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Back catalogue: Leftfield
Juno's full catalogue of Leftfield
シングル
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Review: Jagged textures, ghostly tones and frenetic notes are omnipresent on "Filterealism", a highly experimental 9-track odyssey of warbling, jittering, metallic sounds that's quite possibly going to be like nothing you've heard before. Or at least that's the case on "Aluminium Dub", where tribalism meets futurism, or "Kosmaj", which could be read as an exercise in spatial awareness - a series of echoed synth stabs and whirring sounds where gaps say as much as the keys. Elsewhere things are less mind-bending, although only slightly. "All This Is Not A Dream", for example, might be an experiment designed to see what happens when freeform jazz meets feint touches of jungle percussion. "Continental Outcome" chugs without dropping a real beat, "Photon Garden" treads close to a prototype of electro while remaining staunchly eccentric.
… Read morePlayed by: Juno Recommends Experimental
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Martin GORE aka MG
The Third Chimpanzee (limited blue vinyl 12" + insert + MP3 download code in embossed sleeve)
Cat: 12MUTE 629. Rel: 29 Jan 21
Review: "I resynthesized some vocals that almost sounded human, but not quite. That's why I decided to name the track after a monkey." Depeche Mode mainstay, and one of the UK's finest modern musicians and songwriters, on his website Martin Gore cuts to the quick in explaining his latest solo release, which takes its name directly from Jared Diamond's book about the similarities between animal and human behaviour, The Third Chimpanzee.
It's certainly a pretty wild experience. Like the preceding lone wolf album, MG, here MG the guy gives us five tracks of synth goodness made on modular consoles. Visiting post-ambient, IDM and industrial noise, or rather luring those elements out of their natural comfort zones and into an atmosphere that almost feels as though you're lost in nature, it's a real opportunity for escapism at a time when many of us have never needed one more.
… Read moreIt's certainly a pretty wild experience. Like the preceding lone wolf album, MG, here MG the guy gives us five tracks of synth goodness made on modular consoles. Visiting post-ambient, IDM and industrial noise, or rather luring those elements out of their natural comfort zones and into an atmosphere that almost feels as though you're lost in nature, it's a real opportunity for escapism at a time when many of us have never needed one more.
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Review: Cocteau Twins' musical mastermind Robin Guthrie has produced some terrific solo records over the course of his career, frequently delivering material that joins the dots between ambient, ethereal soundscapes, shoegaze and the more immersive end of the soundtrack spectrum. 'Astoria' is the latest volume in the Scottish multi-instrumentalist and producer's ongoing EP series (its predecessor, 'Mountain', dropped in September). It's another typically gorgeous and enveloping affair in which effects-laden guitar motifs, gaseous ambient chords, gentle rhythms, ghostly aural textures and slowly shifting melodies combine to create instrumental sound worlds of rare beauty (if not sonic clarity - Guthrie's use of reverb and delay is liberal, which adds to its atmospheric nature but adds extra layers of attractively wide-eyed haziness).
… Read morePlayed by: Juno Recommends Ambient/Drone
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Review: Robin Guthrie's Atlas is a four-track EP showcasing new instrumentals that gently reintroduce listeners to his distinctive world. Known for shaping genres with his production and signature guitar sounds, Guthrie famously co-founded and produced for Cocteau Twins. With over four decades of musical influence, he's produced, remixed, and collaborated across various projects, from instrumental albums to movie soundtracks and Atlas serves as a tantalising preview of what's to follow later this year, namely more of Guthrie's evocative sounds that will no doubt continue his legacy of pushing boundaries.
… Read morePlayed by: Juno Recommends Ambient/Drone
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Uprooted Vol 1 (7")
Cat: UPROOTED 01. Rel: 02 Nov 22
Review: Versatile's new Uprooted project, masterminded by serial curator and long-time label contributor Vidal Benjamin, has an intriguing concept. It focuses on the 'duality' of musicians who grow up in one place, then move to another and absorb that culture. The two tracks on release number one were picked by Vladimir Ikovic, who has selected a track a piece from Belgrade, the city of his birth, and Dusseldorf, his current home. On the Serbian side, he offers up 'Track 1' by Rex Ilusivii, Goran Vejvoda and Milan Mladenovic, a trippy, slow-motion slab of dubbed-out, Eno-influenced slab of post-punk experimentalism from 1984. Flip for some rough, powerful, mind-mangling proto-techno from 1981: the stylish, lo-fi and pleasingly intense 'NBKE' by CHBB. Inspired obscurities that are well worth a listen.
