Review: Q Lazzarus was always going to be a good fit for the cult synth and cold wave crew, Dark Entries, and so it proves here with this overdue debut. Diane Luckey was born in 1960 in New Jersey and created her iconic moniker while living in NYC's East Village. Her breakout moment came after meeting director Jonathan Demme during a 1986 snowstorm; he was captivated by her demo playing in her taxi. Their encounter led to the unforgettable inclusion of 'Goodbye Horses' in Silence of the Lambs. Despite its cult status, Luckey and collaborator William Garvey remained largely overlooked but surely that will change now as they offer up five unreleased tracks that have been newly mixed from original master tapes.
Review: This gatefold green vinyl record captures a rare and electrifying live performance from the pioneering electronic music legends. Recorded at their 1997 Tribal Gathering festival headline, it's a showcase of the band's iconic sound that blends groundbreaking synth-driven melodies with hypnotic rhythms and futuristic themes. Performing classics like 'Autobahn,' 'The Robots' and 'Computer World,' Kraftwerk delivered a spellbinding experience that bridged their innovative past and continued influence on modern music all set against the historic backdrop of Luton Hoo Estate. It features plenty of their classics from the time, as well as - shockingly - a new track, titled 'Tribal Gathering' (and also sometimes referred to as 'Luton') that was written especially for the gig, never recorded in the studio and only ever played a handful of times. A great nostalgic trip.
Review: There's something unavoidably magnetic about the intersection between ambition and self-awareness and this release, by Charonne, Nemo Vachez, Umberto and T Oceans, knows exactly how to tap into that tension. With each track, there's an undeniable undercurrent of both vulnerability and swaggeriproducers twisting minimal beats into something far deeper, dragging you through shadows with a mix of melancholy and movement. You feel the weight of their collective sound but also their defiant lightness, straddling the line between introspective and dancefloor-driven music. It's a textured, driving release with an ever-present air of mystery.
Review: Leeds-based label Turnend Tapes showcase the wide and very assured skills of Malmo man Martin Abrahamsson aka Bauri across a choice selection of five tracks from the more thoughtful and atmospheric end of the techno scale. That's not to say there aren't grooves aplenty going on. Opening track 'Zoom0036' has some irresistibly shiny, downbeat electro moves, offset by a touch of Autechre-like ghostliness. 'Jody' comes on like Drexciya at their perkiest, with a soupcon of Air Liquide's cheeky phasing, while 'Sunrise (take 2)' has the majesty and simplicity of Aphex's first 'Ambient Works'. Flip it over for 'Easter Sunday', where streamlined polymetric machine funk and solar flare arpeggios do a merry dance, before 'Feeling Reprise' finishes things off with spiralling half-speed beats and yet more melodic grandeur rising out of the mix. Abrahamsson has a long, impressive pedigree with more alter egos than you've had hot dinners, but this is up there with his most original and confident efforts. It's a Flow-brainer.
Review: Tristan Arp returns to Wisdom Teeth with his second album, 'a pool, a portal', blending modular synths, cello, found sounds, and spoken word. The LP, crafted between Mexico City and New York, continues where his debut 'Sculpturegardening' left off, creating an ambient soundscape where nature and machines co-exist. Featuring a collaboration with Guatemalan cellist Mabe Fratti, this record is a journey into a future where humanity and technology evolve together. The artwork, like the music, blurs the line between the natural and the digital.
Review: Ilian Tape kicks on with another entry into its ITX Series, this time with a lovely hand-stamped long player from MPU101. It is a deep dive into escapist ambient worlds with plenty of grainy tape hiss and cosmic static, celestial melodies and provocative moments of introspection. Analogue machinery is really brought to the fore on fuzzy sounds like 'CreamyPORTAL-Xa' with patient and pastoral synth smears, while 'APEX CA 91352' has brighter and more mellifluous melodies rising up through the mix. There is plenty of pensive beauty in these cuts, not least the gorgeous 'Junelake Smokes'. Another gem from Ilian Tape.
