Review: As Galcher Lustwerk's label continues to expand at an easy pace, so this intriguing prospect arises from the lesser known Double Pelican Man. As The Nassau Sessions title might imply, this is a departure from sleek house and techno into an abstraction of the island boogie sound, taking some cues from digi-dub and 80s dancehall but offsetting it with a final mix that is all its own. "Jet Ski" is a perfect slice of canned dub for mellow heads, and "Sweet Genius" is the pick for a more audacious application of delay and reverb, but the bass on "Shit To Buy" makes it the standout track on this collection of dubwise jams.
Review: Lustwerk Music presents a mysterious new entity known simply as The Fock. With little to no background information, this record stakes its own claim within the Galcher-verse by offering up a range of mixes of "Shat Pop." The "Saldes Mix" is a proper immersion heater of cerebral techno, while the nervy, stomping "Flood1 Remix" is credited to White Material regular Young Male. The "Electro Mix" has a squelchy, boogie-inflected palette offset by woozy atmospherics, and the "Ambient Mix" unsurprisingly does away with the drums and drifts in limbo with a disembodied tannoy announcement for company.
Review: An unearthed Palms Trax remix from 2014. 50% of proceeds from this album will go to Trussel Trust which helps food banks in the UK. Galcher Lustwerk's "Soul Control" originally appeared on his debut 12" for White Material records in 2013. After making an early remix for Palms Trax on Lobster Theremin in 2014, Jay returned the favor with this unearthed anthemic remix.
Review: Quavius finally follows up on his self-titled debut LP for Lustwerk Music three years later, and it's worth the wait. As you'd expect of an artist snapped up by the close-knit crew Galcher Lustwerk orbits, there's a hazy, dreamlike mood lingering over all the tracks on "Find Ready", but there's plenty of variety taking place within that context. "Heaven Is In You" is as peppy as it is spaced out, while "Let It Rock" lays down a melancholic synth twist on trap. There's spacey acid, dusty, mechanical house and plenty more besides. Fun, varied and drawing on an angle that's all his own, Quavius has more than delivered on the promise of his first record.
Review: This mini-album marks a shift in emphasis for Lustwerk Music, with boss Galcher Lustwerk choosing to showcase the work of another producer for the first time. He's apparently been nurturing Florida-based Quavius for some time, encouraging the young producer to "experiment more" while following his instincts. It seems to have worked, because the majority of music on this debut release is top notch. It covers a lot of ground, with the A-side alone moving between R&B-inspired hip-house ("Love The Way"), hip-hop ("Magic Man"), woozy electronica ("R 'n' V") and spacey deep house ("Composure"). There's naturally plenty more to enjoy on the flipside, too, from the old school deep hip-hop bump of "M 320", to the crunk-tinged, cut-up goodness of closer "Can I Be".
Review: Galcher Lustwerk and Alvin Aronson turned many a head with the elegant sophistication of their collaborative album Scenes (2012-2015), which landed on Lustwerk's own label last year. Now the duo are back with more goodies from their Studio OST project, and once again the fusion between gossamer threads of melody and delicately crafted machine rhythms is evident throughout this 12". "Eventide" comes as a full blown track and a sumptuous beatless version, while "Ascension" has a dubby original and useful drums-only cut, making this record both functional and an absolute delight to listen to.