… Read more in stock $12.37
アルバム
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Cat: ISO 008. Rel: 15 Oct 24
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Review: Galcher Lustwerk has put together a collection of 10 ambient cuts here that he wrote to score a film by Josh Kline, a fine artist whose solo exhibition 'Project for a New American Century' recently opened at the Whitey Museum of American Art in New York. It is a dystopic science fiction movie that details what happens after the climate crisis really takes hold. The music is an esoteric mix of free jazz, drones and bleeped-out ambient that is alive with busy, fizzing frequencies. It's a dense, textural brew that collides synth and sax sounds into a new sort of tribute to Ridley Scott's Blade Runner score.
… Read more in stock $12.37
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Review: Canadian composer Mort Garson enjoyed an eclectic career, though in electronic music circles he's most celebrated for a string of experimental electronic albums he produced using early Moog synthesizers. "Mother Earth's Plantasia" is a bizarre but brilliant beast: a 1976 set that was designed to be played to plants to help them grow (really) and was given away free at a Los Angeles garden store. As this first ever reissue proves it remains a dizzyingly far-sighted set. Sometimes symphonic, occasionally spacey and always intoxicating, much of the material is far quirkier than contemporaneous synthesizer-fired sets. Highlights include the pulsing ambient spaciousness of "Ode To An African Violet", the twinkling, cascading beauty of "Rhapsody In Green" and the jaunty cheeriness of "You Don't Have To Walk a Begonia".
… Read more in stock $12.37
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Review: Tom Middleton and Mark Pritchard created a landmark of ambient music when they released 76:14 back in the 90s. Their Global Communication project was never just about ambient though, and it also coursed through deep house and more besides. In the spirit of progress, Middleton has returned to thinking about the project from a contemporary perspective, stepping forth as GCOM with the epic scope of E2 XO. From stirring orchestral suites to high octane DSP, it's an expansive listening experience that shows Middleton pushing himself into new terrain in the studio. Whether you tie it back to the prior material or not, it's a towering piece of work from an elder statesman of UK electronica.
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Review: Two years ago, long-term musical collaborators Jules Maxwell and Lisa Gerrard, who first worked together during the latter's time with 4AD signed musical mavericks Dead Can Dance, joined forces with James Chapman to create Burn, a critically acclaimed exploration of "euphoric and inventive" sounds that blurred the boundaries between neo-classical, world music and ambient electronica. One Night in Porto captures the pair's performance - ably assisted by Chapman and a small pool of supplementary musicians - of the album's widescreen tracks at Casa Da Musica in Porto last November. With Gerrard utilising her voice to the full - one minute, soaring and operatic, the next singing more sweetly and soulfully in an entirely different language - and Maxwell playing a grand piano and synthesisers, it's a stunningly atmospheric, uplifting and entertaining affair.
… Read more in stock $14.90
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This Darkness From Which We Cannot Run (CD limited to 100 copies)
Cat: WLR 171. Rel: 17 Oct 24
in stock $10.98
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Silent Night
Good King Wenceslas
Silver Bells
Rest Ye Merry Gentlemen
Last Christmas
The Banister Bough (feat Feist)
Jingle Bells
All I Want For Christmas Is You
In The Bleak Midwinter (feat Jarvis Cocker)
Snow Is Falling In Manhattan (feat Jarvis Cocker & Feist)
O Tannenbaum
Maria Durch Ein Dornwald Ging
O Come, All Ye Faithful
We Three Kings
Auld Lang Mynor
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Review: It's hard not to be impressed by everything Grimes touches. From the moment this album's trippy downtempo titular opener emerges from submerged depths of sound you know the latest from the Canadian is going to be a special moment in pop. As if to accentuate our point, "Delete Forever", two tracks later, introduces acoustic guitar tips while still retaining deep timbre and utilising effects to hypnotic ends on those hummed vocal loops. "IDORU", which closes out the record, feels far more playful, simple keyboard and whispered choral lyricism introduced with a backing track of bird song, before broken club beats fall in. It might be most fitting to finish a write up on the aptly-titled "You'll Miss Me When I'm Not Around", its guttural bass guitars and EDM-leaning vocal stabs not the only things reminding us the world would be weaker without this one.
… Read more in stock $12.66
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Review: On her third full-length release, Brooklyn-based bassoonist, composer and producer Joy Guidry showcases the full range of her 21st century jazz repertoire. While her frequently haunting and emotionally resonant bassoon parts are naturally a focal point throughout, these distinctive and intoxicating musical movements come wrapped in deep-set ambient soundscapes (see sublime opener 'Psalm:138:7'), waves of special effects (the equally meditative 'It's Okay To Let Me Go'), the righteous release of gospel ('Members Don't Get Weary', 'Angels') and the cosmic, higher-level intent of spiritual jazz ('I Will Always Love You'). In other words, it's an impeccable ambient jazz album that deserves wider recognition.
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