Review: In the early 1980s, Britain had a vibrant cassette culture that now gets spotlighted through a limited edition 12" featuring multi-instrumentalist Kez Stone's project, Imago. He was a notable name in Cornwall and the West Country's music scenes with previous projects, Artistic Control and Aaah! which have come back via reissues many times in the last ten years. Imago was a new one-ff project that first emerged with one track on the Perfect Motion compilation curated by NTS Radio's Bruno and Flo Dill and now the full LP, originally released in 1985 on the local label A Real Kavoom, has been remastered and added to with three additional gems. Stone's teenage punk influences sit next to Imago's eclectic approach to sound that blends new wave and psychedelic elements into something irresistible.
Review: Army of God's 'Salvation'' back in 2012 soon became a cult coldwave cut. It was the one and only release by the pair of Aroy Dee and Miss Jagroe... until now. More than ten years on they are back with 'Endless Skies' which is a new EP full of analogue warmth, signature synth designs and aching strings. Of course, Jagroe's unique voice features and brings extra allure to the beats. Aroy Dee steps up with an edit of the title cut and lays in some more form drums and pairs back the vocals to make things even darker. On the flip you'll find the throbbing bass and off-kilter keys of 'Fear the Night' with a dark version going even more into the shady unknown.
Review: In June, Actress delivered an RA mix that was nothing short of surprisingientirely new, unheard material from Darren S. Cunningham himself. Asked if it was an album, he called it "a collage -Braque," leaving interpretation open. This CD edition captures the essence of Actress's sound: fluid, shape-shifting, and unconcerned with traditional definitions. Whether a mixtape or sonic collage, it's unmistakably Actress, offering listeners a raw, evolving soundscape that resists labels and challenges boundaries, making it an essential piece for fans of his ever-innovative style.
Review: Ruben Benabou marks out and identifies another sonic constellation; this is a rapid indie trance-dance four-tracker of galactic ambition and scale. Drawing inspiration from sci-fi soundtracks, and the warmer currents of electro, leaders 'Message To Nowhere' and 'Words In A Void' also recall the gladdened awe of space disco, with twinging leads skirting about the stereo like passing shooting stars. The Hacker's version of the title track plays back like an 8-bit minigame version of the main mission, with its pocket-generated drums, while 'A Thousand Nights' is a prime exercise in retro synthwave, and the perfect closer.
Review: This expansive 2CD collection from Nurse With Wound compiles a range of experimental works from 2008-2011, offering a glimpse into their cut-and-paste sonic universe. Opening with the jarring 'Cruisin' For A Bruisin'', the set quickly plunges into a diverse array of sound, blending drones, rhythms and odd vocal samples. The first disc is split into 'The Bacteria Magnet' and 'Rushkoff Coercion', while the second features 'Erroneous, A Selection of Errors,' likely showcasing unreleased material. The music constantly shifts, moving from chaotic big band absurdity to African-inspired polyrhythms, cold techno and smoky ambient passagesiall within moments. Though the collection lacks a unifying theme, its disorienting patchwork of textures offers plenty of intriguing moments. As with any NWW release, it's difficult to categorise, but it's a skilful, unpredictable exploration of sound that keeps listeners engaged despite its ever-changing nature.
Review: 'Autobahn' by Kraftwerk, released in 1974, is a seminal track that redefined the future of electronic music. Its significance lies not only in its innovative use of synthesisers and electronic instruments but also in its ability to evoke a specific visual and emotional landscape. Here, the song's repetitive, motorik rhythms are given an overhaul - or more specifically three - by Jim Rider, a regular at Lee Burridge's All Day I Dream parties. They're beefed up for the floor, certainly, but maintain the kind of delicate touches that makew the original such a great listen.
Review: Troekurovo Recordings is a production team made up of Toki Fuko, Vadim Basov and Evgeny Vorontsov and they have been hidden away deep in some enchanted Russian forests recording music. Now they are putting out the results on this superb double pack. This project started back in 2016 as a live experimental jam and is now an annual tradition made on loads of analogue gear on the banks of a canyon that was formed many years ago by a melting glacier. The locale provides inspiration - from the fresh country air to the meteor showers often visible overhead - for the music making which is strictly "no preparation, no pre-programming - hardware, friends and live improvisation only."
