprints, though there's an ever so slightly upped acidity on the B2.
Review: Syncrophone presents the very first vinyl release from Aleqs Notal's label, Industrial Light. Notal here teams up with longtime friend and fellow producer Modern House Quintet, and together they lay down four pure dancefloor heaters for the contemporary disco-goer. Opening with two functional acid house bustlers, we then get deeper with things with the latter's nocturnal shuffle 'Nadrezacalenis', before ending on a return to utility with 'Disokouron' as well as an inversion of the A1, 'Message From The P', in an upped Chicago house style.
Review: It's double figures for Bruto Industries, who as the name suggest like to offer up brutalistic techno bangers. These latest six missives come from Alf who opens with lurching beat beats and zippy synth loops that lock you in the moment. 'Servil Comadreja' is another broken beat rocker this time with twitchy synth modulations and acid lines slashing through the mix. There is raw machine rigidity to 'La Tipica Historia' that echoes the vibe of EBM and three further cuts keep exploring a rase of textures and busted rhythms with 'Raquitismo' being particularly heavy.
Review: Naarm-based producer Sam Alfred shows no signs of slowing down as we continue to be impressed by the material coming out of Australia right now. After releasing the energetic 'Suzuka' EP, completing a sold-out headline tour and playing a packed set at MODE Festival, he's now back with more full flavour beats. This one disk off with a real house anthem inspired by 90s club music with punchy piano, airy synths, and a driving cowbell rhythm. 'Care 4 U' has carefree garage house vibes a la salute, 'Keep It' brings some euro dance and trance energy and 'Distance' is a peak-time acid-laced pumper. Brilliant stuff.
Review: The sixth release in the 303 Pattern series marks the first time artists' identities are revealed. What doesn't change is the fact this is a powerful 12" of hard-hitting, hypnotic and atmospheric acid techno with the legendary Roland TR-303 at its core. Alien Rain makes his debut on the label with 'Holosexual's' raw drums and distorted acid lines, Akkaelle's 'Acid Mood' delivers funky, bouncy techno energy with atmospheric depth and Sour returns with another hypnotic, high-intensity bomb. Closing in style is Dima Gastroller who drops a banger of an acid techno track that should come with a health warning for anyone with a weak heart.
Review: Aussie techno innovator Alpharisc is back on Mutual Rytm with a standout second EP. Following his underground gem 'Ram Face' EP, Shane Yates again draws on the fact he has been immersed in techno for over 30 years, crafting raw, rugged sounds with his extensive hardware collection. 'Peace Be With You' opens with urgent synths and sharp drums, while 'Hail' adds frosty noise and an intense groove. 'Remain Seated 'features bright synths and driving bass and 'Look At This' combines slamming drums with melancholic pads. The closing track 'In Your Mind' offers cosmic, deep techno to close.
Review: A four-track exploration of darker, vintage late-90s-inspired techno. The title track, 'Voyage', opens with sci-fi-infused melodies and an epic atmosphere, setting the tone for an immersive journey. 'Stygious Night' follows, offering crisp subterranean techno with an edge that feels both modern and timeless. On the flip side, 'Venus Ballroom' channels an otherworldly energy, reminiscent of Surgeon's intricate and industrial soundscapes. Closing the EP, 'Psychosphere' dives into tribal territory with percussive grooves and alien textures, creating a hypnotic, dancefloor-ready vibe. A unique blend of melodic, tribal, and industrial influences, not to mention a masterclass in contemporary techno sounds.
Review: Altinbas delivers a blistering and futuristic techno release with 'Sustain' on Fuse Imprint Belgium, showing his talent for crafting elite techno tracks. Side-1 begins with 'Trail Of', a techno killer driven by pulsating bass and a fast-paced beat that packs a punch. Following is 'Life Force', which dives into a mysterious, minimal soundscape with alien-like textures and an intricate, classy rhythm that adds depth to the EP. On Side 2, 'Purpose' emerges as a melodic builder that balances minimalism with an upbeat tempo, demonstrating top-notch production and a refined touch. The EP concludes with 'Sustain', a melodic highlight that caps the record on a high note, delivering a memorable and resonant finish.
Review: Yuki Takasaki aka. Altone delivers tactile dub techno tonage with 'Wonderscape Numinous', his latest miracle EP to hit the Primary(Colours) shelves. Honouring traditional dub techno sounds while also treading new counterweighted waters, this is a short symphony of reverberative basslines and delicate synths, reminiscent of skulking Tokyo streets, gripped by a hooded curiosity for the urban alley, the railway underpass, the red lit skyline. Brendon Moeller brings a UK bassier womp to 'Self Replication' - itself a self-replicating track, as there's not one but two versions - replete with silicate sound design that both sloshes and tinkles away in the mix's midfield, like a quantum energy source, overflown with potential.
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