Back catalogue: Reggae

Review: Slowly teams up with Swish Jaguar to deliver a stunning cover of Wee's mellow soul classic 'You Can Fly On My Aeroplane.' This dreamy lovers' soul track beautifully blends vintage vibes with modern flair, featuring the talkbox talents of Swish Jaguar (aka Sam Wish), known for his work with Tuxedo. The collaboration shines with Yusuke Hirado's smooth Fender Rhodes and Tsuyoshi Kosuga's versatile guitar and bass work, creating a lush, nostalgic soundscape.Side-1's vocal track exudes warmth and elegance, perfect for setting the mood at any soul or funk set. On Side-2, the instrumental version offers DJs a versatile tool to weave into their mixes. With its impeccable musicianship and timeless appeal, this 7" bridges the gap between classic soul and contemporary groove.

Review: Soul Revivers return with 'Holding it Down', the lead single from their highly anticipated follow-up to the acclaimed debut album 'On The Grove'. Teaming up with West London's keyboard maestro and producer Ash Walker, along with vocalist Lyn Gerald, the pair of Nick Manasseh and David Hill deliver an ethereal yet captivating tune that brings to mind Jackie Mittoo's legacy and the essence of balmy summer evenings. As expected from Soul Revivers, the release includes a dub version by Manasseh on limited edition 7".

Review: Sade's Lovers Rock marks a significant evolution in the band's sound and image. Departing from their signature luxuriance, the album embraces a sparser, knottier sound that beautifully balances past influences with contemporary trends. Adu's vocals, thick and low as ever, blend seamlessly into the breezy landscape of acoustic guitar, reggae bass, and simple percussion, creating an atmosphere of understated sensuality. The album's themes range from new love to motherhood to societal issues, showcasing Adu's lyrical prowess and her ability to navigate the complexities of human emotions. Lovers Rock also pays homage to the cultural influence of Caribbean Britishness, both in its title and its musical style, adding depth to Sade's sonic palette. While the album was released amid a pop landscape dominated by shiny, slick productions, Sade remained true to their sound, avoiding obvious trends and opting for a more introspective approach. The album's impact reverberates through contemporary music and allowed Sade to maintain their unique identity and continue evolving with each release.

Review: One online reviewer described Shakeena's sole album, 1987's 'Dance Music', as a 'lover's rock jewel'. We tend to agree. Now available again on wax for the first time since the 80s (when it was pressed and released by a tiny label and sunk without trace), the album offers an enticing mix of echo-laden drum machine beats, dub-wise reggae basslines, cheery 'FM' synth-sounds, soulful vocals and nods towards freestyle, boogie and '80s soul. Highlights are plentiful throughout, with our picks of a very strong bunch including the club-ready title track, the glossy 'Your Love' (where Shakeena raps as well as sings), the classical lovers rock of 'Reggae Music' and the sweet and tender 'We Are The Mothers of the World'.

Review: Janett Silvera's When I Need You is a remarkable 1977 album that originally came on Federal. It's a vocal-laced and mellow reggae delight that features covers of classics by Patti Austin, Albert Hammond, Bob Marley, and more. The album also includes backing vocals by the legendary Marcia Griffiths. From the opening moments of the super smooth 'Oh If I Should Lose Your Love' to the more upbeat and funk fuelled workout that is 'Dancing To My Own Heartbeart' via the sentimental and super deep soul of 'When I Need You' this is an escapist classic.

Review: Voodoos & Taboos unveil their anticipated new LPs series with Human Aventura, the debut self-titled album from the promising Corsican producer. An unusual dance release modelling itself on electro and chiptune, but finding itself somewhere in the hidden interstice between them, this is a self-described "libidinous Mediterranean spoken disco" album, giving elements of Telex or Kraftwerk, albeit with a progressive bent best heard on pithy cuts 'Solid State Scouter'. Not one to be missed for those who like it intelligent, fidgety and FMmy.