Los Ninos Del Parque (Bionda E Lupo Neumisch) (7:16)
African Beat (Andrei Rusu dub) (7:46)
Review: Platform 23 platform the Italian 80s avant-garde and anarcho music scene on a fresh 12" compilation, kicking things off with an unreleased cover, by the band Nengue, of Los NiNos Del Parque's electro-pop-wave track 'African Beat'. Amid the political unrest of the Anni di Piombo (Years of Lead) - which saw the autonomist Marxist movement, and backdrops of government-mafiosi collusion, labour strife, and terrorist splinter group formations - underground artists found themselves transducing the radical energy of the time into rapidfire releases, put out through DIY networks. Rome's Nengue embodied this, blending industrial, jazz, and futurist influences. Initially, the release aimed to highlight their Kraftwerk-inspired African Beat, but the discovery of their cover of 'Los NiNos Del Parque', described as "powerful anarchic nonsense", became the focal point. Berlin's Bionda e Lupo contribute a remix, with Sneaker's sharp production and Sano's vocals adding a fresh dimension. Andrei Rusu (Khidja) delivers a deep, dub-heavy reinterpretation of African Beat, perfect for modern dancefloors while honoring its raw origins. A vital document of Italy's underground electronic resistance.
Review: Blkmarket Underground Music Party Edits is a sub-label to the influential Blkmarket, an esteemed label and event series in New York. Contrary to what that catalogue number might indicate, this is actaully their second release and has Facets at the controls. First up is 'Computers' with its raw and snappy analogue drum sounds and late-night synth details. 'Time Of War' is another full-fat blend of analogue drum thump and driving synth motifs, 'Talk To Me' has crashing cold-wave synths and deadpan vocals and 'Paranoia' has loopy vocals and moody atmospheres for freaky dancing. 'Lies' and 'Dub To Destruct' shut down this varied and retro-tinged EP with jerking rhythms that will do plenty of damage.
Review: Nine tracks of 'life-affirming downer music' by Swedish duo Charlott Malmenholt and Joakim Karlsson aka Treasury Of Puppies. Mitt Stora Nu is the Gothenburg-based duo's second album, following last year's titled Lollos Dagbok and their eponymous debut back in 2020. A collection of lo-fi and quirky indie-pop ditties, all said to have been influenced by Edgar Allan Poe as much as Britney Spears. Mastered by Giuseppe Ielasi and pressed in an edition of 1000 copies. Comes with insert.
Review: Italian producer Vinz Giaimis crafts an intricate homage to the kosmische traditions of Krautrock, weaving a sonic tapestry that feels as much about exploration as it does about reverence. Across the EP's four tracks, Giaimis deftly balances vintage analogue textures with a modern electronic sensibility. The opener sets the tone with a motorik groove underpinned by shimmering synths, evoking both the vastness of space and the hypnotic rhythms of a train journey. Elsewhere, there's a palpable warmth as swirling pads and layered percussion come together in a way that suggests the meditative qualities of early Tangerine Dream.
Review: This refreshed edition of the standout album from Ultravox comes as part of Record Store Day Black Friday 2024 and has been mixed in majestic stereo by Steven Wilson. It arrives on a double CD and pays tribute to one of the band's most influential works and in the process highlights the groundbreaking sound that defined their era. The album retains its timeless appeal all these years on and mixes up the innovative essence of the original with a modern touch. Alongside the original tracks, this edition includes instrumental versions that serve up a deeper exploration of the music and make it a must-own piece for fans old or new.
Review: The Trails label, as is often the way in so many cases in electronic music, is the natural next step for the party crew of the same name. Having established a sound and a community, they now branch out with music from associated producers all keen to offer up their shared musical visions. First up, the label introduces friend and graphic designer Bogdan N?stase aka DJ Bogdan. Setting a fine tone from the off. the EP explores melancholy, introspection, mystery and hope, all infused with a nostalgic nod to 2000s electro-techno and synth-pop. The A-side opens with 'Shade Detector,' an energetic peak-hour anthem which is followed by the melancholic 'Freakshow Parallax' for after hours. The B-side features 'Videofreex,' a versatile party gem before closer 'Fantana Cartezian?' is a twisted minimal techno homage to Bucharest's lost history.
Review: Irish producer Iglooghost continues to redefine electronic music with a conceptually rich and sonically dense third album. Drawing from the desolate landscapes of a coastal UK town overrun by primordial detritus, the record fuses UK garage, coldwave, drill and more into a visceral, cinematic experience. Created while squatting in a Kent coast garage near a sewage plant, Iglooghost's surroundings heavily influenced the album's dark, aquatic tone. Blending relentless percussion with eerie melodies, the album unfolds like a near-future sci-fi soundtrack. Tracks like 'Germ Chrism' deliver pummeling trap-meets-IDM chaos, while slower cuts like 'Spawn01' evoke the hushed intimacy of early Portishead. Iglooghost's vocals take center stage, ranging from snarling hooks to delicate whispers, imbuing the music with a surreal humanity. Thematically cohesive yet wildly experimental, the album's soundscapes mimic waterlogged radio transmissions, stuffed with textures, rhythms and cinematic interludes. Despite its grim undertones, a cartoonish, surreal charm runs throughout, melding genres and abstract storytelling into relentless, goosebump-inducing club music. This record reaffirms Iglooghost's mastery of world-building and his ability to craft a vivid, otherworldly atmosphere from the interplay of sound and narrative.
Tolouse Low Trax - "Sketches Of A Destroyed Meadow"
Infuso Giallo - "Torus"
Claude De Tapol - "Du Train Jaune"
Puma & The Dolphin - "The Grass Drum"
t-woc - "Marty Eek"
Houschyar - "Intercontinental"
Lamusa II - "Artificiale"
YNV - "Dw3"
Bolva - "Rite II"
Anatolian Weapons - "Float"
URVERHEXT - "Ubertan"
Velvet C - "Exalt Cut"
Review: Emotional Response has described soFa's fourth compilation for the label as "internationalism for the adventurous DJ", full of club music for the open-minded. It's basically an eclectic, esoteric musical travelogue that serves of intriguing, entertaining and admirable electronic music for those of a leftfield persuasion. There's much to enjoy, from the undulating melodies, off-kilter beats and mind-soothing chords of Infuso Giallo's 'Torus', and the moody techno-not-techno wave minimalism of Puma & The Dolphin ('Grass Drum'), to the analogue-heavy cold-wave dystopia of Houschyar ('Intercontinental'), the dark ambient techno of Lamusa II ('Artificial') and the tribal tinged electronic psychedelia of Bolva ('Rite II').
Review: British electronic duo Future Sound Of London celebrate their 30th anniversary in 2018. In From The Archives Vol 9, unpublished tracks from their extensive archives see the light of day for the first time spanning the period from the early 1990s to present day. Discover progressive electronic experiments from the depths of the FSOL catalogue - timeless and innovative expressions in IDM such as "Semi Conscious Participant" or "Super Tide" could have been created during any era, through to sublime ambient house excursions like "Ocea" or "Riverbed". Upbeat moments can be heard on the drum 'n' bass influenced "Without You It's Meaningless" or the blustering beats of "Oska Traveller.
Review: Maelstrom returns to Central Processing Unit for his fourth outing, and this time he's dropping his longest release yet. French electro mainstay Joan-Mael Peneau, known to many as Maelstrom, has been a fixture on the scene since the early 2000s, and he brings every ounce of that experience to his new LP, The FM Tapes. Spanning 11 tracks, this album is a masterclass in precision, confidence, and control. From the opening moments of 'Ondes Courtes', Maelstrom makes it clear that he's not here to mess around. The track offers a dark, brooding take on electro, with tight, shuffling beats and expertly layered synth work that sets the tone for what's to come. Tracks like 'Alt50ser' follow, pushing forward with mechanical rhythms and a frenetic energy that could only come from an artist with such a seasoned hand. 'La Vie Sociale Des Sons' showcases his knack for combining complex soundscapes with raw, dancefloor-ready energy, blending heavy basslines with shimmering top-end details. The album's centrepiece, 'Res 06 (feat. Fasme)', serves as a standout, bringing in an almost cinematic quality. The beats remain hard and driving, but there's a subtle elegance in the way Maelstrom weaves textures around them, creating something that feels both intense and intricate. Yet, despite all the technical wizardry, The FM Tapes never feels cold or clinical. There's a warmth to tracks like 'My Digitone', where the rhythms are precise but still leave room for playfulness and experimentation. It's this balance of meticulous craftsmanship and spontaneous energy that defines the LP and makes it feel so vital.
Review: It's 1990 and Depeche Mode couldn't really be riding much higher in the global music stakes. Having just released Violator, the band had finally debuted an album inside the Billboard Top 10 for the first time in their almost-decade-long history, and pretty much anyone who came into contact with the record was very quickly captivated by its sound. While definitely not a curveball, it marked an expansion of the group's existing style. Some have described it as synth-pop, others alternative rock. In many ways, it's a dance floor album, one that embraces goth and coldwave at its very core. Captured during their tour at that time, Set In Stone features landmark singles from the LP - 'Personal Jesus', of course, and 'World In My Eyes' - it also proves beyond any doubt that a Depeche Mode show is about more than simply playing the hits.
Review: British synth-pop supergroup Electronic consisted of Bernard Sumner of New Order, Johnny Marr of The Smiths, Neil Tennant of Pet Shop Boys and Karl Bartos of Kraftwerk. The combined clout of these names surely amounted to enough credit to patent the name "Electronic", which always to us felt partially like an attempt to become synonymous with the music genre itself (as if these guys weren't synonymous with it already). On Get The Message, a 2006 compilation named after the second single from their debut album, we hear a thorough checking of their contribution to the golden decade that is the 1990s, cycling chronologically through the group's greatest hits, as well as some extra rarities and tidbits for curious fans.
Review: Cybotron are best known as the early purveyors of electro as we know it, responsible for the genre's more mechanised incarnations from as early as the mid-1980s. Now, though, they "re-emerge in our contemporary cybercultural age when artifactual futures begin a transition into a new era of "Meta'", with two new tracks on Tresor, 'Maintain' and 'The Golden Ratio'. While this sentence might take some decoding, we're fain to speculate that it has something to do with the current mass-mediated zeitgeist centring on virtual reality and its implications for metaphysics, both of which right up Cybotron's street as concepts go. Something about the perturbed spirit of 2023 has awoken Juan Atkins and Laurens von Oswald from their decades-long slumber to produce this vocoded, deep-waving, technocult opus. We must figure out what!
Review: The Advisory Circle's Mind How You Go is a haunting and evocative album that transports listeners back to the eerie world of 1960s and 1970s public information films. Inspired by the chilling soundscapes of these films, the album captures a sense of nostalgia and unease that is both poignant and unsettling. The album's music is both catchy and unsettling, with its eerie melodies and haunting vocals creating a sense of unease. The lyrics, which often focus on themes of danger and caution, add to the album's unsettling atmosphere. Mind How You Go is a masterpiece of nostalgic electronica. It is a record that is both haunting and beautiful.
Review: Originally hailing from The Isle of Wight but now based in West Norwood, South London, Vertical Cat has been releasing tunes since 2001 on imprints like Smallfish, Vice and his own rather wonderfully named Achingly Responsive, but now finds himself delivering seven varied creations for Chicago's Kimochi Sound to issue via the kind of hand-numbered, limited edition run that's sure to get trainspotters salivating like Pavlov's dogs. From the jazz-inflected phrasing, subtle phasing and jiggly sub-bass of 'Go Willy-nilly' to the Mills-esque thumpfunk of 'Oh You Mucky Bugger!', there's a bit of everything here, but every last moment is delivered with quality and clearly perceptible personality. You've also got to love outro track 'I'm Leaving', which soundtracks an awkward call to HR with some nicely cheeky, perky exotica.
Review: Under the Jaz alter-ego, John Zahl has been serving up laidback, Balaearic-minded edits of musical obscurities since the mid 2000s. Initially, that was for Claremont 56 offshoot Sixty Five, but in the last decade he's also appeared on Passport To Paradise, Rotating Souls and, most recently, Pinchy & Friends. Here he returns to the latter label with four more rubs of atmospheric cuts from the dusty corners of his record collection. He begins with the wonderfully throbbing, solo-heavy dancefloor synth-scape of 'Cloud Worship', before successfully tinkering with a tactile, semi-organic proto-house gem on 'Pick a Toy'. Over on side B, 'Puzzle' is a tidy revision of a cosmic-minded, French language Balearic synth-pop gem, while 'Friday Night' is an eccentric, off-kilter slab of new wave disco oddness.
Review: Kerala Dust are an indietronica trio hailing from Berlin, and their upcoming album 'Violet Drive' is rightly described by them as a 'pan-European dream'. Recorded between Berlin and a remote Swiss Alpine studio, this is a funky, dark and sumptuous vocal dance project, replete with an overarching nighttime swing and glossy shimmer. Rather than one for twangy, sunburnt all-American road trips, we imagine this one is far better suited for drives across milder Scandi landscapes at night.
Review: It's hard to argue with how much work Koreless, AKA Lewis Roberts, has put into things. Born in Bangor, Wales, but based in Glasgow - currently the most exciting UK city for electronic music production - it took a decade from his debut EP, 4D, to his first album, during which time he participated in the sorely-missed Red Bull Music Academy programme, collaborated with Sampha, performed on Boiler Room TV, embedded himself within the Young Turks camp, wrote with FKA Twigs, and was credited by David Byrne. That's a lot to unpack, so while the bubble wrap is unloaded let's skip to right here, right now. Deceltica is a particularly Koreless collection of tracks, from the opening warning sirens and haunting melodic chimes of 'Seven', to the robot breaks of the title number, and 'Drumhell''s near-reprise of the opening track, a kind of outro to that intro, it's all very good. Then you get fellow Welshman and resident at Manchester's beloved Bakk Heia party, Jorg Kunning, proving why he's up there with the most technically brilliant beat makers.
Review: Xeno & Oaklander's Via Negativa marks their eighth venture into the realm of retro-futuristic synth-pop, blending meticulous electronic craftsmanship with emotional depth. Recorded in their modernist Connecticut home, which doubles as a two-story synthesiser lab, this album balances visionary ambition with technical precision. The duo, Liz Wendelbo and Sean McBride, translated embryonic piano sketches into intricate modular systems, layering harmonics, tuned percussion, and spectral devices that create rhythmic textures. Yet, despite its complexity, the music resonates on a human level. The title track opens the album with shimmering synths and a sleek vocal interplay, setting a cinematic tone for what's to come. Each track plays with mood and persona, capturing the band's fascination with theatricality and drama. It's a collection of widescreen anthems that feel both timeless and firmly rooted in the cybernetic present.
Review: Keynote launches its debut with Keynote01 by the talented MOYA81, whose unique retro-synth style finds new life in a powerful industrial techno format. Known for his robotic vocals and experimental touches, MOYA81 brings a blend of gritty, machine-driven sounds and offbeat, playful elements to this 12" vinyl-only release. Rooted in a deep appreciation for both nostalgic and forward-thinking electronic music, this record showcases his unmistakable sound and is packed with character. It's a release as fitting for the dancefloor as it is for enthusiasts of industrial techno's distinct energy.
Review: Kihon Ido is a brand new Japan-based label whose name translates as 'Fundamental Movements' and we're told it is here to focus on timeless dance music by exploring foundational sounds across styles and eras. Its debut release from Extra delves into deep, hypnotic and textured techno from the off. 'Visigoth' is a sophisticated blend of atmospheric layers and smudged dub chords - it's music that transcends the dance floor trends while remaining immersive and evocative. The other cuts explore more smooth and loopy DJ Nobu style cuts with 'Full Circle' offering a more playful and light melodic sound.
Review: A aka Mika Vainio's 'Fermionit' is a significant release from the late Finnish producer, who passed away in 2017. Originally featured in a Belgium Detuned 6x12 boxset just before his death, the track received critical acclaim from collectors and fans. Now, it returns to Mika's own Sahko label for a well-deserved 12" release. 'Fermionit' embodies the essence of Finnish techno with its minimalistic, cold and stark sound. The track's passive-aggressive edge showcases Vainio's signature style, blending raw, unfiltered textures with a profound sense of depth. This release not only honors Vainio's legacy but also offers a chance for new listeners to experience the pure DNA of Finnish techno. An essential listen for fans of minimalist and avant-garde electronic music.
Review: A warm welcome back to long-serving French duo Scratch Massive, a DJ/production twosome who have been active locally and internationally since 1994. Nox Anima is, somewhat remarkably, the duo's first studio album since 2018. Rooted in the stylish, atmospheric and occasionally moody new wave sound they've been developing for decades, the album frequently pairs dark and clandestine analogue and modular synth sounds - throbbing, arpeggio-style sequences and ghostly chords - with metronomic or sparse beats, moments of melodic positivity, spacey electronics and whispered or sung female lead vocals. It's a musical blend that pays dividends far more often than not, making Nox Anima a must-check for fans of leftfield synth pop and chilly coldwave sounds.
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